Tag: storytelling

Monday Motivations for the Writer! #19

Writer IcebergI love this wonderful graphic (by Sudio Sudarsan) of a ‘writer’s ice berg’.    Not many people, aside from we who write, know this world.  It’s lonely, scary, humiliating, and painful.  It’s also uplifting, soul filling, mind-stretching and wonderful.

I count myself the luckiest of women that I developed my craft and didn’t give up when people said ‘no’.  I am the most fortunate of writers to have realized that the process has to be planted in good soil, watered, and given lots of sunshine. Even when I am writing from a dark place.

We writers should never sit back and say, ‘I have arrived. I don’t need to grow anymore.  I am at the top of my game.’   If you’ve read any of my interviews with really famous authors, they aren’t smug….far from it…they are striving to be better just like you and I are.  I’ve found in my interaction with these authors that the more successful they are…the humbler they are.

“I’m writing a first draft and reminding myself that I’m simply shoveling sand into a box so that later I can build castles.”  Shannon Hale

“As a writer, I marinate, speculate, and hibernate!’‘ Trisha Sugarek
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

To receive my weekly posts, sign up for my  On the home page, enter your email address. Watch for more interviews with authors.  March-Apr:   Joshua Hood, author of ROBERT LUDLUM’S THE TREADSTONE RENDITION  April: Author, H.W. ‘Buzz’ Bernard May: Victoria Costello.

A few BOOKS BY TRISHA SUGAREK 

Monday Motivations for the Writer! #18

TS: A fellow writer that I have interviewed was kind enough to contribute to my Motivational Moments…  Thanks, Mike!

‘One of the most common questions that novice writers ask me is “How do you overcome writer’s block?” I would define
writer’s block as a heavy psychological state in which you’re completely out of ideas about what to write. Usually, writers seem to experience it somewhere in the middle of a story rather than near the beginning or end. It can last for days or even weeks, getting you down and undermining your confidence.

My solution is simple, and many writers report that it also works for them. When you experience writer’s block, jump to some other point in the story, some other scene or episode that you already know will be there, and start working on that. This can include jumping all the way to the very end and working backward. Writers who prefer to write their stories sequentially, from start to finish, may feel uncomfortable with leaping over to some faraway section of the story, but believe me, if you force yourself to do this, there’s a strong chance that you’ll break through the barrier.

I don’t know how this solution works–maybe subconscious plot connections take place or it’s simply getting your creative energy flowing again, but it usually does. Give it a try next time you’re stuck and see if it works for you.’ ~ Mike Wells

“Who is more to be pitied, a writer bound and gagged by policemen or one living in perfect freedom who has nothing more to say?” ~ Kurt Vonnegut

“A straight line is not the shortest distance between two points.”― Madeleine L’Engle

Did you see my interview with Mike Wells? Click here
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

To receive my weekly posts, sign up for my  On the home page, enter your email address. Watch for more interviews with authors.  March-Apr:   Joshua Hood, author of ROBERT LUDLUM’S THE TREADSTONE RENDITION  April: Author, H.W. ‘Buzz’ Bernard , May: Victoria Costello

A few BOOKS BY TRISHA SUGAREK 

Monday Motivations for the Writer! #17

TS. My friend and best-selling author, Jodi Thomas, did me the honor of contributing to Monday Motivations.

‘The hardest thing a writer does each day is sitting down to work.  In 28 years as a working writer, I’ve published 45 books and 13 novellas.  The hardest thing wasn’t learning to write but learning to manage time. I picked up a few tricks but it is still the dragon I fight every day.

Jodi.photo (Small)
Jodi Thomas

Build your nest.  I find this makes it easy for me to step into fiction.  It doesn’t matter if your nest is in a secret room in the attic or a small desk in a hotel room. It needs to be your nest. I usually start with a notebook. 

My facts book, my bible for the series.  It includes all characters’ names and basic facts.  Maps of the area—if you’re making up a town, make up the map.’ ~~Jodi Thomas

‘Peace and rest at length have come, All the day’s long toil is past; And each heart is whispering “Home, Home at last!‘- Thomas Hood

‘Two roads diverged in a wood and I – I took the one less traveled by, And that has made all the difference.’- Robert Frost
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
To receive my weekly posts, sign up for my  On the home page, enter your email address. Watch for more interviews with authors.  March-Apr:   Joshua Hood, author of ROBERT LUDLUM’S THE TREADSTONE RENDITION  April: Author, H.W. ‘Buzz’ Bernard May: Victoria 

A few BOOKS BY TRISHA SUGAREK 

 

The Guyer Girls will open soon in the Black Hills of South Dakota

The Black Hills Community Theatre of Rapid City, South Dakota is opening performance dates for my play, The Guyer Girls, beginning March 31st.  

 

Writing down my memories of my mother telling me these wild stories about herself and her four sisters when they were teenagers in the 1920s in a tiny town

Mama, Violet, Gladys, Ivah, Youngest sisters

in the Pacific Northwest was a joyful trip down memory lane and a perfect genre to preserve her stories.  When I was a child, thankfully, I knew all of my aunties as older women. It’s a special event when I am notified by Samuel French, my publisher, that this particular play has been licensed to produce by a theatre group.

Synopsis:

Critics have described The Guyer Girls as a cross between Little Women and I Remember Mama. From the opening moments when Ivah cuts Violet’s eyebrows off, this story romps through the sibling antics and rivalry of a large family. The first act takes place as the young teenage girls are growing into lovely women.

The five sisters grown: (left>right) LaVerne, Violet, Gladys, Ivah and Lillias.

 

(left>right) Tish Evans as LaVerne, Carol Cameron as Violet, LaRee Mayes as Mama, Wendy Lowe as Lillas, and Marilyn Hovland as Ivah

In a series of family stories set in the 1920s, we enjoy the girls’ hilarious pranks, antics, joys and humiliations. There is laughter in abundance. Tears, love, and sibling rivalry as these four delightful sisters grow up under the guidance of their matriarch, ‘Mama’. A prestigious marriage, a female pro-basketball player, and a run away to Alaska, these young women couldn’t be more diverse. Fast forward to the 1940s. The sisters are adults, starting their own families and Pearl Harbor has just been attacked.

The Guyer Girls are the children of Sophia and Levi Guyer who migrated to America and then moved out west. The stage play is a rich tapestry of an American family spanning three decades and based upon the true story of the Guyer family. 4f.
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

To receive my weekly posts, sign up for my  On the home page, enter your email address. 

Watch for more interviews with authors.  December: Marc Cameron, writing for TOM CLANCY
March-Apr:   Joshua Hood, author of ROBERT LUDLUM’S THE TREADSTONE RENDITION  April: Author, H.W. ‘Buzz’ Bernard 

A few BOOKS BY TRISHA SUGAREK

 

Monday Motivations for the Writer! #16

Why momentum is more important than quality. Blasphemy, right? Wrong. Momentum is more important, in this writer’s opinion, than quality.

The writer with momentum is an author who is MOVING FORWARD.  Writing every day, six or seven days a week, if only a page or two a day.

The writer who is so stuck on ‘quality’ that they have only written one book in their life time, and they are still writing it, is the writer who is not moving forward or growing.  If you only write one or two words a day, your manuscript is moving forward.

Many writers, who believe a,s I do, say that if you leave a project for a month, six months, a year, it is likely that you will never go back to it. And during that time the doubt creeps in: “who do I think I am?” “I’ll never be a great writer.”  “I’m no good at this.” “My mother was right, I’ll never amount to anything….” “how good could I possibly be?” “I should go get a day job.” “How dare I?”

Remember, Quality gets layered in, draft by draft. Some newbie writers think that the first draft should be perfect. Sorry, that’s simply not the case. You’ve heard me say over and over:  ‘that’s what rewrites are for.’
Quality is a multi-draft proposition. Momentum is the only thing that will get you a FIRST DRAFT!

“Write until it becomes as natural as breathing. Write until NOT writing makes you anxious.” Unknown

“The role of the writer is not to say what we can all say, but what we are unable to say.” Anais Nin

“When we deny our stories, they define us. When we own our stories, we get to write a brave new ending.” Brene Brown
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

To receive my weekly posts, sign up for my  On the home page, enter your email address. 

Watch for more interviews with authors.  December: Marc Cameron, writing for TOM CLANCY
March-Apr:   Joshua Hood, author of ROBERT LUDLUM’S THE TREADSTONE RENDITION, April:  H.W. ‘Buzz’ Bernard, WWII historian

A few BOOKS BY TRISHA SUGAREK

Monday Motivations for the Writer! (#15)

When characters stroll into your story….LET THEM! A little while back, I completed an interview with FreshFiction.com and was relating to the interviewer that several characters had walked into my story (Song of the Yukon) quite unexpectedly.   I welcomed them in. It happens to me frequently.  They contribute interesting tributaries to my main story stream. Even though I had to stop and do some extra research, it was so WORTH IT!

Keep writing, my fellow writers!

‘This is the true joy in life, the being used for a purpose recognized by yourself as a mighty one; the being thoroughly worn out before you are  thrown on the scrap heap.’~~George Bernard Shaw

‘An original writer is not one who imitates nobody, but one whom nobody can imitate.’ Francois Rene De Chateaubriand

‘I’m not the heroic type, really. I was beaten up by Quakers.’ ~Woody Allen
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

To receive my weekly posts, sign up for my  On the home page, enter your email address. 

Watch for more interviews with authors.  December: Marc Cameron, writing for TOM CLANCY
March-Apr:   Joshua Hood, author of ROBERT LUDLUM’S THE TREADSTONE RENDITION, April:  H.W. ‘Buzz’ Bernard, writing for TOM CLANCY.  

A few BOOKS BY TRISHA SUGAREK

Interview with writer, Joshua Hood, writing Robert Ludlum’s newest book

Joshua Hood is an Army vet, former SWAT sniper, and “current full-time author with a beautiful wife and two wonder-kids.”

Q. Where do you write? Do you have a special room, shed, barn, or special space for your writing?  Or tell us about your ‘dream’ workspace.

JH. I have a small office next to a gas station on the historic Collierville Square.

Q. Do you have any special rituals or quirks when you sit down to write? (a neat workspace, sharpened #2 pencils, legal pad, cup of tea, a glass of brandy, favorite pajamas, etc.)
JH. Can’t think of any.

Q. How do you ‘get inside’ Robert Ludlum’s head and write for him?

JH. Besides his books, I spent time reading articles and watching interviews.

Q. Could you tell us something about yourself that we might not already know?

JH. I almost quit writing last year, but the hardware store I wanted to work at wasn’t hiring. And no, I’m not kidding.

Q. What tools do you begin with? Legal pad, spiral notebook, pencils, fountain pen, or do you go right to your keyboard?

JH. I use a white board and a legal pad for each book.

Q. Do you have pets? Tell us about them and their names. 

JH. I have a Chocolate Lab named Meg.

Q. Do you enjoy writing in other forms (playwriting, poetry, short stories, etc.)?
If yes, tell us about it.

JH. I writing articles for gun magazines like Personal Defense World, Tactical Life Soldier of Fortune and Ballistic.

Q. What’s your best advice to other writers for overcoming procrastination?

JH. Creativity isn’t a vending machine; you can’t just drop in some quarters and hope to come away with a good idea. It takes time. Time to let your ideas incubate and grow. To an outsider this might look like procrastination, but in reality, it’s a process.

Q. Where/when do you first discover your characters?

JH. They just kind of show up during the process.

 

Q. What first inspired you to write?

JH. The summer before junior high I was watching an old James Bond movie called Goldfinger. I remember not wanting it to end and when it did, I started my first short story to try and recapture that magic.

Q. What comes first to you? The Characters or the Situation?

JH. The situation.

Q. Do you ‘get lost’ in your writing?

A. Yes. I think all writers get lost in the flow.

Join us next week for the conclusion of this interesting interview with Josh.  
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

To receive my weekly posts, sign up for my  On the home page, enter your email address. 

Watch for more interviews with authors.  December: Marc Cameron, writing for TOM CLANCY
March-Apr:   Joshua Hood, author of ROBERT LUDLUM’S THE TREADSTONE RENDITION , April: Buzz Bernard writing for Tom Clancy

A few BOOKS BY TRISHA SUGAREK

 

 

 

Monday Motivation for a Writer! #14

How to Love Not Hate Rewrites

A writer has to find a way to love rewrites. No matter how good you are at writing your first draft I guarantee you will find an awkward sentence structure, typos, or a section not germane to your story.  Best of all, if you’re like me, you’ll discover extra content when exploring unfinished business in your story.

Love those rewrites! You’ll have a better book for it!

“Rewriting is a large part of the whole job. And get rid of stuff that’s not working. Just pare it down until it’s a beautiful thing you can hand in, probably late, to your editor.”~~ Kurt Loder

“More than a half, maybe as much as two-thirds, of my life as a writer is rewriting. I wouldn’t say I have a talent that’s special. It strikes me that I have an unusual kind of stamina.”~~ John Irving

“Artistry is important. Skill, hard work, rewriting, editing, and careful, careful craft: All of these are necessary. These are what separate the beginners from experienced artists.”~~ Sarah Kay

 

                    ‘As a writer, I marinate, speculate and hibernate…and rewrite.’  Trisha Sugarek

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

To receive my weekly posts, sign up for my  On the home page, enter your email address. 

Watch for more interviews with authors.  November:  Horror writer, Kevin J. Kennedy, December: Marc Cameron, writing for TOM CLANCY

 

A few BOOKS BY TRISHA SUGAREK

Monday Motivation for the Writer! #12

                      How to Write Rich Characters.

After many years of writing, my characters just show up in my head, but it’s my job to ‘flesh them out, and’ breathe life into them. Many times I will meet or see a character in

 real life, and they inspire a character in my storytelling. If you’re a new writer, take the time to write it down. It’s not the same as a few random thoughts about your character. Some intangible thing happens when I put pen to paper and get to know who my character is.

Read through your story and write down EVERYTHING the other characters say about the character you are creating. These exercises do not have to show up in your book. They are merely ways to research and explore who your characters are. When I am editing and rewriting, I look for additional ways to bring my characters to life.

I keep asking myself about the character’s motivations, goals, and needs.

“One of the things I know about writing is this: spend it all, shoot it, play it, lose it, all, right away, every time.

 Do not hoard what seems good for a later place in the book or for another book; give it, give it all, give it now. Something more will arise for later, something better.”
— Annie Dillard

“A director becomes a diplomatist, a financier, a pedagogue, a top sergeant, a wet nurse, and a martyr, the kind of martyr who used to be torn into pieces by wild horses galloping in all directions at once.” ~Margaret Webster, Stage Director (This quote SO applies to writers, I thought I would include it.)

(Watercolor portraits by Trisha Sugarek)
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

To receive my weekly posts, sign up for my  On the home page, enter your email address. 

Watch for more interviews with authors.  December: Marc Cameron, writing for TOM CLANCY
March-Apr:   Joshua Hood, author of ROBERT LUDLUM’S THE TREADSTONE RENDITION 

A few BOOKS BY TRISHA SUGAREK

Monday Motivation for the Writer! #11

I had a friendly debate with another author when she responded to my Stephen King’s quote about ‘plot being the  last resort of bad writers.’  One of her comments to me was, “writers have to accept that their readers might not care as much about your characters as you do.”

My vehement answer was if my readers don’t care as much as I do, then I haven’t done my job.  I just finished reading a book by a new (to me) author, and I found her characters boring and unsympathetic.  She didn’t tell me enough about them through dialogue and description for me to care.  I suspect that since this was a series, she relied too heavily on her readers already knowing her characters from previous books.  Big mistake!  Even with a series, each book, and character, must be able to stand alone. #writing

Writers!  You have to know your characters in order for your readers to know and care about them.  With the most despicable villain, you must give your readers something to love about that character.

“People are like stained-glass windows. They sparkle and shine when the sun is out, but when the darkness sets, their true beauty is revealed only if there is light from within.”  Elisabeth Kabler-Ross

“When you are completely absorbed or caught up in something, you become oblivious to things around you, or to the passage of time.  It is this absorption in what you are doing that frees your unconscious and releases your creative imagination.”  Rollo May
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

To receive my weekly posts, sign up for my  On the home page, enter your email address. 

Watch for more interviews with authors.  November:  Horror writer, Kevin J. Kennedy, December: Marc Cameron, writing for TOM CLANCY

 

A few BOOKS BY TRISHA SUGAREK