All works in a series, sequel or trilogy must stand alone. Therefore the writer must duplicate information (set-up) about the characters, place, time, etc., in each book.
Being an avid reader and fond of series, I noticed that it didn’t bother me that I was reading duplicate information. It struck me that it was probably true of most other readers. I doubt readers even notice unless they are ‘binge’ reading an entire series.
My message here to you other writers, is don’t let it worry you. Each book must be written as if it’s the only book that your reader will read of yours.
It’s also acceptable to throw in teasers from books in the series. For example, I tell (in book #7, World of Murder) of my detective going to a cake tasting in preparation for his wedding. This might ‘tease’ my readers into wanting to know how O’Roarke and Summer met, fell in love, how he proposed, and so on.
And nothing is sweeter than to have a fan ask if there will be a sequel or if the first book will become a series. Both has happened to me!

“words like wine, words like blood, words out of the mouths of past loves dead. words like bullets, words like bees, words for the way the good die and the bad live on…” Charles Bukowski
“Mostly, we authors must repeat ourselves…that’s the truth. We have two or three great moving experiences in our lives…experiences so great and moving that it doesn’t seem at the time that anyone else has been caught up and pounded and dazzled and astonished and beaten and broken and rescued and illuminated and rewarded and humbled in just that way ever before.” F. Scott Fitzgerald
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MY BLOGS feature INTERVIEWS with best-selling AUTHORS!
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On the home page, enter your email address. Watch for more interviews with authors. March-Apr: Joshua Hood, author of ROBERT LUDLUM’S THE TREADSTONE RENDITION April: Author, H.W. ‘Buzz’ Bernard. May: Victoria Costello. June: Laila Ibrahim







I love this wonderful graphic (by Sudio Sudarsan) of a ‘writer’s ice berg’. Not many people, aside from we who write, know this world. It’s lonely, scary, humiliating, and painful. It’s also uplifting, soul filling, mind-stretching and wonderful.
I had a friendly debate with another author when she responded to my Stephen King’s quote about ‘plot being the last resort of bad writers.’ One of her comments to me was, “writers have to accept that their readers might not care as much about your characters as you do.”




My interview with bestselling author Robyn Carr was so generous it became a 3 parter. She said this in the context of the post. I couldn’t have said it better so I borrowed it! Thanks, Robyn!
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Writers, talk to your grandparents about their life experiences. If you are a relatively new writer, start by writing about something you know. Maybe a family story. My mother and her 12 siblings have been an endless reservoir of stories for me. The length doesn’t matter when you first begin to write. Be a good storyteller. If I hear an adult chuckle when reading my children’s books, I know I’ve done a good job. 
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“If only life could be a little more tender and art a little more robust.” Alan Rickman, actor
It’s perfect when it arrives and puts itself in our hands. It hopes we’ve learned something from yesterday.” John Wayne
A glaring, or perhaps glorious, example of a story taking an unexpected turn was when I was writing Women Outside the Walls. My plan for the storyline was that this would be a cozy little story of three very different women coming together while visiting their men in prison.
