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Interview with author, Donna Everhart (conclusion)

 

DE.  I was going through chemo again in 2019. My hair had grown back in, [at least I had hair at the moment]. but I was about to lose it for a second time – and within two months of this photo, I had none.  I just got home from receiving a heavy dose of chemo at the hospital. 

Q. Are you working on something now or have a new release coming up? If so tell us about it.

DE. I’m always working on a new book, and my next novel, When the Jessamine Grows, releases January 23, 2024. It’s a different story from my others because I’ve stepped back further in time to the Civil War era. This is a morally complex story about the McBride family, subsistence farmers whose principles are brought to the foreground after their eldest son runs off to join the Confederacy after being influenced by his staunch Confederate grandfather. The father, Ennis, goes after his son, leaving his wife, Joetta, (my main character) to look after their younger son, and the farm. What follows is a harrowing time for her, and the rest of the family as she is bound to stand by their beliefs, and by doing so, becomes a pariah in the community.

Q. When did you begin to write seriously?

DE. In 2008, when the company where I’d been working for twenty-five years went bankrupt. I’ve often wondered if they hadn’t, whether or not I would’ve started. It was the shove I guess I needed, because I’d thought I would retire from there. I’m so happy they folded. (haha)

Q. Do you think we will see, in our lifetime, the total demise of paper books?

DE. No – at least I hope not. (You do have wonder about all that paper, and the trees, and the pulp industry) But, I think this was already sort of proven when there was those few years when it seemed e-books might surpass sales of paper books. I haven’t looked it up lately to see if e-books are overtaking sales, but I think we’d hear it from the industry if that were to happen. Speaking from my own personal experience, paper book sales for my work is always higher than e-books.

Q. What makes a writer great?

DE. Speaking personally, what makes a writer great for me is when I look forward to getting back to the book, when they teach me something I didn’t know, or when they write about a concept, or topic that’s never been written about before. It’s when their way with words makes me re-read their sentences. Some writers hit all of these marks, some hit maybe one or two, but some aspect of these things, or all, are what I think make for a really brilliant writer.

Q. and the all-important: What does the process of going from “no book” to “finished book” look like for you?

DE. It looks . . . never-ending. It looks impossible. It looks like a fever dream. Chaotic. Messy. Dumb. I’m usually at a loss at the start. There are days/weeks of staring at nothing. Days/weeks of thinking, thinking, thinking. Trying to write, tossing it out, trying something else. It’s endless discussions with other writer friends. Eventually, a foundation, an inkling of THE idea comes. Then, it’s brick by brick through the first sentences, to the first paragraphs, and first pages. It’s getting through those 1,000 words a day goals. It’s self-editing, killing words, and birthing better ideas. Then comes the moment of angst when someone else reads it. Then the agent reads, and then the editor. There’s praying involved during the “others are reading it” phase. Lots of it. Then comes the polishing, (copy edits) honing, (first pass pages) and then, voila. Book!

Q. How have your life experiences influenced your writing?

A. I’m a Stage IV cancer survivor, and at one time, I was a single mother, and all along, I’ve been known to be stubborn (hard-headed???) so, this is something I draw on when writing my stories. I gravitate toward writing about characters with fortitude, and mental strength. Physical strength is important, too, but, writing about characters overcoming the odds because of their convictions – whatever those might be – is compelling. I love writing about people who were doing just fine until something comes along and knocks their world topsy-turvy, and now they have to figure out how to straighten it up. I’ve been there, we’ve all been there, and it’s rewarding to overcome obstacles.

Q. What’s your downtime look like?

 

DE. Well. Downtime for me is getting away from my computer. I used to run, but since I can’t do that anymore due to all the radiation I’ve had, I like to walk

 (sometimes with weights) or go on a long bike ride. I also love to go to the movies, or watch a movie on TV, or a good series. We got caught up in Yellowstone, but then it started getting over the top. We gravitated toward the origin stories (1883 and 1923) and enjoyed those more. I love to go to the Blue Ridge mountains, and to sometimes take day trips – like I just took my grandkids to the zoo this past week.

Q. Have you or do you want to write in another genre?

DE. I did write this one book . . . that will likely never the see the light of day. It My agent said it was a “hard crime” novel.

Q. Note to Self: (a life lesson you’ve learned.)

DE. What you worry about at night is nothing in the morning.

Did you miss the rest of this INTERVIEW?

DonnaEverhart.com.
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A few BOOKS BY TRISHA SUGAREK

Interview with Author, Donna Everhart (part 2)

Donna & her grandkids

Q. What’s your best advice to other writers for overcoming procrastination?

DE. You’re “looking” at a procrastinator. I’ll come to my desk every day and have a word goal in mind (usually 1,000 words) and oftentimes do everything but start working toward that goal. What follows is GUILT as time ticks by. By the end of the day, if I haven’t made the word count because of lost time on something unrelated to my writing goal, there’s the inevitable slump in mood. My best days are when I make a concerted effort to get the word count in. Even if I don’t, and get, say, 500 words, I’m happier for it because I know the effort was honestly made. It takes discipline to not get onto social media or think of the other million ways to avoid doing what needs to be done to accomplish the end result – i.e., a finished book. What I’ve found works best, write first; everything else comes after – even laundry.

Q. Where/when do you first discover your characters?

DE.  Usually through an idea for a story. Sometimes a name comes to mind first, and I start to think about who this person would be, and what is it they want, what they’re good at, what they’re bad at, and if they have any enemies. It’s kind of all over the place. A messy, messy process.  

Q. What first inspired you to write?

Donna with hubby

DE. Reading stories that made a big impact on me were the main influence or motivator. The enjoyment I got from books where I wouldn’t stop reading for a long time, and when I finally took a break, I’d look around in a daze. I’d become so invested in that world, I think I was surprised I wasn’t “there,” instead of sitting on a couch in my living room. That kind of story made me want to create something similar. The idea of affecting a person’s mood, thought process, and emotions resonated for whatever reason.

Q. What comes first to you? The Characters or the Situation?

DE. It’s actually been both. It’s never always this, or that. For example, in my debut, The Education of Dixie Dupree, it was the character of Dixie. In The Road to Bittersweet, it was the situation – the 1940 flood in western North Carolina. It just depends. When I begin to search for a story, I’m often lookin g for a situation, but out of nowhere, a name will come to mind – and then I’m thinking, who is this? (I have to have a name before I can develop a character)

Q. Do you ‘get lost’ in your writing?

DE. Absolutely. When I’m really in that zone, hours can go by and I’ll sort of come out of it and realize, oh, wait. I haven’t eaten. I’m often shocked half the day is gone. It’s kind of scary sometimes!  

Donna with her granddaughter

Q. What compelled you to choose and settle on the genre you now write in?

Donna with daughter

DE. I love, love, love reading stories set in the South where I’m from, and so I guess it makes sense I’d want to write about my culture and the region I love. Aside from the classics out there for Southern literature, like Flannery O’Connor, William Faulkner, etc., it was reading the more contemporary writers like Kaye Gibbons (Ellen Foster) and Dorothy Allison, (Bastard Out Of Carolina) that jumpstarted my urge to pursue it. After I read their books and I was on the hunt for more stories like theirs. This was around 1987, or so, and as I began to discover these Southern stories which really resonated with me, I knew if I ever wrote anything, it would be something like this.

Did you miss the start of this interview?
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A few BOOKS BY TRISHA SUGAREK

 

A New Mystery Series from Grace Burrowes ~ Book Review

4.5 out of 5 stars   ~~   Book Review 

Grace Burrowes is well into her new series, The Lord Julian Mysteries.  And Burrowes is the VERY BEST at writing in the 1800’s. There is no one who comes even close to her accuracy and care with the period.  She evokes the people, the places, the animals, and the activities, for her readers to ‘see’.  Her flavor never wavers. 

 

Book One, A Gentleman Fallen on Hard Times, is a mystery to the last page.  I don’t know why but this reviewer had it in her head that these would be murder mysteries.  Not so (so far as I’ve only read book 1), and the stories are richer for it.  No spoiler alerts in the form of a synopsis from this reviewer. 

I particularly love Burrowes’ rich character development.  Lord Julian and Lady Hyperia are perfect protagonists. And Lord Julian Caldicott is a welcomed addition to the list of Burrowes’ characters. 

 I am so looking forward to reading A Gentleman of Dubious Reputation soon and recommend A Gentleman Fallen on Hard Times to all of my readers. Book Three is out!!

Did you miss my interview with Grace Burrowes?
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A few BOOKS BY TRISHA SUGAREK

Author, Donna Everhart ~ Interview

Donna Everhart is a USA Today bestselling author known for vividly evoking the complexities of the heart and a gritty fascination of the American South in her acclaimed novels. She received the prestigious SELA Outstanding Southeastern Author Award from the Southeastern Library Association, among many others.  Born and raised in Raleigh, she has stayed close to her hometown for much of her life and now lives just an hour away in Dunn, North Carolina.  

Q. Where do you write? Do you have a special room, shed, barn, or special space for your writing? Or tell us about your ‘dream’ workspace.

DE. I have an office upstairs that’s pretty secluded, which I love. It’s actually the same office I used when I was working way back when in the corporate world. Since I left that occupation in 2012 to write full-time, the one big thing I’ve changed is adding bookshelves. Lots of them! These shelves hold my inspiration and of course, my entertainment. The books in the pictures were placed right after the bookcases were built when I was still organizing, and boy, that was a lesson learned. I must’ve moved my stacks at least three times until I finally settled on read non-fiction/craft books to be read and my own work.

Q. Do you have any special rituals or quirks when you sit down to write? (a neat workspace, sharpened #2 pencils, legal pad, cup of tea, a glass of brandy, favorite pajamas, etc.)

DE. We’re all so uniquely different with how we approach writing, so, I suppose you could say we all have quirks. I don’t necessarily need a completely pristine

 workspace, but I don’t want it so messy it’s distracting. I like medium point pens, although I don’t (and never will) work in long hand. The pens are for taking notes when I have an idea I don’t want to forget. And, usually, around 4:00 p.m., I often need a break, and I’m prone to have some caffeine so I can catch a second wind. It’s usually coffee, but if it’s really hot, (I’m in NC – it gets pretty hot!) I’ll opt for slightly sweet iced tea with a squeeze of lemon.

Q. Could you tell us something about yourself that we might not already know?

DE. I found a body on the beach once. It was a young man in his early 30s who was pulled out by an undertow. It was right after 9/11 and eventually I found out he was fasting, and praying, and on that particular day, the day he was due to go back home to West Virginia, he went out for a swim and, sadly, drowned. I found out all of this through his mother who contacted me later. She was able to find my address from her other son who was a state trooper, and had access to information. She wrote to thank me for holding his hand until help came. Even though he was gone, I felt compelled to do that. It was kind of scary because his eyes were still open, and I SWEAR he could see me, but given other things going on with him physically, it was apparent he’d passed on. It was really tragic and sad.

Q. What tools do you begin with? Legal pad, spiral notebook, pencils, fountain pen, or do you go right to your keyboard?

DE. I go right to the keyboard. My writing is too messy, (note the remark about long hand above) and I think too fast (sometimes) to be able to write anything legible. I even have trouble with my grocery list and deciphering what the heck I wrote on it.

Q. Do you have pets? Tell us about them and their names. 

DE. I don’t have any pets at the moment. I used to have Yorkies. First, we had “the girls,” Bella and Kiwi. We tragically lost them in the summer of 2012, within three weeks of each other due to that whole fiasco with jerky treats. (If anyone is wondering what I’m talking about, just Google dog jerky treats made in China and FDA.) About 4 months later, in December of 2012 we got another little Yorkie we adopted who was 3 years old. His name was Snickers, but we renamed him Mister. (close in sound) He was a mess, really quirky, was NOT food driven – at all. He had some health issues like IBD, and chronic pancreatitis. We also tragically lost him in the summer of 2021. I took him to get his teeth cleaned and he suffered a catastrophic event. It’s a long story, but it tore my heart to pieces. Right now, we don’t have any pups, but I keep going out to sites to poke around and look. I know one day we’ll have some again. I’m thinking of adopting a bonded pair, if I can. I think that would be perfect.

Q. Do you enjoy writing in other forms (playwriting, poetry, short stories, etc.)?
If yes, tell us about it.

DE. The only other form of writing I’ve done is a very short form of flash fiction. I used to write these one-hundred-word stories where five prompt words were

Coming Soon!

provided and the goal was to write a complete story (beginning, middle, end) in 100 words. I’m so consumed now with writing to contract that I’ve not done this in years, but it was fun, and actually really challenging – more so than you’d think.

Q. What’s your best advice to other writers for overcoming procrastination?

DE. You’re “looking” at a procrastinator.

Don’t miss part 2 of this entertaining interview with Donna next week. 

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A few BOOKS BY TRISHA SUGAREK

Monday Motivation for Writers! #30

Pride Yourself on Your Great Dialogue!

Definition: the conversational element of literary or dramatic composition

I’ve often wondered if authors whom I’ve read, like Edna Ferber, wrote pages and pages of narrative/description because they never mastered the art of dialogue. Hmmm.

I got lucky because I began my writing career by writing stage plays. And they are nothing but dialogue. So early on I learned from, not only writing plays but, reading plays…thousands of them over the years.

To be good at it, I think one of the tricks is to write more and more dialogue and then write some more. You have to be able to get in that character’s head. What do they ‘sound’ like? Is their grammar messy? The character who hails from the Bronx, for example, is going to cut off words such as: walkin’, talkin’, eatin’, and so forth. There will be more idioms (such as ‘grill’, ‘to front’, ‘rachet’, ‘na’mean, and ‘spaz’)  than a person who was raised in a household where grammar and diction were more valued. You have to be able to switch characters and write ‘flavor’ into their speech. How would an eastern Indian, whosewriting, create, write, blog, authors
first language is not English, ‘sound’?  Now write it that way.  How would a southern ‘sound’? Be careful, people from Charleston, S.C. sound totally different from people in New Orleans, Louisiana.

Now, go back over your story and focus on how each character sounds. Is one character’s grammatical habits spilling over into another? Once in awhile I will read over my dialogue and suddenly one of my characters ‘sounds’ like me but they’re not anything like me. I let my own idioms slide right into my character’s mouth.  It’s disconcerting because it’s so easy to do. When you’re out and about listen to other people’s speech patterns, idioms and speech habits.

“Writing a novel is like driving a car at night. You can only see as far as your headlights, but you can make the whole trip that way.” E.L.Doctorow

“People say that life is the thing, but I prefer reading.” Logan Pearsall Smith
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Book Review * Saints of Swallow Hill by Donna Everhart

5 out of 5 stars     ~~ Book Review 

Donna Everhart knows how to capture the heart and mind of her reader from (practically) the first page.  Del and Rae Lynn couldn’t be two more different personalities, but the reader quickly empathizes or feels some affection (in the case of Dell) early on.  While Donna has her own unique voice she did remind me, at times, of a blended flavor reminiscent of One for the Blackbird, One for the Crow by Olivia Hawker, and Where the Crawdads Sing by Delia Owens. Lofty company, in my opinion.  

If you had told this reviewer she would be reading about ‘turpentiners’ next, I would have said, “Say what?”
It’s a fascinating, exciting story set during the Great Depression.  Desperate people using any idea just to survive with literally the shirt on their back and little else. 

If you don’t read another book this year, be certain you read Saints of Swallow Hill.  I highly recommend it!

Coming soon! An Interview with Donna Everhart!

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A few BOOKS BY TRISHA SUGAREK

COMINGSOON!

 

Monday Motivation for the Writer! #29

All works in a series, sequel or trilogy must stand alone. Therefore the writer must duplicate information (set-up) about the characters, place, time, etc., in each book.

Being an avid reader and fond of series, I noticed that it didn’t bother me that I was reading duplicate information. It struck me that it was probably true of most other readers. I doubt readers even notice unless they are ‘binge’ reading an entire series.

My message here to you other writers, is don’t let it worry you. Each book must be written as if it’s the only book that your reader will read of yours. 

It’s also acceptable to throw in teasers from books in the series. For example, I tell (in book #7, World of Murder) of my detective going to a cake tasting in preparation for his wedding.  This might ‘tease’ my readers into wanting to know how O’Roarke and Summer met, fell in love, how he proposed, and so on.
And nothing is sweeter than to have a fan ask if there will be a sequel or if the first book will become a series. Both has happened to me!

“words like wine, words like blood, words out of the mouths of past loves dead. words like bullets, words like bees, words for the way the good die and the bad live on…”  Charles Bukowski

“Mostly, we authors must repeat ourselves…that’s the truth. We have two or three great moving experiences in our lives…experiences so great and moving that it doesn’t seem at the time that anyone else has been caught up and pounded and dazzled and astonished and beaten and broken and rescued and illuminated and rewarded and humbled in just that way ever before.”  F. Scott Fitzgerald

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Interview with author, Laila Ibrahim part #2

Q. What first inspired you to write? (con’t.)

LI. …… I thought to myself, of course, he does. She was his primary attachment figure. Our self-identity if formed by those early attachments. And in a flash, I thought of Lisbeth in Mattie’s arms. I wondered what it would be like for her to love this woman like a mother and then be expected to reject Mattie’s humanity to take her place in society. Then I wondered what it would be like for Mattie to have to leave her child to care for another baby. Finally, I wondered about Anne. I thought Anne would be a bigger presence when I started the novel.

Q. What comes first to you? The Characters or the Situation?

LI. The characters.

Q. Do you ‘get lost’ in your writing?

LI. Absolutely. Sometimes I feel like I am dreaming out loud as a write. I feel and see a scene and then my job is to describe it.

Q. What compelled you to choose and settle on the genre you now write in?

Playing in the snow

LI. I feel like I was given the story of these women and I’m just going from there. Part of what I am working on is understanding how we got to this moment in time, given the history of our nation and world. I think about the caste system baked into the constitution of the United States that gave wealthy, white, Christian able-bodied straight men the most rights—and yet the  founders wrote a document that would one day include me as a citizen. I’m grateful to all the people who came before me who worked so that I could have the rights that I do. I don’t take my freedom for granted in any way.

Q. Are you working on something now or have a new release coming up? If so tell us about it.

LI. Cherry Blossoms in set in Oakland and Berkley between 1941 and 1946. Kay Lynn is a young woman with two children whose life is torn apart by World War 2. It is expected to be released in May 2023.

Q. When did you begin to write seriously?

Wedding Party



LI. For my 40th birthday I challenged myself to start writing Yellow Crocus after the story had haunted me for 7 years. Five years later I self published it. It got picked up by Lake Union of Amazon Publishing in 2014 and I haven’t looked back. I’ve published five books since then with the sixth expected out in May 2023,

Q. Do you think we will see, in our lifetime, the total demise of paper books?

LI. Not in my lifetime—too many people my age love to turn actual pages. Maybe in my children’s life time. Or my grandchildren’s.

Q. What makes a writer great?

LI. I don’t know that I am qualified to answer this in a general way. I know many people for whom the language or poetry of writing is what makes you a great writer. I like writing that makes me feel something and learn more about the human condition. For that reason I like writers who are both honest and vulnerable.

Q. and the all-important: What does the process of going from “no book” to “finished book” look like for you?

LI. I start with knowing my main character(s) and a general time frame. Then I read the newspapers from that time until I find historical

events which give me momentum for a plot. I meditate on the characters, family members and the society and an outline starts to fall into place. I do a solid outline and from there I write. Ideally I have a contract for a book or two from the outline. I notice that most of the time I stick to the outline for the first ⅔ and return to it for the ending. But towards the ending it changes depending on what I’ve actually written. My first drafts are more like a screen play than a book. It’s lots of dialogue. For later drafts I layer in setting and reflection.

Q. How have your life experiences influenced your writing?

LI. My values and education show up in my stories. I’m called to write about the details of mothering in difficult situations.

Q. What’s your downtime look like?

LI. I love my evenings when I watch tv with my wife. Hazel goes between us on the couches and I work on a jigsaw puzzle. It’s a very relaxing way to end my day. I enjoy gardening and walking with friends in the afternoons. We attend the Unitarian Church on most Sundays.

Peru

Q. Have you or do you want to write in another genre?

LI. Picture books are compelling to me. I was a preschool teacher/early childhood educator for decades. I thought of several stories then and sometimes I wonder about getting them onto the page.

Q. Note to Self: (a life lesson you’ve learned.)

LI. Not only is it okay to make mistakes, it is an important part of learning and being a conscious being. I want to grow and learn throughout my life. I often circle back to reflect on earlier parts of my life to think about them with my current understanding.

Did you miss the beginning of this delightful interview? Click here
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A few BOOKS BY TRISHA SUGAREK 

Much Anticipated Interview with Laila Ibrahim

Luca is the Frenchie. The mini Aussie is named Hazel

Laila Ibrahim grew up in Whittier California. She has lived in Oakland and Berkeley for 40 years, when she moved there to go to Mills College where she studied Human Development and attachment theory. Since 1993 Laila and her wife have lived in a small co-housing community with two other families. Her adult children are a great joy, as is her dog, a toy Australian Shepherd named Hazel. She is beyond excited to welcome her first grandchild in July.

Q. Where do you write? Do you have a special room, shed, barn, or special space for your writing?  Or tell us about your ‘dream’ workspace.

LI. Since my last child moved out I have had a room of my own to write it. I LOVE it. It’s in the back of the house with a view of a beautiful redwood tree. Before that I worked at the dining room table when my kids were at school or a small desk sandwiched in the living room.

Q. Do you have any special rituals or quirks when you sit down to write? (a neat workspace, sharpened #2 pencils, legal pad, cup of tea, a glass of brandy, favorite pajamas, etc.)

LI. I don’t get dressed before I write. I usually make myself a cup of rooibos chai tea. I generally write for 45 minutes to an hour. Take a break. And then do it again. I can’t usually write for more than 3 hours in a day.

Q. Could you tell us something about yourself that we might not already know?

LI. I often write my very drafty, first drafts in bed, in a half dream state.

Q. What tools do you begin with? Legal pad, spiral notebook, pencils, fountain pen, or do you go right to your keyboard?

LI. I write on a lap top, though I have used a full size external keyboard at times.

Wedding Party

Q. Do you have pets? Tell us about them and their names. 

LI. My toy Aussie, Hazel Nut Ibrahim-Bartley, often sits by my desk as I write. She’s 18 months old and we LOVE her. She enjoys laying on our legs, playing fetch and running in big wide circle on grass.

Q. Do you enjoy writing in other forms (playwriting, poetry, short stories, etc.)?
If yes, tell us about it.

LI. I enjoy making visual art, but not other forms of writing, so far. Though when COVID first struck I wrote a poem for the first (and so far only) time.

Q. What’s your best advice to other writers for overcoming procrastination?

LI. Create routines that work for you, and know why you are writing in the first place. I find if I’m sitting at my keyboard and nothing is coming out then I’m not working on the right story for me.

Q. Where/when do you first discover your characters?

LI. With the Yellow Crocus series, I am continuing with the descendants of the characters in the first book. With the other two, Living Right and Paper Wife, it was a mystery. In many ways all my characters are parts of who I am, or who I wish I aspire be.

Rome

Q. What first inspired you to write?

LI. I was very surprised when I got the call to write a story. In 1998 I had a flash that conceived Yellow Crocus. Before that flash, I had no desire to write fiction. I was with a group of people talking about Tiger Woods. Someone mentioned the fact that he identifies as Asian as much as African American….

Join us for part two of this interview with this wonderful writer on June 16th
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ receive my weekly posts, sign up for my  On the home page, enter your email address. Watch for more interviews with authors.  April: Author, H.W. ‘Buzz’ Bernard.  May: Victoria Costello.  June: Laila Ibrahim

A few BOOKS BY TRISHA SUGAREK 

 

Monday Motivation for the Writer! #26

Writers, we are all guilty of using particular words or phrases far too frequently!!  

I was recently reading a delightful series by an author but it was very distracting when she used the same phrase over and over.
“Custom glass workroom”.  The shop where the story takes place is just four rooms so it is my opinion that:

1] the author needed to change it up; There is an office, a retail room, a classroom and a custom workshop.  Just a little chance would make all the difference. For example:  ‘the workroom’  and  ‘the workshop’  and ‘the specialty glass room’. 

2]readers are smart and we should never underestimate their ability to follow along. If they can’t then we, as the writers, have failed at our job.
3] If we miss our idiosyncrasies, and we all have them, then the editor, beta reader, proofreader, etc., should catch it.

My most common ones are the words, ‘just’ and ‘that’My watchdog, first defense, is to use Word’s ‘find’.  Then I review the manuscript looking for when I overuse the words and why.

“There is no way of writing well and also of writing easily.” Anthony Trollope

“All fiction is largely autobiographical and much autobiography is, of course, fiction.”  P.D. James

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To receive my weekly posts, sign up for my  On the home page, enter your email address. Watch for more interviews with authors.  March-Apr:   Joshua Hood, author of ROBERT LUDLUM’S THE TREADSTONE RENDITION  April: Author, H.W. ‘Buzz’ Bernard.  May: Victoria Costello. June: Laila Ibrahim

A few BOOKS BY TRISHA SUGAREK