Interview with author, Sarah Morgan (part 2)

Q. What first inspired you to write?

SM. I always loved writing, even when I was a child. Then by chance I read a medical romance when I was working as a nurse and I was sure I could write one! I did, and I had a great deal of fun doing it. My whole career started from there.

Q. Do you ‘get lost’ in your writing?

SM. Sometimes I do, depending on where I am in the book. But I’m careful not to romanticize writing. There are days when the words flow easily and those days are to be treasured of course, but there are also days where I’m examining each sentence and editing closely, making sure that everything I write is as good as it can be and that is important too. Writing is wonderful, but also hard work and I think it’s important to acknowledge that. If it feels hard it’s not because you’re not doing it right!

Q. What compelled you to choose and settle on the genre you now write in?

SM. I mostly write women’s fiction now, but there is almost always some romance in my books (and I wrote romance for years before I moved on to broader stories). I’m interested in relationships, and that includes family and friends as well as romantic relationships. I’m interested in what happens when friendships are challenged, when family relationships are in conflict and when romance isn’t straightforward. I enjoy exploring many of the issues that affect women today, but most of all I love to entertain and romance and women’s fiction are both entertaining genres.

Q. Are you working on something now or have a new release coming up? If so tell us about it.

SM. I’ve just finished a book that will be out in time for the festive season. It’s called The Holiday Cottage (in the UK the title is The Christmas Cottage) and it explores themes of loneliness, friendship and family. It was so much fun to write and I hope it will make readers laugh aloud (although they may well shed a tear too!).

Q. When did you begin to write seriously?

SM. I’ve scribbled stories and experimented for as long as I can remember, but I didn’t finish a book until I was at home with young children. After that there was no stopping me.

Q. Do you think we will see, in our lifetime, the total demise of paper books?

SM. No I don’t. I think readers are individuals and we all seek different ways to read. I know people who walk for miles listening to an audiobook, who use an ebook to soften the boredom of a long commute, but will still lounge in a bubble bath with a paperback at the end of the day. And let’s not underestimate the appeal of a beautiful hardcover book with sprayed edges!

Q. What makes a writer great?

SM. As a reader I want to be immersed in the story and engaged with the characters. I want to be transported from my world to the world the writer has created, and I want to care enough about what happens in the book to want to read the book in one sitting. A great writer will make me feel everything the characters are feeling.

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Interview with Sarah Morgan, Author

Sarah Morgan always knew she wanted to be a writer but took a slight detour along the way to train as a nurse, an experience that has found its way into many of her books. A lover of the outdoors, many of her story ideas come while hiking in wild places and she is also a keen photographer. She has been a published author for more than twenty years and lives near London, England where the rain frequently keeps her trapped in her office.

Q. Where do you write? Do you have a special room, shed, barn, or special space for your writing? (please provide a photo of you at work in your shed, room, closet, barn, or houseboat….) Or tell us about your ‘dream’ workspace.

SM. At the beginning of my career I worked

anywhere and everywhere. I had young children so I made sure I was flexible – I’d keep notebooks with me and scribble a few lines at every opportunity and I often worked in the evenings when they were in bed. Now I’m lucky enough to have an office at the bottom of my garden, so in the summer I work with the doors and windows open, surrounded by birdsong and the buzz of bees. It’s very relaxing and great for focus.

Q. Do you have any special rituals or quirks when you sit down to write? (a neat workspace, sharpened #2 pencils, legal pad, cup of tea, a glass of brandy, favorite pajamas, etc.)

SM. I almost always have a cup of tea or coffee, but that’s as far as it goes! I have resisted the temptation to create rituals because I want to be able to write anywhere, at any time, regardless of the conditions. I used to write to music, but now I find I need silence although I often use music for inspiration to get me in the right ‘mood’ for the story.

Q. Could you tell us something about yourself that we might not already know?

SM. I worked behind a bar one summer and it was the most perfect job for observing human behaviour. Also great for learning to mix a drink!

Q. What tools do you begin with? Legal pad, spiral notebook, pencils, fountain pen, or do you go right to your keyboard?

SM. All I need is something to write on. Preferably my laptop, but if a pen and paper is all that is available I’ll use that. I find sticky notes useful because you can scribble down a line of dialogue or a plot point and put it on the wall. It’s easy to move notes around and a great way to visualize your story.

Q. What’s your best advice to other writers for overcoming procrastination?

SM. I think it’s all about developing positive habits. Presumably you want to write, or you wouldn’t be doing it, so sometimes it helps to remind yourself why you’re doing it. Identify your temptations so that you can plan to avoid them. For example if your weakness is getting distracted by the internet then switch it off until you’ve finished your word count for the day. If you’re finding it hard to concentrate then set yourself small acheiveable goals, either in time (work for thirty minutes without distraction), or word count (write 1000 words before stopping). Having a schedule and sticking to it is often helpful.

Q. Where/when do you first discover your characters?

SM. The characters and their situation/problem usually appear to me at the same time. Like most writers I ask myself the ‘what if’ question. No two individuals will respond to a challenge in the same way, and that’s why every story is fresh and new even when you might be exploring well trodden themes.

Q. What first inspired you to write?

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Interview with J.A. Wright, Author of Eat & Get Gas (part 2)

Q. Where/when do you first discover your characters?

JW. They just pop into my head. Some I ignore, though, because they’re too weird or too mean.

Q. What first inspired you to write?

JW. Desperation.
When I first got sober, an older sober woman took me to lunch and told me I could write my way into a new way of thinking. I thought she was crazy, but I did it anyway because I didn’t have a better idea. It turned out that she was right.

Max

Q. What comes first to you? The Characters or the Situation?

JW. The voice.

Q. Would you please elaborate?

JW. I walk/hike almost daily, occasionally hearing my inner self say something useful, such as the opening line of Eat and Get Gas, ‘I was six and Adam was thirteen when our brother Teddy was born.’ Yesterday, I clearly heard…’ he was never very good at reading the room.’ I messaged the line to myself (as I often do) and might use it in a short story.

Q. Do you ‘get lost’ in your writing?

JW. I can’t count the number of times my husband arrived home from work to find me in the same spot I was when he left that morning.

Q. What compelled you to choose and settle on the genre you now write in?

JW. I knew very little about genres when I finished my first novel and was surprised when my editor said it was literary fiction.

Q. Are you working on something now or have a new release coming up? If so tell us about it.

JW. I’ve made a lot of notes lately, and maybe they’re the makings of a novel. I’m not sure yet.

Q. When did you begin to write seriously?

JW. When I turned forty (over twenty years ago).

Q. Do you think we will see, in our lifetime, the total demise of paper books?

JW. Perhaps. I was a paperback reader until covid. This past year, I’ve purchased more audio and e-books than paperbacks. I know others who’ve done the same.

Q. What makes a writer great?

JAW with Frank McCourt

JW. I asked Frank McCourt his exact question when he came to NZ to promote Angela’s Ashes. In the greenroom, when he finished his story about never having to wear Florsheim shoes again, he said, ‘Great writers write what they know, be it awful or grand.’ I don’t know if it’s the truth for everyone, but he inspired me to write what I know or think I know.

Q. and the all-important: What does the process of going from “no book” to “finished book” look like for you?

Lucy, the hen

JW. Huge exhale!

Q. How have your life experiences influenced your writing?

JW. It’s all connected to my past or present.

Q. What’s your downtime look like?

My walking trail

JW. I walk (hike) several times weekly while listening to audiobooks or music (jazz, classical and sometimes the Allman Brothers).

Q. Have you or do you want to write in another genre?

JW. Probably not …unless ‘faction’ becomes a legitimate genre 

Q. Note to Self: (a life lesson you’ve learned.)

JW. I can be a good example or a great reminder.
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Interview with author, J.A. Wright

JW. I’m the second of four daughters born to Lois and Walt. My father’s family were (are) enrolled members of the Turtle Mountain Band of the Chippewa Indians. My mother’s family was in the logging business and lived close to Gifford Pinchot State Park. I grew up in Tacoma, Washington.
In 1988, I met and married a Kiwi polo player, and we moved to Christchurch, New Zealand, where I have worked in the arts and events industry, creating and producing events and festivals ever since. For my services to the arts, the King appointed me an Officer of the N Z Merit of Honor.
I discovered the soothing effects of writing in 1985, the same year I got sober, after someone suggested I write my thoughts in a journal. I journaled for a couple of years before deciding to write a novel. How to Grow an Addict, was published in 2015. My second novel, Eat and Get Gas, was released on June 6, 2023, and has been optioned for TV/Film by Producer Leanne Moore (GLOW and The Lincoln Lawyer for Netflix).

Writing in my office

Q. Where do you write? Do you have a special room, shed, barn, or special space for your writing? (please provide a photo of you at work in your shed, room,

closet, barn, or houseboat….) Or tell us about your ‘dream’ workspace.

JW. I taught myself to tune out the world and focus on writing, and for years I was happy to write almost anywhere. Lately though, in this covid era, I write at home, where it’s quiet. I use my laptop and often move from desk to couch to chair.

Q. Do you have any special rituals or quirks when you sit down to write? (a neat workspace, sharpened #2 pencils, legal pad, cup of tea, a glass of brandy, favorite pajamas, etc.)

JW. I eat a lot of toast when I’m in a writing groove (avocado, strawberry jam with too much butter, and occasionally a smashed banana), and I often turn off my phone and lock the front door. I have a pen collection and many notebooks filled with ideas and comments.

Q. Could you tell us something about yourself that we might not already know?

JW. I cringe when I read or hear the word ‘moist.’

Q. What tools do you begin with? Legal pad, spiral notebook, pencils, fountain pen, or do you go right to your keyboard?

JW. I write on Post-it notes, in a notebook, on my phone, and my laptop.

Q. Do you have pets? Tell us about them and their names.

JW. We have four polo ponies (Roxy, Rudy, Allie, and Pearl), two cats (Max and Gracie), and nine chickens (Lucy, Gothe, Little Lavie, Big Lavie, Grey Stumpy, Black Stumpy, White Stumpy, Hooty one and

Hooty1 and Hooty2

Hooty two).

Q. Do you enjoy writing in other forms (playwriting, poetry, short stories, etc.)?
If yes, tell us about it.

JTW. I’ve been trying to write a decent short story for months. It’s harder than I thought it would be.

Q. What’s your best advice to other writers for overcoming procrastination?

JW. I don’t have advice because it’s an issue for me, too, but I’ve learned that suffering is optional, and it’s best if I give into the thing that yells at me to be written.

 

Q. Where/when do you first discover your characters?

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Interview with Tracy Sumner (part 2)

Q. Do you enjoy writing in other forms (playwriting, poetry, short stories, etc.)?  If yes, tell us about it.

TS. I enjoy writing shorter romance (novellas) a lot! I think I’m pretty good at capturing a full story in shorter form.

Q. What’s your best advice to other writers for overcoming procrastination?

TS. The only time I’ve had any success in this business was when I just pushed aside everything else and WROTE. Write, keep writing, network with other writers or at least, subscribe to their newsletter and see what they’re doing. Reach out to readers. Be accessible. Enjoy the process! And don’t try to do someone’s else process – yours is great!

Q. Where/when do you first discover your characters?

TS. I have the hero in mind, always, before I start. But characters surprise you on the page. I truly find them while writing.

Tudor Dress up

Q. What first inspired you to write?

TS. Reading “The Outsiders” was a big inspiration for me. Stephen King for sure, although I don’t write in that genre. Then, I stumbled upon Vows, by LyVyrle Spencer, and I was done!

Q. What comes first to you? The Characters or the Situation?

TS. CHARACTERS!

Q. Do you ‘get lost’ in your writing?

TS. Yes, I think I do, if things are really rolling. But some days, it’s hard. Generally, writing is hard work. I love my pages, I hate my pages. LOL

Q. What compelled you to choose and settle on the genre you now write in?

TS. That first romance I read in college, that was it for me. I ended up reading about 1,000 romances, then figured, I can write one of these. I was a journalism major, and I started writing in high school, so…

Q. Are you working on something now or have a new release coming up? If so tell us about it.

TS. I have a new release coming in May, THREE SINS AND A SCOUNDREL. It’s the final (#6 full length book) in the Duchess Society series. It’s been a really great series for me and readers seem to love the heroes!

Q. When did you begin to write seriously?

TS. I was first published in 2002 with Kensington Publishing. But I also had a career in marketing, so I dallied. Then, in 2017 following a breast cancer diagnosis, I figured I should start writing in earnest. And here we are!

Q. Do you think we will see, in our lifetime, the total demise of paper books?

TS. No, I really don’t. I still love reading print. However, one great thing about Kindle is the backlighting. When your vision gets wonky after 40, backlighting is awesome! But I still love holding a book in my hand #1 above everything. And I still sell print copies – of course, nothing compared to ebooks.

Q. What makes a writer great?

TS. Be courageous enough to be themselves – which allows their voice to shine.

Q. and the all-important: What does the process of going from “no book” to “finished book” look like for you?

TS. The daily grind. Butt to chair. It’s not sexy and it’s not easy. As I said before, some days I hate the pages. Then the next day, they seem not so bad. Day after day, then somewhere along the way, we have a book!

Q. What’s your downtime look like?

TS. I like to read (of course!) and I love yoga. My son is 16, so my days are filled with mom things, too. I walk a lot in the city, too. I love museums and movies, although since Covid, I haven’t been to the theatre as much.

Q. Have you or do you want to write in another genre?

TS. I have written a contemporary series and someday soon may publish those. I’m really all about the characters, not the time period. (I think.)

Q. Note to Self: (a life lesson you’ve learned.)

TS. I asked Nora Roberts this once at a conference and she said: PATIENCE. I didn’t get what she meant then, but I do now. Take your time, exhale, breath in love, breath out love. And write. Or read! I think reading is the best, actually.

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Interview with author, Donna Everhart (conclusion)

 

DE.  I was going through chemo again in 2019. My hair had grown back in, [at least I had hair at the moment]. but I was about to lose it for a second time – and within two months of this photo, I had none.  I just got home from receiving a heavy dose of chemo at the hospital. 

Q. Are you working on something now or have a new release coming up? If so tell us about it.

DE. I’m always working on a new book, and my next novel, When the Jessamine Grows, releases January 23, 2024. It’s a different story from my others because I’ve stepped back further in time to the Civil War era. This is a morally complex story about the McBride family, subsistence farmers whose principles are brought to the foreground after their eldest son runs off to join the Confederacy after being influenced by his staunch Confederate grandfather. The father, Ennis, goes after his son, leaving his wife, Joetta, (my main character) to look after their younger son, and the farm. What follows is a harrowing time for her, and the rest of the family as she is bound to stand by their beliefs, and by doing so, becomes a pariah in the community.

Q. When did you begin to write seriously?

DE. In 2008, when the company where I’d been working for twenty-five years went bankrupt. I’ve often wondered if they hadn’t, whether or not I would’ve started. It was the shove I guess I needed, because I’d thought I would retire from there. I’m so happy they folded. (haha)

Q. Do you think we will see, in our lifetime, the total demise of paper books?

DE. No – at least I hope not. (You do have wonder about all that paper, and the trees, and the pulp industry) But, I think this was already sort of proven when there was those few years when it seemed e-books might surpass sales of paper books. I haven’t looked it up lately to see if e-books are overtaking sales, but I think we’d hear it from the industry if that were to happen. Speaking from my own personal experience, paper book sales for my work is always higher than e-books.

Q. What makes a writer great?

DE. Speaking personally, what makes a writer great for me is when I look forward to getting back to the book, when they teach me something I didn’t know, or when they write about a concept, or topic that’s never been written about before. It’s when their way with words makes me re-read their sentences. Some writers hit all of these marks, some hit maybe one or two, but some aspect of these things, or all, are what I think make for a really brilliant writer.

Q. and the all-important: What does the process of going from “no book” to “finished book” look like for you?

DE. It looks . . . never-ending. It looks impossible. It looks like a fever dream. Chaotic. Messy. Dumb. I’m usually at a loss at the start. There are days/weeks of staring at nothing. Days/weeks of thinking, thinking, thinking. Trying to write, tossing it out, trying something else. It’s endless discussions with other writer friends. Eventually, a foundation, an inkling of THE idea comes. Then, it’s brick by brick through the first sentences, to the first paragraphs, and first pages. It’s getting through those 1,000 words a day goals. It’s self-editing, killing words, and birthing better ideas. Then comes the moment of angst when someone else reads it. Then the agent reads, and then the editor. There’s praying involved during the “others are reading it” phase. Lots of it. Then comes the polishing, (copy edits) honing, (first pass pages) and then, voila. Book!

Q. How have your life experiences influenced your writing?

A. I’m a Stage IV cancer survivor, and at one time, I was a single mother, and all along, I’ve been known to be stubborn (hard-headed???) so, this is something I draw on when writing my stories. I gravitate toward writing about characters with fortitude, and mental strength. Physical strength is important, too, but, writing about characters overcoming the odds because of their convictions – whatever those might be – is compelling. I love writing about people who were doing just fine until something comes along and knocks their world topsy-turvy, and now they have to figure out how to straighten it up. I’ve been there, we’ve all been there, and it’s rewarding to overcome obstacles.

Q. What’s your downtime look like?

 

DE. Well. Downtime for me is getting away from my computer. I used to run, but since I can’t do that anymore due to all the radiation I’ve had, I like to walk

 (sometimes with weights) or go on a long bike ride. I also love to go to the movies, or watch a movie on TV, or a good series. We got caught up in Yellowstone, but then it started getting over the top. We gravitated toward the origin stories (1883 and 1923) and enjoyed those more. I love to go to the Blue Ridge mountains, and to sometimes take day trips – like I just took my grandkids to the zoo this past week.

Q. Have you or do you want to write in another genre?

DE. I did write this one book . . . that will likely never the see the light of day. It My agent said it was a “hard crime” novel.

Q. Note to Self: (a life lesson you’ve learned.)

DE. What you worry about at night is nothing in the morning.

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Interview with Author, Donna Everhart (part 2)

Donna & her grandkids

Q. What’s your best advice to other writers for overcoming procrastination?

DE. You’re “looking” at a procrastinator. I’ll come to my desk every day and have a word goal in mind (usually 1,000 words) and oftentimes do everything but start working toward that goal. What follows is GUILT as time ticks by. By the end of the day, if I haven’t made the word count because of lost time on something unrelated to my writing goal, there’s the inevitable slump in mood. My best days are when I make a concerted effort to get the word count in. Even if I don’t, and get, say, 500 words, I’m happier for it because I know the effort was honestly made. It takes discipline to not get onto social media or think of the other million ways to avoid doing what needs to be done to accomplish the end result – i.e., a finished book. What I’ve found works best, write first; everything else comes after – even laundry.

Q. Where/when do you first discover your characters?

DE.  Usually through an idea for a story. Sometimes a name comes to mind first, and I start to think about who this person would be, and what is it they want, what they’re good at, what they’re bad at, and if they have any enemies. It’s kind of all over the place. A messy, messy process.  

Q. What first inspired you to write?

Donna with hubby

DE. Reading stories that made a big impact on me were the main influence or motivator. The enjoyment I got from books where I wouldn’t stop reading for a long time, and when I finally took a break, I’d look around in a daze. I’d become so invested in that world, I think I was surprised I wasn’t “there,” instead of sitting on a couch in my living room. That kind of story made me want to create something similar. The idea of affecting a person’s mood, thought process, and emotions resonated for whatever reason.

Q. What comes first to you? The Characters or the Situation?

DE. It’s actually been both. It’s never always this, or that. For example, in my debut, The Education of Dixie Dupree, it was the character of Dixie. In The Road to Bittersweet, it was the situation – the 1940 flood in western North Carolina. It just depends. When I begin to search for a story, I’m often lookin g for a situation, but out of nowhere, a name will come to mind – and then I’m thinking, who is this? (I have to have a name before I can develop a character)

Q. Do you ‘get lost’ in your writing?

DE. Absolutely. When I’m really in that zone, hours can go by and I’ll sort of come out of it and realize, oh, wait. I haven’t eaten. I’m often shocked half the day is gone. It’s kind of scary sometimes!  

Donna with her granddaughter

Q. What compelled you to choose and settle on the genre you now write in?

Donna with daughter

DE. I love, love, love reading stories set in the South where I’m from, and so I guess it makes sense I’d want to write about my culture and the region I love. Aside from the classics out there for Southern literature, like Flannery O’Connor, William Faulkner, etc., it was reading the more contemporary writers like Kaye Gibbons (Ellen Foster) and Dorothy Allison, (Bastard Out Of Carolina) that jumpstarted my urge to pursue it. After I read their books and I was on the hunt for more stories like theirs. This was around 1987, or so, and as I began to discover these Southern stories which really resonated with me, I knew if I ever wrote anything, it would be something like this.

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Author, Donna Everhart ~ Interview

Donna Everhart is a USA Today bestselling author known for vividly evoking the complexities of the heart and a gritty fascination of the American South in her acclaimed novels. She received the prestigious SELA Outstanding Southeastern Author Award from the Southeastern Library Association, among many others.  Born and raised in Raleigh, she has stayed close to her hometown for much of her life and now lives just an hour away in Dunn, North Carolina.  

Q. Where do you write? Do you have a special room, shed, barn, or special space for your writing? Or tell us about your ‘dream’ workspace.

DE. I have an office upstairs that’s pretty secluded, which I love. It’s actually the same office I used when I was working way back when in the corporate world. Since I left that occupation in 2012 to write full-time, the one big thing I’ve changed is adding bookshelves. Lots of them! These shelves hold my inspiration and of course, my entertainment. The books in the pictures were placed right after the bookcases were built when I was still organizing, and boy, that was a lesson learned. I must’ve moved my stacks at least three times until I finally settled on read non-fiction/craft books to be read and my own work.

Q. Do you have any special rituals or quirks when you sit down to write? (a neat workspace, sharpened #2 pencils, legal pad, cup of tea, a glass of brandy, favorite pajamas, etc.)

DE. We’re all so uniquely different with how we approach writing, so, I suppose you could say we all have quirks. I don’t necessarily need a completely pristine

 workspace, but I don’t want it so messy it’s distracting. I like medium point pens, although I don’t (and never will) work in long hand. The pens are for taking notes when I have an idea I don’t want to forget. And, usually, around 4:00 p.m., I often need a break, and I’m prone to have some caffeine so I can catch a second wind. It’s usually coffee, but if it’s really hot, (I’m in NC – it gets pretty hot!) I’ll opt for slightly sweet iced tea with a squeeze of lemon.

Q. Could you tell us something about yourself that we might not already know?

DE. I found a body on the beach once. It was a young man in his early 30s who was pulled out by an undertow. It was right after 9/11 and eventually I found out he was fasting, and praying, and on that particular day, the day he was due to go back home to West Virginia, he went out for a swim and, sadly, drowned. I found out all of this through his mother who contacted me later. She was able to find my address from her other son who was a state trooper, and had access to information. She wrote to thank me for holding his hand until help came. Even though he was gone, I felt compelled to do that. It was kind of scary because his eyes were still open, and I SWEAR he could see me, but given other things going on with him physically, it was apparent he’d passed on. It was really tragic and sad.

Q. What tools do you begin with? Legal pad, spiral notebook, pencils, fountain pen, or do you go right to your keyboard?

DE. I go right to the keyboard. My writing is too messy, (note the remark about long hand above) and I think too fast (sometimes) to be able to write anything legible. I even have trouble with my grocery list and deciphering what the heck I wrote on it.

Q. Do you have pets? Tell us about them and their names. 

DE. I don’t have any pets at the moment. I used to have Yorkies. First, we had “the girls,” Bella and Kiwi. We tragically lost them in the summer of 2012, within three weeks of each other due to that whole fiasco with jerky treats. (If anyone is wondering what I’m talking about, just Google dog jerky treats made in China and FDA.) About 4 months later, in December of 2012 we got another little Yorkie we adopted who was 3 years old. His name was Snickers, but we renamed him Mister. (close in sound) He was a mess, really quirky, was NOT food driven – at all. He had some health issues like IBD, and chronic pancreatitis. We also tragically lost him in the summer of 2021. I took him to get his teeth cleaned and he suffered a catastrophic event. It’s a long story, but it tore my heart to pieces. Right now, we don’t have any pups, but I keep going out to sites to poke around and look. I know one day we’ll have some again. I’m thinking of adopting a bonded pair, if I can. I think that would be perfect.

Q. Do you enjoy writing in other forms (playwriting, poetry, short stories, etc.)?
If yes, tell us about it.

DE. The only other form of writing I’ve done is a very short form of flash fiction. I used to write these one-hundred-word stories where five prompt words were

Coming Soon!

provided and the goal was to write a complete story (beginning, middle, end) in 100 words. I’m so consumed now with writing to contract that I’ve not done this in years, but it was fun, and actually really challenging – more so than you’d think.

Q. What’s your best advice to other writers for overcoming procrastination?

DE. You’re “looking” at a procrastinator.

Don’t miss part 2 of this entertaining interview with Donna next week. 

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Interview with author, Laila Ibrahim part #2

Q. What first inspired you to write? (con’t.)

LI. …… I thought to myself, of course, he does. She was his primary attachment figure. Our self-identity if formed by those early attachments. And in a flash, I thought of Lisbeth in Mattie’s arms. I wondered what it would be like for her to love this woman like a mother and then be expected to reject Mattie’s humanity to take her place in society. Then I wondered what it would be like for Mattie to have to leave her child to care for another baby. Finally, I wondered about Anne. I thought Anne would be a bigger presence when I started the novel.

Q. What comes first to you? The Characters or the Situation?

LI. The characters.

Q. Do you ‘get lost’ in your writing?

LI. Absolutely. Sometimes I feel like I am dreaming out loud as a write. I feel and see a scene and then my job is to describe it.

Q. What compelled you to choose and settle on the genre you now write in?

Playing in the snow

LI. I feel like I was given the story of these women and I’m just going from there. Part of what I am working on is understanding how we got to this moment in time, given the history of our nation and world. I think about the caste system baked into the constitution of the United States that gave wealthy, white, Christian able-bodied straight men the most rights—and yet the  founders wrote a document that would one day include me as a citizen. I’m grateful to all the people who came before me who worked so that I could have the rights that I do. I don’t take my freedom for granted in any way.

Q. Are you working on something now or have a new release coming up? If so tell us about it.

LI. Cherry Blossoms in set in Oakland and Berkley between 1941 and 1946. Kay Lynn is a young woman with two children whose life is torn apart by World War 2. It is expected to be released in May 2023.

Q. When did you begin to write seriously?

Wedding Party



LI. For my 40th birthday I challenged myself to start writing Yellow Crocus after the story had haunted me for 7 years. Five years later I self published it. It got picked up by Lake Union of Amazon Publishing in 2014 and I haven’t looked back. I’ve published five books since then with the sixth expected out in May 2023,

Q. Do you think we will see, in our lifetime, the total demise of paper books?

LI. Not in my lifetime—too many people my age love to turn actual pages. Maybe in my children’s life time. Or my grandchildren’s.

Q. What makes a writer great?

LI. I don’t know that I am qualified to answer this in a general way. I know many people for whom the language or poetry of writing is what makes you a great writer. I like writing that makes me feel something and learn more about the human condition. For that reason I like writers who are both honest and vulnerable.

Q. and the all-important: What does the process of going from “no book” to “finished book” look like for you?

LI. I start with knowing my main character(s) and a general time frame. Then I read the newspapers from that time until I find historical

events which give me momentum for a plot. I meditate on the characters, family members and the society and an outline starts to fall into place. I do a solid outline and from there I write. Ideally I have a contract for a book or two from the outline. I notice that most of the time I stick to the outline for the first ⅔ and return to it for the ending. But towards the ending it changes depending on what I’ve actually written. My first drafts are more like a screen play than a book. It’s lots of dialogue. For later drafts I layer in setting and reflection.

Q. How have your life experiences influenced your writing?

LI. My values and education show up in my stories. I’m called to write about the details of mothering in difficult situations.

Q. What’s your downtime look like?

LI. I love my evenings when I watch tv with my wife. Hazel goes between us on the couches and I work on a jigsaw puzzle. It’s a very relaxing way to end my day. I enjoy gardening and walking with friends in the afternoons. We attend the Unitarian Church on most Sundays.

Peru

Q. Have you or do you want to write in another genre?

LI. Picture books are compelling to me. I was a preschool teacher/early childhood educator for decades. I thought of several stories then and sometimes I wonder about getting them onto the page.

Q. Note to Self: (a life lesson you’ve learned.)

LI. Not only is it okay to make mistakes, it is an important part of learning and being a conscious being. I want to grow and learn throughout my life. I often circle back to reflect on earlier parts of my life to think about them with my current understanding.

Did you miss the beginning of this delightful interview? Click here
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Much Anticipated Interview with Laila Ibrahim

Luca is the Frenchie. The mini Aussie is named Hazel

Laila Ibrahim grew up in Whittier California. She has lived in Oakland and Berkeley for 40 years, when she moved there to go to Mills College where she studied Human Development and attachment theory. Since 1993 Laila and her wife have lived in a small co-housing community with two other families. Her adult children are a great joy, as is her dog, a toy Australian Shepherd named Hazel. She is beyond excited to welcome her first grandchild in July.

Q. Where do you write? Do you have a special room, shed, barn, or special space for your writing?  Or tell us about your ‘dream’ workspace.

LI. Since my last child moved out I have had a room of my own to write it. I LOVE it. It’s in the back of the house with a view of a beautiful redwood tree. Before that I worked at the dining room table when my kids were at school or a small desk sandwiched in the living room.

Q. Do you have any special rituals or quirks when you sit down to write? (a neat workspace, sharpened #2 pencils, legal pad, cup of tea, a glass of brandy, favorite pajamas, etc.)

LI. I don’t get dressed before I write. I usually make myself a cup of rooibos chai tea. I generally write for 45 minutes to an hour. Take a break. And then do it again. I can’t usually write for more than 3 hours in a day.

Q. Could you tell us something about yourself that we might not already know?

LI. I often write my very drafty, first drafts in bed, in a half dream state.

Q. What tools do you begin with? Legal pad, spiral notebook, pencils, fountain pen, or do you go right to your keyboard?

LI. I write on a lap top, though I have used a full size external keyboard at times.

Wedding Party

Q. Do you have pets? Tell us about them and their names. 

LI. My toy Aussie, Hazel Nut Ibrahim-Bartley, often sits by my desk as I write. She’s 18 months olold and we LOVE her. She enjoys laying on our legs, playing fetch and running in big wide circle on grass.

Q. Do you enjoy writing in other forms (playwriting, poetry, short stories, etc.)?
If yes, tell us about it.

LI. I enjoy making visual art, but not other forms of writing, so far. Though when COVID first struck I wrote a poem for the first (and so far only) time.

Q. What’s your best advice to other writers for overcoming procrastination?

LI. Create routines that work for you, and know why you are writing in the first place. I find if I’m sitting at my keyboard and nothing is coming out then I’m not working on the right story for me.

Q. Where/when do you first discover your characters?

LI. With the Yellow Crocus series, I am continuing with the descendants of the characters in the first book. With the other two, Living Right and Paper Wife, it was a mystery. In many ways all my characters are parts of who I am, or who I wish I aspire be.

Rome

Q. What first inspired you to write?

LI. I was very surprised when I got the call to write a story. In 1998 I had a flash that conceived Yellow Crocus. Before that flash, I had no desire to write fiction. I was with a group of people talking about Tiger Woods. Someone mentioned the fact that he identifies as Asian as much as African American….

Join us for part two of this interview with this wonderful writer on June 16th
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To receive my weekly posts, sign up for my  On the home page, enter your email address. Watch for more interviews with authors.  April: Author, H.W. ‘Buzz’ Bernard.  May: Victoria Costello.  June: Laila Ibrahim

A few BOOKS BY TRISHA SUGAREK