Interview with author, Victoria Costello

Victoria was the kind of kid who would sit high on a tree branch for hours at a time, lost in thought. Unsurprisingly, she became a writer, beginning with reams of poems never seen by a living soul. She “also thought it would be cool to be read.” In high school, she started an underground newspaper which caused a sensation and got her suspended.
As an undergraduate, she studied journalism at American University in Washington, DC, where her career started in TV news and documentary. After raising two sons and working as a freelance TV writer/producer in LA and  San Francisco, she returned to college for my MFA in writing from Mills in Oakland. She wrote what became her memoir on nights and weekends.  A Lethal Inheritance was published by Prometheus Books in 2012. 

Q. Where do you write? Do you have a special room, shed, barn, or special space for your writing? Or tell us about your ‘dream’ workspace.

VC. My current writing space is a cozy loft, big enough for my desk and a small bookshelf. But it gives me a gorgeous view of Southern Oregon’s Rogue Valley, at least my chunk of it, from the north hills of Ashland, across the I-5, to Grizzly Point.

Loft with view of Grizzly Point

Q. Do you have any special rituals or quirks when you sit down to write? (a neat workspace, sharpened #2 pencils, legal pad, cup of tea, a glass of brandy, favorite pajamas, etc.)

VC. After feeding the cats and drinking two cups of coffee, but before I start writing, I try to spend twenty minutes meditating at the ancestral altar I’ve erected in the attic.

Q. Could you tell us something about yourself that we might not already know?

VC. My brand of spirituality is a bit unusual in that I’m a high church Episcopalian and a pagan. The progressive Episcopal congregation I attend in Ashland, Oregon offers both traditional and Celtic Christian worship and gives me an avenue for doing community service. Then twice a month, I attend a Crone Soul Circle, an online gathering of wise women at the Sacred Wellness Grove, who meet my need for non-patriarchal, Goddess-centered earth worship and visionary feminist thought on issues of our day.

Q. What tools do you begin with? Legal pad, spiral notebook, pencils, fountain pen, or do you go right to your keyboard?

Coming June 13th

VC. I’m a keyboard kind of girl for actual writing, starting with my first draft. In the research and thinking stages, I gather piles of books and source materials on which I exhaust numerous yellow highlighters while filling spiral notebooks. I can’t even imagine writing, let alone the endless rewriting I do, without a computer. I have nothing but awe for authors who came before us and toiled by pen and paper alone or even a typewriter. White-Out is a nightmare I’d just as soon forget.

Q. Do you enjoy writing in other forms (playwriting, poetry, short stories, etc.)? If yes, tell us about it.

VC. Early on in my career, I made several documentary films and videos on social and political issues like abortion, nuclear power, and climate change. At a certain point, I got tired of shlepping around the world with crews and heavy equipment and I was happy to return to the solitary writing life. I also had two sons I had to raise, primarily as a single mom.

See Part 2 next week.
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To receive my weekly posts, sign up for my  On the home page, enter your email address. Watch for more interviews with authors.  March-Apr:   Joshua Hood, author of ROBERT LUDLUM’S THE TREADSTONE RENDITION  April: Author, H.W. ‘Buzz’ Bernard, May: Victoria Costello. 
 June: Laila Ibrahim

A few BOOKS BY TRISHA SUGAREK 

 

 

 

 

H.W. ‘Buzz’ Bernard tells us more…Interview (part 2)

Q. What’s your best advice to other writers for overcoming procrastination?

HWB. Little elves are not going to come in the dark of night and write your book for you. So: BUTT IN CHAIR, FINGERS ON KEYBOARD.

Q. Where/when do you first discover your characters?

HWB. I don’t have a magic formula for that. Since I write historical fiction, some of the characters I run with are real. Many others that I create and plop into historical situations are an amalgam of traits and backgrounds drawn from friends, family, and coworkers I’ve known over the years . . . many years. And a few are just flat out made up.

Q. What first inspired you to write?

HWB. I’m not sure. I always enjoyed reading. Then in high school I discovered I could write pretty well, too, and received some recognition for that. I was also sports editor for the high school newspaper. At the University of Washington, even though I was a physical science major, I took some courses in creative writing and managed to hold my own.

Q. What comes first to you? The Characters or the Situation?

HWB. Usually the situation, although I often develop the characters in tandem with the plot. In the end, it’s the characters that carry a story. If you don’t have 3D, believable people in your tale, nobody’s going to care about it.

Q. Do you ‘get lost’ in your writing?

HWB. Not really. But I hate to leave a scene unfinished, so I’ll keep plowing through one until it’s complete, or until I find a logical break in it. It’s then I may discover it’s 4:30 in the afternoon, not 3 p.m. like I thought.

Q. What compelled you to choose and settle on the genre you now write in?

HWB. The history of WWII is packed with stunning tales that totally fascinate me. They are stories filled with facts and statistics, and strategies and timelines. But I want to bring these things alive. I want readers to realize that real people, just like them or their friends, lived these dramas. I want folks to pick up my novels and not just read about history, but experience it, live it. I want them to sit beside a pilot on a bombing raid, to experience the mind-numbing shock of discovering a Nazi death camp, to become lost in a Burmese jungle crawling with enemy troops, native headhunters, and blood-sucking leeches. I want my readers to keep turning the pages in my books long after they should have turned off the lights and fallen asleep. Or I want them to tear up because a character they were rooting for didn’t make it . . . or had something surprisingly good happen when all seemed lost.

Q. Are you working on something now or have a new release coming up? If so tell us about it.

Book signing

HWB. DOWN A DARK ROAD will be released May 9th. It’s a “gut punch of a novel” based on the WWII exploits of a prominent Oregonian, Jim Thayer. You’re side-by-side with Jim when, as a young infantry lieutenant, he and his platoon stumble into the very heart of darkness near the end of the war. The scenes are chilling and unforgettable, and Jim refused to discuss what he had witnessed for decades after. When he finally did, my wife—who had worked for Jim when she was a young girl—was one of the people he talked to. After that, she kept a scrapbook of write-ups about Jim. She showed it to me after our recent marriage (and after Jim’s passing) and insisted there was a great story there. I was reluctant to agree initially, but after further research and getting support from Jim’s family, I saw the light, and DOWN A DARK ROAD was born.

Q. Note to Self: (a life lesson you’ve learned.)

HWB. Always have a Plan B, and maybe a C and a D. You’ll need them.

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To receive my weekly posts, sign up for my  On the home page, enter your email address. Watch for more interviews with authors.  March-Apr:   Joshua Hood, author of ROBERT LUDLUM’S THE TREADSTONE RENDITION  April: Author, H.W. ‘Buzz’ Bernard May: Victoria Costello.

A few BOOKS BY TRISHA SUGAREK 

 

Interview with H.W. “Buzz” Bernard, author of Down a Dark Road

TS. “Buzz” Bernard is a best-selling, award-winning novelist. His debut novel, EYEWALL, which one reviewer called a “perfect summer beach read,” was published in May 2011 and went on to become a number-one bestseller in Amazon’s Kindle Store. In 2020, Buzz switched from writing suspense/thriller novels to WWII historical fiction. 
Buzz’s fourth WWII historical fiction novel, DOWN A DARK ROAD, is scheduled to be released on May 9th.
Before becoming a novelist, Buzz worked at The Weather Channel as a senior meteorologist for thirteen years. Prior to that, he served as a weather officer in the U.S. Air Force for over three decades. He attained the rank of colonel and received, among other awards, the Legion of Merit. Although a native Oregonian, Buzz lived for 35 years in Atlanta, and now resides in Kennewick, Washington, with his wife Barbara and their fuzzy Shih Tzu, Stormy . . . who doesn’t live up to his name.

Q. Where do you write? Do you have a special room, shed, barn, or special space for your writing? Or tell us about your ‘dream’ workspace.

Stormy in Buzz’s studio

HWB. I have a writer’s studio that is separate from the main house. It was built just over a year ago. It’s rather large since it has to accommodate books, photos, plaques, and general “stuff” that I’ve accumulated in over 60 odd years of work.

Q. Do you have any special rituals or quirks when you sit down to write? (a neat workspace, sharpened #2 pencils, legal pad, cup of tea, a glass of brandy, favorite pajamas, etc.)

HWB. Not really. But I do need a cup of coffee every morning to get my heart started.

Q. Could you tell us something about yourself that we might not already know?

HWB. Although I began writing short stories when I was in high school, I didn’t become serious about writing novels until I was 60 years old. My first novel, EYEWALL, was published when I was 70. So you can do the back-of-the-envelope math and figure out I’m continuing to write well into geezerhood.

Q. What tools do you begin with? Legal pad, spiral notebook, pencils, fountain pen, or do you go right to your keyboard?

HWB. I typically go right to my keyboard, although I’ll occasionally scratch notes on a writing pad if I’m doing research on the run. I love writing on a computer because I can edit as I go—trying this word or that, and experimenting with sentences of different lengths.

Q. Do you have pets? Tell us about them and their names. 

HWB. I have a 12-year-old Shih-Tzu named Stormy (who is actually pretty docile). He demands that he accompany me to the studio every morning. Not that he wants to be with “Daddy,” but because he knows he’s going to get a cookie from my stash in the studio.

Q. Do you enjoy writing in other forms (playwriting, poetry, short stories, etc.)?
If yes, tell us about it.

HWB. Not really. But I started my writing avocation by selling articles to magazines and Sunday supplements (remember those?) of newspapers. I wrote five nonfiction (trade) books back in the Middle Ages, but decided that was too much work for too little monetary return. (This, you see, was waaay back when “cut and paste” meant you literally had to cut and paste . . . because you were writing on something called a typewriter.) I gave up writing for awhile after the nonfiction books, but missed it. That’s when I decided to try my hand at creating a novel. How hard can that be? I thought. Pretty damn hard, it turned out. But in the end, it turned out to be a whole lot more fun than anything else, at least for me.

Q. What’s your best advice to other writers for overcoming procrastination?

Part Two will post next week. Don’t miss it!
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To receive my weekly posts, sign up for my  On the home page, enter your email address. Watch for more interviews with authors.  March-Apr:   Joshua Hood, author of ROBERT LUDLUM’S THE TREADSTONE RENDITION  April: Author, H.W. ‘Buzz’ Bernard May: Victoria Costello.

A few BOOKS BY TRISHA SUGAREK 

 

Interview with writer, Joshua Hood, writing Robert Ludlum’s newest book

Joshua Hood is an Army vet, former SWAT sniper, and “current full-time author with a beautiful wife and two wonder-kids.”

Q. Where do you write? Do you have a special room, shed, barn, or special space for your writing?  Or tell us about your ‘dream’ workspace.

JH. I have a small office next to a gas station on the historic Collierville Square.

Q. Do you have any special rituals or quirks when you sit down to write? (a neat workspace, sharpened #2 pencils, legal pad, cup of tea, a glass of brandy, favorite pajamas, etc.)
JH. Can’t think of any.

Q. How do you ‘get inside’ Robert Ludlum’s head and write for him?

JH. Besides his books, I spent time reading articles and watching interviews.

Q. Could you tell us something about yourself that we might not already know?

JH. I almost quit writing last year, but the hardware store I wanted to work at wasn’t hiring. And no, I’m not kidding.

Q. What tools do you begin with? Legal pad, spiral notebook, pencils, fountain pen, or do you go right to your keyboard?

JH. I use a white board and a legal pad for each book.

Q. Do you have pets? Tell us about them and their names. 

JH. I have a Chocolate Lab named Meg.

Q. Do you enjoy writing in other forms (playwriting, poetry, short stories, etc.)?
If yes, tell us about it.

JH. I writing articles for gun magazines like Personal Defense World, Tactical Life Soldier of Fortune and Ballistic.

Q. What’s your best advice to other writers for overcoming procrastination?

JH. Creativity isn’t a vending machine; you can’t just drop in some quarters and hope to come away with a good idea. It takes time. Time to let your ideas incubate and grow. To an outsider this might look like procrastination, but in reality, it’s a process.

Q. Where/when do you first discover your characters?

JH. They just kind of show up during the process.

 

Q. What first inspired you to write?

JH. The summer before junior high I was watching an old James Bond movie called Goldfinger. I remember not wanting it to end and when it did, I started my first short story to try and recapture that magic.

Q. What comes first to you? The Characters or the Situation?

JH. The situation.

Q. Do you ‘get lost’ in your writing?

A. Yes. I think all writers get lost in the flow.

Join us next week for the conclusion of this interesting interview with Josh.  
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Watch for more interviews with authors.  December: Marc Cameron, writing for TOM CLANCY
March-Apr:   
Joshua Hood, author of ROBERT LUDLUM’S THE TREADSTONE RENDITION , April: Buzz Bernard writing for Tom Clancy

A few BOOKS BY TRISHA SUGAREK

 

 

 

Marc Cameron ~~ Author Interview (conclusion)

Q. Do you think we will see, in our lifetime, the total demise of paper books?

MC. Not in my lifetime. Too many people I know, including me, love the feel of a physical book.

Q. What makes a writer great?

MC. I wish I knew… An ear for a good story? Insatiable curiosity? Persistence, for sure. I will say, though, that there are a lot of great stories out there that still haven’t seen the light of day for one reason or another.

Q. and the all-important: What does the process of going from “no book” to “finished book” look like for you?

MC. I start with a lot of plotting talks with my wife and adult kids, bouncing ideas and scenarios off hem. I do a lot of freewriting, exploring various plot ideas. Then I take that free writing and distill it into scenes. That goes onto a computer. Then I work through those scenes, usually in order. If I’m going fishing or camping, I’ll take pencils and paper and work on a few of the scenes while I’m away. I try to get 2,000 words a day but some days I do 1,000 and others I may do 4,000. I have a large whiteboard in my office that I use to get the big picture of the plot, POVs, and to make sure I’m writing about the correct time zone when I’m jumping from one locale to another halfway around the world—IE it can’t be morning in Boston and Beijing at the same time. I’m a detailed plotter, but I still deviate from my outline all the time. It’s a guide, not law. My wife reads everything when I’m done. I submit to my editor when I get the nod from her.

New Release Dec 6th

Q. How have your life experiences influenced your writing?

MC. I’ve been fortunate to do some interesting things, work with some stellar people, and have some incredible adventures. The nature of work with the Marshals Service might have me in New York City working a protection detail on a Supreme Court Justice or in deep in bush Alaska tracking a fugitive through the woods. Both my sons were in law enforcement for a time. One of them still is. My eldest son is a physician in the military. My daughter and my youngest son share my love of motorcycles. I’m able to pick their brains and benefit from their experiences as well as my own. The bad, even harrowing experiences like violent fights, evil people, and horrific crime scenes can’t help but inform my writing.

Q. What’s your downtime look like?

MC. There has been a lot less of that lately. I love motorcycles, boats, all things outdoors, and I love spending time with my grandkids. Teaching my grandkids about nature and tracking is one of my favorite ways to spend time. They’re inspiring and often end up in the books in one form or another.

Cook Islands

Q. Have you or do you want to write in another genre?

MC. As I mentioned, I spent a lot of times around horses and cowboys and a youngster, so when it came time to try and seriously write a novel, a Western vernacular came naturally to my pen. I wrote several while I was still with the Marshals Service. Some were ghostwritten for another author. TO HELL AND BEYOND, is a compendium of two of them are under my earlier pen name, Mark Henry.

Q. Note to Self: (a life lesson you’ve learned.)

MC. Noticing that I wasted a great deal of time being social when I had more important things to do, my freshman college theater professor took me aside and gave me some of the best advice I’ve ever heard. “Marc,” he said. “You will never amount to your full potential unless you learn to use those little fifteen-minute segments of time that most people waste.” I took him at his word—and have written a lot of books in airports, on planes, or in waiting rooms. One of the reasons, I think, why I like to write longhand.

Did you miss the Beginning?
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Watch for more interviews with authors.  October: Simon Gervais for ROBERT LUDLUM, November:  Horror writer, Kevin J. Kennedy, December: Marc Cameron, writing for TOM CLANCY

 

A few BOOKS BY TRISHA SUGAREK

Marc Cameron Writing for Tom Clancy in New Book (part 3)

Another office (Cook Islands)

Q. What first inspired you to write?

MC. I grew up in a family of storytellers. We were poor, and often didn’t have a TV, or, when we did, not a very good one. As a young boy, I’d sit on the porch and listen to my aunts tell stories while we shelled peas. As I got older, I’d help my grandpa mend fence or hoe okra. He kept me entertained with stories about his boyhood. My aunt, a librarian, introduced me to Where the Red Fern Grows when I was eight years old. It was one of the first ‘chapter’ books I read. It made me cry. I took it to school and begged my third-grade teacher to read it to the class. She did. It made her cry. Shortly after that, we moved to a farm in central Texas. It was a different time and at ten, I was allowed to roam and explore with my dog. I read Old Yeller and Savage Sam—and started writing what we would call fan fiction nowadays—about brave boys and good dogs and their adventures together.

Q. What comes first to you? The Characters or the Situation?

MC. Sometimes one, sometimes the other—but most of the time it’s the character.

Q. Do you ‘get lost’ in your writing?

MC. When it’s going right, that’s exactly what happens. I tend to watch the story unfold like a movie in my head.

Q. What compelled you to choose and settle on the genre you now write in?

MC. I wrote all over the place when I was younger—Fantasy, Science Fiction, Adventure, Westerns. With my background, it was natural that I eventually found my way into contemporary Thriller/Crime fiction.

New Release Dec 6th

Q. Are you working on something now or have a new release coming up? If so tell us about it.

MC. Tom Clancy RED WINTER is out now.

Then, BREAKNECK, my next Arliss Cutter novel, a crime fiction series about an deputy US marshal based in Alaska, comes out in April of 2023. I’m working on the next Tom Clancy/Jack Ryan now. After that, I’ll jump back into another Cutter and finish up another Jericho Quinn.

Q. When did you begin to write seriously?

MC. Charlotte Skidmore, my English teacher in eleventh grade, was known to be the hardest teacher in our high school. Early that year, she gave me a C- on a creative writing assignment. I’d written it in pencil when it should have been typed. The format was wrong, and there were gobs of spelling errors. Her famous red pen had bled all over my story. I deserved the grade—or worse. But, at the top of the page, written in pencil, was a note from her that said, “Marc, this looks publishable to me.” Those six words from the hardest teacher in the school changed the trajectory of my life. I tell this story all the time, but when we were fist married and living on slightly over six bucks an hour as a rookie police officer, my wife bought me a bullet proof vest (the PD didn’t provide them then) and a Smith Corona electric typewriter. I spent the next twenty years or so writing short stories and walking to the mailbox for rejection letters before I finally got a story published. My wife was always supportive, but when we received that first little check in the mail, she met me at the door with a rolled up magazine, swatted me on the butt, and said, “Congratulations. Now go write us a new refrigerator.” It’s been fairly steady since then.

Conclusion next week!
Did you miss the beginning?
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Watch for more interviews with authors.  October: Simon Gervais for ROBERT LUDLUM, November:  Horror writer, Kevin J. Kennedy, December: Marc Cameron, writing for TOM CLANCY

 

A few BOOKS BY TRISHA SUGAREK

 

Marc Cameron Writing for Tom Clancy ~ Interview (part 2)

Alaska office

Q. What tools do you begin with? Legal pad, spiral notebook, pencils, fountain pen, or do you go right to your keyboard?

MC. I do a great deal of freewriting and plotting at the beginning of any project. The lion’s share of that is done with a pencil or fountain pen. I’m partial to Blackwing 602 pencils. I buy them by the dozens and always make sure I have a bunch with me when I travel. I carry a small brass sharpener on my keychain every day. My wife gave me a very nice Montblanc fountain pen years ago when I was promoted to chief deputy with the Marshals Service. I write a healthy portion of each book with that pen, pencils, or some other fountain pen. I have several manual typewriters and I sometimes bang out a chapter on one of them for fun, to remind me of the good old days when I couldn’t cut and paste. I like yellow Rhodia notepads for longhand work. The paper is great for pen or pencil. I burn through five or six pads for an Arliss Cutter or Jericho Quinn novel and as many as ten for a Tom Clancy/Jack Ryan. Still, my laptop gets plenty of use too.

Horse pack camping ~ eldest son ~ Idaho 1996.

Q. Do you have pets? Tell us about them and their names.

MC. I was a mounted police officer for my department in Texas and a horseshoer to help make ends meet in those early years. We had a number of ranch horses during our time in Texas and while I was station in Idaho, but not Alaska. My family has had blue heeler cattle dogs as well as a cat or two for most of my adult life—maybe a reason my wife and I find ourselves steering our grandkids toward watching Bluey during their scant TV time. We’ve had Rowdy, Bandit, Belle, Pepper, Havoc, Mazie, and a few others over the past thirty-plus years. Mazie, our last, passed away a few years ago at the age of twelve. We travel so much now that we’ve held off on any new dogs…for the time being.

Q. Do you enjoy writing in other forms (playwriting, poetry, short stories, etc.)?
If yes, tell us about it.

MC. I grew up reading short stories. My short fiction has appeared in both Boys’ Life magazine and The Saturday Evening Post. My other commitments keep me focused on longer projects, but I always have some little story hanging around out there to toy with for fun. Lately, I’m dabbling at some screenwriting. I enjoy reading poetry, but writing it eludes me.

Q. What’s your best advice to other writers for overcoming procrastination?

MC. I think a lot of procrastination comes from fear. Fear of not knowing where we’re going. Fear of getting it wrong. Fear of someone not liking our stuff. Twenty-five novels and a gob of short stories down the road and I still remind myself that it’s normal to make mistakes. I don’t have to get everything right the first time. I can fix anything but a blank piece of paper. Deadlines help too, either from the publisher or self-imposed as long as there is accountability. I’ve asked my wife to check on my word count periodically throughout the day. Also, I don’t read my Amazon reviews. Good or bad.

Q. Where/when do you first discover your characters?

A. Almost thirty years of law enforcement has afforded me a deep roster of interesting characters to draw from. Most everyone I write about is inspired by some combination of people I’ve either arrested, investigated, or worked alongside in the trenches. I’ve kept a small notebook for years and written down descriptions, names, quirks, etc. that show up in my books all the time.

Q. What first inspired you to write?

Part 3 will follow next week….

Did you miss Part 1 of this fascinating Interview?
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Watch for more interviews with authors.  October: Simon Gervais for ROBERT LUDLUM, November:  Horror writer, Kevin J. Kennedy, December: Marc Cameron, writing for TOM CLANCY

 

A few BOOKS BY TRISHA SUGAREK

 

Author, Marc Cameron writing for TOM CLANCY (Interview)

TS.     Marc  Cameron had a twenty-nine-year career in law enforcement, the last twenty-two as a deputy U.S. marshal. Originally from Texas, he and his wife have made their home in Alaska for the past twenty-five years.

Q. Where do you write? Do you have a special room, shed, barn, or special space for your writing?  Or tell us about your ‘dream’ workspace.

Cook Islands

MC. I grew up on a farm and did a lot of writing under oak trees, along creek banks, and in haybarns. I traveled a lot during my career with the Marshals Service so much of my writing was on airplanes and in hotel rooms. I have a home office now. In Alaska, I often go to a cabin when I’m planning/plotting a book. My wife and I go to Rarotonga in the Cook Islands for a couple of months, most every year. A large portion of my books have been written there, on

 

a tiny island in the South Pacific surrounded by palm trees and close to the beach. The culture, the setting, the weather… It’s difficult to imagine a more idyllic place for me to write.

Q. Do you have any special rituals or quirks when you sit down to write? (a neat workspace, sharpened #2 pencils, legal pad, cup of tea, a glass of brandy, favorite pajamas, etc.)

MC.  I get up a little before six most mornings and stumble across the hall to my office. My plan each day is to sit down and write for a couple of hours before I open my emails or check in social media. I write roughly a third of each book in pencil, depending on my mood each day. I keep several notepads and a hundred or so sharpened Blackwing 602 pencils on my desk. There’s something about writing longhand that gets my brain moving in a different way. Most days, I set a timer, writing for fifty minutes then getting up and doing something physical for ten or fifteen minutes, repeating this cycle six to ten (or more) times a day.

Q. How do you ‘get inside’ Tom Clancy’s head and write for him?

New Release Dec 6th

MC. Writing the Jack Ryan’s for the Tom Clancy estate has been one of the great honors of my life. It is not something I sought out. The offer came as a complete surprise when the previous writer, Mark Greaney, recommended me. I was terrified when my agent called and said I’d been offered the gig. In fact, I told my editor, Tom Colgan, that anyone who was not terrified was probably the wrong person for the job. From the very beginning, he helped alleviate some of that fear by letting me know that he didn’t expect me to try to imitate Tom Clancy. He just wanted me to write the best Marc Cameron book I could “in the spirit of Tom Clancy.” I’ve been a Clancy reader since The Hunt for Red October so his characters are real to me. Even so, I reread all the books when I started, and continue to refer to them often to make sure I keep the characters consistent.

Q. Could you tell us something about yourself that we might not already know?

MC. I’ve wanted to be a writer since I was around eight years old, and a police officer about as along—but from middle school through my first year of college I was extremely active in theater and, for a brief period, considered trying to become an actor. I met my future wife when we were cast in a play together our freshman year of college.

Part two continues next week…
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Watch for more interviews with authors.  October: Simon Gervais for ROBERT LUDLUM, November:  Horror writer, Kevin J. Kennedy, December: Marc Cameron, writing for TOM CLANCY

 

A few BOOKS BY TRISHA SUGAREK

 

 

 

 

 

 

 

Interview with Horror Author, Kevin Kennedy (conclusion)

Kevin out on pizza night

Q. Do you think we will see, in our lifetime, the total demise of paper books?

KK. Nope. Paperbacks have outlasted radio, tv, cd players, Netflix, and all other forms of entertainment. I am a big fan of Kindle but I still have around a thousand paperback/hardbacks.

Q. What makes a writer great?

KK. Knowing how to entertain a reader. Every author has their own style and writes in their own genre or sub-genres. No matter what you want to write, if it doesn’t entertain the reader, they will find something better to read.

Q. and the all-important: What does the process of going from “no book” to “finished book” look like for you?

KK. Stress, worry, giving up, picking it up again. Starting multiple projects in between. Writing short stories for other anthologies when I don’t have time. Getting back to it. Finally getting to an endpoint. Formatting it. Sending it out for edits then proofreading, then publishing it.

Q. How have your life experiences influenced your writing?

KK. Writing has to feel real and I’m not one for spending hours researching things so I tend to write about stuff I know about. I may warp the experience and change it but I will be knowledgeable about it.

Q. What’s your downtime look like?

KK. Downtime? Na, I tend to chill with my wife, go out for lunch or dinner, snuggle up with my cats and watch something on Netflix. Visit my mum or take her out shopping. I live a quite life now and I like it that way.

Q. Have you or do you want to write in another genre?

KK. Pretty much Horror or Bizarro. I occasionally slip into gangster type crime with a horror element.

Q. Note to Self: (a life lesson you’ve learned.)

A. Do what works for you. The best advice might not suit you personally. Read the guidelines to wherever you are going to sub. Editors often ignore anything that falls outside of the guidelines for subs. Don’t wait on a response before starting something new. Keep working, keep sending your work out, and remember, it’s supposed to be fun. Don’t take rejections too personally. Re-sub it somewhere else. What one person doesn’t like, another may enjoy.

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Watch for more interviews with authors.  October: Simon Gervais for ROBERT LUDLUM, November:  Horror writer, Kevin J. Kennedy, December: Marc Cameron, writing for TOM CLANCY

 

A few BOOKS BY TRISHA SUGAREK

Interview with author, Kevin Kennedy (part 2)

At my desk

Q. What’s your best advice to other writers for overcoming procrastination?

KK. That’s a tough one. I suffer from it myself. I’d say, just write when you can. Try not to plan too much in as it becomes overwhelming. Don’t force a word count every day if it’s not coming. You will just feel worse. Stick to what works for you.

Q. Where/when do you first discover your characters?

KK. It tends to be an overall story idea or plot idea I have and then I work out what type of character would fit the story best. It’s rare a fully developed character comes to me. They often grow as I write.

Q. What first inspired you to write?

KK. I was always a big reader but never thought about writing. If I hadn’t seen an advert on Facebook looking for stories, I don’t think I would have ever looked into it. There was no urge. It just grew organically, and now I run a publishing company that puts out chart toppers, and I get invited to participate in invite-only projects regularly. I don’t think I could ever walk away from it now.

Q. What comes first to you? The Characters or the Situation?

KK. Situation. I will often have an urge to write a certain type of story or even just a scene and then everything builds around it.

Q. Do you ‘get lost’ in your writing?

KK. Sometimes but due to a hectic life, I often only have small spaces to fit it in. It’s not the best way to work but life takes over. I still work full time for a charity that helps people into employment and I have a family so writing comes third.

with friend, Dacre

Q. What compelled you to choose and settle on the genre you now write in?

KK. It was easy. I only read horror so it was horror I started writing.

Q. Are you working on something now or have a new release coming up? If so tell us about it.

KK. A few things. I wrote a novella called Halloween Land. I’m halfway through writing a prequel, The Clown. She was a favorite character of the readers and I wanted to write more about her anyway. I am also close to finishing my 4th collection of short stories called The A to Z of Horror. I have an upcoming anthology releasing in December called The Horror Collection Sapphire Edition. It’s the 13th book in the series. It’s been pretty popular.

Q. When did you begin to write seriously?

KK. Probably about 5 years ago when I started to see sales picking up.
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Did you miss the beginning of the interview

Join us for the conclusion next week.
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Watch for more interviews with authors.  October: Simon Gervais for ROBERT LUDLUM, November:  Horror writer, Kevin J. Kennedy, December: Marc Cameron, writing for TOM CLANCY

 

A few BOOKS BY TRISHA SUGAREK