2 out of 5 stars ~~ Book Review
Even though this narration was supposed to be from the Mom, the author’s masculine voice frequently leaked through. I can’t quite put my finger on the whys or hows but there is a definite masculinity to her/his ‘dry’, analytical tone. And I never discovered her name.
The narrator is the Mom figure in the story. Unfortunately, she is just that. A talking head. Her deeper feelings aren’t explored. The narrator talks at the reader with conclusions rather than a true exploration. Is Chas guilty of ‘man-splaining’?
Early on the family unit fell into being a clique. Two husbands, one divorce, 1 male child, 1 female child, 1 best friend.
Speaking of the BFF. Amy moves in with Mom for awhile. She also is having troubles in her marriage. They end up sharing the same bedroom and bed and eventually Amy makes tentative sexual ovatures to her good friend. (This is an 8 on the ‘ick’ scale.) First of all, middle-aged BFFs would not share a bed. Except at a hotel, on holiday, and there was only one room/1 bed available and they were desperate for lodging. (Guilty!)
Why do most men think that if two women are very close friends, they must have lesbian tendencies just under the surface of the friendship?
This might have been a better book if the author had written in his own voice (as narrator) and told the story from the three men’s point of view. Greg, Lawrence, and Phil.
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A few BOOKS BY TRISHA SUGAREK
From stage play to novel was an incredible journey for me as a playwright turned novelist. In playwriting, you must tell your story in 100 pages or less, definitely in less than two hours and everything you want to relate to the audience must be conveyed through the dialogue. In the theatre world, there’s a term: “method acting” which means you get as close to your character as you can. If the character you are going to portray is a prostitute, you follow and talk to whores. (been there, done that. Honolulu, 1992 ) If your character is a woman who’s husband has been in prison for the past 13 years, you get inside her head or better yet visit him in prison.
For someone who was so comfortable writing in the genre of ‘scripts’ this was a scary prospect. Yikes! I thought, a novel was at the very least 70,000 words and over 300 pages long. What could I possibly have to say? One year and four months later I had a 335 page novel in my hands. Evidently my characters had plenty to say! At times I was surprised and delighted with my women and their stories. At other times appalled. As many writers will tell you, at some point, the characters sort’a….no…they definitely take over and you become simply the typist.
Well, as is everyone’s nightmare that owns a website (or even a computer) ,
some good news if you look hard enough?
A good writer is always observing and watching other people and their interpersonal relationships with others. Relationships are complex and rarely resemble yours. And of course…listening. Everyone speaks differently, with a different word choice and a varied cadence to their speech. This can translate to your writing and add another layer of ‘flavor’ to your dialogue. 
If you are a screenwriter or writing fiction you probably think you have no interest in theatre. One of your best sourses to learn about writing dialogue is the theatre. Live stage plays are the Mecca of good or bad dialogue. Go there, observe and learn! 
A few BOOKS
time, and when I finally took a break, I’d look around in a daze. I’d become so invested in that world, I think I was surprised I wasn’t “there,” instead of sitting on a couch in my living room. That kind of story made me want to create something similar. The idea of affecting a person’s mood, thought process, and emotions resonated for whatever reason.
4.5 out of 5 stars ~~ Book Review 
