Marc Cameron Writing for Tom Clancy in New Book (part 3)

Another office (Cook Islands)

Q. What first inspired you to write?

MC. I grew up in a family of storytellers. We were poor, and often didn’t have a TV, or, when we did, not a very good one. As a young boy, I’d sit on the porch and listen to my aunts tell stories while we shelled peas. As I got older, I’d help my grandpa mend fence or hoe okra. He kept me entertained with stories about his boyhood. My aunt, a librarian, introduced me to Where the Red Fern Grows when I was eight years old. It was one of the first ‘chapter’ books I read. It made me cry. I took it to school and begged my third-grade teacher to read it to the class. She did. It made her cry. Shortly after that, we moved to a farm in central Texas. It was a different time and at ten, I was allowed to roam and explore with my dog. I read Old Yeller and Savage Sam—and started writing what we would call fan fiction nowadays—about brave boys and good dogs and their adventures together.

Q. What comes first to you? The Characters or the Situation?

MC. Sometimes one, sometimes the other—but most of the time it’s the character.

Q. Do you ‘get lost’ in your writing?

MC. When it’s going right, that’s exactly what happens. I tend to watch the story unfold like a movie in my head.

Q. What compelled you to choose and settle on the genre you now write in?

MC. I wrote all over the place when I was younger—Fantasy, Science Fiction, Adventure, Westerns. With my background, it was natural that I eventually found my way into contemporary Thriller/Crime fiction.

New Release Dec 6th

Q. Are you working on something now or have a new release coming up? If so tell us about it.

MC. Tom Clancy RED WINTER is out now.

Then, BREAKNECK, my next Arliss Cutter novel, a crime fiction series about an deputy US marshal based in Alaska, comes out in April of 2023. I’m working on the next Tom Clancy/Jack Ryan now. After that, I’ll jump back into another Cutter and finish up another Jericho Quinn.

Q. When did you begin to write seriously?

MC. Charlotte Skidmore, my English teacher in eleventh grade, was known to be the hardest teacher in our high school. Early that year, she gave me a C- on a creative writing assignment. I’d written it in pencil when it should have been typed. The format was wrong, and there were gobs of spelling errors. Her famous red pen had bled all over my story. I deserved the grade—or worse. But, at the top of the page, written in pencil, was a note from her that said, “Marc, this looks publishable to me.” Those six words from the hardest teacher in the school changed the trajectory of my life. I tell this story all the time, but when we were fist married and living on slightly over six bucks an hour as a rookie police officer, my wife bought me a bullet proof vest (the PD didn’t provide them then) and a Smith Corona electric typewriter. I spent the next twenty years or so writing short stories and walking to the mailbox for rejection letters before I finally got a story published. My wife was always supportive, but when we received that first little check in the mail, she met me at the door with a rolled up magazine, swatted me on the butt, and said, “Congratulations. Now go write us a new refrigerator.” It’s been fairly steady since then.

Conclusion next week!
Did you miss the beginning?

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Watch for more interviews with authors.  October: Simon Gervais for ROBERT LUDLUM, November:  Horror writer, Kevin J. Kennedy, December: Marc Cameron, writing for TOM CLANCY




Robert B. Parker’s FALLOUT by Mike Lupica (a review)

   5 out of 5 stars     ~~    Book Review

Mike Lupica returns to write this most current release, FALLOUT.  Another Jesse Stone true crime created by Robert B. Parker.  And it’s flawless, as usual.  Mike writes in the voice of Parker effortlessly and I really enjoyed this one. 

The small town of Paradise is devastated when a star high-school baseball player is found dead at the bottom of a bluff just a day after winning the team’s biggest game. For Jesse, the loss is doubly difficult—the teen was the nephew of his colleague, Suitcase Simpson, and Jesse had been coaching the young shortstop. As he searches for answers about how the boy died and why, he is stonewalled at every turn, and it seems that someone is determined to keep him from digging further.  (

I never cease to marvel at these authors who keep Parker’s storytelling alive for us. All successful authors in their own right.  Lupica, one of the most prominent sports writers in America,  and Reed Farrel Coleman for Jesse Stone.  Ace Atkins for Spencer and Sunny Randall. There is a  list too long to list here.  All speak with the same clarity and write as if they are Robert B. Parker incarnate. 

Check out my fascinating INTERVIEW with Mike Lupica and Ace Atkins.


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Watch for more interviews with authors.  October: Simon Gervais for ROBERT LUDLUM, November:  Horror writer, Kevin J. Kennedy, December: Marc Cameron, writing for TOM CLANCY



Create an Audio Book!

Several years ago a friend asked me, “when are you going to create audio-books?  Your kids’ books would do great.  Anyone under the age of 25 is ‘listening’ to books not reading.”   This friend even found (Audiobook Creation Exchange) for me so I had no more excuses as to why I wasn’t putting my books on audio.  Since was an Amazon company, I knew there would be quality there and a great distribution plan in place.

It’s a pretty easy web site to use and they have a very large ‘stable’ of narrators to choose from.  As the author, you are in control every step of the way.  You start by posting an audition excerpt from your book.  Professional narrators then send you their audition.  I have always received 8-15 auditions for each book, so I had many to choose from. You can pay them outright from a sliding scale (which is my preference) or give them a percentage of the book sales.  It took me two tries to find the ideal narrator, Carin Gilfry, for my children’s books.  She is open and friendly and extremely patient making any changes I want, no matter how small.

Book 1 in series

After you find your narrator and they accept your terms of the contract, there are very easy steps you go through as they narrate your book.  You proof chapter by chapter, (on line) ask for the corrections or tweaks via email or personal email.  

I then went on to launch my true crime series into audio-books. Daniel Dorse is the voice of my lead detective, Jack O’Roarke of the NYPD. His voice is right out of the Jack Webb, Dragnet era and I love it! 

Tip: You should always review and edit the manuscript that you are converting to an audio book before giving it to the narrator.  I find that with an audio book, I delete about 50% of the:  ‘she said.’  ‘he replied.’ ‘she exclaimed.’ ‘he told her.‘  They are just not necessary because you have a voice telling the listener who is speaking.

The result is that I have a steady stream of sales every month from these books.  

Emma and the Lost Unicorn
Dance of Murder 

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Inspiration Comes in All Forms

  chilren's theatre, children's plays, fairy tales, inspiration, actors You find inspiration in the strangest places.   I was dedicated to writing scripts for the stage.   A few years back, I attended this production of my children’s play, Emma and the Lost Unicorn, outside of Boston .

After the actors had their curtain calls, the Director told them that if they changed out of their costumes and did their assigned tasks back stage, they could ‘have some time with  Trisha’.

So I found myself holding impromptu stage craft classes with these adorable young actors (age 5–18).  I was struck how serious they were about their craft.  Their questions were very sophisticated.  And then it happened……the inspiration to dare to write something completely out of my comfort zone…..a book.

children's theatre, plays for kids, writing, stage plays,

The  youngest ones begged me to write the stories from my scripts into storybook form.  They wanted to have Emma, Stare, Cheets, and Stanley in their personal libraries.  Six children’s books, a mystery series and three novels later I have found a new outlet for my story fairy tales, dragons, books for children, children's playstelling.  These children, who knew no fear, gave me enough courage to try chapter books, poetry, and becoming a novelist. Experimental at times, risky at times, scary, but so rewarding.
I was lucky and had a head start using my stage plays as a story outline as I adapted them to story book form.  But for my true crime series and the novels, I was flying solo….staring at a blank screen, typing that first sentence (that I am always talking about). 

   So step out of your comfort zone and try writing in a different format… it’s very liberating and you might surprise yourself.  I did!

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Book 1 in series




Murder Mystery Series by Trisha Sugarek

It is time to remind my fans and readers about the murder mystery series that I have been writing over the past years.  I am currently working on Book #11 . 
It’s an exciting series (even if I do say so myself) with two fascinating homicide detectives working the murder beat in New York City. 

Here’s the first three synopsis in the series but there are 10 in all.  Very story line driven so best read in sequence. 

Brush with Murder, Book #1

 Ben is a struggling, unknown artist, living in a loft in Soho. From his third floor walk up, he watches his beautiful neighbor as she comes and goes. Too shy and reclusive to ask her out, he paints her again and again. Suddenly the police are at his door. His goddess, his dream woman is dead
and the police like him for the crime. 


Dance of Murder Book #2

‘Strippers have been found with their throats cut and their dead eyes filled with glitter and the killer’s rage is escalating. To make things worse, Homicide Detectives, O’Roarke and Garcia have several dozen potential suspects all with a reason to murder these girls.’
Now the press has gotten hold of the story dubbing the murderer, ‘The Glitter Slasher’. City Hall is breathing down the necks of the Homicide Squad and insisting that they ‘get this
thing solved!’ Before there are more dead bodies. Finally the two murder cops make an arrest.
But, do they have the right person in custody?

Act of Murder Book #3

O’Roarke and Garcia are called when a famous Broadway director dies. It appears that everyone hated this man, making the murder cops’ job just that much harder. They have their pick of suspects as everyone within a five mile radius of Broadway had a reason to want this guy dead. From the jealous stage manager, to the resentful actors, to a disappointed and hurt lover.
From a scorned understudy, to his ex-wives, any one of them could have cheerfully done him in. This mystery takes the reader back stage into the tumultuous, gossip ridden, passionate world of the theatre.

Book Review ~ Mike Lupica’s Stone’s Throw


reviews, authors, writing

reviews, authors, writingreviews, authors, writingreviews, authors, writingreviews, authors, writing



5 out of 5 quills

Mike Lupica writes so well  in Robert B. Parker’s voice that you immediately feel you’re driving your rental car up the main street of Paradise Massachusetts. You drive towards the beach, park, and walk up the path to a piece of land that’s called The Throw. It reveals some of the most beautiful views of the Atlantic ocean on the East Coast . After you get your fix from the ocean views you drive over to the local police station to say hello to your friend and deputy chief, Molly Crane. Chief Jesse Stone and Molly are  working a case. The beloved (by everyone) mayor of this small town has….. (Opps! Almost gave it away). 

One of my favorite characters, Crow, returns in this story. If you’re a fan of Robert B. Parker’s (and Mike Lupica’s) I don’t need to elaborate. If you’re not, well….you should be.  The plot twists and turns and surprises the reader with a page turning cop/murder mystery. 

Right up to, literally, the last page. SURPRISE!  Thanks, Mike!  

The writing is just as excellent as the rest of Mike Lupica’s work. Mike writes all of the Jesse stone and Sunny Randall murder mysteries for the Parker estate so we can look forward to more from this fine writer. 

Did you catch my Interview with Mike Lupica

Release date: September 6th

My weekly BLOG features INTERVIEWS with  best-selling AUTHORS!    January: Madeline Hunter, February: Mike Lupica, March: Lee Matthew Goldberg, May: Jenny Colgan, June: Don Bentley writing for Tom Clancy, August: Veronica Henry and October: Life Coach, shaman, author, Jennifer Monohan.
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What does it look like? From ‘no book’ to ‘finished book’?

A fellow writer and friend asked me this question:  “What does the process of going from “no book” to “finished book” look like?”  After years of writing my blog and interviewing other authors,  it seemed to be each featured author’s favorite question.  Having also completed  several novels  I’d like to add my two cents:

When writing my first novel, (Women Outside the Walls) I did not have a deadline and it probably would have really helped. I was my own deadline setter and that didn’t work out so well. On the other hand, I think having a publisher breathing down my neck would have stifled my creative flow.  When life got in the way I wouldn’t work on it for weeks but then I would get inspired and work on it for days, weeks, non-stop, sometimes 10-14 hours a day. So I guess it all evened out.  Whatever you do, don’t beat yourself up if you don’t write for a few days….you’ll make up for it with better, more relaxed creative writing.

Because I inherently ‘rush’, I found that I had to watch-dog myself and be careful not to leave out important roads of the story. I was in early proofing of the final product of my novel and realized (in a countless re-read) that I had never described my female negotiator’s physical appearance. (Yikes!).  Again, (if the writer tends to rush) go back and re-read your work to see where you need to flesh out a chapter or a character.

I am not structured at all, if ‘structured’ means writing an outline, a story plot and character descriptions. I write a new project in my head for days, weeks and then when my brain is about to burst I begin putting it down on paper (or in my case, sitting at the keyboard). I also write out of sequence and I think that’s okay. My novel’s last chapter was completed months before the middle was written.

Some writers have actually written whole books while blogging; they found it less daunting by writing in segments. At the end they had a book and then they published.  If you need a deadline the days that you commit to writing a blog would serve.  For me this wouldn’t work;  I would feel too exposed having my rough draft out there for the world to see as I am a writer who slams it down the first time around and then edit, edit, delete, edit.  Did I mention that the lettering is worn off my ‘delete’ key?

Frequently I will begin a story that has inspired me, not knowing much about the subject. It has sometimes stopped me dead in my tracks while I researched (example: hostage negotiations for Women Outside the Walls).   I had 8 pages of a new play about Winston Churchill written and  had to stop to do research on his life during WW II. I find that it can be done while I am writing and that is what I prefer. It’s more fun and keeps me interested. I don’t think I would do well having my research all done before I put my story down. I find that the research itself inspires my story line.

And then there is that unseen, unheard phenomenon where, with any luck, the characters take over and you become the typist.  Your muse begins to tell you the story.  This has happened to me time and again, and while I resisted at first (being a control-freak) I now embrace and welcome it.  In Women Outside the Walls my character Alma, at sixteen, is abandoned by her promiscuous mother.  Alma is befriended by the ex-girl friend of the man Alma had a teen crush on.  They end up being room mates.  I could never have dreamed that one up;  but my characters got together and decided that this was what they would to do.books, authors, book stores, women writers,

I don’t think that there is a right or wrong way to go through the process. Each writer should be unique in how they work. Instead of thinking of it as a project/deadline ‘thing’; think of it as a work of art, created just for you and by you. Where possible, let the characters lead you. They will never steer you wrong!

well, there you have it…the process such as it is and how it works for me. (First posted January, 2013)

My weekly BLOG features INTERVIEWS with  best-selling AUTHORS!    January: Madeline Hunter, February: Mike Lupica, March: Lee Matthew Goldberg, May: Jenny Colgan, June: Don Bentley writing for Tom Clancy, July: Veronica Henry.
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Book Review ~~ Pay Back by Robert B. Parker (nes’ Mike Lupica)

reviews, authors, writingreviews, authors, writingreviews, authors, writingreviews, authors, writingreviews, authors, writing5 out of 5 quills ~~  BOOK REVIEW

Flawless writing and plot. Sunny Randle, PI is like a horse fly.  No frills and tenacious.  Not unlike the fly, Sunny looks for a patch of unprotected skin and then she stings. It hurts like hell.

Mike Lupica is a maestro when writing in Robert B. Parker’s voice. In this new Sunny Randall murder mystery the whole gang has returned (I love when that happens.)   Jesse Stone, Richie Burke, Tony Marcus, Frank Bilson, Susan Silverman, Tie bop and all the rest. Sadly, Hawk was out of town. 
Robert B. Parker’s wonderful tales live on.   I highly recommend the book to the fans of Robert B. Parker, old and new. This collection of authors writing in Parker’s voice keeps his work alive and fresh. 

Did you miss my Interview with Mike? It’s great reading. He’s a fascinating guy. 

My weekly BLOG features INTERVIEWS with  best-selling AUTHORS!    January: Madeline Hunter, February: Mike Lupica, March: Lee Matthew Goldberg, May: Jenny Colgan, June: Don Bentley writing for Tom Clancy.
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“I just always wanted to tell my stories.” Author, sports writer, Mike Lupica Interviews with this Blogger

TS. Mike Lupica is one of the most prominent sports writers in America. His longevity at the top of his field is based on his experience and insider’s knowledge, coupled with a provocative presentation that takes an uncompromising look at the tumultuous world of professional sports. Today he is a syndicated columnist for the New York Daily News; at the same time a prolific author under his own name and writing for Robert B. Parker and James Patterson. 

Q. What’s your best advice to other writers for overcoming procrastination?

ML. Just start writing. I do it all the time. Just get into it, even if the first few pages might not ever get into your book.

Q. Where/when do you first discover your characters?

ML.  In my imagination? Where else? I get them together and get them talking, and then all of a sudden one of them will say something I didn’t know they were going to say, or do something I had no idea they would do. In moments like that, I feel as if I have the best job in the world.

Q. What first inspired you to write?

ML. I always just wanted to tell my stories. When I was ten, I was writing mystery and adventure stories – longhand of course – with myself as a main character. Old-fashioned, Catholic School blue essay books. It’s all I ever wanted to do. Tell my stories. When I was traveling extensively to talk to kids in schools for my Middle Grade books, I’d always tell them that they had to buy my books, because I had no other skills.

Q. What comes first to you? The Characters or the Situation?

ML. Characters. Always.

Q. Do you ‘get lost’ in your writing?

ML. All the time. At the home we once had in Connecticut, my wife Taylor transformed a shed about fifty yards from our back door into an amazing writing cottage. The first time I walked down the hill, my son Alex turned to his mother and said, “He may never come back.”

Q. Are you working on something now? If so tell us about it.

ML. Well into this September’s Jesse, called Stone’s Throw. And back with Mr. Patterson for a new one. Working with him has been one of the great experiences of my career. Like getting a master class in getting the reader to keep turning pages.

Q. When did you begin to write seriously?

ML. College. Three school papers. Working nights at the Boston Globe. Writing for the Globe and the old Boston Phoenix. Chasing my dreams as hard as I could. Now here I am, getting to write about characters that Robert B. created. Honor of a writing lifetime.

Q. How long after that were you published?

ML. I was in my early 30s when “Reggie” put me on the Times list for the first time. My first mystery, Dead Air, followed shortly thereafter.

Q. Do you think we will see, in our lifetime, the total demise of paper books?

ML. Never.

Q. What makes a writer great?

ML. It’s like asking what makes oceans deep. It’s a wonderful mix of talent, imagination, work ethic, and writing stories that make you, the person writing them, keep going to find out what’s going to happen next. And never getting up from the desk until you’ve done your best work that day.

Q. and the all-important: What does the process of going from “no book” to “finished book” look like for you?

ML. There is nothing more exciting than Chapter One for me. Nothing. It’s the beginning of the adventure. And for me, there is no end to the adventure, even with The End. Because my head goes right into the next one.

Q. How has your life experiences influenced your writing?

ML. I have been blessed. My parents, in their 90s now, still living in their own home, have been a constant blessing. I’ve never met a smarter or better or kinder person than my wife. And we have these four amazing children. They make me smarter every day, by always reminding me that they think the good old days are now.

Q. What’s your down time look like?

ML. Down time? What’s that?

Q. Have you or do you want to write in another genre`?

ML. I am thrilled to be back in the world of writing mysteries. I feel as if I’ve left my mark writing novels set in the world of sports for young readers. And I am so proud of the work Mr. Patterson and I did on “The Horsewoman,” a great big novel set in show jumping (spoiler alert: My daughter is a champion rider.) I never think genre. Just good stories.

Note to Self: (a life lesson you’ve learned.)
It’s what I’ve constantly told my younger readers: Once a good idea gets inside your head, it’s impossible to get it out.
And the only thing more powerful than a good idea is a random act of kindness.

Did you miss part 1 of this wonderful Interview?

My weekly BLOG features INTERVIEWS with  best-selling AUTHORS!    November: Ella Quinn, December: Lauren Willig,
January: Madeline Hunter, February: Mike Lupica, March: Lee Matthew Goldberg
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Interview with Author, Sports Columnist, Mike Lupica

TS. Mike Lupica is one of the most prominent sports writers in America. ( Besides being an author, in his own right, he is the voice of Robert B. Parker in the Jesse Stone series. I am thrilled that Mike has given us his time and insight to his writing processes.

Mike Lupica: I’ve been doing what I’ve been doing, apart from books, for a long time. I started writing a column for the New York Daily News when I was 23. I made a couple of other stops along the way, and currently also write a couple of baseball columns every week for But I am still in the Daily News. I have written more than 40 novels, including autobiographies for Reggie Jackson and Bill Parcells. Two of my novels for young readers, Travel Team and Heat, debuted at No. 1 on the New York Times Best Seller list for children’s chapter books. Now I am honored to be writing books about Jesse Stone and Sunny Randall, created by my friend, and one of my writing heroes, Robert B. Parker. I also have my first book with James Patterson, “The Horsewoman,” coming out in December of 2021.

Q. Where do you write? Do you have a special room, shed, barn, special space for your writing?  Or tell us about your ‘dream’ work space.

ML. All I need for my dream work space is unlined yellow tablets – my pal Elmore Leonard told me to get rid of yellow legal pads so I could stop worrying about staying between the lines – and rollerball pens and my MacBook. We go back and forth between eastern Long Island and Florida now. My wife, Taylor, has given me wonderful rooms in which to work in both of them. On Long Island, I have the same writing table I’ve had since the 1980s. It’s still got good words left in it.

Q. Do you have any special rituals or quirks when you sit down to write? (a neat work space, sharpened #2 pencils, legal pad, cup of tea, glass of brandy, favorite pajamas, etc.)

ML. Again: The ritual is sitting down to write. That’s the whole ballgame. The great Joe Ide, who writes the IQ books, once told me that writer’s block just means you got up from the desk.

Q. How do you ‘get inside’ Robert B. Parker’s head and write for him?

ML. Bob Parker, as I knew him, has been inside MY head since I bought “The Godwulf Manuscript” at a (now gone) Brentano’s on Boylston Street when I was at Boston College. I have read and re-read him ever since. Anybody who has read my newspaper columns knows that my voice has always echoed his. So did my early mysteries about a New York City investigative TV journalist named Peter Finley, who later ended up in a CBS Sunday Night movie I was lucky enough to write. When I sat down to write a sample chapter for Sunny Randall, about ten pages that got me into Robert B. Parker’s wonderful world, I just felt as if I were exactly where I was supposed to be. Sunny tells Spike that the UPS kid “m’am”-ed her. Spike asks if she shot him. And I was off.

Q. Do you find your ‘voice’ creeping in when writing for another author?

ML. Again, the voice to which you refer has been inside my head for such a long, wonderful time. It was across the table from me at dinners we had, it was on the bottom floor of his great home in Cambridge when I did a television piece about him one time. And in radio interviews where we sat next to each other. In my mind, I’m just continuing that conversation with Sunny and Jesse.

Q. Could you tell us something about yourself that we might not already know?

ML. My friends know this. My family knows this. I have four children. I would give a bazillion dollars to get to go back and coach just one of them, one more time, in baseball or basketball or soccer.

Q. What tools do you begin with? Legal pad, spiral notebook, pencils, fountain pen, or do you go right to your keyboard?

ML. Plain yellow pads that I buy from my friend Ann Nealon at PDQ, forty at a time. Old-fashioned Cross rollerball pens. I write longhand for 30 or 40 pages, then type. When I do, it’s like an instant second draft. But I still think best with a pen in my hand.

Q. Do you have a set time each day (or night) to write?

ML. I do my best writing in the morning. Then revisit my morning pages in the late afternoon. When Elmore Leonard was alive, I’d call HIM in the late afternoon, even into his 80s, and always begin this way, “Are you writing or thinking about women?” He’d giggle and say, “What, you can’t do both?” But I knew he was at his desk. And would usually go back to mine.

Q. What first inspired you to write?


Join us for Part II of our Interview with Mike Lupica ~~ February 19th


My weekly BLOG features INTERVIEWS with  best-selling AUTHORS!    November: Ella Quinn, December: Lauren Willig,
January: Madeline Hunter, February: Mike Lupica 
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