Book Review ~ The Revelators by Ace Atkins

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5 out of 5 quills            BOOK REVIEW

From the first sentence, in the first paragraph, on the first page The Revelators had this reviewer hooked!  As sheriff Quinn Colson lay face up, in a creek bed, shot four times, Boom’s face, like a black moon, hung over him, shouting into his best friend’s face, “Quinn, man. Stay with me brother… Can you hear me?”

I’ve told newbie writers and experienced writers that the first page, if not the first sentence, should grab your reader and not let go. They must feel compelled to read on and find out what happens next in your story. Ace Atkins personifies this rule in his writing.  If you are a fan of Quinn Colson and the goin’s-on in Tibbehah County, Mississippi you don’t need a reason to buy the latest in the series.  If you are aware or not, it’s the fine writing that brings you back again and again.  We love the grit, the gore, we even love the villains. At least, I do. 

The characters are drawn with the precision of a rapier. Caddy, Fannie Hathcock, Sam Frye, Donnie, Lillie, Quinn, Boom, the list goes on and on. And the graft portrayed just below the surface of the genteel south is real. When I lived in Harrison County (Gulfport, 1974) the elected Sheriff’s job was worth $1 million per year to that elected official. Nobody really blinked at the graft that took place every day. Just as long as crime was low and we were safe in our homes. 

I highly recommend this newest release in the Quinn Colson series. 

Did you miss my Interview with Ace Atkins?
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

My weekly BLOG features INTERVIEWS with  best-selling AUTHORS!   June: Mike Maden writing for TOM CLANCY. July: Guest Blogger Desiree Villena, August: Carolyn Brown
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How To Format a Novel

My helping you with formatting a novel is long over due…. It was a light bulb moment recently when I was reading a nice little story, self published (poorly) by its author, with hardly any formatting. The story wasn’t much to write home about (too predictable with poorly drawn characters.) but the lack of formatting only made it worse and an amateur effort at best.  So here are some tips about formatting your novel, before you even begin to write the story. 

Blank Templates:  Most self publishing platforms have FREE blank templates for you to begin writing on. You just pick the desired ‘size’ of your book and you can download the template to your document writing site in your computer.  Most of us use Microsoft Word for all our writings. Here is an example of how I start with a blank template.  (Why is this important? Believe me when I say at the end it will make your life so much simpler when you begin to ‘build’ your book.)

To begin:  I use Kindle Direct Publishing (KDP https://kdp.amazon.com/en_US/ ) Don’t be put off by the word ‘kindle’ in the name. I build and publish all of my paperbacks here. If you don’t have an account, sign up for a FREE one. Then click on ‘HELP’.  In the search bar, I enter ‘paperback templates’. Choose #1 ‘Paperback Manuscript Templates. Follow the directions on this page.  After picking the size of your book and downloading it, your Word program should open with the blank template staring back at you.  Write a few lines (the template message will disappear) and save it as your new novel.  If you are using a different manuscript platform, I feel pretty confident that they also offer blank templates to get you started. Now you’re ready to write your story.  

Formatting:  It goes without saying you want a professional looking book. Readers unconsciously expect a certain look/layout.  Bad or nonexistent formatting can detract from the reader’s enjoyment of your book. 

But, you ask…‘I’ve already written five chapters of my novel on 8.5 x 11 paper. Can I move it?’ Easy, peasy. Use your copy and paste option (I recommend saving your original copy of the manuscript). Copy the five chapters, go over to your template and ‘paste’ the chapters in. This will mess up the formatting because your original manuscript is probably written on a larger sized paper than what your blank template is for your book. But it only takes a little time to re-format what you’ve already written. Trying to get the formatting perfect can be a form of procrastination if you’re not careful. Don’t get off into the weeds. Be certain that you are writing your story every day. Now that your novel is placed on your template, you can continue writing from where you left off.     

First Page: When you open your cover, the first page (odd numbered page) can have excerpts of reviews that you have received. Just a sentence or two, not the whole review. If you don’t have any then the first page should be the title and author name. 

Second page: (Even numbered page) This is your copyright page, entitled ‘Notice’. It can also include your ISBN number, your logo, and credits for the artwork. (See sample; All centered and a smaller font; a 9 or 10.)

  Notice 

Copyright (c) 2016 Trisha Sugarek. All rights reserved. No part of this book may be used or reproduced in any manner whatsoever without the written permission of the Author. Printed in the United States of America. For information contact author at www.writeratplay.com. The Library of Congress has cataloged the soft cover edition of this book as follows: Sugarek, Trisha, Song of the Yukon, Trisha Sugarek – This is a work of fiction. Names, characters, places, and incidents either are the product of the author’s imagination or are used fictitiously and any resemblance to actual persons, living or dead, business establishments, events or locales in entirely coincidental.

ISBN 978-1489558206

Cover Design by David White, clenbuterol on reddit Illustrator

Song, ‘Swiftly I Go’ by Gary Swindell, Composer
Additional lyrics and poetry by Trisha Sugarek

To view all of the author’s play scripts and fiction go to: www.writeratplay.com

Quotes: The Best of Robert Service, Copyright 1940 by Robert Service.  Publishers: Dodd, Mead & Company, Inc.
                                                                    ************************************************

Third page:  (Odd numbered) A dedication or a list of the other books you have written.  (See samples) It doesn’t matter which goes first but it should be on an odd numbered page.

Also by Trisha Sugarek

Fiction

Women Outside the Walls
Wild Violets

The World of Murder
Art of Murder
Dance of Murder
Act of Murder
Angel of Murder
Taste of Murder
Beneath the Bridge of Murder
Video of Murder
Shadow of Murder

Poetry
Butterflies and Bullets
The World of Haiku with Sumi-E Artwork
Haiku Journal — a companion book
Moths and Machetes

Available at all fine book stores.

OR

Dedication

To a hundred years of Guyer girls….
still going strong.

***********************************************************************

Headers:  Should begin after these pages of notices, titles, credits, etc. On the first page of Chapter One. More later about headers. 

Each chapter:  Should always begin on an odd numbered page.  Note:  It’s perfectly acceptable for the even numbered page, opposite these odd numbered pages (that always appear on the right side) to be blank.  Most common and expected font is: 12 point Times New Roman. Spacing of lines should be 1.0 to 1.25. Indent all paragraphs by .5 inches. There are no spaces between paragraphs which should be indented 3″ to 5″ inches.  

Left margin versus Justified margin:   On the home page of Word I am certain you are familiar with the ‘alignment’ options; left, center, right, and justified.  Control (key) and the letter ‘A’ will highlight your entire manuscript. Now go to the justified button and click it. As you continue to write, your manuscript is set to ‘justified’, now.  This will space your words, across the page, so there are (for the most part) no awkward blank spaces because a word doesn’t fit.  Trust me, you will want to use the justified alignment and not the ‘left’ alignment. When there is the occasional blank space, go back and hyphenate the long word to fill these spaces.  Now, you not only have a nice clean margin on the left of your page but also on the right side of your page. (See sample. Note: I have drawn a line where there should be a word.) Look at the sample below under “Headers”.  See the crisp margin on the right. This is the result of using the ‘justified’ option.

Proof Your manuscript. Then proof it again. Don’t leave anything to chance.  The following sample is just plain sloppy proofing. The circled text should have started on the next (odd No.) page. This called for a page break.

Hard Page Breaks:  On your Word Home page find “Layout”. Click. Directly below Layout is the word: Breaks. Click for the drop down menu and chose the first choice: Page.  This sets the end of the page you’re on and designates a ‘page break’, beginning of a new page. This would have solved the above problem. Note: Be certain your cursor is at the end of the text where you desire a new page to begin. 

Headers:  Put your cursor at the top of the page of your first chapter. Double click.  The page number will automatically appear.  Place your cursor to the right of the page number and ‘space’ over to where you want to type.  The odd page should have the title of the book. You only have to type it in once; it will appear on all odd numbered pages going forward.  Now, put your cursor anywhere on the (grayed out) text of the page and click twice. Your header for odd numbered pages has been created. Now repeat the same steps for the even numbered pages:  Double click at the top of an even no. page, place your cursor to the right of the page no. Space over and type in your name as the author. Wait!  Before you leave this, be certain that you are not linking to the previous header. And leave the box unchecked for ‘Different First Page”. Click the boxes for “Different Odd and Even Pages” and “Show document text”.
What you want to achieve is no header on pages before the first page of the first chapter.  If you find you have headers go back and make certain the “Link to Previous” is not used. You may have to delete all headers and begin again, before you finally get it right. (See sample.)

 

Submitting your manuscript to an Agent/Publisher: Find out what the agent or publisher recommends. Some might require double spacing, for example. They publish their specs and formatting requirements right on their websites. Checking out the specs should be your first step. Adapt your manuscript for each agent or publisher (most will be remarkably similar).

Dialogue:  Is treated as a new paragraph, indented 3-5 spaces, even if only one line of dialogue.  (Example to follow):

   “It always ends up the same in the end; they fight every night and finally he smacks her around and she kicks ‘im to the curb. I am never gonna’ have a boy friend like that!  I’ve got big plans, believe you me!”
   Charlie stopped in the road and Alma walked a few steps before she realized he wasn’t beside her anymore. She stopped and looked around.
  “What?” she asked. 
   “He’s not botherin’ you is he? Not touchin’ ya?” Charlie asked.
   “Ha!  That’ll be the day!  Just let ‘im try somethin’ like that!  I’ll kill him’!”
   “You sure?” Charlie insisted.
   “Whad’da you care?” she asked.
   Charlie scowled at her. “I thought we were friends, Alma.  Friends look out for friends.”
   “Well, thanks, but you don’t need to worry. He wouldn’t dare try anything.  Besides, he’s not my type.” She scoffed. 
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ 

I’ve tried to think of everything you might need to format your manuscript properly. It might seem a little daunting….but it’s not…once you begin these steps it will go fast and be relatively simple.  But if you get stuck, email me at trishsugar@aol.com and I’ll be happy to help. 
(More) on How to Format a Novel when Self-Publishing.
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ 

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Interview with Carolyn Brown (part 3)

Q. and the all-important: What does the process of going from “no book” to “finished book” look like for you?

CB. No book is a proposal that one of my publisher’s has bought, and now it’s time to drag my writing chair over to the computer, talk to my characters and begin to write. Finished book is saying goodbye to those characters and beginning all over again.

Q. How has your life experiences influenced your writing?

CB. Everything, I see, taste, feel, get emotional about, has affected my writing. Add everything I hear or every experience—being raised by a single mother and a blind grandmother, having a step-father, nine step mothers, siblings, half brothers and sisters and a multitude of step brothers and sisters, raising three children, being married more than fifty years. It all plays a part in my writing.

Q. What’s your down time look like?

CB. What is this down time that you speak of? In all seriousness I love to spend time with my family or just have coffee with Mr. B in the middle of each morning.

Q. Have you or do you want to write in another genre`?

The walls of my office. I frame most of my covers. The shadow boxes in black are the books that have sold more than 100,000 copies.
One of my favorites.

CB. I love writing cowboys and women’s fiction. I live by the rule if it ain’t broke, don’t fix it. This is working for me. When it ceases to work, I’ll move on.

 

 

 

Q. Note to Self: (a life lesson you’ve learned.)

CB. This, too, shall pass. Disappointments and grief pass. Excitement and victories pass. Love and understanding help soften the pain of one and double the joy of the latter.

CB. Thank you for inviting me to Writer at Play and letting me prop my feet up and visit for a while. Happy Reading to everyone!

 

Did you miss part I of this charming interview?
You can visit Carolyn at www.carolynbrownbooks.com.
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

My weekly BLOG features INTERVIEWS with  best-selling AUTHORS!   May:  Joram Piatigorsky, June: Mike Maden writing for TOM CLANCY. July: Guest Blogger Desiree Villena, August: Carolyn Brown
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New Journals ~~ New Instructional Sections

These two new journals are revised.  The Creative Writer’s Journal looked a little stale to me (its author) so I added more pages, more quotes, and more writing tips. Over 300 lined, blank pages for your ideas, writing, and thoughts.   I hope you enjoy !

 www.amazon.com/Revised/2020

 

 

www.amazon.com/Journal/Boys/Men

Book Review ~ Miss Janie’s Girls by Carolyn Brown

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 5 out of 5 quills                           BOOK REVIEW 

Carolyn Brown has delivered again!  This new release is a heart-warming story of two young girls caught up in the CPS’s foster system. They finally land with Miss Janie until the ‘system’ spits them out at age eighteen.  Separated for years, they both circle back to Miss Janie.  Has their animosity toward each other survived the separation?

The writing is superb and the drawing of the characters flawless. I highly recommend this book for summer, fall or winter reading!

Did you miss my Interview with Carolyn? 

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

My weekly BLOG features INTERVIEWS with  best-selling AUTHORS!   May:  Joram Piatigorsky, June: Mike Maden writing for TOM CLANCY. July: Guest Blogger Desiree Villena, August: Carolyn Brown
To receive my posts sign up for my 

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Students can now purchase essays

You can also set a flexible writemypaper delivery date for your order.

online.

Interview with author, Carolyn Brown (part 2)

Q. What first inspired you to write?

CB. I’ve loved to tell stories since I was a little girl. My folks separated when I was four years old and my mother, sister and brother (who were younger than me) came from California to Oklahoma to live with my blind grandmother. We didn’t have many toys so I made up stories to keep my younger siblings entertained.

Q. What comes first to you? The Characters or the Situation?

CB. The characters. They create the stories with their situations. I just listen to them tell me what to write next. Shhhh….don’t tell anyone that I have voices in my head! (TS. You’re in good company!)

Q. Do you ‘get lost’ in your writing?

CB. Oh, yes, ma’am. I get so involved with the story and my character’s emotions that I forget about time. Whatever my characters feel, I feel. When they are angry, I’m upset, when they are laughing, I’m giggling. If I don’t have the emotions they do, how could I ever describe them.

Carolyn with hubby, Mr. B.

Q. Are you working on something now? If so tell us about it.

CB. I’m just starting a brand-new women’s fiction entitled The Hope Chest. It’s set in Blossom, Texas and is the story of three cousins, two women and a man, who have inherited a small house from their grandmother.

Q. When did you begin to write seriously?

CB. When my third child was born and wouldn’t sleep at night, I sharpened a few pencils, got out a spiral notebook and began to write a story that Mr. B and I had been talking about for five years. That book had everything in the world wrong with it, but I was writing…and after too many edits to count…40 years late I sold it with the title The Lilac Bouquet.

Q. Do you think we will see, in our lifetime, the total demise of paper books?

CB. No, I don’t. There are too many readers out there who like to hold a book in their hands and who love to see them on their bookcases.

Q. What makes a writer great?

CB. Keepin’ on even when the goin’ gets tough. Don’t give up and keep writing.

Q. and the all-important: What does the process of going from “no book” to “finished book” look like for you?

CB. No book is a proposal that one of my publisher’s has bought, and now it’s time to drag my writing chair over to the computer, talk to my characters and begin to write. Finished book is saying goodbye to those characters and beginning all over again.

Framed book covers by Carolyn

Q. How has your life experiences influenced your writing?

CB. Everything, I see, taste, feel, get emotional about, has affected my writing. Add everything I hear or every experience—being raised by a single mother and a blind grandmother, having a step-father, nine step mothers, siblings, half brothers and sisters and a multitude of step brothers and sisters, raising three children, being married more than fifty years. It all plays a part in my writing.

Q. What’s your down time look like?

CB. What is this down time that you speak of? In all seriousness I love to spend time with my family or just have coffee with Mr. B in the middle of each morning.

Q. Have you or do you want to write in another genre`?

CB. I love writing cowboys and women’s fiction. I live by the rule if it ain’t broke, don’t fix it. This is working for me. When it ceases to work, I’ll move on.

Q. Note to Self: (a life lesson you’ve learned.)

CB. This, too, shall pass. Disappointments and grief pass. Excitement and victories pass. Love and understanding help soften the pain of one and double the joy of the latter.

CB. Thank you for inviting me to Writer at Play and letting me prop my feet up and visit for a while. Happy Reading to everyone!

 

Did you miss part I of this charming interview?
You can visit Carolyn at www.carolynbrownbooks.com.
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

My weekly BLOG features INTERVIEWS with  best-selling AUTHORS!   May:  Joram Piatigorsky, June: Mike Maden writing for TOM CLANCY. July: Guest Blogger Desiree Villena, August: Carolyn Brown
To receive my posts sign up for my 

  On the home page, enter your email address.  Thanks!

 

 

 

 

 

Poetry featured on PoetrySoup.com

Dear Trisha,

Congratulations, this is just a quick notice to let you know that your poem Remembered Love is one of the poems being featured on the PoetrySoup.com home page this week. 

Thanks again and congratulations.

Sincerely,
PoetrySoup

Remembered Love

Ashes waft over the meadow
a jet stream of sorrow,
beckoning the widow to the
edge, down to the river.

Contented epoch, at the
creek where the wolves run,
he lived and laughed.

We watched the bright blue
stars foxtrot across the milky
way, a midnight indigo quilt
shivering with light.

Mountain men whose
toughened hands cradle their
violin and mouth harp. Music
soared amidst craggy
chiseled countenance.

We listened to the chaste
screech of a hawk, the forlorn
cry of a mountain cat,
soft snuffling of a bear,
watery splash of a fish.

You and I waltzed in the
meadow; no music needed
other than the love song that
pulsed in our hearts.

Can I have this dance for
the rest of my life?
Together it seemed so…

right,
wrong,
simple,
eternal,
joyful,
lonely,
sad…

…happily ever after?

No.

Time enough for us to love,
laugh, share, be silly, fight,
forgive, and cry?
To seethe and despair?
Yes.

 

Copyright © Trisha Sugarek | Year Posted 2014     
Books of poetry:  Butterflies and Bullets  ~~ Moths and Machetes
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

My weekly BLOG features INTERVIEWS with  best-selling AUTHORS!   May:  Joram Piatigorsky, June: Mike Maden writing for TOM CLANCY.  August: Carolyn Brown
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Book Review ~~ the Banty House by Carolyn Brown

reviews, authors, writing reviews, authors, writing reviews, authors, writing reviews, authors, writing reviews, authors, writing                 5 out of 5 quills                                   Book Review 

This is a newly discovered (for me) author .  And what a pleasant surprise.  If the Banty House is any indication, this prolific author gives readers hours of charming stories. 

the Banty House is a charming tale of three old ladies who take in strays, from bedraggled kittens, to damaged heroes, to homeless young women.  Betsy, Connie and Kate are real eccentric characters who you can’t help but fall in love within the first few pages. That’s all I’m going to say, as you all know I don’t write spoilers. The writing is superb and you’ll find that you can’t put the book down. I love Carolyn Brown’s style of writing and look forward to reading more….and more. 

Even though Banty House was just released there’s already another story in the pipeline, to be released in late July, Miss Janie’s Girls. Can’t wait!

Don’t miss my interview with Carolyn Brown coming in August.
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

My weekly BLOG features INTERVIEWS with  best-selling AUTHORS!   May:  Joram Piatigorsky, June: Mike Maden writing for TOM CLANCY. July: Guest Blogger Desiree Villena, August: Carolyn Brown
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Interview with Writer for Tom Clancy, Mike Maden (Conclusion)

Q. What’s your best advice to other writers for overcoming procrastination?

MM. The first lie every writer tells themselves is this: I don’t have the time to write. The second lie is this: I can’t write. Here’s the truth: writers always write. Are you a writer? But you’re not writing? Then ask yourself this: why aren’t you writing? What are you trying to avoid by not writing? I promise you the answer is going to be some variation of abject fear. Fear of failing as a writer, of falling short of our ideal of good writing, of disappointing others, etc. In other words, it’s all about self-preservation or to be more blunt: death. Death of my ideal self, death of my status in the world as “a great writer;” some painful, shameful, hateful permutation of emotional and/or psychological destruction. Don’t believe it! Don’t define your sense of self in the world through writing. Rather, your writing is defined by your sense of self. You are not your writing. Your writing is you.

Here is the irony (and I’m stealing this from the best): if you seek to save your writer’s “life” by not doing the work in order to protect yourself, you’re going to lose the very life you’re trying to save. More simply, not writing is the death of your career. Everything you think you’re avoiding by not writing is actually going to occur when you don’t write—so write! Here’s one more tip (also stolen, in this case, from Hemingway): the first draft is always (rhymes with) “spit” so you’re only job is to “spit” out your first draft—the complete and entire first draft—and then you can fix anything later in edit, i.e., “all writing is rewriting.” If Hemingway thought his first draft was “spit” then I’m in pretty good company and so are you. I spend most of my time spitting—from an outline.

If that’s still not enough, attack the problem from the other direction. Forget yourself and simply obey the work.

Slovenia ~~ the river below the narrow trail

If you say you’re a writer then you’ve made a commitment to a “vocation” in the oldest sense of the term. Writing (truth telling, either fiction or non-fiction) is holy work; “holy” as in set apart for service. Whether or not you are religious, you committed yourself to the priesthood of Art once you said, “I am a writer.” What follows is both necessary and clear. You must recover and practice with earnest devotion the disciplines of the disciple—a follower, a student, a servant of the Work. Faith—the evidence of things hoped for, like a completed manuscript when you’re staring at the first blank page—and Love of the word are the first two hallmarks of the writer/disciple. Commitment, sacrifice, suffering…the list of the qualities of the true disciple are well known or easily discovered (e.g., the Gospels or whatever you prefer). In other words, writing is not about “you” it’s about answering the call, to saying “yes” when summoned and exerting inexhaustible effort toward the completion of the task, denying self and even other people and all other things that distract or dissuade you from your mission. “Not my will, but Thine.” If you happen to be a person of true religious faith, then your discipleship is twofold: obedience to the One who calls and fulfilling that call through the faithful exercise of the gift that the One has given you.

If all of that is too abstract then here’s the most practical advice I can give you: do yourself a favor and purchase a copy of Steven Pressfield’s, The War of Art. Study it, memorize it. Let it be your missal. Then get your derriere in the chair—and write!

Q. What comes first to you? The Characters or the Situation?

MM. Characters are all that matter. Situations, scenes, plots, actions…it all comes out of character choices, character collisions, character flaws, character construction.

Q. Do you ‘get lost’ in your writing?

MM. I start with a solid outline so I always have those touch points that keep me on the path from A to Z. But if I’m really writing—really doing it the way it’s meant to be done—I get completely carried away in the moment, plunging headlong into the river, carried along by the surging rapids.

Q. Are you working on something now? If so tell us about it.

MM. Yes. Can’t. Top secret. But it’s gonna be awesome and my first collaborative effort. News coming soon.

Q. When did you begin to write seriously?

MM. I’ve always written seriously beginning with my academic, non-fiction writing. What surprised me was to find out I was actually a writer. Yes, I could write. But I never thought of myself as a writer because of the mystery that surrounded that term. I was forty years old before I gave myself permission to call myself one. And what really surprised me was that I could write fiction. I was utterly stunned to discover I could write a screenplay but I knew beyond a shadow of a doubt I could never write a novel. Until I did. But one novel was it. Finito. No way could I do another even though I’d just signed a two-book deal. I knew I couldn’t write the sequel. Until I did. And another two-book contract showed up. And then I knew the game was up. My publisher would finally realize their big mistake. Until I finished those up too. And then…well, I think you get the idea. A serious writer writes. And writes. And writes. It’s hard work. Really hard. And it only gets harder—but only if you’re doing it right.

Q. Do you think we will see, in our lifetime, the total demise of paper books?

MM. Absolutely not. They may become rare or expensive but they will never disappear. For people of a certain age, ahem, me, the tactile nature of the printed page never ceases to amaze or comfort.

Q. What makes a writer great?

MM. All writers are great but only if they write. The act of writing—of completing the work—is an act of obedience unto the Muse. It is our offering on the altar. The mere doing of it is its own reward. Whether or not the work will be judged as “great” by history or the literati or the New York Times bestseller list is completely outside the control of the writer. We can’t choose to be “great” but we can choose to do the work. Tell the truth, be yourself (i.e., original) and do the work—the rest will follow whether you like the outcome or not.

Q. and the all-important: What does the process of going from “no book” to “finished book” look like for you?

MM. Get a bucket. Fill it with kerosene. Carry it to the top of a ten-story building. Stick your head in the bucket. Light your head on fire. Throw yourself off the roof. Hit the pavement. Douse the flames. Type, “end of chapter one.” Do it again. Sixty-five more times. Now you know what it feels like to go from “no book” to “finished book.” Easy as pie. Or as some wag said, just open up a vein and bleed onto the page.

Q. How has your life experiences influenced your writing?

MM. Everything. You write out of your life.

Q. What’s your down time look like?

MM. Reading. Watching the best film and television I can. Hanging out with my best friend (my wife). Exercise. Golf. Guns. Hiking.

Q. Have you or do you want to write in another genre`?

MM. I wish I was smart enough to write science fiction.

Q. Note to Self: (a life lesson you’ve learned.)

MM. General life lesson: “Discipline Equals Freedom.” (Jocko Willink)
General writing life lesson: “The bad news is, the Problem is Hell. The good news is, it’s just a problem. The Problem is not us. The PROBLEM is the problem. Work the Problem.” (Steven Pressfield)

PS. (from Mike Maden)  My Clancy novel ENEMY CONTACT was set in Poland. Amazing history, culture, people…and food. We love travel and learning new things but unfortunately it also means encountering the human condition in its worst permutation. Auschwitz is one such place and of all of the things that wounded me in that terrible place nothing grabbed me more than this moment. Those red shoes took me to a very dark moment. I could just see a young woman picking them out of the shop window one bright sunny morning, so happy and proud of them…having no idea where they would one day take her.

Did you miss Part I and Part 2 of this fascinating interview?

Book Review of Firing Point

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My weekly BLOG features INTERVIEWS with  best-selling AUTHORS!    March: Olivia Hawker, April: Dan Sofer, May:  Joram Piatigorsky, June: Mike Maden writing for TOM CLANCY
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Firing Point, by Mike Maden, writing for TOM CLANCY~~Book Review

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5 out of 5 quills             ~A Book Review~

 

From the first sentence, on the first page, begins a riveting new story for Jack Ryan, Jr.  Our readers would never know that Tom Clancy wasn’t writing this book. Mike Maden does his usual magic in creating another harrowing international intrigue. 

The story winds and weaves through Spain, with flash-backs to Washington D.C., and cruises the deep seas of the South Pacific.  Supreme intrigue, international terrorists, spies, and lots of techno stuff that I adore.  An extremely complex story plot made simple and clear in the deft hands (and pen) of Mike Maden. 

My new readers (Tom Clancy fans) may not know this about me: I don’t write spoilers. I don’t write cliff notes for the book. I review the WRITING! And it is a pleasure to report that the writing here is superb. 

I highly recommend this book to my readers. 
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My weekly BLOG features INTERVIEWS with  best-selling AUTHORS!    March: Olivia Hawker, April: Dan Sofer, May:  Joram Piatigorsky, June: Mike Maden writing for TOM CLANCY
To receive my posts sign up for my 

  On the home page, enter your email address.  Thanks!