Tips for Creative Writing * Fiction

Recently, the Professor leading the creative writing department at Pace University wrote to say that she was using one of my true crime stories (Act of Murder) as the sample text in the offered course, “How To Write Mysteries and True Crime”.  Such an honor!

I fired off enough copies to cover the students taking the class with these tips:

TIPS:

1. You can’t have too much dialogue
2. You CAN have too much descriptive
3. SHOW don’t TELL.  For example: Instead of writing:  (telling) Stella walked across the busy street, dodging cars.   (SHOWING) Holding up her hand, her badge tucked in her palm, Stella skipped to the other side, between the parked cars jammed to a standstill on the busy street . “Whad’ya waiting for, Jack?” She taunted her partner. 

4. Be certain your forensics are accurate.
 I once called an ME to ask how long traces of Vanilla Wafers and grape soda would remain in the stomach. (Angel of Murder) I didn’t trust what i found online. He was kind enough to take my call.

5. Your deceased victim is a character in your story. They should be as interesting as the other characters. At the least, they should have a life story.

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Book Review~Hot Property by Mike Lupica – A Masterclass in Fiction Writing

5 out of 5 stars  

THE  GANG’S ALL HERE!

Mike Lupica’s writing captures the late Robert B. Parker’s voice like no other. This latest tale of Spenser’s exploits brings the old and new gang back together. Rita, Susan, Hawk, Henry, Spenser (of course!),  Quirk, Vinnie…the list goes on and on.  

This is a really good story and have I mentioned? I love it when the old gang returns. Such rich, full bodied characters that only Parker aka Mike Lupica can create and maintain. 

I highly recommend it!  

Curious to hear from the author himself? Read my exclusive interview with Mike Lupica

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PoetrySoup honors my Poem

Dear Trisha,

Congratulations, this is just a quick notice to let you know that your poem A Chip Off the Old Bukowski Block is one of the poems being featured on the PoetrySoup home page this week. Poems are rotated each day in groups of 14-16 to give each poem an equal opportunity to be displayed.

Thanks again and congratulations.

 

Sincerely,  PoetrySoup

A Chip Off the Old Bukowski Block ©
i sit here on the toilet, looking at the cane by my side
when did this happen?
its pronged feet could, at any moment, scamper into a tidal pool,
so much does it remind me of a robotic crab
my mornings now consist of pills, shuffling to the next room to pour cereal then work up a s*** before I can leave the house
When did this happen?
bodily functions take priority as I can no longer trust this body not to embarrass me in public
when did this happen?
my knees are shot to hell
my bowels rumble and twist
my arthritis tears at me with sharp little teeth
my vision is perfect, cataracts blasted away by another robot
when did this happen?
the other day my mind went on a holiday leaving me behind, confused and blank, frightened
is this a harbinger of what’s to come
when did this happen?
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Have you seen the wonderful anthology, “Radiant Verses“, that PoetrySoup published.
They honored two of my poems by including them in this book. 

 

 

 

 

~~~~~~~~~~~~~~More poetry by Trisha

Part 2 ~ Interview with author, Christina Dudley

Q. Do you ‘get lost’ in your writing?

CD. Oh, so rarely! Only about 10% of the time does a chapter just write itself. The rest of the time it can be a slog, an act of discipline. Is this scene doing anything? Is it developing the character or moving the plot along? If not, into the trash it must go…Though even then, certain lines or bits can be salvaged and pasted back in later.

Q. What compelled you to choose and settle on the genre you now
write in?

CD. I started in women’s fiction and general fiction, but when I wrote a contemporary adaptation of Mansfield Park and rediscovered the world of rabid Jane-ites, I decided to write a Regency romance like all the ones I’d read and loved when I was younger. Jane Austen is a like a public-domain Marvel Universe—so many of us have launched ourselves from her work.

Q. Are you working on something now or have a new release coming up? If so tell us about it.

CD. I’m working on Book Three in my current Regency series Lord Dere’s Dependents. The Bestowed Bride is the widowed sister-in-law’s story. And then after that I am contracted to write my second traditionally-published romance, an Emma-based follow-up of my first trad book Pride and Preston Lin.

Q. Do you think we will see, in our lifetime, the total demise of paper books?

CD. I doubt it. They’re expensive, but plenty of people love paper books. I do think traditional publishers might start to do smaller print runs for books which aren’t expected to be blockbusters. I myself don’t do print anymore unless I want to look at maps or find it at a used bookstore because who has the space?

Q. What compelled you to choose and settle on the genre you now
write in?

CD. I started in women’s fiction and general fiction, but when I wrote a contemporary adaptation of Mansfield Park and rediscovered the world of rabid Jane-ites, I decided to write a Regency romance like all the ones I’d read and loved when I was younger. Jane Austen is a like a public-domain Marvel Universe—so many of us have launched ourselves from her work.

Q. Are you working on something now or have a new release coming up? If so tell us about it.

CD. I’m working on Book Three in my current Regency series Lord Dere’s Dependents. The Bestowed Bride is the widowed sister-in-law’s story. And then after that I am contracted to write my second traditionally-published romance, an Emma-based follow-up of my first trad book Pride and Preston Lin.   

Q. Do you think we will see, in our lifetime, the total demise of paper books?

CD. I doubt it. They’re expensive, but plenty of people love paper books. I do think traditional publishers might start to do smaller print runs for books which aren’t expected to be blockbusters. I myself don’t do print anymore unless I want to look at maps or find it at a used bookstore because who has the space?

Q. What comes first to you? The Characters or the Situation?

CD.  They’re almost simultaneous.

Q. Do you ‘get lost’ in your writing?

CD. Oh, so rarely! Only about 10% of the time does a chapter just write itself. The rest of the time it can be a slog, an act of discipline. Is this scene doing anything? Is it developing the character or moving the plot along? If not, into the trash it must go…Though even then, certain lines or bits can be salvaged and pasted back in later.

Q. What makes a writer great?

CD. No two readers will ever agree on this! When I put my own fiction-reader hat on, I’m looking for books with rounded characters and plausible situations, even if it’s set in a fantasy world. Bonus points if the story makes me laugh. Not too much navel-gazing, please, and a plot with a traditional conflict-rising action-climax-denouement. I must be too old to enjoy the stories where there’s no real conflict, or where it’s resolved with 25% left to go, and then it’s just 25% of people riding off into the sunset. Yawn.
When it comes to nonfiction, which I also love, I want to learn something and have it told to me like a story. Books like The Boys in the Boat and Into Thin Air delight me.  

Did you miss the beginning? Interview
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Book Review ~ By His Grace and Favor

 

5 out of 5 stars ~~ Book Review

Delicious….but more than that
the  story taught me something I previously didn’t know about.  Fleet Street Prison in London was a ‘debtor’s prison’ exclusively and notorious for its appalling conditions.  If a person, common folk or a member of the aristocracy, couldn’t pay their debts they could be charged by the creditor, tried and sent to ‘Fleet’ until their debts were paid. I don’t know how anyone could think that a person could accomplish this while incarcerated.
Many prisoners spent decades there and sometimes died while still in prison.   

By His Grace and Favor, written by Christina Dudley, is a delightful regency story that delves into the horrific conditions of the  prison and the neighborhood that grew up around it to service its needs. 

Our Founding Fathers were careful about importing any of the policies or laws that governed England at the time to our new, fledgling democracy. With regard to a ‘debtor’s prison’ I am assuming that’s why we eventually had bankruptcy relief laws. Our law makers saw the folly of Fleet Street Prison. 

The story telling is superb and the characters all engaging and well developed.  It’s book one in the series, Lord Dere’s Dependents and I can’t wait for the next one.  
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Review ~ Stone Song by Tricia O’Malley

One star out of 5  ~~~Book Review

I go to great lengths to NOT give an unfavorable review of my fellow writers.  I strive to uplift and support my fellow storytellers. But, Stone Song is a teachable moment. So I’m going to take advantage of it. 

I have preached (ad nauseam)  about those words that we writers resort to using (unconsciously) over and over. The two words that I use to excess are:
‘just’ and ‘that’. Don’t ask me why but we authors all have them. 

This writer used the word ‘squeal or squealed’ EVERY time her female protagonists exclaimed about something or someone. I gave up counting at 9 times within 50 pages!  The second word she used to excess was the word ‘core’ as in someone’s core. 

Now there are lovely synonyms for both of these words and it’s the responsibility of the author to use them in order for their book to be the very best that it can be.  ‘Squeal’ could be replaced with:  screech, scream, shriek, squawk, or howl. The word’ core’ could be replaced with: heart, nucleus, soul, essence, center, root, or mainstay. 

The story itself was a bit shallow and predictable. The premise was good but the follow through was weak. The characters were likeable but I didn’t care enough about them to finish the book.  
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Book Review – When I Was You by Minka Kent

5 out of 5 stars ~~~~~   Book Review

This is such a deeply psychological thriller that I had the shivers a third of the way in and then on to the last page.  Ooh, spooky! The author, Minka Kent, made the circumstances so very real and plausible. I can’t elaborate without a spoiler alert. But it’s a must-read for fans of this genre. 

I can share this much (a quote from the book’s page on Amazon) without giving away anything. 

 Brienne’s confidence in her routine is shaken when she stumbles across unsettling evidence that someone else is living as…her. Same name. Same car. Same hair. Same clothes. She’s even friended her family on social media. To find out why, Brienne must leave the safety of her home to hunt a familiar stranger.

I highly recommend this book to my followers. 
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Newest Novel by Trisha Sugarek Now Available

 

My prequel to Ain’t Nuthin Gonna Separate Us is now
available on Amazon.com and other fine bookstores, as an eBook and paperback.   

Read the ‘origin story’ of how Mother Mac achieves her dreams of owning property and a thriving business.  

Synopsis: 

In a segregated town overshadowed by the aftermath of WWII, Marty ‘Mother Mac’ MacKenzie—a strong-willed and determined woman— runs a “Colored Only” boarding house that becomes a sanctuary for those in need. Seeking a fresh start away from the painful memories of Alabama. Armed with nothing but her wits, a single prayer from Reverend White, and a heart full of hope, she navigates the challenges of a segregated society, determined to carve out a life for herself.

When Marty lands a job at the local Tastee Diner, she discovers not just employment but a sense of community and a chance to reclaim her dignity. Under the watchful eyes of the fair-minded Rog and his wife, Mary, Marty learns the ropes of waitressing and forms bonds with coworkers and customers alike. With each step she takes, from a homeless shelter to her humble boarding house, she scratches out a business room by room. As she faces prejudice and hardship, Marty’s resilience and faith in a brighter future never waver.

“Mother Mac’s Boarding House is an exquisite read…” D. Donovan, Midwest Book Review
                   [Click here to read entire review]

Join Marty as she transforms her dreams into reality and builds a refuge for the lost and stranded souls who pass through her doors.

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Mother Mac’s Receives Stunning Review

Diane Donovan, Sr. Reviewer for Midwest Book Review gave my newest book a stunning review. I am so happy to share it with my readers,

“Mother Mac’s Boarding House is a prequel to Trisha Sugarek’s Ain’t Nuthin’ Gonna Separate Us, and will especially delight readers seeking for more “origin” detail about the Georgia backwoods orphaned siblings.

The story opens with a literal bang: Martha ‘Marty’ McBride never would have believed that a man would have gotten past her defenses and knocked her silly. Spunky, determined Marty MacKenzie is planning an escape from her abusive husband Hank, despite the major challenges of money and locating a safe haven. In 1949, there were few resources for women who wanted to flee such circumstances.

As in her previous book, Sugarek is adept at capturing the thoughts and lingo of the South to bring these Mississippi characters to life: One more meal in this house. One more night with that summa’bitch. Hopefully, this heavy meal will put him to sleep early. Then, tomorrow, if Ah’m lucky̶̶̶̶ and as Mama used to say˗˗’the creek don’t rise’, Ah’ll be gone for good.

When Marty stumbles across an abandoned once-grand house for sale, her new life begins to take shape. Again, Sugarek’s talent for capturing atmosphere, dreams, and realities springs to life through descriptions and reflections which impart a “you are here” feel to her story, where Marty: “…didn’t see the peeling paint, the knee-high weeds choking the grass out, the broken windows, or the hole in the front porch floor. Oh no, all she saw was her future home, and the home of the boarders she would rent rooms to. The meals Ah will make for the lonely traveler. The vase of wildflowers on Mah kitchen table. Marty’s heart skipped a beat as she gazed at the house. She could almost hear the laughter of the boarders, smell the aroma of home-cooked meals, and feel the warmth of a home filled with people and purpose.

How Marty confronts the “old world and its rules” with her own special brand of determination makes for an uplifting, evocative story of transformation that brings the Old South alive. Marty’s chance encounter with Hannah Mae and her brother Jerry thus becomes fuller-bodied with the backdrop of events that come full circle for previous readers while welcoming newcomers to the extraordinary coincidences and self-determined life of a woman whose dreams reach out to embrace everyone around her.

Teens, young adults, and many an adult will relish these strong female characters, which expand from Marty’s world to embrace the circumstances of Elenora Parks, an Army nurse veteran newly returned from the war who finds a new life as a teacher and a home that offers an unexpected sanctuary for a pregnant, grieving woman.

Mother Mac’s Boarding House is an exquisite read not only for its realistic Southern setting and characters, but for its uplifting display of female characters whose actions inject positivity and new options into the world around them.

In stark contrast to the “me first” sentiments that seem to permeate modern times, Marty’s desire to escape results in a creation that offers safe harbors to others, as well.

Additionally, the political and social milieu of the times, which passed many restrictive rules on African Americans, comes to life in the light of personal experience. This is a far more intimate, compelling manner of absorbing civil rights and American history than any nonfiction text could achieve, immersing readers in the life of Marty’s journey.

Marty’s confrontations with social and personal repressive elements, and how she rises above them to influence others’ lives, results in a thoroughly compelling story that is hard to put down.

Libraries choosing Mother Mac’s Boarding House will find its impeccable historical research and equally powerful mix of dialogue and atmosphere makes it a top recommendation for book clubs and reading groups interested in women’s and African American experiences in the 1950s Deep South.

It stands nicely on its own but also serves as an important prequel to the events of Ain’t Nuthin’ Gonna Separate Us, merging history and social inspection in an uplifting, revealing manner that circles around questions of safety, home, connections, and self-determination.” Midwest Book Review
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When Writing is HOT!

Dear Readers/Writers,
Since my last posting on Jan. 4th, I’ve rarely left my keyboard, each day, from 9 a.m. to sometimes as late as 6 p.m. I’ve rounded the bend with 62,000 words to date and still writing. It would be more accurate to say I am taking dictation from all the characters in my new story. 
A Senior reviewer, D. Donovan, at Midwest Book Review, whom I’ve known for years, was willing to review the new book in a raw, very rough first draft so that I could glean a couple of ‘blurbs’ for the book’s cover. 
 I’m certainly happy I asked. Well, all I can say is Wow!

Mother Mac’s Boarding House is an exquisite read....”  and

Additionally, the political and social milieu of the times, which passed many restrictive rules on African Americans, comes to life in the light of personal experience. This is a far more intimate, compelling manner of absorbing civil rights and American history than any nonfiction text could achieve, immersing readers in the life of Marty’s journey….”

You’ve often ‘heard’ me describe the event where I write in my head ’till it needs to spill out (no more room) and that my characters take over their own stories and I become merely the typist. 

No, it doesn’t happen every time but when it does happen, I consider it the proverbial, “gift horse” and I’m not about to ignore it. 

As this is a prequel to Ain’t Nuthin’ Gonna Separate Us, I’ve had to work backwards weaving the dates of that book with this one while being true to the dates of documented American history. I’ve found it to be a challenge.

Just remember, your emerging characters can tell the story far better than you, the Author, can. 
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