Tag-Archive for » stage plays «

New Children’s Play Released!

Children’s Play  (#5 in the Fabled Forest Series) has been released!  Children’s story book by the same name.

The story is in play form. A one hour children’s play, by the same title, offers a part for every child who auditions. 

New characters are introduce: Barcode and Fiona the two cats. Reginald the Raccoon and his merry band of baby raccoons. And lots of others.

Synopsis: Cheets is looking for an adventure!  The elf had heard about ‘town’. Emma and her mother went all the time but no one from the fabled forest had been there. Cheets was certain it was a magical place and he decided that he must head for Troublesville. He stows away in the car one day and finds himself in busy, noisy streets all alone. He begins his adventure by befriending two cats who live in a house with two humans. Then because of his obsession with carrots, he is captured in a trap and that’s when his adventure no longer is any fun.  6f. 15m. (many roles non-gender)

Recurring characters from the series return to help find Cheets. Don’t miss Cheets’ escapade and daring rescue!  Full color illustrations by Jefferson O’Neal.

 

To preview or Purchase, click here

Story book

Emma and the Lost Unicorn, The Exciting Exploits of an effervescent Elf, and Stanley, the Stalwart Dragon: Go to Samuel French, Inc.

Bertie, the Bookworm and the Bully Boys: Go to: Amazon.com

 

 

 

 

 

 

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MY features INTERVIEWS with  best-selling AUTHORS!   Did you miss the past few months? March: Mystery (and Western) writer, Larry D. Sweazy.  April: World Traveler, Tal Gur. June: mystery author, Manning Wolfe.
                                                                                   
                                         Check out more Motivational Moments…for Writers!

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Nostalgia… (#12)

Martin Short, (famous actor on SNL, career included dozens of movies) was recently interviewed where he told a charming story. He, Gilda Radner, Paul Shaffer were born (as actors) at ‘Second City’, Toronto.  In the early days, Martin was in a community theatre production of Fortune & Men’s Eyes. The director told the actors that, as the audience came in and took their seats, the actors would be pacing on stage, in a prison setting. In character, wearing only their underwear.

Paul Shaffer, most famous for years with Letterman

 

Fortune & Men’s Eyes

 

Gilda (whom Martin was dating at the time 1972), Paul and some other pals all planned to go see Martin one night. But, as the story goes, the thing Paul Shaffer was really excited about was they would all go for dinner after at the Shakespeare Steakhouse.

So on the night of the performance, Martin’s friends arrived and Paul, upon seeing Martin pacing, moved up the lip the of the stage and whispered, “Martin, Shakespeare  Steakhouse is closed, wink once if Bavarian Seafood makes sense.” 

John Sugarek, actor

 

 

 

This type of crazy thing happens all the time in live theatre. Short’s story brought to mind the time that my husband played Dr. Miranda, (a murderous ex-Nazi) in Death and the Maiden (a part that Ben Kingsley is famous for). Our theatre was so small that it didn’t have a curtain.  Since Dr. Miranda is held hostage and tied up for most of the play, it meant that my husband, John, remained on stage, in character and tied up during intermission. With audience members coming and going.  Actually, he volunteered as there was no logical way to get him untied and offstage. 

During intermission, a trio of white-haired senior ladies came tripping down the aisle and neared the edge of the stage. John (said later) prayed that they were not

Death and the Maiden

Ben Kingsley & Sigourney Weaver

going to speak to him.  They moved as close to him as they could and one of the dear old things winked and said to him, in a stage-whisper, “Psst! Psst! Mister! Do you want us to untie you?” Giggling and twittering they turned and found their seats again. John stayed in character but it was hard not to burst out laughing.

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MY features INTERVIEWS with  best-selling AUTHORS!   Did you miss the past few months? March: Mystery (and Western) writer, Larry D. Sweazy.  April: World Traveler, Tal Gur. June: mystery author, Manning Wolfe.
                                                                                   
                                         Check out more Motivational Moments…for Writers!

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Black vs White vs Brown ~ A New Ten Minute PLay

    Ethnic groups have polarized and bullied each other for years, out on the street.  Recently, teens have taken to their cell phones and computers to do the same. Blacks against whites against browns. All good kids at their core, but divided by the color of their skin.

#32 in the series of short plays for the classroom.

This series has been very popular, over the years, with teachers and students. Sets, costumes, props are not needed. Most pertain to real life issues for teens so these plays are meant to open a dialogue between teens and their teachers. Or, at the very least, to experience live theatre. 

All ‘G’ rated so no adult content. When profanities are used, as teens do in real life, they are optional and can be easily eliminated. 

Available at www.amazon.com and all other fine book stores.
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MY BLOG features INTERVIEWS with  best-selling AUTHORS!    March: Mystery (and Western) writer, Larry D. Sweazy ~~ April: International adventurer, writer, Tal Gur.
                                                                                   
                                         Check out more Motivational Moments…for Writers!

To receive my posts sign up for my blog, blogs, blogger, writer, author, playwright, books, plays,fiction  On the home page, enter your email address.  Thanks! 

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Storytelling…a Cultural Imperative!

What is a cultural imperative?  ‘Peoples living within the encompasses of cultures associated with very different ethnicities often imbue radically different moral imperatives, through identification processes carrying across generations. Such cultural imperatives prevalent within one culture may not have any direct equivalent within another culture…’ * 

Glaring examples of this are the ethnic groups who, putting themselves at risk for censor or abuse, have insisted on keeping their native language, rituals, and religions alive. ‘one culture may not have any direct equivalent within another culture…’  But the one imperative that has crossed all ethnic and cultural groups is storytelling. 

What is this imperative that most people feel….to tell stories?  It seems, to me, to be hardwired into our DNA.

We begin at an early age: making up stories (to ourselves) as we play with our dolls or cars. A child has no inhibitions when it comes to weaving a fantastical tale, frequently out loud, as they play. 
A mother or father sits at their child’s bedside and makes up stories until they fall asleep.
A comic book writer tells his stories with a few words, facial expressions, and action illustrations.
A poet tells their stories through rhyme, lyric or free verse.
A playwright creates their story so that others can tell it.
Another storyteller sees their stories happening in the far future. 
Another goes to the dark side of human nature and writes stories about things that go bump in the night.
A teacher tells a story to enhance the lesson. (I miss you, Miss. O’Connor.)
The novelist weaves a longer tale; taking their characters on adventures, discovering love, suffering defeats, and usually conquering all in the end. 
……even gossip could be considered storytelling.

I have worried out loud (and written about it here) that storytelling will die, be a thing of the past.  But now I believe that many of us do have that cultural imperative to tell and write down our stories. After all the synonyms for imperative are: involuntary, necessary, nonelective, obligatory, peremptory, required. 
 I don’t think storytellers can help themselves. We have to tell stories!

 

 

* IdentityExploration.com/Culture_Imperatives
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MY BLOG features INTERVIEWS with  best-selling AUTHORS!   Did you miss the past few months?    January: Sue Grafton ~ In Memory
March: Mystery (and Western) writer, Larry D. Sweazy.  April: in60Learning ~ A unique, non-fiction mini-book read in 60 minutes.
                                                                                   
                                         Check out more Motivational Moments…for Writers!

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John Lithgow….and His Stories

     “…and that’s why we all need stories.”  John Lithgow said in a recent talk show interview.  He was telling the story of his father reading, to he and his siblings, from a book of short stories.  And then years later, as his father lay dying, John Lithgow said he read aloud to him from the very same book. 

John tells another story, within his story about reading this book of shorts to his father.  He has been on the road with this one-man show for years.  Narrating these same stories from this same book.  He calls it a trunk show; an old theatre expression. That is, pack up everything at night’s end and move, on down the road, to the next town where he presents this one-night-stand again.  He says that he finally wound his way to Broadway and is now  performing to sold-out, delighted audiences. 

This is why I entreat, beg, admonish, and plead with my readers to tell someone your story (hopefully your children and grandchildren), or write it down in a journal or even publish it. With today’s technology we are losing our oral history. And when this set of grandparents pass away it will all be lost. We all need stories. 

“Rarely have I spent so entertaining and touching a night at the theater. The predominant sentiment in Stories by Heart is love.” —Terry Teachout, The Wall Street Journal

“Superb, illuminating and uplifting. The imagination, Mr. Lithgow wants us to know, is powerful. What could feel more current, more worthwhile in the first days of 2018?” —Jesse Green, The New York Times

This is me telling a story about John Lithgow’s story.  
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MY BLOG features INTERVIEWS with  best-selling AUTHORS!   Did you miss the past few months?    December: British writer, J.G. Dow. January: Sue Grafton ~ In Memory
                                                                                   
                                         Check out more Motivational Moments…for Writers!

To receive my posts sign up for my blog, blogs, blogger, writer, author, playwright, books, plays,fiction  On the home page, enter your email address.  Thanks! 
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How To Format Your (Self-published) Stage Play

TS.   Now that the traditional publishers have turned you down, file away that rejection letter,  soothe your fragile writer’s ego with a hot cup of tea, some chocolate, or whatever and self-publish your play. 

 It’s important to know that the correct way to format a stage play for submitting (to a publisher, agent or theatre) is very different from the format used when publishing it. Below is a sample of the correct formatting. 

List of  Characters:  I noticed that in the Dramatists Play Service scripts, they do not list the ages of the characters.  I always provide the buyer (producer, director, etc.) the ages of the characters for ease of casting.  I know from experience that a director wants to have this information immediately when choosing a play.  What if they don’t have an eighty-year old, male who can act?  Make-up can only go so far!  Ethnicity is rarely listed but there are exceptions. But, generally, no. What if the director has a different vision for casting?

Sample: 

CAST OF CHARACTERS      (Place on the 3rd or 4th page after title, playwright’s name, Copyright notices.etc.)

Emilee. Age 13, a pubescent girl making decisions

Danny. Age 14, Emilee’s first boyfriend

Maribeth. Age 22, Emilee’s older sister

Emilee’s best friends

Ruth. Age 13. The timid one
Barb. Age 14. The bold one
Sue.   Age 14. The worrier

SETTING
A park bench. Middle School. Emilee’s house. 
TIME
Present day. 

Format Sample:

(From my published short play, “No Means NO!”© ) The formatting of the Dramatist Play Service (publishers) do use parentheses when formatting the blocking. It is jumbled into dialogue even though it does not pertain to that particular character’s ‘action’.  I find this very distracting but I am certain it has to do with production costs and keeping the page count down. Blocking direction is indented, italicized and in parentheses. Line spacing is 1.15 instead of single-spaced. Character’s names are all in CAPS and not italicized. Before dialogue, Characters’ names are all in CAPS with a period. Blocking is indented. Scene breaks should be on the next (right) page. There are no extra line-spaces between blocking and dialogue except if there is a ‘beat’ when the same character pauses. Be certain to leave plenty of white space for the actors/director’s written notes. I prefer the format used by (my publisher) Samuel French, Inc. which you see below:

                                           Scene 1 

Setting: A neighborhood park near a middle-school. Mid-afternoon.

                    (EMILEE and DANNY are seated on a bench. THEY are sitting upstage
                    with their backs to audience and 
are kissing. 
                    DANNY begins to fondle EMILEE. SHE pushes HIS hands away.)

EMILEE. No! Cut it out Danny!
DANNY. (Stopping.) I want you, Emilee. Stop being such a tease.
EMILEE. (Holding both of his wrists.) I don’t want to.

                     (DANNY begins to kiss her again. HE starts to touch her again.
                     Jumping up,
SHE yells at HIM.)

EMILEE. I said ‘No’! I don’t want you to do that!
DANNY. I thought you loved me?
EMILEE. I do.
DANNY. Okay then.

                    (DANNY pulls HER down on to the bench. HE begins to kiss
                     and fondle
EMILEE again.)

EMILEE. (Jumping up and crossing several steps away.) Stop it, Danny!

                    (SHE rushes off stage left.)

DANNY. (Rising and calling after her.) Em! I love you!

Scene 2   (New page)

Setting: Emilee’s home.

                   (SUE, RUTH and BARB are laughing and talking.
                   EMILEE is not participating.)

SUE. (Noticing her friend.) What’s wrong, Em? You sick?
EMILEE. No. Nothing.
BARB. Come on, ‘fess up. We’ve known you since first grade. What’s the matter?
RUTH. You can tell us. You know that, right?
EMILEE. (Sighing.) It’s Danny.
RUTH. Ugh! Boys!

                   (THEY laugh except EMILEE.)

SUE. Whad’ he do?
BARB. Yeah, what? We’ll beat him up for you.
EMILEE. (Laughing tearfully.) He…he wants to do stuff.
SUE. They all do.
BARB. Comes with dating, Em. They’re all dogs.
RUTH. Yeah.
EMILEE. But, I don’t wanna.
SUE. What?
EMILEE. You know…stuff. (Beat.) And I’m afraid that if I don’t, he’ll break up with me.
SUE. Yeah, there’s that.
BARB. Just do it. It’s not so bad if you close your eyes.

                 (The GIRLS who are sexually active giggle.)

RUTH. Do what?
SUE. Jimmy wanted me to kiss him…down there.
RUTH. Why?
EMILEE. I’m not doing that!
BARB. (Blurts out.) I’m having sex with Arnie.

                 (The GIRLS scream.)

SUE. No, you’re not!
BARB. Am too.
RUTH. Barbara J. Masters! I’m telling your Mom!
BARB. No you’re not, Ruthie. Remember our pledge.
SUE. I’m not having sex until I’m sixteen, at least. My parents promised me a car if I will abstain…their word…until I’m sixteen.
BARB. Car trumps a boyfriend any day.
SUE. But that doesn’t mean we don’t do other stuff.
RUTH. Barbie, you’re using a condom, right?
BARB. Arnie doesn’t like them.
RUTH. But you have to.
EMILEE. I don’t want to do any of it. And Danny keeps after me every time we’re alone. What should I do?

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To correctly format your stage play for submitting to publishers, agents, directors click here.  

Look Inside a script: Click Here 
How To Format a Screenplay

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Just Released!  Order here

This new, exciting, instructional book is a sharing of over twenty+ years of experience. This writer has honed  her craft of creative writing.

Thirty-five writing tips that include:

That first, all important, sentence
How to develop rich characters
Writer’s Block
Procrastination
Writing process
What Not to Do (when receiving a critique)

….and many more words of encouragement and tips,
Including quotes from successful writers such as yourself. Takes the ‘scary’ out of writing!

How To Write a Play  Click Here
How To Format a Stage Play  Click Here
How to Write a Ten Minute Play

How To Format a Screenplay
How to
Format Your Novel
Want to try writing a ten minute play?  Click here
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DON’T MISS MY BLOG with twice-weekly posts.  Also featuring INTERVIEWS with other best-selling AUTHORS! with me once a month . We shall sneak into these writers’ special places, be a fly on the wall and watch them create!

To receive my posts sign up for my blog, blogs, blogger, writer, author, playwright, books, plays,fiction  on the home page; enter your email address. I love comments too!  Take the time to write one at the bottom of the post. Thanks!
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How To Format a Stage Play Script (for submitting)

  Format is extremely important.    If you submit your new play to anyone they will not read it if it is not in the proper format. There is software out there that offer auto-format but sadly I have not found one that demonstrates correct formatting. Notice the character names are in CAPS and centered. Setting, Rise and Dialogue are justified left. Single space between character’s name and first line of dialogue. Blocking (action) is indented and double-spaced from the line above. (The playwright gives the characters instructions on when and where to move.  But, keep it short.  Remember there will be a director who has their own ideas of where they want their actors to be.)  If blocking is only one word, place next to character’s name in parentheses.  A ‘beat’ is to enhance the pace of the speech and is in parentheses within the dialogue. Here is a formatting example:

                                           

ACT I
Scene 1   ©

Setting:  A loft studio in Greenwich Village. Late afternoon. There are many paintings but all of the same woman. Large, open windows overlook the street.

At Rise: Monty is standing at his easel. Voices are heard off stage.

                   (MONTY is painting. His clothing is
                    paint smeared.)

VOICE (Off.)

Hey, beautiful!  You’re home early.

                   (Brush in one hand, palette in the other,
                    MONTY crosses up to the windows and peers
                    into the street below. The lilting laughter of a
                    young woman is heard.) 

SAMANTHA (Voice off. teasing.)

Hey, Mr. Murray. Your wife know you’re trying to pick up women in the street?

VOICE (off.) 

No…and don’t you tell on me.  My old woman would give me what for…bothering a young lady like you. 

SAMANTHA (Voice off.)

Your secret is safe with me (beat.)…for a price.  

VOICE (off.)

Oh yeah, what’s that?

SAMANTHA (Voice off.) 

Some fresh bagels from your bakery. 

VOICE (off.)

You got a deal.  I’ll bring them home with me tomorrow.

SAMANTHA (Voice off.)

 Thanks, Mr. Murray!  I’ll look forward to it.  Bye, now. 

VOICE (off.) 

Bye, beautiful.  See you later.  

                   (MONTY’s shoulders slump and he sighs as he watches 
                    Samantha disappear into a building. HE
                    crosses down to his easel.)

MONTY (muttering.) 

Jeez…how can that old guy be so easy with her? (beat.) Monty, you’re pathetic. You can’t even say ‘hello’ to her in the street.  What the hell’s the matter with you?

(end of sample)

Title Page of your script:  Play title and Playwright’s name.  Add contact info on this page if you are submitting to a publisher, agent or theatre. 

Early in the script list your Cast of Characters. Each name should be underlined. Sample:

                                                              Cast of Characters
MONTGOMERY ANDERSON:   29 years old, a reclusive artist.
SAMANTHA SPARKS:                24 years old, an aspiring actress.
DETECTIVE O’ROARKE:           38 years old, a hardened homicide detective. 
(Note: Listing the ages of the characters is very important for casting.)

Place
Greenwich Village, New York City
Current
Summer

 

Leave lots of white space on the page. Actors/Directors will need wide margins in order to write notes and blocking when in production.
Read more about How To Write a Play

Author’s note: This formatting is approved by my publisher, Samuel French, Inc. This is what they expect to see when you submit. 
  Correct FORMAT if you are self-publishing. And, yes, it’s very different!
How to Format a Screenplay
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

Just Released!  Order here

This new, exciting, instructional book is a sharing of over twenty+ years of experience. This writer has honed  her craft of creative writing and ‘is still learning.’ 

Thirty-five writing tips that include:

That first, all important, sentence
How to develop rich characters
Writer’s Block
Procrastination
Writing process
What Not to Do (when receiving a critique)

….and many more words of encouragement and tips,
Including quotes from successful writers such as yourself. Takes the ‘scary’ out of writing!

 

Want to try writing a ten minute play?  Click here
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

DON’T MISS MY BLOG with twice-weekly posts.  Also featuring INTERVIEWS with other best-selling AUTHORS! with me once a month . We shall sneak into these writers’ special places, be a fly on the wall and watch them create!

To receive my posts sign up for my blog, blogs, blogger, writer, author, playwright, books, plays,fiction  on the home page; enter your email address. I love comments too!  Take the time to write one at the bottom of the post. Thanks!
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
To Purchase

Motivational Moments…for Writers! #34

The first thing that makes a buyer reach for your book is the COVER!  Is it professional? Does it convey a visual story? 
The second thing that keeps the book in their hand is the BACK COVER and what it says about your story!
The third thing that keeps them from putting it back on the rack (or swiping their tablet for more choices) is that all important, FIRST SENTENCE!

 For example:

Swamp sludge dripped off the massive head while the cold, murderous, purple eye watched them.’

‘As I stepped into the street I didn’t notice the bus bearing down on me.’

‘I sat in the prison waiting room about to interview a convicted killer.’

‘Slow down, Al,” Vi screamed and laughed from the back seat of the car that was plummeting down the mountain side. “You’re gonna kill us.’

 ‘My first audition since I had arrived in Hollywood and what if I fail?’

‘The teacher grabbed my math work book and marched to the front of the room. He began to read my poetry aloud.’

‘As the saloon doors creaked back and forth, the trail weary cowboys backed away when they saw him saunter in.’

“Mother must be spinning in her grave. Not in her wildest dreams, or mine for that matter, would she imagine her daughter in a prison.” Kitty muttered, as her chauffeur drove up the long driveway to the main entrance of the State Prison.

Since the buyer hasn’t put your book down yet, you have to ‘hook’ them with your first sentence. Make them ask, ‘what happens next’?
                                                    *************

“No one is free, even the birds are chained to the sky.” ~~Bob Dylan

“I never could have done what I have done without the habits of punctuality, order, and diligence, without the determination to concentrate myself on one subject at a time.” ~~ Charles Dickens

“None but ourselves can free our minds.” ~~Bob Marley
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MY BLOG features INTERVIEWS with  best-selling AUTHORS!   Did you miss the past few months?    September: Dylan Callens.  October’s author was Donna Kauffman. In November we say hello to Rita Avaud a Najm. In December we will be saying hello to English mystery writer, J.G. Dow. 
                                                                                   
                                         Check out more Motivational Moments…for Writers!

To receive my posts sign up for my blog, blogs, blogger, writer, author, playwright, books, plays,fiction  On the home page, enter your email address.  Thanks! 
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To purchase  

 

 

 

 

 

Just Published! I WANNA BE a WRITER, Journal and Handbook

‘A stunning new journal with more instruction and extra tips about writing fiction, stage plays, and poetry.’ Midwest Book Review

The newest in a series of Journals/Handbooks. For new and experienced writers alike, this Journal offers more instruction,
tips and more hand-picked quotes by other authors, actors, playwrights, philosophers, and poets. Meant to inspire the creative mind.  A handy size that will fit in a backpack or tote.  

 

WHAT TO EXPECT:   
How To Begin
How To Develop Exciting Characters
How To Tell A Story
How To Write a Stage Play
How To Write Poetry
How To Write Haiku Poetry

 

To purchase: click here 
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MY BLOGS feature INTERVIEWS with  best-selling AUTHORS!   Did you miss the past few months?    September: Dylan Callens.  October’s author was Donna Kauffman. In November we say hello to Rita Avaud a Najm. In December we will be saying hello to English mystery writer, J.G. Dow. 
                                                                                   
                                         Check out more Motivational Moments…for Writers!

To receive my posts sign up for my blog, blogs, blogger, writer, author, playwright, books, plays,fiction  
On the home page, enter your email address.  Thanks!
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 To Purchase 

 

‘No Means No!’ New short play for the Classroom by Trisha Sugarek

  Available now!   The latest short play in the playwright’s  ShortN’Small series.
“G” rated for teens and the classroom.

Those who follow me and all my friends in theatre know that I have added to the
ShortN’Small short play series for years now. ‘G’ rated 10 minute plays that focus on issues impacting the teens of today. 
Ranging from divorce to cutting, from running away to drug use, from date violence to bullying. 

 Synopsis:  Emilee has reached the age where boys are pressuring her into sexual activities that she is not ready for.
In this ‘G’ rated, short play for the classroom we explore the peer pressure that comes to bear as young girls
try to navigate their teen years.

Emilee is torn between what her friends are doing and what she instinctively knows is not right for
her at this stage in her life.   1m. 5f.

No props, no sets, no costumes, just open dialogue!

To purchase click here

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MY BLOGS feature INTERVIEWS with  best-selling AUTHORS!   Did you miss the past few months?    September: Dylan Callens.  October’s author is Donna Kauffman. In November we say hello to Rita Avaud a Najm. 
                                                                                   
                                         Check out more Motivational Moments…for Writers!

To receive my posts sign up for my blog, blogs, blogger, writer, author, playwright, books, plays,fiction  On the home page, enter your email address.  Thanks! 
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 To Purchase