Wordmaster Archives - Page 2 of 75 - Trisha Sugarek, Author, Playwright & Poet

Poetry Soup honors Trisha’s poetry

Congratulations, this is a quick notice from us here at Poetry Soup to let you know that your poem Journey Through Life is one of the poems
being featured on the PoetrySoup home page this week.

Journey through Life © (Renku)

happiness, the fire
forges our steel to withstand
pain and thorny times

laughter melts metal
cold bath sets the steel mettle
fine blade to cut life

blade wrapped in fine silk
until the next battle comes
pain and blood drip down

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Trisha’s poetry gets a Rave from BookReview.com

Title: Butterflies & Bullets
Author: Trisha Sugarek
Rating: Must Read!
Publisher: Trisha Sugarek
Reviewed by: Eric Jones, Book Review

I knew Sugarek’s work in the past from her collection of short children’s plays, Ten Minutes to Curtain, which involve the complicated dynamics of growing up. Flannery O’Conner said that if you live through childhood then you have enough material to write forever, and Sugarek has been there and then some. Her short work for the stage has put her in the perfect position to transition from play to poetry with her new book, Butterflies and Bullets.

Even the title denotes the strange duality between innocence and loss, and that theme is prevalent throughout the work. Mostly in free form, Sugarek keeps everything in a minimalist range, lending focus to intimate moments like a man playing his Mandolin beside a fire or the quiet landscape of the Serengeti just before rainfall. These truncated pieces of life feel like literary snapshots. These are Sugarek’s butterfly collection. Then, of course, there are the bullets.

The bullets are also set in free form, however they deal with much more happenings and are more narratively set. My favorite poem is one of these. “Hair Cut… Two Bits” chronicles the return of a barber from war-torn Europe in 1934 via a freighter into the Mississippi from the Gulf. The story, though scarcely a few pages, manages to convey the loss, struggle, and triumph of war given a single, near microscopic, experience. Not to mention that it’s all the more topical today, given the current mess in off the shore of New Orleans.

There are many that are like these, managing to say a lot with only a little and Butterflies and Bullets comes off splendidly. The collection feels complete and utterly whole, no piece of the pie excluded. Such close ups reveal that every place is connected. The ocean, if you look closely enough, looks just like rain on the blistering asphalt of your driveway. Shanty Irish curtains, at a certain scale, are indistinguishable from the sculpted wood of a Native American totem pole. This is the nature of Sugarek’s poetry, that when you pull back you see how different everything is, but when you put it under the microscope, a butterfly is really just a bullet with wings.
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Book Review * Saints of Swallow Hill by Donna Everhart

5 out of 5 stars ~~ Book Review

Donna Everhart knows how to capture the heart and mind of her reader from (practically) the first page. Del and Rae Lynn couldn’t be two more different personalities, but the reader quickly empathizes or feels some affection (in the case of Dell) early on. While Donna has her own unique voice she did remind me, at times, of a blended flavor reminiscent of One for the Blackbird, One for the Crow by Olivia Hawker, and Where the Crawdads Sing by Delia Owens. Lofty company, in my opinion.

If you had told this reviewer she would be reading about ‘turpentiners’ next, I would have said, “Say what?”
It’s a fascinating, exciting story set during the Great Depression. Desperate people using any idea just to survive with literally the shirt on their back and little else.

If you don’t read another book this year, be certain you read Saints of Swallow Hill. I highly recommend it!

Coming soon! An Interview with Donna Everhart!

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To receive my weekly posts, sign up On the home page. Enter your email address. Watch for more interviews with authors. April: Author, H.W. ‘Buzz’ Bernard. May: Victoria Costello. June: Laila Ibrahim, August: Donna Everhart

A few BOOKS BY TRISHA SUGAREK

COMINGSOON!

Monday Motivation for the Writer! #29

All works in a series, sequel or trilogy must stand alone. Therefore the writer must duplicate information (set-up) about the characters, place, time, etc., in each book.

Being an avid reader and fond of series, I noticed that it didn’t bother me that I was reading duplicate information. It struck me that it was probably true of most other readers. I doubt readers even notice unless they are ‘binge’ reading an entire series.

My message here to you other writers, is don’t let it worry you. Each book must be written as if it’s the only book that your reader will read of yours.

It’s also acceptable to throw in teasers from books in the series. For example, I tell (in book #7, World of Murder) of my detective going to a cake tasting in preparation for his wedding. This might ‘tease’ my readers into wanting to know how O’Roarke and Summer met, fell in love, how he proposed, and so on.
And nothing is sweeter than to have a fan ask if there will be a sequel or if the first book will become a series. Both has happened to me!

“words like wine, words like blood, words out of the mouths of past loves dead. words like bullets, words like bees, words for the way the good die and the bad live on…” Charles Bukowski

“Mostly, we authors must repeat ourselves…that’s the truth. We have two or three great moving experiences in our lives…experiences so great and moving that it doesn’t seem at the time that anyone else has been caught up and pounded and dazzled and astonished and beaten and broken and rescued and illuminated and rewarded and humbled in just that way ever before.” F. Scott Fitzgerald

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MY BLOGS feature INTERVIEWS with best-selling AUTHORS!

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Interview with author, Laila Ibrahim part #2

Q. What first inspired you to write? (con’t.)

LI. …… I thought to myself, of course, he does. She was his primary attachment figure. Our self-identity if formed by those early attachments. And in a flash, I thought of Lisbeth in Mattie’s arms. I wondered what it would be like for her to love this woman like a mother and then be expected to reject Mattie’s humanity to take her place in society. Then I wondered what it would be like for Mattie to have to leave her child to care for another baby. Finally, I wondered about Anne. I thought Anne would be a bigger presence when I started the novel.

Q. What comes first to you? The Characters or the Situation?

LI. The characters.

Q. Do you ‘get lost’ in your writing?

LI. Absolutely. Sometimes I feel like I am dreaming out loud as a write. I feel and see a scene and then my job is to describe it.

Q. What compelled you to choose and settle on the genre you now write in?

LI. I feel like I was given the story of these women and I’m just going from there. Part of what I am working on is understanding how we got to this moment in time, given the history of our nation and world. I think about the caste system baked into the constitution of the United States that gave wealthy, white, Christian able-bodied straight men the most rights—and yet the founders wrote a document that would one day include me as a citizen. I’m grateful to all the people who came before me who worked so that I could have the rights that I do. I don’t take my freedom for granted in any way.

Q. Are you working on something now or have a new release coming up? If so tell us about it.

LI. Cherry Blossoms in set in Oakland and Berkley between 1941 and 1946. Kay Lynn is a young woman with two children whose life is torn apart by World War 2. It is expected to be released in May 2023.

Q. When did you begin to write seriously?

LI. For my 40th birthday I challenged myself to start writing Yellow Crocus after the story had haunted me for 7 years. Five years later I self published it. It got picked up by Lake Union of Amazon Publishing in 2014 and I haven’t looked back. I’ve published five books since then with the sixth expected out in May 2023,

Q. Do you think we will see, in our lifetime, the total demise of paper books?

LI. Not in my lifetime—too many people my age love to turn actual pages. Maybe in my children’s life time. Or my grandchildren’s.

Q. What makes a writer great?

LI. I don’t know that I am qualified to answer this in a general way. I know many people for whom the language or poetry of writing is what makes you a great writer. I like writing that makes me feel something and learn more about the human condition. For that reason I like writers who are both honest and vulnerable.

Q. and the all-important: What does the process of going from “no book” to “finished book” look like for you?

LI. I start with knowing my main character(s) and a general time frame. Then I read the newspapers from that time until I find historical

events which give me momentum for a plot. I meditate on the characters, family members and the society and an outline starts to fall into place. I do a solid outline and from there I write. Ideally I have a contract for a book or two from the outline. I notice that most of the time I stick to the outline for the first ⅔ and return to it for the ending. But towards the ending it changes depending on what I’ve actually written. My first drafts are more like a screen play than a book. It’s lots of dialogue. For later drafts I layer in setting and reflection.

Q. How have your life experiences influenced your writing?

LI. My values and education show up in my stories. I’m called to write about the details of mothering in difficult situations.

Q. What’s your downtime look like?

LI. I love my evenings when I watch tv with my wife. Hazel goes between us on the couches and I work on a jigsaw puzzle. It’s a very relaxing way to end my day. I enjoy gardening and walking with friends in the afternoons. We attend the Unitarian Church on most Sundays.

Q. Have you or do you want to write in another genre?

LI. Picture books are compelling to me. I was a preschool teacher/early childhood educator for decades. I thought of several stories then and sometimes I wonder about getting them onto the page.

Q. Note to Self: (a life lesson you’ve learned.)

LI. Not only is it okay to make mistakes, it is an important part of learning and being a conscious being. I want to grow and learn throughout my life. I often circle back to reflect on earlier parts of my life to think about them with my current understanding.

Did you miss the beginning of this delightful interview? Click here
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To receive my weekly posts, sign up for my On the home page, enter your email address. Watch for more interviews with authors. April: Author, H.W. ‘Buzz’ Bernard. May: Victoria Costello. June: Laila Ibrahim

A few BOOKS BY TRISHA SUGAREK

Much Anticipated Interview with Laila Ibrahim

Luca is the Frenchie. The mini Aussie is named Hazel

Laila Ibrahim grew up in Whittier California. She has lived in Oakland and Berkeley for 40 years, when she moved there to go to Mills College where she studied Human Development and attachment theory. Since 1993 Laila and her wife have lived in a small co-housing community with two other families. Her adult children are a great joy, as is her dog, a toy Australian Shepherd named Hazel. She is beyond excited to welcome her first grandchild in July.

Q. Where do you write? Do you have a special room, shed, barn, or special space for your writing? Or tell us about your ‘dream’ workspace.

LI. Since my last child moved out I have had a room of my own to write it. I LOVE it. It’s in the back of the house with a view of a beautiful redwood tree. Before that I worked at the dining room table when my kids were at school or a small desk sandwiched in the living room.

Q. Do you have any special rituals or quirks when you sit down to write? (a neat workspace, sharpened #2 pencils, legal pad, cup of tea, a glass of brandy, favorite pajamas, etc.)

LI. I don’t get dressed before I write. I usually make myself a cup of rooibos chai tea. I generally write for 45 minutes to an hour. Take a break. And then do it again. I can’t usually write for more than 3 hours in a day.

Q. Could you tell us something about yourself that we might not already know?

LI. I often write my very drafty, first drafts in bed, in a half dream state.

Q. What tools do you begin with? Legal pad, spiral notebook, pencils, fountain pen, or do you go right to your keyboard?

LI. I write on a lap top, though I have used a full size external keyboard at times.

Q. Do you have pets? Tell us about them and their names.

LI. My toy Aussie, Hazel Nut Ibrahim-Bartley, often sits by my desk as I write. She’s 18 months olold and we LOVE her. She enjoys laying on our legs, playing fetch and running in big wide circle on grass.

Q. Do you enjoy writing in other forms (playwriting, poetry, short stories, etc.)?
If yes, tell us about it.

LI. I enjoy making visual art, but not other forms of writing, so far. Though when COVID first struck I wrote a poem for the first (and so far only) time.

Q. What’s your best advice to other writers for overcoming procrastination?

LI. Create routines that work for you, and know why you are writing in the first place. I find if I’m sitting at my keyboard and nothing is coming out then I’m not working on the right story for me.

Q. Where/when do you first discover your characters?

LI. With the Yellow Crocus series, I am continuing with the descendants of the characters in the first book. With the other two, Living Right and Paper Wife, it was a mystery. In many ways all my characters are parts of who I am, or who I wish I aspire be.

Q. What first inspired you to write?

LI. I was very surprised when I got the call to write a story. In 1998 I had a flash that conceived Yellow Crocus. Before that flash, I had no desire to write fiction. I was with a group of people talking about Tiger Woods. Someone mentioned the fact that he identifies as Asian as much as African American….

Join us for part two of this interview with this wonderful writer on June 16th
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To receive my weekly posts, sign up for my On the home page, enter your email address. Watch for more interviews with authors. April: Author, H.W. ‘Buzz’ Bernard. May: Victoria Costello. June: Laila Ibrahim

A few BOOKS BY TRISHA SUGAREK

Monday Motivation for the Writer! #26

Writers, we are all guilty of using particular words or phrases far too frequently!!

I was recently reading a delightful series by an author but it was very distracting when she used the same phrase over and over.
“Custom glass workroom”. The shop where the story takes place is just four rooms so it is my opinion that:

1] the author needed to change it up; There is an office, a retail room, a classroom and a custom workshop. Just a little chance would make all the difference. For example: ‘the workroom’ and ‘the workshop’ and ‘the specialty glass room’.

2]readers are smart and we should never underestimate their ability to follow along. If they can’t then we, as the writers, have failed at our job.
3] If we miss our idiosyncrasies, and we all have them, then the editor, beta reader, proofreader, etc., should catch it.

My most common ones are the words, ‘just’ and ‘that’. My watchdog, first defense, is to use Word’s ‘find’. Then I review the manuscript looking for when I overuse the words and why.

“There is no way of writing well and also of writing easily.” Anthony Trollope

“All fiction is largely autobiographical and much autobiography is, of course, fiction.” P.D. James

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To receive my weekly posts, sign up for my On the home page, enter your email address. Watch for more interviews with authors. March-Apr: Joshua Hood, author of ROBERT LUDLUM’S THE TREADSTONE RENDITION April: Author, H.W. ‘Buzz’ Bernard. May: Victoria Costello. June: Laila Ibrahim

A few BOOKS BY TRISHA SUGAREK

Crow Mary by Kathleen Grissom ~~ Review

4 out of 5 stars ~~ Book Review

A much-awaited novel by Kathleen Grissom, who is well known and touted for her two previous books, The Kitchen House and Glory Over Everything. While she never mis-stepped when writing the latter and, as far as I could tell, got it mostly, if not entirely right, there were a few things that made me itch to correct her while reading Crow Mary. Maybe I’m overly sensitive as I myself lived on tribal lands (Makah Nation) as a young woman for over two years in Neah Bay, Washington. (Pacific NW.)

I had a problem with several nation lineage issues regarding Crow Mary’s knowledge of her own people. Wouldn’t Mary mention that the Crow People were originally a minor subset of the Sioux Nation and now were at war? The Crow had migrated from the Great Lakes area to the Dakotas and Montana. Know that in spite of the fact that the Sioux were now an enemy of the Crow People?

Secondly, Nakoda is spelled in the book with a ‘D’ when the correct spelling and the most commonly used name is Nakota with an ‘t’.

Mary is a proud Crow woman who really doesn’t take any guff off of any man, native or white. Yet she refers to herself and to her tribe as “Indians”, a derogatory term invented by the white man. I don’t know of any written history of where the People in question thought or spoke of themselves as “Indian”. I think the author also missed an opportunity to weave in Mary’s nation’s full name that the white man bastardized it to simply, “Crow”.

Please don’t misunderstand, this is a really, really good story, and maybe the average reader wouldn’t pick up on any of the things that bothered me but be that as it may…..I could not give the book the resounding 5 stars that I had anticipated doing.

Spoiler Alert: Don’t read the prologue. It’s a clear indication of how the book ends. (or one of the endings) Within the book itself once I read of the practice of the ‘wolfers’ using strychnine when trapping, I thought I knew how the book would end and that spoiled it for me somewhat.

Did you miss my interview with Kathleen Grissom?
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A few BOOKS BY TRISHA SUGAREK

Monday Motivation for Writers! #25

One of the main problems you may face as a writer is standing up to your inner critic. Being overly self-critical can be very dangerous; stopping you dead in your tracks. It is all too easy to tell yourself to give up, that there is no point, that you will never get anywhere.

But saying things like this to yourself is untrue and the kiss of death to your creative spirit!

So how do you control your inner critic and learn how to shut it down when it is threatening to ruin your writing career? Here are some examples of what it might say, and exactly how to respond.

‘You’ll never be as good as [insert name of your favorite author)’. We can’t help but compare ourselves to authors who have been and gone, ones who’ve had successful and seemingly effortless writing careers, whose fans adore them, who are praised by the media and their peers, who win awards and make millions. Of course, there are going to be writers out there who are more successful than you, but this shouldn’t stop you from writing. Nor should it give you any reason to think that you can’t be that successful too.

There is no one right way to write, many different authors have become successful for various reasons. Write for your audience and yourself and know that you are unique, your stories are written just the way they should be and comparing yourself to others will get you exactly nowhere.

‘Your book will be a flop.’ Your self-critic will always try to make you feel like a failure and will fill your head with thoughts of giving up.

Don’t let it win.

Your inner critic has many tricks up its sleeve. They’ll range from petty insults to targeting your biggest fears and insecurities. However, knowing how to respond, to shut it down and feel positive about your writing will only help spur you on to become a better more productive and more exciting writer.

So whatever you do stand up to your inner critic, and never let it stop you from writing!

“A writer never has a vacation. For a writer life consists of either writing or thinking.” Unknown

“It’s okay that I am a little strange, I’m a writer.” Satine
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To receive my weekly posts, sign up for my On the home page, enter your email address. Watch for more interviews with authors. March-Apr: Joshua Hood, author of ROBERT LUDLUM’S THE TREADSTONE RENDITION April: Author, H.W. ‘Buzz’ Bernard, May: Victoria Costello.
June: Laila Ibrahim

A few BOOKS BY TRISHA SUGAREK

Interview with Victoria Costello (conclusion)

Q. Are you working on something now or have a new release coming up?

VC. My new book comes out on June 13, 2023, and I couldn’t be more excited to bring it to readers. As mentioned, it evolved from the true story of my tragedy-plagued Irish American family I told in A Lethal Inheritance, but with me giving myself permission to ask, What if? What if the youngest family members dared to confront and reverse this legacy of violence and madness? The result is Orchid Child, a mix of history and fantasy inspired by Celtic folklore, along with science, and bits of mystery and romance. It’s a story told in three voices, one per generation, over a century.
Teague is the novel’s orchid child, who hears voices and talks to trees, but rarely people. Bullied back home in New York, he finds validation when his Aunt Kate takes him to West Ireland, where neo-Druids identify his strange perceptions as the gift of second sight, putting Teague at odds with Kate who sees his mental differences as a medical problem to be fixed.

Kate is the family success story, whose rising star in neuroscience has crashed in a sex scandal. She vows to salvage her career by taking on a study on the epigenetics of family mental illness in a rural Irish county. Only to discover she’s unknowingly come to her ancestral homeland, meaning she’s studying her own genes. As Kate’s research is blocked by hostile locals, Teague drifts further into his pagan fellowship, pushing Kate to confront the limits of science and the power of ancestral ties. Ellen is the apothecary’s daughter who will become Kate’s grandmother. Forced to flee Ireland for New York City after her beloved, also a holder of second sight, is accused of betrayal in the 1920 Irish Rebellion, Ellen lives to her eighties as the matriarch who struggles with the burden she’s accepted to keep the gift alive—until the family wound, past and present, can be healed.
I’m feeling gratified by the early positive reviews, the feeling that the story you’ve slaved over for ten years, is touching people, making them think and have hope when times are tough.

Q. When did you begin to write seriously?

VC. A weird thing about me is that even as a kid, when I kept a diary, or scribbled poems, I always took my writing seriously. It probably has to do with the fact that I’m a Scorpio and writing has always been my secret life. And that’s probably why it took until this year, when I’ve just turned seventy, to share my most secret story with actual readers around the world.

Q. Do you think we will see, in our lifetime, the total demise of paper books?

VC. I, for one, love paper books, especially hard cover, fine paper books, but I read e-books and listen to audiobooks more often

for practical reasons. I imagine I’m typical that way. So until we run out of trees, that will probably stay the norm.

Q. What makes a writer great?

VC. Oooh, hard one. Maybe the courage to bare their soul, regardless of what anyone thinks or says. The ability to find the right, and the fewest, words to express the ineffable.

Q. and the all-important: What does the process of going from “no book” to “finished book” look like for you?

VC. It all comes down to perseverance. Orchid Child took ten years from beginning to end. You have to want it more than anything else in your life during that time of writing, revising, querying, and promoting. There may not be room in your life while you have young kids to raise. That’s why I think a lot of women publish later. But I believe our books are richer for it.

Q. How have your life experiences influenced your writing?

VC. It’s all there in my writing.

Q. What’s your downtime look like?

VC. Walks with friends in our wonderful downtown Ashland, Lithia Park. Hikes in the hills. Cat play. I really don’t have what you would call hobbies. I eat but I’m not a cook. I read and watch endless Scandinavian and British mysteries, from Shetland to Inspector Morse, I find are the perfect diversion when my mental energies need a rest.

Q. Have you or do you want to write in another genre?

VC. Being new to fiction, I’ll stick with it for the time being as my main creative output. I’ve also been writing essays on craft and theory of fiction and especially autofiction.

Q. Note to Self: (a life lesson you’ve learned.)

VC. I’m good enough. Pretty enough. Smart enough. Why, oh why, did I, like most women, take so long to learn this? Being enough is wonderful. Try it!

Did you miss the beginning of this interview?
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A few BOOKS BY TRISHA SUGAREK

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