Research for Writing Archives - Page 5 of 5 - Trisha Sugarek, Author, Playwright & Poet

Color me naive…an Expose` of the Publishing Industry (part 1)

Call me naive…but I honestly thought that publishing houses chose manuscripts based on the quality of the writing and then book sales would take care of itself. Au’ contraire. I just finished reading an expose` of the publishing industry and it rocked me to my toes.

First, you know that book you can buy that lists the publishers that accept unsolicited manuscripts? Detailing which genre’ they are looking for, and what age group they represent? And the publishing houses that hype the public (writers) that they are actually looking for unsolicited books? (translation: ‘unsolicited’ = ‘crap’). Well, that’s exactly what it is, hype and not true.

Your manuscript ends up in a ‘slush pile’ and the publisher has a whole storage room for these manuscripts. NEVER TO BE SEEN AGAIN! No miracles, no happy accidents, no chance of even an editor’s assistant reading your work.

Okay, but say a miracle happens and someone reads your book and likes it. I’m certain that it happens. But the process that a manuscript goes through and the likelihood of your manuscript making it to the store is phenomenal!

Let’s say that an ambitious editor’s assistant’s assistant is told to take a stack of manuscripts to the ‘slush pile room’. Leafing through the top one, as she rides the elevator, something catches her eye and she decides to read on. She tucks it in her briefcase for reading over the weekend. She comes in Monday morning and during a coffee break shares her enthusiasm with the editor’s assistant.

The assistant agrees to read it ‘when she has time’. Months go by and now she has read it and thinks it’s worth taking it to her editor. Said editor is buried in work, with the authors that she has been assigned, but she doesn’t want to discourage her young, bright-eyed assistant, so she agrees to read it ‘when she has time’. Months go by….you see where I’m going with this.

Okay, the editor liked your book enough to take it to the monthly editorial meeting. Each editor must ‘pitch’ the new books that they are excited about to the other editors and (probably) an associate publisher. They have to ‘sell’ even known authors at these meetings so you can imagine how difficult it is to ‘pitch’ an unknown author like you and I. The book makes it through this meeting. Now comes the bi-yearly sales meeting, attended by not only the editors but the publisher and associate publishers. Also, and most importantly, the sales reps, who will in turn try to ‘sell’ the book to their accounts. (book stores and retailers).

I will forever be grateful to my publishing house (Samuel French, Inc.) for having faith in the plays that they chose to publish. But what about the other 40 scripts that I have written? The ones that they passed on? Are they just not good enough? Are they terrible? Too politically incorrect? Too dark? Too light? Too….something?? NO! They just didn’t fit what the publisher believed would make money! I asked my editor about this and he made a very profound statement: “Trish, there is only so much ‘real estate’ in our catalog.”

Knowing what I now know about publishing, I did indeed experience a miracle with French. They picked me up, an unknown playwright, and published four of my scripts. See?….miracles do happen! But don’t sit around waiting for yours! Take action!

See Part II and the solution in today’s publishing world coming on February 28th.
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Start your month off right!! DON’T MISS UPCOMING BLOGS. The NEW SERIES, “The Writer’s Corner” INTERVIEWS with other best-selling AUTHORS!

I have had a wonderful response from other authors and plan on featuring an interview once a month . I have invited such luminaries as: Ann Purser, Susan Elia MacNeal, Mark Childress, Robert McCammon, Rhys Bowen, Dean Koontz, Sheryl Woods, Jo-Ann Mapson, Elizabeth Gilbert, Amber Winckler, Walter Mosley, Natasha Solomons, Nora Roberts, Jeffrey Deaver and many others.

So come along with me; we shall sneak into these writers’ special places, be a fly on the wall and watch them create!
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Don’t miss an Interview with Jo-Ann Mapson Tuesday

Next Tuesday the second in my series of Interviews will be with Jo-Ann Mapson. I thought my readers might enjoy hearing about other authors’ writing processes. So I created a Question & Answer-type Interview and then began contacting some of my favorite authors to ask them to take part.

In this three-part blog, we will chat with best-selling author, Jo-Ann Mapson. She is one of my favorites and I always wait with bated breath until her next book comes out. Her characters, (men, women, dogs, horses), are vivid and believable and they often return in one of her new books.

I hope that you enjoy her insights, humor and really great stories….

In the coming months: Authors, Susan Elia MacNeal, Rhys Bowen, Walter Mosley, Tasha Alexander, and many more will share their writing life with us!

Mr. Churchill’s Cat….research can be a joy!

Nazi codes in the hem of a dress?

I had just finished reading Susan Elia MacNeal’s Mr. Churchill’s Secretary and was inspired to write a short play about Winston Churchill and his cat, Nelson. Ms. MacNeal referred, in passing, to Mr. Churchill’s pets being allowed free rein to wander the war rooms at #10 Downing Street during Churchill’s time in office. I could clearly see the rotund, shambling figure of the Prime Minister with two pugs yapping at his heels while Admiral Nelson, the cat, silently observed the general hysteria of dogs, from high on a side table.

Churchill was a master not only in crafting the English sentence but also in the coinage of words. His tongue-in-cheek comment: “A fanatic is one who won’t change his mind and won’t change the subject.” is a favorite of mine. In a World War I speech, (1914) Churchill, then First Lord of the Admiralty coined the phase ‘business as usual‘. Saying the maxim of the British people is “business as usual.” Churchill gave the world the phrase: “Iron Curtain” in his speech in Missouri in 1946 when he said, “..…an iron curtain has descended across the continent.”

Having grown up during the post-war years, I knew something of Mr. Churchill. A historic figure that was a great statesman, orator and leader. But I really knew nothing of the man. And once again, (as I have mentioned before) I began a project and then started my research.

Mr. Churchill’s Secretary, (which I highly recommend) is fiction but based in fact. Ms. MacNeal was fortunate enough to have several interviews with Churchill’s private secretary before her death. The book is about a ‘typist’ who was relegated to a menial job because of her gender. She was actually educated in mathematics and cryptology and could easily have fitted in with MI-Five (British CIA) but for her being a woman. The novel’s heroine, Maggie, saves the Prime Minister from certain death by breaking a Nazi code. And this brings me to the fashion advert that actually ran in the London Times and was full of Nazi messages. All the stitching (around sleeves and hem) was Morse code for attacks at #10 Downing and St. Paul’s cathedral.

“German spies hid secret messages in drawings of models wearing the latest fashions in an attempt to outwit Allied censors during World War Two, according to British security service files. Nazi agents relayed sensitive military information using the dots and dashes of Morse code incorporated in the drawings. They posted the letters to their handlers, hoping that counter-espionage experts would be fooled by the seemingly innocent pictures. But British secret service officials were aware of the ruse and issued censors with a code-breaking guide to intercept them.” (actual advert from the London Times)

If not for my love of reading, my passion for writing, and the need for research, I would never have delved into Churchill’s life and his time in office. (my interests don’t generally take that path). It’s an unexpected delight to learn more about this amazing statesman. He was quirky, irritable, brilliant, and very funny.

And all because I had begun writing a short play about Mr. Churchill and his cat! I love when that happens!!

Recommendations: DVD “Into The Storm” starring Albert Finney as Churchill.
Mr. Churchill’s Secretary by Susan Elia MacNeal
The Wit and Wisdom of Winston Churchill by James C. Humes (paperback)
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Start your Month Off right! with MY NEW SERIES, “The Writer’s Corner” INTERVIEWS with other BEST- SELLING AUTHORS! Early February we shall visit with Jo-Ann Mapson, best selling author of “Solomon’s Oak”, “Blue Rodeo” and new release, “Finding Casey”.
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To receive my posts sign up for my blog. Go to the home page; On the right side you’ll see a box where you can enter your email address. Click on “join my blog“. You need to confirm in an email from ‘Writer at Play’ . Thanks!

What does it look like? From ‘no book’ to ‘finished book’?

Recently a fellow writer and friend asked me this question: “What does the process of going from “no book” to “finished book” look like?” In the new series, “The Writer’s Corner” it seems to be each featured author’s favorite question. Having also completed 16 novels I’d like to add my two cents:

I used my play script (by the same name) as my book outline/treatment. As the scenario was so current (because it was a play), I found that flashbacks were a great way to flesh out each woman’s story and it served me well.

It took me a year and four months to write and edit it. That equals 72,000 words.

I did not have a deadline and it probably would have really helped. I was my own deadline setter and that didn’t work out so well. On the other hand, I think having a publisher breathing down my neck would have stifled my creative flow. When life got in the way I wouldn’t work on it for weeks but then I would get inspired and work on it for days, weeks, non-stop, sometimes 10-14 hours a day. So I guess it all evened out. Whatever you do, don’t beat yourself up if you don’t write for a few days… although I preach that you should write something every day. But if you hit a dry spell, you’ll make up for it with better, more relaxed creative writing.

Because I inherently ‘rush’, I found that I had to watch-dog myself and be careful not to leave out important roads of the story. I was in early proofing of the final product of my novel and realized (in a countless re-read) that I had never described my female negotiator’s physical appearance. (Yikes!). Again, (if the writer tends to rush) go back and re-read your work to see where you need to flesh out a chapter or a character.

I am not structured at all. I write a new project in my head for days, weeks and then when my brain is about to burst I begin putting it down on paper (computer). I also write out of sequence and I think that’s okay. My novel’s last chapter was completed months before the middle was written.

Some writers have actually written whole books while blogging; they found it less daunting by writing in segments. At the end they had a book and then they published. If you need a deadline the days that you commit to writing a blog would serve. For me this wouldn’t work; I would feel too exposed having my rough draft out there for the world to see as I am a writer who slams it down the first time around and then edit, edit, delete, edit. Did I mention that the lettering is worn off my ‘delete’ key?

Frequently I will begin a story that has inspired me, not knowing much about the subject. It has sometimes stopped me dead in my tracks while I researched (example: hostage negotiations or building a cabin in the 1920’s). I had 8 pages of a new play about Winston Churchill written and had to stop to do research. I find that it can be done while I am writing and that is what I prefer. It’s more fun and keeps me interested. I don’t think I would do well having my research all done before I put my story down. I find that the research itself inspires my story line.

And then there is that unseen, unheard phenomenon where, with any luck, the characters take over and you become the typist. . This has happened to me time and again, and while I resisted at first (being a control-freak) I now embrace and welcome it. In Women Outside the Walls my character Alma, at sixteen, is abandoned by her promiscuous mother. Alma is befriended by the ex-girl friend of the man Alma had a teen crush on. They end up being room mates. I could never have dreamed that one up; but my characters got together and decided that this was what they would to do.

I don’t think that there is a right or wrong way to go through the process. Each writer should be unique in how they work. Instead of thinking of it as a project/deadline ‘thing’; think of it as a work of art, created just for you and by you. Where possible, let the characters lead you. They will never steer you wrong!

well, there you have it…the process such as it is and how it works for me.

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‘The Life’…..how do I know so much about it?

prostitution, research, short plays, monologues

I’ve been asked by several of my readers how can I write so accurately and make it so ‘real‘ when I write about prostitution and ‘the life?‘ Experience, my dear. How else?

Many, many years ago, I was staying on the beach in Honolulu and late one night, I went down to the hotel’s coffee shop for a cup of Joe. Across the street I noticed tall, beautiful, well dressed women, (there were dozens of them) walking up and down. Where were they going? It was close to midnight. My waitress arched an eyebrow as she informed me that ‘they were….you know….’ladies of the night‘. This was in the 90’s and ladies did not throw out words like, ‘whores‘ or’ ho’s’. So I paid for my coffee and dashed across the street and started following these high class hookers up and down Kalakaua Avenue, on Waikiki Beach. They were well dressed, provocative but not cheap. Hair and makeup was perfect. As a writer, this was my chance to observe up close and personal. But not too ‘up close’, I hoped. The part I found hysterical was the girls would pick up Asian men and take them, not to a hotel, but down the boulevard to a park bench several blocks away from the busy sidewalks. The men would sit, all lined up, and wait patiently until the girls came back and got them. Later I noticed that the girls took their ‘breaks’ in an all night ice cream shop. I followed a few in, got in line behind them and introduced myself. I told them I was a writer and I asked if I could talk to them and ask questions. They cheerfully agreed. They told me that their biggest, best paying customers were Japanese business men. I asked about the ‘johns’ lined up on the park bench. They laughed and explained that the girls stored them there until they had enough men to take to the hotel. Kind of like a holding pen. The girls actually knew a little Japanese so that they could ‘negotiate’. Which act for how much??

They seemed almost as fascinated with me as I was with them. They fired away with their questions: why do I write? (a hard question to answer) would their stories be in a movie or on the stage? They laughed so hard when I told them how much (or how little) I make as a writer. They told me, “Girl? You gotta get into the ‘life’ and make some real money!’
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In 2005 I directed “The Oldest Profession” by Paula Vogel. It is a funny, bitter-sweet story of several old (over 60) prostitutes and their long time Madame. Again, RESEARCH!! This time as a director I needed to research prostitution so that we could do justice to Vogel’s script. I Googled the Chicken Ranch, a famous (if not the most famous) bordello in Nevada and then I called the Ranch. They put me right through and the manager was kind enough to answer all of my questions. We were so cordial that by the end of the call she said she was going to send me a ‘grab bag’ of goodies for my ‘girls‘. The funniest item she sent us was a menu that the men (customers, Johns, tricks) receive while waiting to pick a girl. ‘Nuff said! She seemed entertained by our conversation and she was very curious about our end of the business, that is, portraying old hookers on stage. We had a good laugh together!! Managing a stable of prostitutes wasn’t that much different from ‘directing’ a bunch of actresses!

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Start your month off right!! DON’T MISS UPCOMING BLOGS. A NEW SERIES, “The Writer’s Corner” INTERVIEWS with other best-selling AUTHORS!I have had a wonderful response from other authors and plan on featuring an interview at least once a month . I have invited such luminaries as: Anne Purser, Dean Koontz, Sheryl Woods, Jo-Ann Mapson, Elizabeth Gilbert, Tasha Alexander, Walter Mosley, Nora Roberts, and many others.
So come along with me; we shall sneak into these writers’ special places, be a fly on the wall and watch them create!
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
To receive my posts sign up for my Go to the home page; On the right side you’ll see a box where you can enter your email address. Click on “join my blog”. You need to confirm in an email from ‘Writer at Play’ . Thanks!

Hope that your story doesn’t come out the way that you had planned!

Lillian Hellman once said, “Nothing you write, if you hope to be any good, will ever come out as you first hoped.”

As a writer, that has happened to me over and over. At first, in the early days of writing, I was appalled that the story was going somewhere that I had not planned for. The characters would lead me down paths that I had no intention of going down or writing about. Now I accept this strange phenomenon that happens not just to me but to other writers as well.

A glaring, or perhaps glorious, an example of a story taking an unexpected turn was when I was writing “Women Outside the Walls”. My plan for the storyline was that this would be a cozy little story of three very different women coming together while visiting their men in prison.

A third of the way through this project, Charlie, while sitting in the visiting room of the prison, jumps up, grabs Kitty and holding a shiv (knife) to her throat, takes her hostage. I sat at my keyboard and literally wailed aloud, “No! No, you can’t! I don’t know anything about hostages……or hostage negotiations!” Too late! He’d already dragged Kitty to the back wall and pandemonium had broken out. The prison went on emergency lockdown and there was nothing I could do! There I sat at my keyboard, dead in my tracks.

It took me four months of research on hostage negotiations before I could resume working on my novel. I had not the faintest clue as to how I would finally resolve this room being taken, hostage. And I want to stop here and thank the federal and state hostage negotiators who assisted me in my research. While they would not share any of their techniques, they agreed to look over my story and tell me where I was off base. They allowed me to send them this segment of my novel for them to critique and assisted in keeping my portrayal accurate. Before you CO’s jump all over me about the gun, I did take dramatic license with that.

I have learned to anticipate and enjoy it when the story takes on a life of its own. It’s my fondest wish to become the ‘typist’. When my characters take control and tell me the story!

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When was the last time you were behind bars? No, seriously!

This has been an incredible journey for me as a playwright turned novelist. In play writing you must tell your story in 100 pages or less, definitely in less than two hours and everything you want to relate to the audience must be conveyed through the dialogue. In the theatre world there’s a term: “method acting” which means you get as close to your character as you can. If the character you are going to portray is a prostitute, you follow and talk to whores. (been there, done that. Honolulu, 1992 ) If your character is a woman who’s husband has been in prison for the past 13 years, you get inside her head.

I’m a ‘method’ writer, (every chance I get.)

In 1999 I had reason to visit a men’s DOC facility. (prison). I was visiting a confessed murderer as research for one of my earlier scripts. My writing has taken me to some unexpected places to say the least. On a Sunday morning I found myself sitting in the reception area with three dozen other women. Wives, sisters, mothers, daughters of convicted felons. As I waited, I wondered how long they had been coming to visit; how long would a woman wait for her man behind bars; and what a terrible impact this must have on the children, visiting their fathers in this place. Sitting there I was suddenly compelled to write their stories. I tried to interview as many women as I could and this was no easy task.

Their closed society is cloaked in guilt and shame. But they finally let me in and I discovered, for the most part, incredibly brave and strong women. They would tell their friends and neighbors, “my husband travels with his work” to explain the man’s absence. Always appearing cheerful and strong while visiting their men, the women I spoke with, had a pull off down the highway where they would congregate (after leaving the prison) where they could cry, scream, and moan and be comforted. Where they could share, with other women who understood, what their lives were really like outside the walls. Away from the eyes of their men and the prison officials.

Fast forward to 2011: My heart had been nagging me for years that my stage play,(by the same name) had MORE to say. And it wouldn’t let up!! The message was, “you have to tell the rest of these women’s stories. GET BUSY!!”

For someone who was so comfortable writing in the genre of ‘scripts’ this was a scary prospect. Yikes! I thought, a novel was at the very least 70,000 words and over 300 pages long. What could I possibly have to say? One year and four months later I had a 335 page novel in my hands. Evidently my characters had plenty to say! At times I was surprised and delighted with my women and their stories. At other times appalled. As many writers will tell you, at some point, the characters sort’a….no…they definitely take over and you become simply the typist.

I am hoping that my readers enjoy this journey and find some empathy for those women doing hard time outside the walls.

Bambi was romping in the Austrian forest long before Disney…. [3 of 3 in series]

I sure didn’t want the fury of Disney coming down on me because of copyright issues while writing “Bertie, the Bookworm and the Bully Boys“. So it led me to do some serious research on the origins of Bambi and make certain it was public domain. Now for you new writers, if you don’t understand what that is, write me a comment and I will share. Did you know that Bambi, a Life in the Woods is considered one of the first environmental, ecology-minded books ever written? Amazing, right?? Bambi, a Life in the Woods, originally published in Austria as Bambi. Written in 1923, an Austrian novel by Felix Salten. The novel traces the life of Bambi, a male roe deer, from his birth through childhood, the loss of his mother, the finding of a mate, the lessons he learns from his father and experience about the dangers posed by human hunters in the forest. An English translation by Whittaker Chambers was published in North America in 1928, and the novel has since been translated and published in over 20 languages around the world.

The novel was well received by critics and is considered a classic. It was adapted into a theatrical animated film, Bambi, by Walt Disney Studios in 1942, two Russian live-action adaptations in 1985 and 1986, and a stage production in 1998. Janet Schulman released a children’s picture book adaptation in 2000 that featured realistic oil-paintings and many of Salten’s original words. Still available on www.amazon.com.

Now a version of Bambi graces my newest children’s book, “Bertie, the Bookworm and the Bully Boys“. Rather than take the obvious route of having Snow White, Cinderella, or Beauty appear I thought it would be so much more fun for my readers to meet some of the sub-characters like the wicked stepsister, one of the dwarves, Red Riding Hood, and the little piggies….and of course, Bambi.

Where did our fairy tales come from? [2 of 3 of series]

The Brothers Grimm (January 4, 1785 – September 20, 1863) were German academics, cultural researchers, and authors who together collected folklore. They are among the most well-known storytellers of Europe. Their work popularized such stories as “The Frog Prince” (Der Froschkönig), “Hansel and Gretel” (Hänsel und Gretel), “Rapunzel“, “Rumpelstiltskin” (Rumpelstilzchen), and “Snow White” (Schneewittchen). Their first collection of folk tales, Children’s and Household Tales (Kinder- und Hausmärchen), was published in 1812. During his life time the master animator, Walt Disney [1901-1966] adapted the ancient fables to film.

Through the centuries the stories have been ‘cleaned up’. For example in one of the earlier versions of Cinderella the glass slipper was filled with the blood and toes of the wicked stepsisters. Not really something we would want to read to our children today. I left it out of my fabled forest stories.

more about where our fairy tales came from next week…..please check back.

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