Q. Do you ‘get lost’ in your writing?
CD. Oh, so rarely! Only about 10% of the time does a chapter just write itself. The rest of the time it can be a slog, an act of discipline. Is this scene doing anything? Is it developing the character or moving the plot along? If not, into the trash it must go…Though even then, certain lines or bits can be salvaged and pasted back in later.
Q. What compelled you to choose and settle on the genre you now
write in?
CD. I started in women’s fiction and general fiction, but when I wrote a contemporary adaptation of Mansfield Park and rediscovered the world of rabid Jane-ites, I decided to write a Regency romance like all the ones I’d read and loved when I was younger. Jane Austen is a like a public-domain Marvel Universe—so many of us have launched ourselves from her work.
Q. Are you working on something now or have a new release coming up? If so tell us about it.
CD. I’m working on Book Three in my current Regency series Lord Dere’s Dependents. The Bestowed Bride is the widowed sister-in-law’s story. And then after that I am contracted to write my second traditionally-published romance, an Emma-based follow-up of my first trad book Pride and Preston Lin.
Q. Do you think we will see, in our lifetime, the total demise of paper books?
CD. I doubt it. They’re expensive, but plenty of people love paper books. I do think traditional publishers might start to do smaller print runs for books which aren’t expected to be blockbusters. I myself don’t do print anymore unless I want to look at maps or find it at a used bookstore because who has the space?
Q. What compelled you to choose and settle on the genre you now
write in?
CD. I started in women’s fiction and general fiction, but when I wrote a contemporary adaptation of Mansfield Park and rediscovered the world of rabid Jane-ites, I decided to write a Regency romance like all the ones I’d read and loved when I was younger. Jane Austen is a like a public-domain Marvel Universe—so many of us have launched ourselves from her work.
Q. Are you working on something now or have a new release coming up? If so tell us about it.
CD. I’m working on Book Three in my current Regency series Lord Dere’s Dependents. The Bestowed Bride is the widowed sister-in-law’s story. And then after that I am contracted to write my second traditionally-published romance, an Emma-based follow-up of my first trad book Pride and Preston Lin.
Q. Do you think we will see, in our lifetime, the total demise of paper books?
CD. I doubt it. They’re expensive, but plenty of people love paper books. I do think traditional publishers might start to do smaller print runs for books which aren’t expected to be blockbusters. I myself don’t do print anymore unless I want to look at maps or find it at a used bookstore because who has the space?
Q. What comes first to you? The Characters or the Situation?
CD. They’re almost simultaneous.
Q. Do you ‘get lost’ in your writing?
CD. Oh, so rarely! Only about 10% of the time does a chapter just write itself. The rest of the time it can be a slog, an act of discipline. Is this scene doing anything? Is it developing the character or moving the plot along? If not, into the trash it must go…Though even then, certain lines or bits can be salvaged and pasted back in later.
Q. What makes a writer great?
CD. No two readers will ever agree on this! When I put my own fiction-reader hat on, I’m looking for books with rounded characters and plausible situations, even if it’s set in a fantasy world. Bonus points if the story makes me laugh. Not too much navel-gazing, please, and a plot with a traditional conflict-rising action-climax-denouement. I must be too old to enjoy the stories where there’s no real conflict, or where it’s resolved with 25% left to go, and then it’s just 25% of people riding off into the sunset. Yawn.
When it comes to nonfiction, which I also love, I want to learn something and have it told to me like a story. Books like The Boys in the Boat and Into Thin Air delight me.
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I’m so delighted to announce that the long-awaited audiobook of Song of the Yukon is now available on 
One star out of 5 ~~~Book Review
from 9 a.m. to sometimes as late as 6 p.m. I’ve rounded the bend with 62,000 words to date and still writing. It would be more accurate to say I am taking dictation from all the characters in my new story. 
As this is a prequel to Ain’t Nuthin’ Gonna Separate Us, I’ve had to work backwards weaving the dates of that book with this one while being true to the dates of documented American history. I’ve found it to be a challenge.
The Blues is one of the poems being featured on the PoetrySoup home page this week. Poems are rotated each day in groups of 14-16 to give each poem an equal opportunity to be displayed.
and walked into the yard. A heavy-set woman in a hideous polyester suit struggled up the dirt path. “Can I hep’ y’all? Ya lost?”
Then one night, (120 pages in) about 3am (my best thinking time) I thought to myself, ‘this isn’t about Hannah Mae at all. It’s about her brother, Jerry and his music.’ I lay there and started dictating into my phone the salient points I wanted to tell. How young Jerry is a prodigy. He can play a song after he hears it just once. He can write the music down on paper. He composes effortlessly.
Learn how to do the rest: story plot, character development, structure, arc, themes, rising action, inciting incident/s, and setting. 
