Tag-Archive for » interviews with authors «

Interview with author, Molly Gloss

TS. Molly likes to brag (just a little) that on her mother’s side, she’s fourth generation Oregonian, from German immigrants. On her father’s side she’s fourth-generation Texan, as her great grandmother  was the first white child born in Irion County, Texas. She is widowed with one son and was recently blessed with a new grandson!  She says, “Why didn’t anyone tell me how magical this would be?! Oh, right, they did tell me, I just wasn’t listening!” She’s been writing full-time since  1980. “I’m a slow writer, but I’ve managed to eke out six novels and about 20 short stories.” She currently lives in Portland, Ore. 

Q. Where do you write? Do you have a special room, shed, barn, special space for your writing? (please provide a photo of you at work in your shed, room, closet, barn, houseboat….) Or tell us about your ‘dream’ work space.

Writing….

MG. I like to be comfortable. I wrote The Jump-Off Creek in longhand while sitting in my favorite overstuffed chair. When desktop computers became the thing, I wrote while sitting at a desk, but I never loved it, and now I write on a laptop, sitting on the living room sofa with my feet propped up on an ottoman and the laptop literally in my lap.

Q. Do you have any special rituals or quirks when you sit down to write? (a neat work space, sharpened #2 pencils, legal pad, cup of tea, glass of brandy, favorite pajamas, etc.)

MG. Nope. I open the file I’m working on, reread the last few pages, and go to work wrestling with the next sentence. But I do have to have my favorite Roget’s Thesaurus close to hand. And also The American Thesaurus of Slang. Good for finding just the right period-perfect term for historical fiction.

Q. Could you tell us something about yourself that we might not already know?

MG. I have never lived on the “dry side” of the West where many of my novels and stories are set. I grew up on the “wet side” and live here still, in a suburban townhouse at the edge of Portland.

Q. Do you have a set time each day (or night) to write?

MG. I try to write from post-breakfast to pre-dinner, with a short break for lunch, but that schedule can vary greatly now that I live alone and have no children or husband or dog to contend with. Now sometimes I surprise myself by writing late at night. But it’s a sad irony that I do have more trouble sticking to a set schedule now that I have more time to write. When I had a family at home and had to keep up the housework, the grocery shopping, the gardening, making meals, etc, I was more disciplined about squeezing my writing into the available time. Now I’ve become a procrastinator!

Q. What’s your best advice to other writers for overcoming procrastination?

MG. Speaking of which! I’m not the best person to give this advice, as I’ve become a terrible procrastinator myself, horribly addicted to the lure of the internet. I had to go away to a place without wifi in order to finish my last novel. Perhaps that’s my advice? Disconnect from wifi!

Q. Where/when do you first discover your characters?

MG. More often than not, a new character arises out of research for a previous novel. In researching for The Jump-Off Creek, which is a novel about a single woman homesteader, I came upon Teresa Jordan’s book of oral histories, COWGIRLS: WOMEN OF THE AMERICAN WEST, and there for the first time heard about young girls traveling the countryside breaking horses during the nineteen-tens, and my character Martha Lessen in THE HEARTS OF HORSES arose out of that research. And then while I was researching the history of horse training for that novel, I fell into a cache of material about how horses were trained (and misused) in the Western movies of the 1930s, and that was the beginning of my character Bud Frazer, a Hollywood stunt rider in FALLING FROM HORSES.

Q. What first inspired you to write?

MG. I’ve always wanted to write. I was a voracious reader and I think I’ve often been driven by a desire to write the story I couldn’t find on the library shelves.

Q. What comes first to you? The Characters or the Situation?

MG.They are intertwined. The character doesn’t exist for me until I know what sort of situation they are in. And the situation doesn’t mean anything to me unless I can see how it impacts a particular person.

Don’t miss Part two of this Interview on January 25th
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

MY BLOG features INTERVIEWS with  best-selling AUTHORS!   December:  Jayne Ann Krentz (Amanda Quick)  January: Molly Gloss. February:  Patrick Canning and March: Poet, Joe Albanese
To receive my posts sign up for my   On the home page, enter your email address.  Thanks! 

 

To Purchase

 

 

 

 

 

Interview with author, Jayne Ann Krentz (aka Amanda Quick)

TS. I have been buying and reading Jayne Ann Krentz and Amanda Quick (pseudonym  for her period pieces) for more than three decades and am one of her biggest fans. Since 2013 I have been requesting an interview from this author and finally the stars aligned and Santa granted my wish. Wink. It is my honor to share with my fans, writers and readers this fascinating look into Jayne Ann’s writing processes and down time. 

Q:  Where do you write? Do you have a special room, shed, barn, special space for your writing?   Or tell us about your ‘dream’ work space.

JAK: I like to write in my office.  It’s my refuge, retreat and comfort zone.  That said, I can—and do—write just about anywhere—on a plane, on vacation, etc.  Writing is an addiction for me.  No matter where I am or what I’m doing there’s a story going on in my head.  I can make notes, work through plot issues, and jot down ideas with a pen and a yellow notepad but I do my most creative writing on a computer because I’m fast with a keyboard.  That means my fingers can keep up with my thoughts.  Every morning when I sit down to write I send up a personal “thank you” to the teacher who taught that touch typing class back in high school!

Q:  Do you have any special rituals when you sit down to write? (a neat work space, sharpened #2 pencils, legal pad, cup of tea, glass of brandy, favorite pajamas, etc.)

JAK:  No special rituals, well, except coffee.   I just need my computer and a keyboard and a cup of coffee.  I also need solitude.  I know a lot of authors write to music but I can’t do that.  My brain starts going in two different directions, one part following the music, the other trying to focus on the writing.  Guess I can’t walk and chew gum at the same time.

Q:  Could you tell us something about yourself that we might not already know?

JAK:  Nope.  Okay, I love to shop at Nordstroms (Seattle, Washington) and I love to cook vegetarian/low carb but those two passions are not exactly secrets. Everyone who follows me on Facebook or Instagram knows that much about me. (and apparently also loves to crawl around in Lava craters.)

Q. Do you have a set time each day (or night) to write?

JAK:  I’m definitely a morning person. I get up around five am. My husband and I love our breakfast routine which includes coffee, cottage cheese, peanut butter on rye crisp and three different newspapers.  After the papers, I take my last cup of coffee to my office.  I’m usually at my computer by six-thirty at the latest.  I write fairly steadily until noon with a one hour break at some point for working out.  Afternoons are for the other things that go with writing—untangling plot problems, figuring out motives, checking research, and, oh, yeah, real life.


Fun Fact
: Is there any fan out there that doesn’t know that Jayne Ann Krentz and Amanda Quick are one in the same??

 

Join us for Part 2 on December 21st

Untouchable will be on sale January 8, 2019

Coming Soon!  My Review of Untouchable

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

MY BLOG features INTERVIEWS with  best-selling AUTHORS!   October: Alretha Thomas. November: Joe English. December:  Jayne Ann Krentz (Amanda Quick)  January: Molly Gloss and February:  Patrick Canning.
To receive my posts sign up for my   On the home page, enter your email address.  Thanks! 

 

To Purchase

 

 

 

 

 

 

 

Interview with author, Joe English (part 2)

Q.  Do you ‘get lost’ in your writing?   

JE.   Definitely.   The rest of the world goes on, I am told and occasionally realize, while I am puzzling over a phrase, a sentence.   Should I add a poem to the beginning of a given  chapter to foreshadow  the chapter’s worth?   Should I use the word large or big?  Is the simile in the sentence “The sky was as blue as the bluest  eye. . .” apt?   [Answer:  no.  Why not?  Well, the sky is vast; the eye, small]. How about “The sky was as blue as the bluest eye and the jungle as green as gold”?  The second half not as bothersome, but still not quite there yet.  So, after hours and hours (literally) of tinkering, thinking, playing, rewriting:   throw the sky overboard.  Go with just the jungle:  “The rising sun stoked greens—emerald and jade, myrtle and moss—into glistening gold.”   There! 

Q. You have a new book coming out soon? If so tell us about it.  

JE.   I am working on a short story.   What has kept me going all these years is that many, many readers have praised SCHUGARA.    Gratifying.   But the bills must be paid.  I am not sure I want to  put myself through the torture, abuse, neglect, duplicity, that an unestablished  novelist must endure.   Tell me:  is posthumous  recognition appealing?  I think frequently of Gray’s “Elegy Written in a Country Churchyard”:  

Full many a gem of purest ray serene, 
The dark unfathom’d caves of ocean bear: 
Full many a 
flow’r is born to blush unseen, 
And waste its sweetness on the desert air.
  

Q.  When did you begin to write seriously?    

JE.  Since I was a child, ten years of age of thereabouts.  I have always been fascinated with words.   Elegance has all but disappeared from writing.   From our use of language.   From our culture.   From the ways we interact with others. 

Q. How long after that were you published? 

JE.   High school.  Literary publication. 

Q. What makes a writer great? 

JE.   Having something to say and saying it well.  

Q.  (Note to Self: a life lesson you’ve learned.) 

JE.   I quote Lily Tomlin in SCHUGARA:  “No matter how cynical you become, it’s never enough to keep up.”  I don’t like saying so, or recognizing this, but I have come to the conclusion that, for the most part, people simply don’t care, don’t give a damn, pay lip service to the concerns of others, and live inside solipsistic bubbles.  My advice to aspiring writers:  get off the beaten path.   If you are in a city, move into one of the many “ghetto” areas the United States cultivates, dumping grounds for people without money, for the most part people of color.  Do not get sucked into the television world of lies and happy faces:  YOU DESERVE A BREAK TODAY!  HAVE IT YOUR WAY!   Those who are idealists in their teenage years and twenties sell out by age thirty without ever realizing so.     Do we need more stories about suburban angst?

 Q. and the all-important:  What does the process of going from “no book” to “finished book” look like for you?   

JE.   A book is NEVER finished.  The writer must force himself/herself to stop.   Now that I have been forced to stop, I suffer the slings and arrows of trying to get attention paid.   The literary gatekeepers keep a close-knit mutually praising society, frightened, so it seems, at anyone or anything that goes against the grain.

Ours is a close minded culture, wherein those who know know they know better.   They are the tastemakers.   Do you think a novel published by a struggling tiny press located in Louisville, Kentucky, clearly the hayseed  capital of the nation, has a chance of being reviewed by the New York Times?

Did you miss part 1: Click here 
To purchase Schugara
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
 
MY BLOG features INTERVIEWS with  best-selling AUTHORS!   August: Mega best selling author, Susan Mallery. September: Jonathan Rabb.  October: Alretha Thomas. November: Joe English. December:  Jayne Ann Krentz (Amanda Quick)  January: Molly Gloss and in early 2019  Patrick Canning.
To receive my posts sign up for my   On the home page, enter your email address.  Thanks! 

 

To PurchaseTo Purchase

 

 

Interview with Jonathan Rabb, Writer (conclusion)

TS.  This has been a terrific Interview. All writers achieve the same goals using different paths to get there. 

Q. and the all-important: What does the process of going from “no book” to “finished book” look like for you?

JR. Muscle memory. That’s where it is now. I can’t imagine not having a book I’m working on. In other words, I have to be working on something. So, in some sense, I never fully enjoy “finished book” because I’m always at least thinking about the next one. In the same way, I never feel I’m in “no book” territory.

You don’t get a lot of resolution in your creative life if you’re a novelist (at least I don’t). It’s probably why I do crossword puzzles. Resolution is immediate.

Q. How has your life experiences influenced your writing?

JR. How can they not? When I first started writing, I was in NY and single. Now, I’m in Savannah, married with two kids, and a professor of writing. Save for that first novel, I don’t borrow from my own life as the foundation of a novel. Yes, my characters grapple with the same anxieties I grapple with, but they aren’t me in a fictional guise. But as the challenges have changed in my life, I think they’ve changed for my characters as well. And my interests have shifted. Five years ago I would never have thought about a book in Mexico. Now, I can’t imagine not writing it.

Q. Have you or do you want to write in another genre`?

JR. I’ve been accused of bucking genres. My first two books were clearly thrillers, based around historical documents. Then I dove into historical fiction entirely with three books in Germany and Spain in 1919, 1927 and 1936. Yes, there was a mystery in each of those, but the mystery was always less important than the political and social anxieties that the characters were dealing with. Some reviewers called them historical fiction, others literary fiction, still others mysteries. And then I jumped to my last book, which is Savannah 1947 – a much more intimate novel, less about the historical backdrop and more about one man’s struggle. And now I’m doing contemporary Mexico in one book, and 1606 Venice in another

So, I don’t really think in terms of genres. I just write what excites me. So far I’ve been lucky enough that my publishers let me do that.

Q. Note to Self: (a life lesson you’ve learned.)

JR. Writing is hard, maybe harder than anything else in the arts for the simple reason that everyone thinks they have access to language. Very few people walk around thinking, Yes, I can design a dress or produce a self-portrait. But everyone thinks, Hey, I can write. Just look at me on Facebook….

But that’s not true, which makes writing even harder if you really want to take a stab at it.

So, the lesson I’ve learned is: do whatever you can to make writing easier while you’re writing. Take the pressure off and just try and get a single sentence down that you don’t hate. Some days, that one sentence is enough. It paves the way for the days when you write 5,000 words and you can’t imagine how you did it.

Give yourself a break. Writing is hard. Don’t make it harder than it has to be.

Did you miss Part 1 or 2 of this fine Interview? Click here
To Purchase books
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

MY BLOG features INTERVIEWS with  best-selling AUTHORS!   August: Mega best selling author, Susan Mallery. September: Jonathan Rabb.  October: Alretha Thomas. November: Joe English. December: Molly Gloss. Coming this winter: Jayne Ann Krentz (Amanda Quick) and Patrick Canning.

To receive my posts sign up for my   On the home page, enter your email address.  Thanks! 

 

To Purchase

 

 

 

 

Interview with Professor of Writing, Jonathan Rabb (part 2)

Q. Do you have a new book coming out soon? If so tell us about it.

JR. The paperback of my last one came out a few months ago, and I’m at work on two very different projects right now. One is contemporary in Mexico; the other is 1606 Venice. I’ve never written two at once, but it’s proving to be exciting, even if it is more challenging. We’ll see how it works out.

Q. When did you begin to write seriously?

JR. I was 28 or 29. I decided that political theory wasn’t for me, and I got the idea for that first book, The Overseer. There was no pressure, so I don’t know if I really thought about it as “serious” writing (there’s the old chestnut: you have a lifetime to write your first book, about a year to write your second). But somewhere in there I began to think, “Maybe this is what I’m meant to do.” I got lucky and have been allowed to do it ever since.

Q. How long after that were you published?

JR. I started The Overseer in late 1993 or early 1994. I finished the first draft (a very economical 750 pages) in July of 1996. By happenstance, I was working a translating job and someone else on the job heard I’d written a manuscript and said he had a friend in Lectures at William Morris. He said he’d be happy to show the first chapter to the woman at WM. I sent it to him, he sent it to her, and three days later, the woman called and said she had sent it on to someone in Literary. Three days later, the agent in Literary called and said he needed to see the rest of the manuscript. I sent it over and, two weeks later, I signed with WM. My agent had been an editor, so he helped me trim the manuscript down to 525 pages. We sent it out, got rejected, sent it out again, and then Holt, Crown and Harpers all came in with offers. We went with Crown in June of 1997, and the hardcover came out in June of 1998.

Q. What makes a writer great?

JR. I don’t know. I think you have to find whatever it is that makes writing a need for you, and that’s purely idiosyncratic. And then commit yourself to it. Writing a novel is like any long-term relationship. There’s the infatuation at the beginning, but then the feelings mature. And it can be hard. But it’s the best kind of hard you’ll ever experience if you keep your focus.

I also think taste plays a large role in any of the arts. I suppose we can all look at a select group and say, Yes, those are great writers, but even then, I don’t know. I’d be hard-pressed not to include Graham Greene on that list or Ivo Andric or Joan Didion, and some folks can’t stand any of them. Is there something that ties all the greats together? Maybe it’s that, if they ever wavered, they never gave up entirely. Even Kafka. If Kafka (by my lights in the top three of all time) could muscle through it, then anyone can.

Did you miss Part 1? Click here

Part 3 of this Interview will return on September 28th.
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

MY BLOG features INTERVIEWS with  best-selling AUTHORS!   August: Mega best selling author, Susan Mallery. September: Jonathan Rabb.  October: Alretha Thomas. November: Joe English. December: Molly Gloss. Coming this winter: Jayne Ann Krentz (Amanda Quick)

To receive my posts sign up for my   On the home page, enter your email address.  Thanks! 

 

To Purchase

 

 

 

Interview with Writer, Jonathan Rabb

TS. I stumbled upon Jonathan Rabb, a local, fellow author and transplant, quite by accident. I found his take on writing fascinating and asked that he share it with my readers.

 Q. Where do you write? Do you have a special room, shed, barn, special space for your writing?  Or tell us about your ‘dream’ work space.

JR. I have a study in the house, which many of my old friends say uncannily resembles my old one-room apartment back in New York before I got married. It’s bookcases everywhere, maps, and an entire shelf devoted to my kids’ artwork. When the writing is going well, it’s hard to find a path from the door to the desk. I like to keep the blinds drawn, with a single overhead soft light. And the desk is an architect’s desk – a flat space with no drawers.

As it turns out, it is my dream workspace.

Q. Do you have any special rituals or quirks when you sit down to write? (a neat work space, sharpened #2 pencils, legal pad, cup of tea, glass of brandy, favorite pajamas, etc.)

JR. My ritual (now) starts with the kids getting up, breakfast, the dog out for walk, carpool (on my days), and then a mug of hot water at the side of my computer, which I refill throughout the day. I usually dive in at about 8:30 and, if I remember to eat lunch, a break at 1, then on again until about 3. And then the kids come home. If I’m deep into a book, then I’m in the study at all hours. Those last three weeks are tough on everyone.

Q. Could you tell us something about yourself that we might not already know?

The Whiffenpoofs

JR. I sang in a group called the Whiffenpoofs in college (the oldest cappella singing group in the country). I also soloed with the NY Pops at Carnegie Hall.

Q. Do you have a set time each day (or night) to write?

JR.  As I said, usually in at 8:30, out at around 3. But that shifts the closer I get to the end of a book. That’s when I need to be with the characters, and I need to know how the whole thing will find its way to a conclusion. Not necessarily a resolution but a stopping point. I can’t step away from it for too long when I’m at that point.

Q. What’s your best advice to other writers for overcoming procrastination?

JR. Writing is all about making choices. They don’t have to be big ones (or at least appear to be big ones at the moment), so make one. Writer’s block and procrastination are really just about being overwhelmed by the infinite number of choices you could make. That can freeze you. So choose. It might be the wrong choice, but at least you’ll be writing. And nothing is ever completely wrong.

It’s the old NY Lottery motto: you have to be in it to win it.

Q. Where/when do you first discover your characters?

JR. For me, place is always a central character, so I usually start there. Then I have to find the people to interact with that character, and that’s when idiosyncrasies and cadences begin to make themselves known. But the best part of creating characters is when they surprise you. That’s when you know you’ve created someone real.

Q. What first inspired you to write?

JR. I was an academic at Columbia in political theory, and I needed an escape. So I came up with an idea for a thriller, in which the main character is a young academic at Columbia in political theory….who saves the world. That was great for my ego and sent me to the computer every day to see how the character would make good on that promise. It turned out to be my first novel, The Overseer.

Q. What comes first to you? The Characters or the Situation?

JR. Hard to say. I think both are crucial – at least according to Stephen King – but I’m not sure I can distinguish them from one another as completely as I’d need to in order to prioritize one over the other. The characters reflect the demands of their situation; the situation shifts to meet the needs of the characters. I suppose the answer shifts from situation to situation and character to character.

Q. Do you ‘get lost’ in your writing?

JR. Yes. My wife often has to call me to remind me to have lunch. Those are the great days.

 

My interview with Jonathan continues September 21st. Don’t miss it! 
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

MY BLOG features INTERVIEWS with  best-selling AUTHORS!   August: Mega best selling author, Susan Mallery. September: Jonathan Rabb.  October: Alretha Thomas. November: Joe English. December: Molly Gloss. Coming this winter: Jayne Ann Krentz (Amanda Quick)

To receive my posts sign up for my   On the home page, enter your email address.  Thanks! 

 

To Purchase

 

 

 

 

 

Interview with filmaker turned author, K. M. Ecke

 K. M. Ecke: Hailing  from  the  original  birthplace  of  the  atomic   bomb,    Los  Alamos,  NM,    K.M.  Ecke  is  an  organic,   free-­range,  preservative-­free,  philosopher-­poet  using   universal  truth  to  battle  cultural  insanity.  Ecke,  which   is  German  for  ‘corner’,  is  the  child  of  a  physicist  and   musician  and    grew  up  at  the  corner  of  creativity  and   logic.

 

Q. Where do you write? Do you have a special room, shed, barn, special space for your writing? Or tell us about your ‘dream’ work space.

KME. My dream work space is a plexiglass shed/dome that allows a ton of natural light. It would be in a massive backyard with a view of the mountains, and I’d have a standing desk or something where I could change positions.

Q. Do you have any special rituals when you sit down to write? (a neat work space, sharpened #2 pencils, legal pad, cup of tea, glass of brandy, favorite pajamas, etc.)

KME. I keep my phone off and my wi-fi turned off. Anything that can district me, will distract me so I need to get out of the digitally addictive world to focus.

Canadian Rockies

Q. Could you tell us something about yourself that we might not already know?

KME. I’m an Eagle Scout.

Q. Do you have a set time each day (or night) to write?

KME. I’d like to be more consistent about this, but it definitely varies depending on my schedule.
Ideally I like to write between 11-5

Q. What’s your best advice to other writers for overcoming procrastination?

KME. Think about the fact that any day you wake up could be your last. If, by procrastinating, you died before you were able to get your project out into the world—this would be a true artistic tragedy. It’s better to die after you’ve made the work, because at least you left something behind.

Q. Where/when do you first discover your characters?

 KME. I pull from real life, my imagination, and my own study of the world. Sometimes I’ll read a news article and then imagine what it would be like to be the perpetrator or the victim. This helps me widen my own psychological frame of reference.

Q. What first inspired you to write your stories?

KME. I can’t not create.

Q. What comes first to you? The Characters or the Situation?

KME. Situation.

Q. Do you ‘get lost’ in your writing?

KME. Yes, I have the ability to completely tune the world out when I’m creating.

Q. Who or what is your “Muse” at the moment?

KME. New life experiences.

Q. Do you have a new book coming out soon? If so tell us about it.

KME. Yes, I’m working on a selection of essays about environmental philosophy.

Q. When did you begin to write seriously?

KME. I started writing poetry and lyrics in college, and I’ve been writing down story ideas since then. It’s been about 10 years at this point.

Q. How long after that were you published?

A. 10 years.

Q. What makes a writer great?

KME. The ability to distill the world into a story.

Q. and the all-important: What does the process of going from “no book” to “finished book” look like for you?

KME. A ton of $#@!ing work

Q. How has your life experiences influenced your writing?

KME. Quite a bit, but I think imagination is more important than personal experience for storytelling.

Q. Have you or do you want to write in another genre`?

EKE. I want to write in all genres, that’s partly my problem.

Note to Self: (a life lesson you’ve learned.)

KME. Be sure your co-collaborators have similar life goals and take time to figure that out.

To Purchase Moral Panic: click here
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

MY BLOG features INTERVIEWS with  best-selling AUTHORS!  April: International adventurer, writer, Tal Gur.  June: Manning Wolfe. July K.M. Ecke. August: Susan Mallery. Coming this winter: Jayne Ann Krentz (Amanda Quick)

To receive my posts sign up for my   On the home page, enter your email address.  Thanks! 

 

To Purchase

 

 

 

Interview with legal Thriller writer, Manning Wolfe (part 2)

Q. Do you have a new book coming out soon? If so tell us about it.

MW. Next month, (July) Green Fees, the third legal thriller in the series will be published. It’s about a Russian money lender who uses an evil enforcer to extract repayment of illegal loans. Of course, Merit Bridges works to extricate a young golf pro from the Russian’s grip.

Q. When did you begin to write seriously?

MW. I’ve always taken writing seriously.

Q. How long after that were you published?

MW. I’ve had professional material published for years. As for fiction, the Merit Bridges Legal Thriller Series began in 2016.

Q. What makes a writer great?

MW. It’s hard to describe, but when I feel a certain emotion or tone as I write it, readers tend to feel it when they read it.

Q. and the all-important: What does the process of going from “no book” to “finished book” look like for you?

A Night at the Ballet

MW. I carried a mini bottle of champagne around for a year thinking I was going to finish the book any day. Finally, I got to pop it!

Q. How has your life experiences influenced your writing?

MW. I’ve practiced law for many years and use the legal aspects as well as my knowledge of people and their proclivities in my writing.

Q. Have you or do you want to write in another genre`?

MW. Yes, I expect to publish a memoir at some point.

Note to Self: (a life lesson you’ve learned.)

MW. I have witnessed many times that a good person can do a bad thing and change their lives and those around them forever. Those good people deserve a second chance, and in my stories, they often get that chance.   As above, my main character, Merit Bridges talks to me about a situation. That said, all my stories are based on real life legal dilemmas that happened in my law firm. Of course, I take the facts only so far and then explode them into a thriller.

Q. Do you ‘get lost’ in your writing?

MW. Often, but I am usually writing from a dual perspective. I can be the writer and the reader at the same time. That way, I can gauge what my audience may enjoy about the story I’m telling.

Did you miss the first part of this writer’s perspective? Click here 
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

MY BLOG features INTERVIEWS with  best-selling AUTHORS!   April: International adventurer, writer, Tal Gur.  June: Manning Wolfe. Coming this winter: Jayne Ann Krentz (Amanda Quick) !

To receive my posts sign up for my   On the home page, enter your email address.  Thanks! 

 

To Purchase

 

 

 

 

 

 

 

 

Interview with author, Larry D. Sweazy (conclusion)

Larry with wife, Rose

   Q. Do you have a new book coming out soon? If so tell us about it.

 LS. Yes, See Also Proof, the third book in the Marjorie Trumaine Mystery series releases May 1, 2018. Marjorie is mourning the loss of her husband. It’s winter in North Dakota. Cold. Snowy. A neighbor’s fourteen year-old disabled daughter disappears, and Marjorie joins the search. I think it’s my most personal Marjorie book to date.

Q. When did you begin to write seriously?

LS. I wrote poetry and short stories in high school, and beyond, but I was close to thirty when I started sending out short stories to be published. I sold my first short story in 1993 to a little magazine called Hardboiled for five bucks. That was a great day.

Q. How long after that were you published?

Kassi and Sunny meet a new friend

LS. I realized early on that if I wanted to really make it as writer that I needed to write novels. It took me a long time. I published my first novel in 2009. It was the seventh novel I’d written. I promised myself that I would write ten novels. If I didn’t get published by then, I could quit with my head held up high, knowing that I’d given the dream to be a writer everything I had. Luckily, I didn’t have to quit. Not that I would have anyway…

Q. What makes a writer great?

LS. Always being a student.

Q. and the all-important: What does the process of going from “no book” to “finished book” look like for you?

LS. A year of butt in the chair. Write, revise, walk the dogs a lot, revise more, rewrite more. Let it go when it’s ready, and not until. Writing is a job. I show up every day and write a thousand words, or revise a thousand words a day, or rewrite a thousand words a day, no matter what. I wrote the day of my mother’s funeral. On Christmas. On my birthday. At midnight, and every hour in between. Writing a book is an obsession. If it’s not that way for the writer, then how could the story be and obsession for the reader?

Q. How has your life experiences influenced your writing?

LS. Here’s the thing I learned early on: Life’s not fair. You’ve got a choice to learn from a bad experience or to be bitter about it. One or the other is going to dictate the direction your life takes, how you handle the bad days and the great days. Publishing is a tough business. Being bitter just kills the spirit and the desire to make a go of it, especially when it looks like things are never going to work out…Don’t be bitter no matter what. That will destroy your dreams faster than anything.

Q. Have you or do you want to write in another genre`?

LS. I write westerns and mysteries at the moment. I’m not married to any genre, really. I think the story determines the genre, not the other way around.

Q. Is there anything else you’d like our readers to know?

LS. I know every day that I’m a lucky guy when I sit down to write. I’ve published fourteen novels, and spent half my life as a published writer all because readers have read my work and liked it. I’m humbled and grateful.

 

Did you miss part 1 or 2: Click here 

SEE ALSO PROOF will be released for sale May 1st. 
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

MY BLOG features INTERVIEWS with  best-selling AUTHORS!   Did you miss the past few months?    January: Sue Grafton ~ In Memory  March: Mystery (and Western) writer, Larry D. Sweazy.  April: in60Learning ~ A unique, non-fiction mini-book read in 60 minutes.
                        
To receive my posts sign up for my blog, blogs, blogger, writer, author, playwright, books, plays,fiction  On the home page, enter your email address.  Thanks! 

To Purchase

 

 

Larry D. Sweazy, Author….Interview (part 2)

Q. What first inspired you to write your stories?

LS. As a kid I played with Hot Wheels cars like a lot of little boys. I liked making up stories about where the cars were going and why. It started there. On the floor as a six year old boy, under the feet of adults, listening to their stories, and to the voices in my head.

Q. What comes first to you? The Characters or the Situation?

LS. Characters. Always.

Q. Do you ‘get lost’ in your writing?

LS. Yes. Those are the good days. When the world and time disappears. I hope the writing does the same thing for readers.

Q. Who or what is your “Muse” at the moment?

LS. My muse has always been my desire to become a better writer.

Q. Tell us about writing westerns.

LS. I have always loved westerns. I grew in the 1960s and there were a lot westerns on television. Bonanza, The Wild, Wild West, The Rifleman,

cowboy larry 1968

etc. And we could only get three channels on our little black and white TV in small town in Indiana. Add in that I grew up in a house without a father, those cowboys became my heroes, the good guys who stood up to the bad guys, and showed me who the bad guys were. I needed that. I learned a lot from those westerns.
Time went by, and westerns kind of fell out of favor. Detective stories took over. I grew up and went about my life. After I started writing seriously, an editor asked me to write a mystery short story with a modern-day Texas Ranger as the main character. I’d published in the small press, and this was my first chance to publish professionally in an anthology, Texas Rangers, to be published by Berkley (Penguin Random House). The editor, the venerable Ed Gorman, liked the story, “The Promotion,” and bought it. What I didn’t know was that story was going to be published in a western anthology, not a mystery anthology. And then the magic happened. My first professionally published short story went on to win the WWA (Western Writers of America) Spur Award that year. I was floored. I went to the convention in Spokane, Washington and met a lot of great writers; Elmer Kelton, Don Coldsmith,

Larry is part of ‘and others’

Robert Conley, and Loren Estleman to name a few. Westerns felt like home. I knew the stories and the characters, so I started writing westerns in hopes of getting one published. Three years later, my agent, who I met at that first WWA convention, sold the first two books in the Josiah Wolfe, Texas Ranger series. I went on to write six books in that series, and I’m happy to say the series is still gaining readers today, almost ten years after the first book, The Rattlesnake Season, was published.

The demise of the western has long been forecast, but I don’t believe it. Westerns are mortality tales, crime stories, and the only all-American genre we have. Westerns are like jazz, an American contribution to world of literature. Hollywood still makes westerns and they seem surprised when one of them draws a big audience. But I’m not surprised. Western characters are our people. We know their struggles of their stories. All readers ask is that westerns are authentic and honest. And that’s the kind of novels, and stories in general, that I try to write.

The conclusion to this Interview with Larry will appear March 16th.

Did you miss Part 1? Click here 
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
MY BLOG features INTERVIEWS with  best-selling AUTHORS!   Did you miss the past few months?    January: Sue Grafton ~ In Memory.  March: Mystery (and Western) writer, Larry D. Sweazy.  April: in60Learning ~ A unique, non-fiction mini-book read in 60 minutes.
                                                                                   
                                        
To receive my posts sign up for my blog, blogs, blogger, writer, author, playwright, books, plays,fiction  On the home page, enter your email address.  Thanks! 
To Purchase