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Interview (part 3) with writer, Anne LeClaire

Anne with friend, Deborah

Q. How long after were you published?

AL. I spent the next three years writing and rewriting and learning how to write a novel, getting to understand the importance of structure, etc. I was very fortunate to work with the brilliant Linda Grey

Q. Do you think we will see, in our lifetime, the total demise of paper books?

AL. No. When my previous book, The Halo Effect, came out I visited forty-eight book clubs, mostly in person although a few were skyped. Over and over, I heard from readers that they love to hold an actual book. They used eBooks out of convenience but the tactile satisfaction, the holding of it, gave them a pleasure they didn’t get from an eBook. I have both and think there is a place for both, but my first love is paper.

Q. What makes a writer great?

AL. Define great. And to whom? Compilers of 100 greatest lists? Or those who list books that have been timeless in appeal? At what age? Loving a book is so personal.
Another thing I witnessed when visiting book clubs is exactly that. I do know what compels me to recommend a book – to press it into the hands of friends and near strangers, and that is a combination of characters and their stories who haunt me long after I have finished, that make me think and feel and change me in an essential way.

Q. and the all-important: What does the process of going from “no book” to “finished book” look like for you?

AL. A roller-coaster.

Q. Have you or do you want to write in another genre`?

AL. Eleven of my books are novels, one is a memoir in which I explore my practice of not speaking two Mondays a month (Listening Below the Noise) and I have written on children’s book. (Kaylee Finds A Friend.)

Q. How has your life experiences influenced your writing?

AL. Remember that book, Everything I Need to Know in Life I learned in Kindergarten? Well, many of the things I needed to learn in life, I acquired in writing: What makes people tick? How do we learn to forgive? What is the purpose of grief? How do we grieve? How do we love? If we want to love and be loved, why do we sabotage ourselves? Above all, by sliding into the skins of characters very different from me, I began to develop empathy That’s one of the great things fiction can do for readers and writers.

Q. What’s your down time look like?

Red Sox fan

AL. That depends on the seasons. In the winter, I am a house mouse. I read and rest and go inward. Do yoga. Attend movies or concerts or theatre with friends. The rest of the year, I am more active in my down time. I swim, run, hike, hang out at the beach. I’m always reading regardless of the season. One time inspired by an exercise in The Artist’s Way, I decided to do a one-week reading fast. I lasted three days and those days weren’t pretty. I actually grew short-tempered. Reading is like oxygen to me.

Did you miss the beginning of this interview? Click here
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MY BLOG features INTERVIEWS with  best-selling AUTHORS!   April: Poet, Joe Albanese, May: Boo Walker, June: Anne D. LeClaire and July — Catherine Ryan Hyde
 
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Interview with author, Anne LeClaire (part 2)

Q. Do you have a set time each day (or night) to write?

AL. Mornings and into the afternoon are the times I write. When I am working on a first draft, I can usually only put in four hours before I need to stop. (I am always surprised by how physically tiring writing can be). But when I am working on rewrites, I can go until late in the afternoons. I love doing rewrites.

Q. What’s your best advice to other writers for overcoming procrastination?

AL. Remember how good it feels when you are finally at the desk writing.

Q. Where/when do you first discover your characters?

AL. Where? Everywhere. Dreams, newspaper articles, overheard conversations and, as the book progresses, from the story itself.

Q. What first inspired you to write?

AL. Love of story. Almost as soon as I could hold a pencil, I was scratching out stories, some only a sentence long. And reading, of course, lead fuel to the fire.

Q. What comes first to you? The Characters or the Situation?

AL. I’ve had times when character comes first and times when an idea or situation grabbed me initially. Five of my novels rose out of situation and five from character.

Q. Do you ‘get lost’ in your writing?

AL. Yes. I lose all track of time. One time my husband had been out for hours and he came into my studio and asked what I had for lunch. I told him I hadn’t eaten yet. He informed me it was 3:30. I thought it was probably around noon.

Q. Do you have a new book coming out soon? If so tell us about it.

AL. My most recent book was published this May. The Orchid Sister is set in Mexico and Cape Cod and concerns many of the themes that fascinate me: how we deal with grief, loss, betrayal, families, faith and fear. In short, all the big things in life.

Q. When did you begin to write seriously?

AL. I have written as long as I can remember. I had a newspaper column in the local paper when I was in high school. In my 20s and 30s I wrote for newspapers and magazines. At the same time, I was beginning a novel. At the encouragement of an editor at Yankee Magazine I sent a brief outline and sample chapter to an agent. Four months later I had enough for her to submit to a publisher who bought the book on the basis of an outline (which I actually had to learn how to write) and three chapters.
I still haven’t mastered the skill of outlining a book. I think I like the story to unfold as I write it instead of knowing everything ahead.

Did you miss part I? Click here

The conclusion will be on June 28th. Don’t miss the end of this terrific interview.

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MY BLOG features INTERVIEWS with  best-selling AUTHORS!   April: Poet, Joe Albanese, May: Boo Walker, June: Anne D. LeClaire and July — Catherine Ryan Hyde
 
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Interview with best selling author, Anne LeClaire

TS. Anne LeClaire is a best-selling author of ten novels, one memoir and a children’s book. She lives on Cape Cod and is married with two adult children. I discovered her in one of my searches for new (to me) authors and found ‘The Orchid Sisters‘. 

writing space

Q. Where do you write? Do you have a special room, shed, barn, special space for your writing?  Or tell us about your ‘dream’ work space.

AL. For years I worked at a desk in the far end of our bedroom. My next space was in the guest room in a friend’s home with a view that over looked a salt water pond. After a year there, I upped my game and rented a single room in an office building only two miles from our home. Then in 1991, I designed my dream work space. It is attached to my home and when friends first saw it they likened it to a chapel. It has lots of light and a vaulted ceiling and I enter it through a set of French doors and small library alcove that serves as a transition between two lives.

Q. Do you have any special rituals or quirks when you sit down to write? (a neat work space, sharpened #2 pencils, legal pad, cup of tea, glass of brandy, favorite pajamas, etc.)

AL. Attire first: I wear very comfortable clothes – usually sweats. I once read about an author who put on a suit and went out his front door, re-entered his home through a side door and went to his writing space as if to a job. That sounded like a lot of work to me just getting to the desk. Plus uncomfortable. I mean, a suit?
I usually have a cup of tea or glass of water at the desk. I always begin by checking my email (also known as an act of procrastination) before settling in to begin. I then open up the file to the work from the previous day and begin by working on that and before long I am into the new work. Why this way of beginning is important for me is because I don’t have to begin with a blank page. I am seduced into the new pages.

Q. Could you tell us something about yourself that we might not already know?

Anne with friend

AL. With social media, web sites etc, my life is pretty much an open book. I give lectures and teach workshops both throughout the US and internationally. I am a licensed pilot. My music tastes are varied, encompassing opera, classical, county, jazz, ragtime and  tunes from the 40’s.
I guess readers might not know about the summer jobs I held while in high school and college: Two summers working in the Connecticut valley tobacco fields, two summers working in a plastic injection-molding factory, a summer as a dishwasher on Cape Cod and a summer as a chambermaid. Great experiences for a future writer (although I didn’t realize it at the time) which helped broaden and shape my social views.
One other thing: Once Jane Hamilton, Gail Tsukiyama and I opened a benefit with a Rap performance. I can confidently say there is little chance of being back for a repeat.

Join us for Part 2, June 21st

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MY BLOG features INTERVIEWS with  best-selling AUTHORS!   April: Poet, Joe Albanese, May: Boo Walker, June: Anne D. LeClaire and July — Catherine Ryan Hyde
 
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Interview with author, Boo Walker

TS. After picking a five-string banjo in Charleston and Nashville and then a few years toying with Wall Street, Boo chased a wine dream across the country to Red Mountain in Washington State with his dog, Tully Mars. They landed in a double-wide trailer on five acres of vines, where Boo grew out a handlebar mustache, bought a horse, and took a job working for the Hedges family, who taught him the art of farming and the old world philosophies of wine. Recently leaving their gentleman’s farm on Red Mountain, Boo and his family are back on the east coast in St. Pete, Florida. No doubt the Sunshine City will serve as a setting for a novel or three soon. Boo’s bestselling page-turners are instilled with the culture of the places he’s lived, the characters he’s encountered, and a passion for unexpected adventure. 

Q. Where do you write? Do you have a special room, shed, barn, special space for your writing? 
Or tell us about your ‘dream’ work space.

BW. I write in my dream space, my mancave in a Spanish-style house built in 1925 by an opera singer in St. Pete, Florida. I’m surrounded by guitars and banjos that constantly try to distract me.

Q. Do you have any special rituals or quirks when you sit down to write? (a neat work space, sharpened #2 pencils, legal pad, cup of tea, glass of brandy, favorite pajamas, etc.)

BW. I have a pretty serious coffee ritual to start my morning and writing day. I always have a bag of single-origin, fresh-roasted beans, which I grind that morning. I measure out an exact amount with my scale, and then brew using a Chemex coffee pour-over. Once the caffeine starts to kick in, I’m sit at my desk. I’ve come to rely so much on this routine that my entire day is shot if I don’t have my perfect cup.
Depending on my mood, I most always write to music without words, be it jazz, classical, or electronic.
I also have a couple less productive rituals that are actually more like procrastinating actions. I’ve somehow come to think I need to restart my computer before ever writing session. It’s totally stalling. And then I’ll grab my guitar for a little warm-up session. Another stalling tactic. Once I’m ready to dive in, though, I use an app called Be Focused, which sets 25-minute intervals where I do writing sprints. I don’t allow myself to surf the net or answer calls or texts. The sprints are writing only. No distractions.

Q. Could you tell us something about yourself that we might not already know?

BW. R.D. Blackmore lingers somewhere high up in my family tree on my mother’s side. He wrote a book called Lorna Doone. He was a big inspiration for Robert Louis Stevenson, among others.

Q. Do you have a set time each day (or night) to write?

BW. If I haven’t written by noon, I’m in trouble. I’m such a morning person, so only under deadline and at gunpoint can I write much in the later afternoon or at night.

Part II of this fascinating interview posts May 24th.    Click here to read my REVIEW of Red Mountain.
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MY BLOG features INTERVIEWS with  best-selling AUTHORS!   February: Rick Lenz, March: Patrick Canning, April: Poet, Joe Albanese and May: Boo Walker,  June: Anne D. LeClaire,  July: Catherine Ryan Hyde 
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Interview with Poet, Author, Joe Albanese

Joe Albanese is a writer from South Jersey. his work can be found in publications across the U.S. and in ten other countries. Joe’s the author of For the Blood is the Life, Caina, Smash and Grab, and a poetry collection, Cocktails with a Dead Man. If you are frustrated with the brevity of this interview, don’t despair. He lets it all hang out in this wonderful book of poetry.

Q. Where do you write? Do you have a special room, shed, barn, special space for your writing?  Or tell us about your ‘dream’ work space.

JA. Most of my writing gets done at the dining room table. Although sometimes I write in front of the tv, just for the ambient noise. Poetry I’ve written all over, mostly on my phone, then transfer it so my computer later.

Q. Do you have any special rituals or quirks when you sit down to write? (a neat work space, sharpened #2 pencils, legal pad, cup of tea, glass of brandy, favorite pajamas, etc.)

JA. Yes, I try to avoid writing at all costs. So I clean up a lot beforehand, do any chores that need or don’t even need to be done before I can sit down and write.

Q. Could you tell us something about yourself that we might not already know?

JA. I’m probably done with my writing career. I have two more books I am trying to get published, but then I’ve finished. Or at least I’ll be taking a long break while I try to find a “real” job.

Q. Do you have a set time each day (or night) to write?

JA. Usually the middle of the night. There are the least amount of distractions.

Q. What’s your best advice to other writers for overcoming procrastination?

JA. Just sit your ass down and start typing. Something good will eventually come.

Q. Where/when do you first discover your characters?

JA. I try to see how they relate to me first. Are they similar, or completely different? Then I try to get into their mindset in terms of how they’d react in the story.

Q. What first inspired you to write?

JA. My friend was high and asked if I wanted to write a screenplay. I haven’t looked back.

Q. What comes first to you? The Characters or the Situation?

JA. Mostly situation. Then I try to figure out which characters would be most fun in that situation.

Q. Do you ‘get lost’ in your writing?

JA. Not really. When I’m writing, I think about it a lot, but I never really get lost in it.

Q. Do you have a new book coming out soon? If so tell us about it.

JA. My novella, For the Blood is the Life, just got published in March. It’s crime-horror.

Q. When did you begin to write seriously?

JA. A few years ago. After my friend stopped writing with me, I got more into it.

Q. How long after that were you published?

JA. A few years before my first short story was published in Sheepshead Review.

Q. Do you think we will see, in our lifetime, the total demise of paper books?

JA. I hope not. I can’t read on a tablet.

Q. What makes a writer great?

JA. Someone who can bring truth to untruthful situations.

Q. and the all-important: What does the process of going from “no book” to “finished book” look like for you?

JA. Well, I have a lot more grey hair now than when I started writing.

Q. How has your life experiences influenced your writing?

JA. Yes, my poetry collection is mostly personal, dealing with my anxiety and depression mostly.

Q. What’s your down time look like?

JA. Ass in a chair, watching bad tv and movies.

Q. Have you or do you want to write in another genre`?

JA. Most of my fiction is crime. I guess I could one day, but my brain loves coming up with criminal characters and situations.

Note to Self: (a life lesson you’ve learned.)

JA. It’s okay to be yourself.

 

Did you miss my review of Cocktails with a Dead Man? 

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MY BLOG features INTERVIEWS with  best-selling AUTHORS!   February: Rick Lenz, March: Patrick Canning, April: Poet, Joe Albanese,  May: Boo Walker 
To receive my posts sign up for my   On the home page, enter your email address.  Thanks! 

 

 

 

 

 

 

 

Interview with Actor PLaywright, Rick Lenz (part 2)

…with wife

Q. Do you ‘get lost’ in your writing?

RL. I sure do. I don’t think I’d stop sometimes, if it weren’t for the fact that I’ve got a body and that it gets tired, hungry, thirsty, and sore from remaining in the same position too long.

Q. Do you have a new book coming out soon? If so tell us about it.

RL. I wrote a book last year that is now complete except for some editing. I’m not yet sure when it will be published, but I hope soon. It’s about an old actor, devoted to his wife, who made a few mistakes during his younger years. He gets a chance to redo those years, but discovers all he really wants to do is get back to his wife.

Q. When did you begin to write seriously?

RL. I switched my acting career from first priority to second about 15 years ago. Writing took its place as my great passion.

Q. How long after that were you published?

RL. It took me eight years to write some books that were publishable.

Q. Do you think we will see, in our lifetime, the total demise of paper books?

RL. I don’t believe that will happen.

Q. What makes a writer great?

RL. Since writing is very much a craft (plus inspiration, of course) I think the major factor is wanting—no loving—to write and doing it until you get good. I’d add one thing to that: nothing you write is sacred. If it’s not exactly what pleases you, throw it away and rewrite it until it does.

Q. and the all-important: What does the process of going from “no book” to “finished book” look like for you?

RL. It is never the same for me. The book I wrote last year unfolded itself within a year. My first two novels took me over 10 years to get right. My memoir, North of Hollywood, took only about a year. I really can’t say what the whole process looks like. I think if I knew that—and this is speaking only for me—I wouldn’t be a very good writer.

Q. How has your life experiences influenced your writing?

RL. I came from a very dysfunctional family. It was often painful at the time, especially during my teenage years. So, that was certainly a factor. After that, I spent most of my life as a professional actor; my show business life, as a theater actor in New York, and a Hollywood actor, living in Los Angeles, has had a big influence on my writing.

Q. What’s your down time look like?

RL. I read, exercise, meditate, and spend my most joyful times with Linda and my children and grandchildren.

Q. Have you or do you want to write in another genre`?

RL. I have been a playwright (as well as an actor) for most of my life. I prefer writing books now. As to the genre of my writing, some people call it fantasy, but I do like to try to make it as a literary as I possibly can.

…with grandson

Note to Self: (a life lesson you’ve learned.)

RL. I think life is meant to be joyful. But in order for that to be the case—again, speaking for myself—I have to constantly practice kindness, forgiveness, and the continual understanding that God loves me no more than He loves everyone else.

Don’t miss Part I of this wonderful interview.

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MY BLOG features INTERVIEWS with  best-selling AUTHORS!   December:  Jayne Ann Krentz (Amanda Quick)  January: Molly Gloss.  February: Rick Lenz, March: Patrick Canning and April: Poet, Joe Albanese
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Interview with Rick Lenz, Broadway & Film Actor, Playwright, Turned Author

Cactus Flower circa 1969, Rick with Goldie Hawn & Walter Matthau

TS. Rick Lenz is a graduate of the University of Michigan, past member of the Actor’s Studio, and active member in the Academy of Motion Picture Arts and Sciences. He is a veteran Broadway, television, and film actor who first came to national attention when he repeated his Broadway role in Cactus Flower,

the film version. He went on to appear in a long list of movies and TV shows. As a writer, his plays have been produced Off-Broadway, on PBS television and in regional theatres across the country. His memoir North of Hollywood was called “masterful” by Writer’s Digest, while his first novel, The Alexandrite was named “one of the best books of the year” by Kirkus Reviews. 

Q. Where do you write? Do you have a special room, shed, barn, special space for your writing? (please provide a photo of you at work in your shed, room, closet, barn, houseboat….) Or tell us about your ‘dream’ work space.

RL. I write anywhere I can: in my office on my computer. I write in doctors’ offices on a legal pad and also in the car when my wife Linda is driving. I write on my laptop in bed, or in the backyard on nice days, which most of them are in southern California. I write at the dining room table or, actually, anywhere I can do so without being rude to someone.

Q. Do you have any special rituals or quirks when you sit down to write? (a neat work space, sharpened #2 pencils, legal pad, cup of tea, glass of brandy, favorite pajamas, etc.)

RL. I honestly have no rituals or quirks about writing; I just do it whenever the muse is kind enough to land on my shoulder. My wife suggests I not answer this question in regard to anything else in my life.

Q. Could you tell us something about yourself that we might not already know?

RL. I used to be tall, dark, and more or less handsome. Now, I am not quite so tall and I’m gray, and a bit funny looking.

Q. Do you have a set time each day (or night) to write?

RL. I really don’t. I usually meditate in the morning, have coffee then start writing. On the other hand, if I’m going through a period of insomnia, I may write all night—I may do it in bed or sitting in my favorite chair in the living room.

Q. What’s your best advice to other writers for overcoming procrastination?

RL. Write a paragraph or two and see if that doesn’t get you going.

Q. Where/when do you first discover your characters?

RL. All of my characters are born when they have to be for the story. Most of my characters—when things are going well—are based on people I have known at sometime during my long life. There are a lot of characters, more than I’ll ever be able to use, lolling about in my brain.

Q. What first inspired you to write?

RL. I’m not sure. I liked the idea of writing when I was a kid. Later, when I became a theater actor and director, I saw the usefulness of writing too. So I was about 21 or 22 when I first started writing short plays.

Q. What comes first to you? The Characters or the Situation?

Rick’s granddaughter

RL. Sometimes an idea for a character suggests the situation. Sometimes, it’s the other way around. Maybe what I’m saying, probably I am, is that they really show up about the same time.

Q. Do you ‘get lost’ in your writing?  Join Us for Part 2 of this Intriguing Interview ~~ Feb…. 23rd

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and other books by Rick 
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MY BLOG features INTERVIEWS with  best-selling AUTHORS!   December:  Jayne Ann Krentz (Amanda Quick)  January: Molly Gloss.  February: Rick Lenz, March: Patrick Canning and April: Poet, Joe Albanese
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Interview with author, Molly Gloss

TS. Molly likes to brag (just a little) that on her mother’s side, she’s fourth generation Oregonian, from German immigrants. On her father’s side she’s fourth-generation Texan, as her great grandmother  was the first white child born in Irion County, Texas. She is widowed with one son and was recently blessed with a new grandson!  She says, “Why didn’t anyone tell me how magical this would be?! Oh, right, they did tell me, I just wasn’t listening!” She’s been writing full-time since  1980. “I’m a slow writer, but I’ve managed to eke out six novels and about 20 short stories.” She currently lives in Portland, Ore. 

Q. Where do you write? Do you have a special room, shed, barn, special space for your writing? (please provide a photo of you at work in your shed, room, closet, barn, houseboat….) Or tell us about your ‘dream’ work space.

Writing….

MG. I like to be comfortable. I wrote The Jump-Off Creek in longhand while sitting in my favorite overstuffed chair. When desktop computers became the thing, I wrote while sitting at a desk, but I never loved it, and now I write on a laptop, sitting on the living room sofa with my feet propped up on an ottoman and the laptop literally in my lap.

Q. Do you have any special rituals or quirks when you sit down to write? (a neat work space, sharpened #2 pencils, legal pad, cup of tea, glass of brandy, favorite pajamas, etc.)

MG. Nope. I open the file I’m working on, reread the last few pages, and go to work wrestling with the next sentence. But I do have to have my favorite Roget’s Thesaurus close to hand. And also The American Thesaurus of Slang. Good for finding just the right period-perfect term for historical fiction.

Q. Could you tell us something about yourself that we might not already know?

MG. I have never lived on the “dry side” of the West where many of my novels and stories are set. I grew up on the “wet side” and live here still, in a suburban townhouse at the edge of Portland.

Q. Do you have a set time each day (or night) to write?

MG. I try to write from post-breakfast to pre-dinner, with a short break for lunch, but that schedule can vary greatly now that I live alone and have no children or husband or dog to contend with. Now sometimes I surprise myself by writing late at night. But it’s a sad irony that I do have more trouble sticking to a set schedule now that I have more time to write. When I had a family at home and had to keep up the housework, the grocery shopping, the gardening, making meals, etc, I was more disciplined about squeezing my writing into the available time. Now I’ve become a procrastinator!

Q. What’s your best advice to other writers for overcoming procrastination?

MG. Speaking of which! I’m not the best person to give this advice, as I’ve become a terrible procrastinator myself, horribly addicted to the lure of the internet. I had to go away to a place without wifi in order to finish my last novel. Perhaps that’s my advice? Disconnect from wifi!

Q. Where/when do you first discover your characters?

MG. More often than not, a new character arises out of research for a previous novel. In researching for The Jump-Off Creek, which is a novel about a single woman homesteader, I came upon Teresa Jordan’s book of oral histories, COWGIRLS: WOMEN OF THE AMERICAN WEST, and there for the first time heard about young girls traveling the countryside breaking horses during the nineteen-tens, and my character Martha Lessen in THE HEARTS OF HORSES arose out of that research. And then while I was researching the history of horse training for that novel, I fell into a cache of material about how horses were trained (and misused) in the Western movies of the 1930s, and that was the beginning of my character Bud Frazer, a Hollywood stunt rider in FALLING FROM HORSES.

Q. What first inspired you to write?

MG. I’ve always wanted to write. I was a voracious reader and I think I’ve often been driven by a desire to write the story I couldn’t find on the library shelves.

Q. What comes first to you? The Characters or the Situation?

MG.They are intertwined. The character doesn’t exist for me until I know what sort of situation they are in. And the situation doesn’t mean anything to me unless I can see how it impacts a particular person.

Don’t miss Part two of this Interview on January 25th
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MY BLOG features INTERVIEWS with  best-selling AUTHORS!   December:  Jayne Ann Krentz (Amanda Quick)  January: Molly Gloss. February:  Patrick Canning and March: Poet, Joe Albanese
To receive my posts sign up for my   On the home page, enter your email address.  Thanks! 

 

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Interview with author, Jayne Ann Krentz (aka Amanda Quick)

TS. I have been buying and reading Jayne Ann Krentz and Amanda Quick (pseudonym  for her period pieces) for more than three decades and am one of her biggest fans. Since 2013 I have been requesting an interview from this author and finally the stars aligned and Santa granted my wish. Wink. It is my honor to share with my fans, writers and readers this fascinating look into Jayne Ann’s writing processes and down time. 

Q:  Where do you write? Do you have a special room, shed, barn, special space for your writing?   Or tell us about your ‘dream’ work space.

JAK: I like to write in my office.  It’s my refuge, retreat and comfort zone.  That said, I can—and do—write just about anywhere—on a plane, on vacation, etc.  Writing is an addiction for me.  No matter where I am or what I’m doing there’s a story going on in my head.  I can make notes, work through plot issues, and jot down ideas with a pen and a yellow notepad but I do my most creative writing on a computer because I’m fast with a keyboard.  That means my fingers can keep up with my thoughts.  Every morning when I sit down to write I send up a personal “thank you” to the teacher who taught that touch typing class back in high school!

Q:  Do you have any special rituals when you sit down to write? (a neat work space, sharpened #2 pencils, legal pad, cup of tea, glass of brandy, favorite pajamas, etc.)

JAK:  No special rituals, well, except coffee.   I just need my computer and a keyboard and a cup of coffee.  I also need solitude.  I know a lot of authors write to music but I can’t do that.  My brain starts going in two different directions, one part following the music, the other trying to focus on the writing.  Guess I can’t walk and chew gum at the same time.

Q:  Could you tell us something about yourself that we might not already know?

JAK:  Nope.  Okay, I love to shop at Nordstroms (Seattle, Washington) and I love to cook vegetarian/low carb but those two passions are not exactly secrets. Everyone who follows me on Facebook or Instagram knows that much about me. (and apparently also loves to crawl around in Lava craters.)

Q. Do you have a set time each day (or night) to write?

JAK:  I’m definitely a morning person. I get up around five am. My husband and I love our breakfast routine which includes coffee, cottage cheese, peanut butter on rye crisp and three different newspapers.  After the papers, I take my last cup of coffee to my office.  I’m usually at my computer by six-thirty at the latest.  I write fairly steadily until noon with a one hour break at some point for working out.  Afternoons are for the other things that go with writing—untangling plot problems, figuring out motives, checking research, and, oh, yeah, real life.


Fun Fact
: Is there any fan out there that doesn’t know that Jayne Ann Krentz and Amanda Quick are one in the same??

 

Join us for Part 2 on December 21st

Untouchable will be on sale January 8, 2019

Coming Soon!  My Review of Untouchable

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MY BLOG features INTERVIEWS with  best-selling AUTHORS!   October: Alretha Thomas. November: Joe English. December:  Jayne Ann Krentz (Amanda Quick)  January: Molly Gloss and February:  Patrick Canning.
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Interview with author, Joe English (part 2)

Q.  Do you ‘get lost’ in your writing?   

JE.   Definitely.   The rest of the world goes on, I am told and occasionally realize, while I am puzzling over a phrase, a sentence.   Should I add a poem to the beginning of a given  chapter to foreshadow  the chapter’s worth?   Should I use the word large or big?  Is the simile in the sentence “The sky was as blue as the bluest  eye. . .” apt?   [Answer:  no.  Why not?  Well, the sky is vast; the eye, small]. How about “The sky was as blue as the bluest eye and the jungle as green as gold”?  The second half not as bothersome, but still not quite there yet.  So, after hours and hours (literally) of tinkering, thinking, playing, rewriting:   throw the sky overboard.  Go with just the jungle:  “The rising sun stoked greens—emerald and jade, myrtle and moss—into glistening gold.”   There! 

Q. You have a new book coming out soon? If so tell us about it.  

JE.   I am working on a short story.   What has kept me going all these years is that many, many readers have praised SCHUGARA.    Gratifying.   But the bills must be paid.  I am not sure I want to  put myself through the torture, abuse, neglect, duplicity, that an unestablished  novelist must endure.   Tell me:  is posthumous  recognition appealing?  I think frequently of Gray’s “Elegy Written in a Country Churchyard”:  

Full many a gem of purest ray serene, 
The dark unfathom’d caves of ocean bear: 
Full many a 
flow’r is born to blush unseen, 
And waste its sweetness on the desert air.
  

Q.  When did you begin to write seriously?    

JE.  Since I was a child, ten years of age of thereabouts.  I have always been fascinated with words.   Elegance has all but disappeared from writing.   From our use of language.   From our culture.   From the ways we interact with others. 

Q. How long after that were you published? 

JE.   High school.  Literary publication. 

Q. What makes a writer great? 

JE.   Having something to say and saying it well.  

Q.  (Note to Self: a life lesson you’ve learned.) 

JE.   I quote Lily Tomlin in SCHUGARA:  “No matter how cynical you become, it’s never enough to keep up.”  I don’t like saying so, or recognizing this, but I have come to the conclusion that, for the most part, people simply don’t care, don’t give a damn, pay lip service to the concerns of others, and live inside solipsistic bubbles.  My advice to aspiring writers:  get off the beaten path.   If you are in a city, move into one of the many “ghetto” areas the United States cultivates, dumping grounds for people without money, for the most part people of color.  Do not get sucked into the television world of lies and happy faces:  YOU DESERVE A BREAK TODAY!  HAVE IT YOUR WAY!   Those who are idealists in their teenage years and twenties sell out by age thirty without ever realizing so.     Do we need more stories about suburban angst?

 Q. and the all-important:  What does the process of going from “no book” to “finished book” look like for you?   

JE.   A book is NEVER finished.  The writer must force himself/herself to stop.   Now that I have been forced to stop, I suffer the slings and arrows of trying to get attention paid.   The literary gatekeepers keep a close-knit mutually praising society, frightened, so it seems, at anyone or anything that goes against the grain.

Ours is a close minded culture, wherein those who know know they know better.   They are the tastemakers.   Do you think a novel published by a struggling tiny press located in Louisville, Kentucky, clearly the hayseed  capital of the nation, has a chance of being reviewed by the New York Times?

Did you miss part 1: Click here 
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MY BLOG features INTERVIEWS with  best-selling AUTHORS!   August: Mega best selling author, Susan Mallery. September: Jonathan Rabb.  October: Alretha Thomas. November: Joe English. December:  Jayne Ann Krentz (Amanda Quick)  January: Molly Gloss and in early 2019  Patrick Canning.
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