Haiku Journal acts as both an inspirational collection of diverse haiku by master writers such as Matsuo Basho and Masaoka Shiki and an encouragement for readers to fill in their own blank books with haiku creativity. It pairs lovely black and white drawings with examples of the diversity that can be incorporated into the traditional haiku form.
Where creative writing books might focus on the three-line stanza approach of its poetic structure, Trisha Sugarek provides a deeper interpretation of what makes a haiku piece stand out: “A haiku is a way of looking at the physical world and seeing something deeper, like the very nature of existence. It should leave the reader with a strong feeling or impression. Traditionally the natural world is mentioned.” She also includes works by master poets which didn’t always strictly adhere to the 5/7/5 haiku foundation because “They were too beautiful to ignore and not be included.”
This note advises readers that there is an attention to excellence, here, that goes beyond strict regimentation. Any poem that is uplifting, beautiful, and an example of unique expression is included, such as this: “Well, what must we think of it?/From the sky we came./Now we may go back again./That’s at least one point of view.” –Hôjô Ujimasa
These works appear alongside lined blank pages that encourage readers to become writers through example. The poems are juxtaposed
with tips on how Sugarek chooses to write, including creative writing and history information that supports various approaches (i.e. producing a complete poem in three sets of three lines, known as Renku).
Sugarek’s own poetry is juxtaposed with verse and free verse from others, adding just the right blend of encouragement and a flavor of diversity to a haiku journal that serves as both an encouragement and an example.
Wannabe haiku writers looking for inspiration could not find a better wellspring of support than in Haiku Journal. Its format and presentation lend to not just inspiration, but creative effort. Purchase here
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