drama Archives - Page 2 of 17 - Trisha Sugarek, Author, Playwright & Poet

Ideas to Fill The Time….Writing

You’ve been self-quarantined for weeks now…..Running out of ideas to fill your time?

Try writing something!

Did you read these most recent posts?

Self-Isolated. What Do You Do with All this Time?

What To Do with Isolated Time. Write a Short Story

What To Do with all Your Isolated Time? Journaling

Some ideas on how to start and keep writing. We all have at least one story inside us. Why not try?
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MY BLOG features INTERVIEWS with best-selling AUTHORS! December: Dervla McTiernan – January: David Poyer, March: Olivia Hawker, April: Dan Sofer
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Books by Trisha Sugarek

What To Do with Isolated Time. Write a Short Story

I hope you and your loved ones are still staying at home; the best way to avoid catching the virus or spreading it unintentionally. I know it’s boring and scary but we must do it to stem the transmission of this horror virus.

Now about writing; you’ve maybe pictured yourself as one of those who will write a novel “when you find the time”. I know many people who have said this to me when they find out I’m a published writer. I believe that every one has at least one story in them.
The buyer of a book (in the store or online) take three steps to determine to buy or pass. They see the cover…hmm..this looks interesting. They flip to the back cover where there is most likely a synopsis of the story. Then the buyer flips to the first page of the story. IT BETTER BE GOOD! Because that’s your last chance to make them buy your book. The first line of your story needs to grab them. Here’s a list of examples, using all genres.

‘As I crossed the street I didn’t see the bus bearing down on me. I heard someone scream.’

‘I sat in the prison waiting room about to interview a convicted killer. What would he say to me? More importantly what would I say to him. I’d never met a murderer before.

“Slow down, Al,” Vi screamed and laughed from the back seat. “You’re gonna kill us.”

‘My first audition since I hit Hollywood and what if I fail?’ Cold sweat slid down my spine. My eye twitched. ‘Next!’ A hard voice called out.

‘The teacher grabbed my math work book and, marching to the front of the room, read my poetry aloud.’

‘As the saloon doors creaked back and forth, the trail weary cowboys backed away when they saw him saunter in.’

“Mother must be spinning in her grave,” Kitty muttered, as her chauffeur drove up the long driveway to the main entrance of the State Prison.

‘A large scaly head rose out of the muck. Dirty algae hung from the mouth, caught in its large teeth. A single cold, green eye with dirty yellow flecks in it, stared at me.’

Excerpt from Winter of Murder © (first page of the new mystery; I think it grabs the reader.)

“What?” Stella gasped.
“Where?” Raul, her husband, demanded.
“Alaska.” R.J., their first born had just informed his parents that he was going to Alaska for six months. Maybe longer.
“It’s a great opportunity, Dad. Not many internships are offered by this company, especially when I’m not going for a major in geology but to study the impact the mining industry has on spawning salmon.”
“My God. Alaska.” Stella whispered. Being a murder cop in New York City she was not shocked by much but this had certainly knocked her back. “So far.”
“How are you going to live? I hear it’s expensive up there.”
“I get a stipend. Meager but it will buy my necessities. Room and board are provided.”
“I guess we could find the money for your airfare.” Raul always supported his sons in everything they did.
“Not a problem, Dad. I’ve been saving and I’ve already purchased my ticket.”
“R.J! You’re going regardless of what we might have said?”
“Mi amor, R.J.’s a young man now, not your little boy. He’s of age and can go anywhere he can afford to go.” Raul kissed his wife’s temple.
“But, Alaska. And to a rough mining camp? I don’t like this.”
“Mom, it’s no rougher than some of the streets right here in Queens. And look what you do. I’ve spent my whole life wondering if you would be coming home each night.”
“Did you? Wonder? Oh R.J., we tried so hard to insulate you boys from the dangers of my job.”
“We weren’t stupid, Mom. Robbie and I both knew some crackhead could kill you.”
Stella eyes filled with tears. Partly for what her son was disclosing but partly because this beautiful, tall, lean young man before her was her son. And he was leaving for Alaska.
“Mi mujer Policía, it will be fine. Now that I think about it, it is a rare opportunity. To study his beloved sea creatures far inland. I hear the scenery is spectacular.
“When do you go?” Stella asked.
“Next week.”
“So soon.”
“Yes. But, I’ll be back before you know it, Mom. It’s only six months. The time will fly.”
“For you maybe.” Stella sighed.

The same rules apply here, you have to create rich characters, an arch to the story and a resolution. With a short or long story, you have the liberty to write description for pages and pages. That’s not my favorite type of book; I much prefer snappy dialogue. But that’s probably because I write more dialogue than description. A story does not have the ‘time’ limitations that a stage play has.

I write out of sequence frequently when writing fiction. I may be in the middle of the book when the concluding chapters come to me. Especially the Epilogue. So I write it. Why not? I can always edit it.
Example: (The chapter title lets me know that I created this chapter but won’t be certain where it fits in the story, if I use it at all.)

Sample: New Chapter ??? (c)

Gwendolyn Baxter sat at her desk, her chin in her hand. She had been the student counselor at Bayard for the past eight years. She listened attentively to the woes of a fifteen year old teen seated across from her. Her parents were stupid. Her teacher didn’t understand her. She couldn’t get a boyfriend. She knew her lover would love the looks of this girl. Tall, willowy, blond. Olivia.
“I know how it is with parents. Always on your back about something. Right?”
“You don’t know the half of it.” Olivia sneered. “If it isn’t my grades it’s the length of my skirt. Jeez.”
“Do both your parents work, Olivia?”
“Yes. Sometimes my mom doesn’t get home until late. I have to cook my own supper.” She sighed.
“How are your grades?”
“Average of a B minus. But that’s not good enough for them.”
“That’s pretty good. What’s their problem?”
“Who knows?” Another deep sigh.“Listen, a friend of mine and I are having a little afternoon get-together today. Why don’t you come? His house is just blocks from here.
“Oh, I don’t know⸺”Olivia hesitated.
“He’s very rich and always has gifts for his guests. It’s so lit. Grace is coming.”
“Grace Stern?”
“Yes.”
“We’re friends.”
“She always has a good time. Last week Geoff gave her some Gucci sneakers.”
“Really? That’s straight fire.”

Tune in for Thursday’s post, How To Journal
Did you miss part 1 of this series?
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MY BLOG features INTERVIEWS with best-selling AUTHORS! December: Dervla McTiernan – January: David Poyer, March: Olivia Hawker, April: Dan Sofer
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On the home page, enter your email address. Thanks!

Interview with Olivia Hawker, Author (conclusion)

Q. What makes a great writer?

OH. Greatness is so subjective, I don’t even know how to begin answering that question! But it is a question worth asking.
For me, I think a writer is great—as in powerful—when they are fearless. It can be really hard to expose our true emotions and our true thoughts. Most humans fear too much criticism; we fear being shamed and we fear doing things that run counter to our culture’s expectations. So it can be really intimidating for a writer to expose an unpopular opinion or even just to write in a really emotive, vulnerable manner.
It’s so much safer and therefore more comfortable to tell stories that don’t challenge the status quo. You’ll never be shamed for going along with what’s expected of you. In fact, you’ll usually be celebrated for it. I certainly don’t think less of any writer who chooses to stick to what feels safe and comfortable, and there are a whole lot of wonderful, beloved, and frankly lucrative stories in that safe/comfortable zone; a writer can make an entire career, and be wildly successful, by being safe.
But in my opinion, you can’t achieve greatness by being safe or by serving the status quo. And certainly, when we continue to uphold the status quo, we’re directly creating a culture that upholds all the things that go along with it—hierarchies, oppressions, homogenization, the stifling of some wise and brilliant voices.

Q. and the all-important: What does the process of going from “no book” to “finished book” look like for you?

OH. Sitting at my desk every day and putting in the work! Those initial days when I know I’ve hit on a shiny new idea and I’m so excited about it—they don’t last forever. With almost all my books, ennui sets in and I start to think of that book as a total drag. I still get it done. I’ve got a mortgage to pay; this is my only source of income and, with my lack of a degree, it’s certainly the only well-paying job I’ll ever be able to get. Better get that book done if I want to keep a roof over my head… and then I’d better move on to the next book as quickly as possible.

When you’re a baby writer dreaming about what it’ll be like to write full-time someday, you never imagine that vast swaths of this profession are just you glaring at your manuscript and thinking, “Ugh, I hate this piece of junk so much.” Much of the time, writing is a job like any other, with the same deadlines and grinds and frustrations and outrages. But as I said before, my worst day writing still beats the hell out of my best day doing accounts payable!

Q. How have your life experiences influenced your writing?

OH. Oh my gosh, how have they not? For me, for my writing process (and, I suppose, the process of my inspiration, all the pre-actual-writing stuff) I can’t separate my life experiences at all. Which is kind of funny, because I never write about myself directly. This book I’m working on for Lake Union right now is the closest I’ve ever come to writing about myself, and it’s still not very close to actually writing about myself. I don’t do that thing where I make certain characters avatars for Libbie (aka Olivia)—that’s just not how my brain works. Yet I can so clearly identify exactly which bits of this character or that character are parts of me. And there is a part of me—usually a big part—in every single character I write, even the awful ones.
Really, though, I think that’s true for most authors, though some may not be fully aware of it. We may not have direct experience with the specific situations our characters are in, but we have felt all the same emotions they feel.
I think the writers whose work really resonates with readers—the writers who become memorable instead of forgettable—are always influenced by their life experiences. How else can you write about life if you won’t allow your own life to influence your work—all of your life, the beautiful moments and the terrible ones?

Q. What’s your down time look like?

OH. I love my garden. I’m always working to expand it and I’m always tinkering with it—adding features, moving plants, improving the setup so it’s more resilient. I spend a lot of time outside with my plants and the bugs and the little garter snakes and the voles who live in my grapevine. I’m sure that answer won’t surprise anyone who has read One for the Blackbird, One for the Crow.

When weather won’t permit me to frolic among the plants (like right now—it’s snowing and it’s miserable outside) I spin yarn and occasionally I get around to knitting or weaving with the yarn I’ve spun.
I live in a pretty isolated place—my island is at least an hour from the mainland by fast boat, and sometimes the trip takes longer; even then, it’s still a couple hours’ drive to the nearest sizable city, which is Seattle. Way out here, you have to make your own fun, so I do a lot of quiet, introspective things—but I really enjoy the isolation and the solitude. Occasionally the isolation does get to me; I’m only human. Writers need those things at least as much as we need garter snakes and flowers.

Note to Self: (a life lesson you’ve learned.)

OH. Trust your gut. Go where your instincts lead you. There is no one else on the planet like you; only you can tell your story and tell it the way it wants to be told. Listen to the story when it speaks to you. Honor its desire to come forth. Be a brave and confident midwife: Bring your story into this world, and damn what anybody else thinks of it.

Did you miss the beginning? Click here.
Review of One for the Blackbird…
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MY BLOG features INTERVIEWS with best-selling AUTHORS! December: Dervla McTiernan – January: David Poyer, March: Olivia Hawker, April: Dan Sofer
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Book Review ~~ A Woman of True Honor

5 out of 5 quills ~~ Book Review

Delicious! For fans of this genre, that is historic romances, A Woman of True Honor is a must read. Book #8 in this series, Emily Pepper is a merchant’s daughter and an heiress. She has narrowly escaped several fortune hunters trying to woo not her, but her money. And try as her family might, she has not entirely escaped ‘the stench of the shop’.

Enter Valerian Dorning (of the True Gentlemen series) penniless, but charming and industrious, a true gentleman. He doesn’t have many prospects as a younger son of an earl because titled families are not allowed in be involved in ‘commerce’. His book is probably not going to be a commercial success, much less read by many.

How can an heiress and a younger son with pockets to let find their way to happily ever after. And this is exactly where ‘delicious’ comes in. I LOVE Grace Burrowes’ style of writing and her effortless storytelling. This one is not to be missed.

Did you miss my interview with this author?
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MY BLOG features INTERVIEWS with best-selling AUTHORS! January: David Poyer, March: Olivia Hawker, April: Dan Sofer
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Review of A Silent Death by Peter May

4 out of 5 quills Book Review

Peter May weaves a wonderful tapestry of murder in his upcoming offering of The Silent Death. Set in sunny Spain, the author takes the reader onto the narrow, dusty streets of small towns perched on the cliffs of the Mediterranean. His authentic descriptions are based on his personal experiences. (Did you see my interview with Peter?) The author ‘winters’ in Spain every year.

This reviewer does not write spoilers. But I will say that May’s story and the spectacular subplots takes the reader into the world of darkness and silence of people afflicted with deafness and blindness. The reader comes to deeply care about the character, Ana and the danger she knows she’s in but cannot hear or see it. And learning about ‘touch sign language’. Something which I had never heard of

but found extremely fascinating.

May always delivers, bringing the reader into a complex story of true crime and law enforcement.
I highly recommend this book to my readers.

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MY BLOG features INTERVIEWS with best-selling AUTHORS! December: Dervla McTiernan – January: David Poyer, March: Olivia Hawker, April: Dan Sofer
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The Lost are the Last to Die ~~ Book Review

4 out of 5 quills ~~ Book Review

The Lost are the Last to Die by Larry D. Sweazy is a new, old west tale.
Fans of westerns are going to love this story. Set in the early 1900’s, the horse is being replaced by the automobile, the Great War has just ended and the lawlessness of the ‘old west’ is being rooted out.

Ranging from 1911 (flashbacks) to 1934 (present time for this story) Sweazy’s hero, Sonny Burton has enjoyed a stellar career in law enforcement. Surviving fighting in the Great War, he comes home and joins the Texas Rangers. But life has served up a couple of career changing setbacks and Sonny must find new meaning in what seems like a meaningless life.

The writing is superb. Larry leads the reader on an exciting chase with many twists and turns in the plot. Sonny Burton gives the reader someone worthy of rooting for. We want him to win even when it seems most unlikely.

My Review of other Sweazy books.
Did you miss my interview with Larry Sweazy?
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MY BLOG features INTERVIEWS with best-selling AUTHORS! December: Dervla McTiernan – January: David Poyer
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Interview with author, Dervla McTiernan, Part 2

Continuing with my Interview with Irish-born author, Dervla McTiernan

Q. What first inspired you to write?

DM. I’ve been an obsessive reader since I was three years old, and at a certain point reading became less satisfying to me, which was awful. I still read constantly, but it felt like something was missing. It took me a long time to realise what was missing was writing my own stories. As soon as a realized that I could experience the same joy and pain, the same highs and lows in writing my own stories I was utterly hooked and I knew I would never stop, whether or not I was ever published.

Q. What comes first to you? The Characters or the Situation?

DM. Character first usually, then situation.

Q. Do you ‘get lost’ in your writing?

DM. Yes. Absolutely. Usually when I am deep into a first draft – maybe after the forty/fifty thousand word mark. Characters come alive and the story really takes off and I just want to stay in it all of the time.

Q. Are you working on something now? If so tell us about it.

DM. Yes…but I’m not allowed to talk about it! Which is a pain because I am VERY excited about this story.

Q. When did you begin to write seriously?

DM. 2014. That was when I gave myself permission to really take it seriously. I had been playing with the idea of doing an MBA, because I wasn’t particularly happy in my job. An MBA would have taken five years part-time, and when I really thought about it I realized I had absolutely no urge to go back and study again, nor had I any real interest in studying business. What I had always wanted to do, and never ever thought I could do, was write. Given the massive changes we’d already made in our lives (moving to Australia from Ireland in 2011) committing myself to writing didn’t seem all that crazy! So I kept working part-time, and when the kids were in bed I would write for two hours, every night, except Thursdays (wine-night – very important).

Q. How long after that were you published?

DM. I signed my contract with Harper Collins in October 2016, and The Ruin was published in Australia in February 2018, and shortly after that in the US (Penguin) and the UK/Ireland (Little Brown) and then a few other territories followed. Then The Scholar came out in 2019, and The Good Turn will be out in 2020.

Q. Do you think we will see, in our lifetime, the total demise of paper books?

DM. No, genuinely, no. I think with the absolute ubiquity of smart phones, we’ll continue to see growth in audiobooks. People still love story; they’re just so time pinched that they have to try to fit them around everyday life. But for me personally, there’s something that switches off in my brain on those occasions when I get to lie down on the couch with a paper book in my hand, screens and phones off or away from me. It’s such a release from the constant connectedness of my daily life. I think there’s a reason that the growth in ebooks has pretty much stopped and paperback sales are stable. We all want that release. That moment of indulgence.

Q. What makes a writer great?

DM. To me it is a writer is great if they can create characters who feel genuinely real to me. Characters I care deeply about.

Characters I want to spend time with. Everything is secondary to character for me. I absolutely love the Robert Galbraith crime novels, which are just getting better and better I think (Lethal White was awesome) because I love Cormoran and Robin and I want to be in their world. I love to disappear into a book the same way I used to when I was a kid, and that happens so rarely now but it’s no less intensely joyful when it does.

Q. and the all-important: What does the process of going from “no book” to “finished book” look like for you?

To find out, don’t miss Part 3 of this fascinating Interview ~~ January 27th
Did you miss Part I? Click here

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MY BLOG features INTERVIEWS with best-selling AUTHORS! December: Dervla McTiernan ~~ January: David Poyer
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Robert B. Parker’s Angel Eyes by Ace Atkins ~~ Review

5 out of 5 quills Book Review

Robert B. Parker’s voice remains strong and his stories continue thanks to writers like Ace Atkins. Ace has written most of the ‘Spenser’ series since Parker’s death in 2010.

Angel Eyes incorporates character favorites like Chollo, Victor Del Rio, Bobby Horse (from Spenser’s L.A. days) Sixkill, Susan Silverman, and while not featured in this book, Pearl, the Wonder Dog is referred to with love and warmth.

It’s a good story about cults and people who are chewed up and spit out by them. The bottomless corruption of the soul just to “Make It” infects many citizens of Hollywood and L.A. The new characters are well drawn and this review still wonders how another writer, no matter how accomplished (and Ace Atkins is that is spades), can duplicate the flavor and style of one such as Robert B. Parker. All I can say, is I am glad Ace has that added talent so that Parker’s stories can continue.

These stories are so well drawn that it’s just a tiny bit creepy while reading, when all along the reader knows that Robert Parker has passed. These writers are that good! I highly recommend this latest offering.

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MY BLOG features INTERVIEWS with best-selling AUTHORS! December: Dervla McTiernan ~~ January: David Poyer
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How To Write a Play~~Plot, Pro/Antagonist, Conflict

Whether you are a reader or a writer you love a little conflict and a few antagonists in any plot. So to the writers of stage plays.…

It is a challenge to write conflict with dialogue only. There is no description (like fiction) where you can tell the reader how angry and against something your antagonist is. Granted you have the characters right there to tell the story with their body language but….

I am going to use examples from my most recent play. A children’s play but the rules still apply and are not less challenging because it’s a kids’ play.

Sub-PLOT: The sooner the plot is revealed the better. If you haven’t engaged the audience in the first three minutes, you don’t have a very good plot. In Emma and the Aardvarks the plot begins on the first page of script. Two Aardvarks, sisters, tumble out of a Time Portal and into the fabled forest. In minutes the occupants of the forest discover them and the audience discovers the protagonists and antagonists.

Example: (Plot)

AGNES ©
(Gazing up into the trees, HER nose switching as fast as possible.)

I think we’re lost, dear sister. This doesn’t look anything like the pictures of Australia in our book.

ANNIE
(Frowning.)

Oh, dear, I’m quite afraid.

STARE (Owl)

Whooo?

                                                            ANNIE
                                                (ANNIE runs over to AGNES.)

Ekk. What was that?
                                                            STARE

Who?

AGNES

What?

ANNIE

That.
AGNES

Not certain. But keep a look out anyway.

ANNIE

I don’t like this place, Agnes.

AGNES

You’re such a scaredy-cat, Annie. It’s a simple forest, much like the jungles of home.

(DONALD, a fairie, enters.)

DONALD

Don’t go. I mean you no harm.

(With the dialogue, we’ve told the audience that the two sisters are in the forest by accident. That their destination had been Australia. They meet their first friend (protagonist).

ANTAGONISTS: We’ll return to the plot later but let’s go on…Enter the first antagonist. This character is very selfish and immediately is suspicious of the two newcomers.

Example: (Antagonist)

PATSY (Banana Spider)
(Knitting her web very fast.)

Eye–eee! Por favor, who are these ugly newcomers? Dios mío, ¿se comerán mis insectos? The bugs are for me and me alone!

DONALD

Patsy, where are your manners? Everyone is welcome in the fabled forest, as long as they come in peace.

PATSY

Dios mio, how do we know they come in peace, pequeño? Se ven como bandidos!

Another Protagonist enters:

EMMA

Please join us. (Turning to Donald.) Donald introduce us immediately.

DONALD

Miss Agnes, Miss Annie, this is my friend, Emma.

EMMA

Oh! You are so cute. It’s nice to meet new friends. And such pretty hats. May I? (EMMA reached up and adjusted the frothy thing atop AGNES’ head that had been knocked askew in the mad dash into the forest.) You’re the shy young lady, aren’t you? May I adjust your hat, Miss Annie? There! All fixed. May I ask? What species are you?

PLOT: After a few main characters are established, we return to the main Plot, (all told through dialogue) which is about global warming and endangered species.

Example (Plot):

EMMA

Miss Agnes, why were you going to Australia?

AGNES

Back home, in Africa, we are losing our habitat to humans, farms, and roads.

ANNIE

It’s terrible. There aren’t very many of us aardvarks left, you know.

CHEETS

What does that mean? ‘Not many of you left’?

AGNES

We’re being killed off.

EMMA

Oh no! But you’re so cute. And if you’re insectivores, you help keep the natural world balanced.

AGNES

One would think so. (Beat.) So when our habitat goes, we go. We are threatened.

DONALD

We must do something!

ANTAGONIST & Protagonists: The Plot thickens when you have more than one antagonist. And when you can, more than one protagonist.

Example (Antagonist and Protagonists.):

CHEETS

I don’t like them. Nope. Don’t like the look of them and they smell funny.

STARE

Who?

CHEETS

Those two⸺whad-ya-call-ems.

EMMA

Aardvarks.

CHEETS

Yeah⸺them.

EMMA

Cheets, that’s unkind. You know nothing of Annie and Agnes. They seem perfectly fine to me. In fact, I think they’re cute.

STARE

Who?

THOMAS

Quiet, Stare. Those two ladies are my friends from the Dark Continent. As for you, you⸺you scurvy young scallywag you keep yer opinions to yerself.

CHEETS

But what if they eat someone we know?

EMMA

Cheets, that’s silly. Do you know any ants? Beetles? Termites on a personal basis?

CHEETS

Noooo⸺but I might meet some.

EMMA

Yes, Cheets, you’re judging these newcomers and deciding you don’t like them based on⸺what? Nothing.

THOMAS

They’ve had a rough go. The place they lived is no more. The picaroons have burned it, then planted it. Some of their family and friends have been killed.

CHEETS

Don’t care. Still don’t like ‘em. Who ever heard of aardvarks, anyway?

CONFLICT: 5 Ways to Create Conflict in Your Story:
Give your characters clear goals.
Go big, go small.
Let your characters fail.
4. Make your characters opinionated.
Use exposition to your advantage.

The Time Portal is malfunctioning. Some of the occupants of the forest are welcoming, some are suspicious and angry.

Example: EMMA

He’s very excitable, Miss Agnes. Are you really from Africa?

ANNIE
(Cuddling close to EMMA’s side.)

Yes, Miss Emma, we were going on vacation and then this⸺happened.

EMMA

Oh, dear, I’m sorry.

AGNES

Yes, our travel agent, Time Portal for All Your Vacation Needs, was supposed to send us to Australia. We have distant relatives there. Something must have gone wrong. Someone at the agency pushed the wrong button.

ANNIE

Where are we, exactly?

CHEETS
(Poking HIS head out of the bushes.)

You’re in the Fabled Forest. Don’t you know anything?

AGNES

Who raised you? Dogs? (Beat.) No, not dogs, they are strict with their children. Hyenas, perhaps? Yes, hyenas, our arch enemies.

More CONFLICT:
Example:

EMMA
(Steps forward.)

Welcome to our forest. I am Emma and these are my friends. Where did you come from?

STARE

Who?

AGNES
(Sneering.)

Emma, you don’t want to be friends with them. After all they’re just dogs.

Resolution of CONFLICT: The royal engineer enters. Sent to repair the Time Portal so the Aardvarks can be on their way.

Example:

CHEETS
(Jumping up and down.)

The Queen! The Queen! The Queen Cometh!

FERGUS
(Looking around.)

No. I don’t think so. It’s just me and my toolbox.

EMMA

Why have you been sent to us, Mr. Fergus?

FERGUS

It’s just Fergus, Miss. Or in more formal settings, Sir Fergus.

DONALD

And you’re here because⸺?

FERGUS

To repair your portal⸺time machine⸺of course. It is broken, isn’t it?

DONALD

Our portal?

CHEETS
(Whispers in awe.)

We have a portal?

EMMA

And the Queen knew ours is broken?

CHEETS

What’s a portal?

FERGUS

Yes. Yes. Indubitably. If you’ll just show me the way, I’ll begin my work.

EMMA
I’m afraid we have no idea where it might be in the forest. Until the sisters arrived we didn’t know anything about a portal. They arrived from Africa.

More CONFLICT: More animals arrive through the Portal. This results in more conflict.

Example:

EMMA
(Steps forward.)

Welcome to our forest. I am Emma and these are my friends. Where did you come from?

STARE

Who?

AGNES

Emma, you don’t want to be friends with them. After all they’re just dogs.

FERGUS

Blimey. Someone’s coming.

(Out of the entrance to the Portal tumble dog-like CREATURES. The five PUPPIES yip and howl as they tumble to the forest floor.)

MIC
(Howling.)

Moommmyy! What’s happening?

SERENGETI
(Howling louder.)

Moommmyy! I’m a-scarrr-eeddd.

STARE
(Trying to join the howling.)

Whooooooooooooo?

(Two adult DOGS enter from the Portal mouth.)

MRS. MOSEYALONG
Tentatively wagging HER tail.)

It’s all right, children. We’re safe.

JAX

Stop being such a baby, Serengeti.

SERENGETI
(Cowering near HER mother’s legs.)

I’m not.
JAX

Are too.

MR. MOSEYALONG

Quiet now, children.

SERENGETI

Yes, Papa.

MIC

Where are we, Papa?

MR. MOSEYALONG

I’m not certain just yet⸺but I intend to find out! Yip, Yip, yowwww.

MRS. MOSEYALONG

Goodness, who might you all be?

ROGER
(Whining.)

Mama, who are they? Will they hurt us?

ZEKE
(Yipping and howling.)

I want to go home.

CHEETS
(Pointing at the dogs.)

Look! Our forest is turning into a jungle of expired animals!

Remember, dialog is simply conversation between your characters. In your story, imagine what your characters would say to each other in a conversation. The more conflict you create in your story, the richer the story will be. Be aware of ‘loose ends’ when you solve the conflict.
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MY BLOG features INTERVIEWS with best-selling AUTHORS! December: Dervla McTiernan
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A NEW Children’s Play~~Book Give-a-Way

CLIMATE CHANGE. ENDANGERED SPECIES have all come to the Fabled forest. In this sixth script in the series, Emma, Donald, Thomas, Cheets and Stare all return (to the story) to meet their visitors and try to help them.

~~THE FIRST THREE DIRECTORS/TEACHERS THAT CONTACT ME WILL RECEIVE A FREE COPY OF THE NEW SCRIPT.

Synopsis:

This is a fable about climate change and endangered creatures. Two sisters Aardvarks arrive in the Fabled Forest by accident. Their travel agent, Time Portals to Your Next Adventure, malfunctions and instead of Australia, they are plopped down in Cheets’ clearing in the forest. Here they meet Donald, the fairie, Cheets, the elf, Emma, the farm-girl and all the creatures that inhabit the fabled, mystical forest. Agnes and Annie are so ugly they’re cute. With their jaunty hats atop their weird heads, with their rabbit-like ears and short elephant type snouts, Emma and Donald are entranced. They set about helping the two aardvarks to complete their trip to Australia while helping other endangered species.

The Aardvarks and the Painted Wild Dogs are endangered species and it is a dangerous lifestyle. In this fable children learn more about climate change wiping out habitat and about other endangered species and how we humans can protect them.

CAST OF CHARACTERS

Emma ~~ A young earthling girl
Stare ~~ A rhetorical owl
Donald ~~ A young fairie

Cheets ~~ a rambunctious elf
Patsy ~~ A large banana spider
Agnes & Annie ~~ the sister Aardvarks

Thomas ~~ the sea-faring sea turtle
Bertie, the bookworm ~~ the resident reading teacher

Fergus ~~ The royal engineer

Mr. Moseyalong ~~ Papa of the Painted Dogs
Mrs. Moseyalong ~~ Mama
Mic, Jax, Roger, Zeke and Serengeti ~~ the Puppies

No child need be turned away, there can be non-speaking roles as forest creatures and fairies.

TS. “We created a book cover representing the future time when our planet dies and everything is black and white. With a spot of color called hope.”
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MY BLOG features INTERVIEWS with best-selling AUTHORS! December: Dervla McTiernan – January: David Poyer
To receive my posts sign up for my

On the home page, enter your email address. Thanks!

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