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The Lost are the Last to Die ~~ Book Review

reviews, authors, writingreviews, authors, writingreviews, authors, writingreviews, authors, writing4 out of 5 quills ~~ Book Review

The Lost are the Last to Die by Larry D. Sweazy is a new, old west tale. 
Fans of westerns are going to love this story.  Set in the early 1900’s, the horse is being replaced by the automobile, the Great War has just ended and the lawlessness of the ‘old west’ is being rooted out.

Ranging from 1911 (flashbacks) to 1934 (present time for this story) Sweazy’s hero, Sonny Burton has enjoyed a stellar career in law enforcement. Surviving fighting in the Great War, he comes home and joins the Texas Rangers.  But life has served up a couple of career changing setbacks and Sonny must find new meaning in what seems like a meaningless life. 

The writing is superb. Larry leads the reader on an exciting chase with many twists and turns in the plot. Sonny Burton gives the reader someone worthy of rooting for. We want him to win even when it seems most unlikely.  

My Review of other Sweazy books.
Did you miss my interview with Larry Sweazy?
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MY BLOG features INTERVIEWS with  best-selling AUTHORS!    December: Dervla McTiernan – January: David Poyer 
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Interview with author, Dervla McTiernan, Part 2

Continuing with my Interview with Irish-born author, Dervla McTiernan

Q. What first inspired you to write?

DM. I’ve been an obsessive reader since I was three years old, and at a certain point reading became less satisfying to me, which was awful. I still read constantly, but it felt like something was missing. It took me a long time to realise what was missing was writing my own stories. As soon as a realized that I could experience the same joy and pain, the same highs and lows in writing my own stories I was utterly hooked and I knew I would never stop, whether or not I was ever published.

Q. What comes first to you? The Characters or the Situation?

DM. Character first usually, then situation.

Q. Do you ‘get lost’ in your writing?

DM. Yes. Absolutely. Usually when I am deep into a first draft – maybe after the forty/fifty thousand word mark. Characters come alive and the story really takes off and I just want to stay in it all of the time.

Q. Are you working on something now? If so tell us about it.

Musha

DM. Yes…but I’m not allowed to talk about it! Which is a pain because I am VERY excited about this story.

Q. When did you begin to write seriously?

DM. 2014. That was when I gave myself permission to really take it seriously. I had been playing with the idea of doing an MBA, because I wasn’t particularly happy in my job. An MBA would have taken five years part-time, and when I really thought about it I realized I had absolutely no urge to go back and study again, nor had I any real interest in studying business. What I had always wanted to do, and never ever thought I could do, was write. Given the massive changes we’d already made in our lives (moving to Australia from Ireland in 2011) committing myself to writing didn’t seem all that crazy! So I kept working part-time, and when the kids were in bed I would write for two hours, every night, except Thursdays (wine-night – very important).

Q. How long after that were you published?

DM. I signed my contract with Harper Collins in October 2016, and The Ruin was published in Australia in February 2018, and shortly after that in the US (Penguin) and the UK/Ireland (Little Brown) and then a few other territories followed. Then The Scholar came out in 2019, and The Good Turn will be out in 2020.

Q. Do you think we will see, in our lifetime, the total demise of paper books?

DM. No, genuinely, no. I think with the absolute ubiquity of smart phones, we’ll continue to see growth in audiobooks. People still love story; they’re just so time pinched that they have to try to fit them around everyday life. But for me personally, there’s something that switches off in my brain on those occasions when I get to lie down on the couch with a paper book in my hand, screens and phones off or away from me. It’s such a release from the constant connectedness of my daily life. I think there’s a reason that the growth in ebooks has pretty much stopped and paperback sales are stable. We all want that release. That moment of indulgence.

Q. What makes a writer great?

DM. To me it is a writer is great if they can create characters who feel genuinely real to me. Characters I care deeply about.

Musha

Characters I want to spend time with. Everything is secondary to character for me. I absolutely love the Robert Galbraith crime novels, which are just getting better and better I think (Lethal White was awesome) because I love Cormoran and Robin and I want to be in their world. I love to disappear into a book the same way I used to when I was a kid, and that happens so rarely now but it’s no less intensely joyful when it does.

Q. and the all-important: What does the process of going from “no book” to “finished book” look like for you?

To find out, don’t miss Part 3 of this fascinating Interview ~~ January 27th 
Did you miss Part I? Click here

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MY BLOG features INTERVIEWS with  best-selling AUTHORS!   December: Dervla McTiernan ~~ January: David Poyer  
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  On the home page, enter your email address.  Thanks!

Robert B. Parker’s Angel Eyes by Ace Atkins ~~ Review

reviews, authors, writingreviews, authors, writingreviews, authors, writingreviews, authors, writingreviews, authors, writing5 out of 5 quills    Book Review

Robert B. Parker’s voice remains strong and his stories continue thanks to writers  like Ace Atkins. Ace has written most of the ‘Spenser’ series since Parker’s death in 2010.

Angel Eyes incorporates character favorites like Chollo, Victor Del Rio, Bobby Horse  (from Spenser’s L.A. days)  Sixkill, Susan Silverman, and while not featured in this book, Pearl, the Wonder Dog is referred to with love and warmth.

It’s a good story about cults and people who are chewed up and spit out by them. The bottomless corruption of the soul just to “Make It” infects many citizens of Hollywood and L.A.  The new characters are well drawn and this review still wonders how another writer, no matter how accomplished (and Ace Atkins is that is spades), can duplicate the flavor and style of one such as Robert B. Parker.  All I can say, is I am glad Ace has that added talent so that Parker’s stories can continue. 

These stories are so well drawn that it’s just a tiny bit creepy while reading, when all along the reader knows that Robert Parker has passed. These writers are that good!   I highly recommend this latest offering. 

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MY BLOG features INTERVIEWS with  best-selling AUTHORS!   December: Dervla McTiernan ~~ January: David Poyer  
To receive my posts sign up for my 

  On the home page, enter your email address.  Thanks!

How To Write a Play~~Plot, Pro/Antagonist, Conflict

Whether you are a reader or a writer you love a little conflict and a few antagonists in any plot. So to the writers of stage plays.

It is a challenge to write conflict with dialogue only. There is no description (like fiction) where you can tell the reader how angry and against something your antagonist is. Granted you have the characters right there to tell the story with their body language but….

I am going to use examples from my most recent play. A children’s play but the rules still apply and are not less challenging because it’s a kids’ play. 

Sub-PLOT:  The sooner the plot is revealed the better. If you haven’t engaged the audience in the first three minutes, you don’t have a very good plot. In Emma and the Aardvarks the plot begins on the first page of script. Two Aardvarks, sisters, tumble out of a Time Portal and into the fabled forest. In minutes the occupants of the forest discover them and the audience discovers the protagonists and antagonists. 

Example: (Plot)

                                                         AGNES  ©
(Gazing up into the trees, HER nose switching as fast as possible.)

I think we’re lost, dear sister. This doesn’t look anything like the pictures of Australia in our book.

            ANNIE
(Frowning.)

Oh, dear, I’m quite afraid.

                                                            STARE (Owl)

Whooo?

                                                            ANNIE
                                                (ANNIE runs over to AGNES.)

Ekk. What was that?                                                       
                                                            STARE

Who?

                                                            AGNES

What?                                                           

                                                            ANNIE

That.
                                                            AGNES

Not certain. But keep a look out anyway.

                                                           ANNIE

I don’t like this place, Agnes.

                                                            AGNES

You’re such a scaredy-cat, Annie. It’s a simple forest, much like the jungles of home.

                        (DONALD, a fairie, enters.)

                                                            DONALD

                         Don’t go. I mean you no harm.

(With the dialogue, we’ve told the audience that the two sisters are in the forest by accident. That their destination had been Australia. They meet their first friend (protagonist). 

ANTAGONISTS: We’ll return to the plot later but let’s go on…Enter the first antagonist. This character is very selfish and immediately is suspicious of the two newcomers.

Example: (Antagonist)

                                                                  PATSY (Banana Spider)
                                                (Knitting her web very fast.)

Eye–eee! Por favor, who are these ugly newcomers? Dios mío, ¿se comerán mis insectos? The bugs are for me and me alone!

                                                            DONALD

Patsy, where are your manners? Everyone is welcome in the fabled forest, as long as they come in peace.

                                                            PATSY

Dios mio, how do we know they come in peace, pequeño? Se ven como bandidos!

Another Protagonist enters:

                                                             EMMA

Please join us. (Turning to Donald.)  Donald introduce us immediately.

                                                            DONALD

Miss Agnes, Miss Annie, this is my friend, Emma.

                                                            EMMA

Oh! You are so cute. It’s nice to meet new friends.  And such pretty hats. May I? (EMMA reached up and adjusted the frothy thing atop AGNES’ head that had been knocked askew in the mad dash into the forest.) You’re the shy young lady, aren’t you? May I adjust your hat, Miss Annie? There! All fixed. May I ask? What species are you?

PLOT: After a few main characters are established, we  return to the main Plot, (all told through dialogue) which is about global warming and endangered species. 

Example (Plot):  

                                                             EMMA 

Miss Agnes, why were you going to Australia?

                                                            AGNES

Back home, in Africa, we are losing our habitat to humans, farms, and roads.

                                                            ANNIE

It’s terrible. There aren’t very many of us aardvarks left, you know.

                                                            CHEETS

What does that mean? ‘Not many of you left’?

                                                            AGNES

We’re being killed off.

                                                            EMMA 

Oh no! But you’re so cute. And if you’re insectivores, you help keep the natural world balanced.

                                                            AGNES

One would think so. (Beat.) So when our habitat goes, we go. We are threatened.

                                                            DONALD

We must do something!

ANTAGONIST & Protagonists:  The Plot thickens when you have more than one antagonist. And when you can, more than one protagonist.

Example (Antagonist and Protagonists.): 

                                                           CHEETS

I don’t like them. Nope. Don’t like the look of them and they smell funny.

                                                            STARE

Who?

                                                            CHEETS

Those two⸺whad-ya-call-ems.

                                                           EMMA

Aardvarks.

                                                            CHEETS

Yeah⸺them.

                                                            EMMA

Cheets, that’s unkind. You know nothing of Annie and Agnes. They seem perfectly fine to me. In fact, I think they’re cute.

                                                            STARE
                                                           
Who?

                                                            THOMAS

Quiet, Stare. Those two ladies are my friends from the Dark Continent.  As for you, you⸺you scurvy young scallywag you keep yer opinions to yerself.

                                                            CHEETS

But what if they eat someone we know?

                                                            EMMA

Cheets, that’s silly. Do you know any ants? Beetles? Termites on a personal basis?

                                                            CHEETS

Noooo⸺but I might meet some.

                                                              EMMA

Yes, Cheets, you’re judging these newcomers and deciding you don’t like them based on⸺what? Nothing.

                                                            THOMAS

They’ve had a rough go. The place they lived is no more. The picaroons have burned it, then planted it. Some of their family and friends have been killed.

                                                             CHEETS

Don’t care. Still don’t like ‘em. Who ever heard of aardvarks, anyway?

CONFLICT: 5 Ways to Create Conflict in Your Story:
Give your characters clear goals.
Go big, go small. 
Let your characters fail. 
4. Make your characters opinionated. 
Use exposition to your advantage.

The Time Portal is malfunctioning. Some of the occupants of the forest are welcoming, some are suspicious and angry. 

Example:                                           EMMA

He’s very excitable, Miss Agnes. Are you really from Africa?

                                                            ANNIE
                                    (Cuddling close to EMMA’s side.)

Yes, Miss Emma, we were going on vacation and then this⸺happened.

                                                            EMMA

Oh, dear, I’m sorry.

                                                            AGNES

Yes, our travel agent, Time Portal for All Your Vacation Needs, was supposed to send us to Australia. We have distant relatives there. Something must have gone wrong. Someone at the agency pushed the wrong button.

                                                            ANNIE

Where are we, exactly?

                                                            CHEETS
                                    (Poking HIS head out of the bushes.)

You’re in the Fabled Forest. Don’t you know anything?                                                           

                                                            AGNES 

Who raised you? Dogs?  (Beat.) No, not dogs, they are strict with their children. Hyenas, perhaps? Yes, hyenas, our arch enemies. 

More CONFLICT: 
Example: 

                                                          EMMA
                                                    (Steps forward.)

Welcome to our forest. I am Emma and these are my friends. Where did you come from?

                                                            STARE

Who?                                      

                                                            AGNES
                                                         (Sneering.)

Emma, you don’t want to be friends with them. After all they’re just dogs.

Resolution of CONFLICT: The royal engineer enters. Sent to repair the Time Portal so the Aardvarks can be on their way.

 Example:     

                                                                CHEETS
                                                (Jumping up and down.)

The Queen! The Queen! The Queen Cometh!

                                                            FERGUS
                                                     (Looking around.)

No. I don’t think so. It’s just me and my toolbox.

                                                            EMMA

Why have you been sent to us, Mr. Fergus?

                                                            FERGUS

It’s just Fergus, Miss. Or in more formal settings, Sir Fergus.

                                                            DONALD

And you’re here because⸺?

                                                            FERGUS

To repair your portal⸺time machine⸺of course. It is broken, isn’t it?

                                                            DONALD

Our portal?                                                     

                                                            CHEETS
                                                     (Whispers in awe.)

We have a portal?                                                           

                                                            EMMA

And the Queen knew ours is broken?

                                                            CHEETS

What’s a portal?                                                         

                                                            FERGUS

Yes. Yes. Indubitably. If you’ll just show me the way, I’ll begin my work.

                                                            EMMA
I’m afraid we have no idea where it might be in the forest. Until the sisters arrived we didn’t know anything about a portal. They arrived from Africa.

More CONFLICT: More animals arrive through the Portal. This results in more conflict.

Example: 

                                                             EMMA
                                                    (Steps forward.)

Welcome to our forest. I am Emma and these are my friends. Where did you come from?

                                                            STARE

Who?                                      

                                                            AGNES

Emma, you don’t want to be friends with them. After all they’re just dogs.

                                                              FERGUS

Blimey. Someone’s coming.

                                    (Out of the entrance to the Portal tumble dog-like CREATURES. The five PUPPIES yip and howl as they tumble to the                                          forest floor.)

                                                            MIC
                                                        (Howling.)

Moommmyy! What’s happening?                                                           

                                                            SERENGETI
                                                            (Howling louder.)

Moommmyy! I’m a-scarrr-eeddd.

                                                            STARE
                                                (Trying to join the howling.)

Whooooooooooooo?

                                    (Two adult DOGS enter from the Portal mouth.)

                                                            MRS. MOSEYALONG
                   Tentatively wagging HER tail.)

It’s all right, children. We’re safe.

                                                            JAX

Stop being such a baby, Serengeti.

                                                            SERENGETI
              (Cowering near HER mother’s legs.)

I’m not.
                                                            JAX

Are too.

                                                           MR. MOSEYALONG

Quiet now, children.                                                           

                                                            SERENGETI

Yes, Papa.

                                                            MIC

Where are we, Papa?

                                                   MR. MOSEYALONG

I’m not certain just yet⸺but I intend to find out!  Yip, Yip, yowwww.

                                                   MRS. MOSEYALONG                                

Goodness, who might you all be?

                                                            ROGER
                                                            (Whining.)

Mama, who are they? Will they hurt us?                                               

                                                            ZEKE
                                                (Yipping and howling.)

I want to go home.

                                                            CHEETS
                                                (Pointing at the dogs.)

Look! Our forest is turning into a jungle of expired animals!

Remember, dialog is simply conversation between your characters. In your story, imagine what your characters would say to each other in a conversation. The more conflict you create in your story, the richer the story will be. Be aware of ‘loose ends’ when you solve the conflict.
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MY BLOG features INTERVIEWS with  best-selling AUTHORS!   December: Dervla McTiernan  
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A NEW Children’s Play~~Book Give-a-Way

              CLIMATE CHANGE. ENDANGERED SPECIES have all come to the Fabled forest. In this sixth script in the series, Emma, Donald, Thomas, Cheets and Stare all return (to the story) to meet their visitors and try to help them. 

~~THE FIRST THREE DIRECTORS/TEACHERS THAT CONTACT ME WILL RECEIVE A FREE COPY OF THE NEW SCRIPT. 

Synopsis: 

This is a fable about climate change and endangered creatures. Two sisters Aardvarks arrive in the Fabled Forest by accident. Their travel agent, Time Portals to Your Next Adventure, malfunctions and instead of Australia, they are plopped down in Cheets’ clearing in the forest. Here they meet Donald, the fairie, Cheets, the elf, Emma, the farm-girl and all the creatures that inhabit the fabled, mystical forest. Agnes and Annie are so ugly they’re cute. With their jaunty hats atop their weird heads, with their rabbit-like ears and short elephant type snouts, Emma and Donald are entranced. They set about helping the two aardvarks to complete their trip to Australia while helping other endangered species.

The Aardvarks and the Painted Wild Dogs are endangered species and it is a dangerous lifestyle. In this fable children learn more about climate change wiping out habitat and about other endangered species and how we humans can protect them.

 

CAST OF CHARACTERS

Emma ~~ A young earthling girl
Stare ~~ A rhetorical owl
Donald ~~ A young fairie

Cheets ~~ a rambunctious elf
Patsy ~~ A large banana spider
Agnes & Annie ~~ the sister Aardvarks

Thomas ~~ the sea-faring sea turtle
Bertie, the bookworm ~~ the resident reading teacher

Fergus ~~ The royal engineer

Mr. Moseyalong ~~ Papa of the Painted Dogs
Mrs. Moseyalong ~~ Mama
Mic, Jax, Roger, Zeke and Serengeti ~~ the Puppies

No child need be turned away, there can be non-speaking roles as forest creatures and fairies.

TS. “We created a book cover representing the future time when our planet dies and everything is black and white. With a spot of color called hope.”
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MY BLOG features INTERVIEWS with  best-selling AUTHORS!   December: Dervla McTiernan – January: David Poyer   
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Available now!

 

 

 

When will My Stories be Discovered??

TS. I wrote this post back in 2012….seven years ago. But most of it still holds true today.

Okay, so now you have a publisher…your books will fly off the shelves or through cyberspace, right?  Au contra, it’s still going to take some time. Or at least, that’s certainly been my experience….

Samuel French (biggest publisher for stage plays)  picked me up in 2004 and has since published four of my stage plays.  I am so grateful to be in the same publishing house as  Louisa May Alcott, David Mamet, Anton Chekhov, and Tennessee Williams. And the staff is so nurturing to their authors.  But, here’s the reality: No sales the first year, a few the second year, more the third year and so on…….but, sadly, no BIG immediate discovery of this playwright!  Not like in the movies!!

So I kept writing and editing and submitting……and writing more!

I am happy to share with my readers the news that I received a nice fat check from French with reports that reflected my biggest sales period EVER, the first quarter, this year (2012)!  Over the last six months they have sold seventy scripts of mine.  Most orders were in multiple quantities which means a theatre company was buying enough books for cast and crew.  And that means that somewhere, out in the world, theatre companies are producing my work!  You might be saying to yourself, ‘that’s not so many’  but think about it.  That’s 11.6 scripts per month. And like I said, most of them were NOT perusal copies (of one) but the number that they would need to produce a show! One production in Bangor, Maine and the other in Phoenix, AZ.

Last year (2018) a play of mine was produced in Iceland and the UK.

My books are finally selling with some welcomed regularity on amazon.com (USA and Europe) and other book outlets. After eight long years!!

So my message to you is: Keep writing, fellow writers.  Keep editing, rewriting. That’s where a really good story/book is born.  When you get rejection after rejection  (as I did) let that be the spur to write more! Use ‘Self publishing’ . ‘Vanity’ books are a thing of the past…or almost.  Most of us, as writers, have something important to say and vanity is far, far away from our thoughts.  With the advent of ‘print on demand’ self publishing is not the huge investment it used to be.  I self publish for less than $100. plus the wholesale cost of the finished book.  Sure your publisher takes a cut…but!  You’re published!!

Writing is a lonely business but keep at it.  I’ll believe in you if you’ll believe in me!
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MY BLOG features INTERVIEWS with  best-selling AUTHORS!  December: Australian mystery writer, Dervla  McTiernan
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Write Your First Play

Over the many years writing my blog the stats report a recurring key phrase,  How  to write a play’, and I thought my readers might find it interesting to read about what inspired my play scripts. 

The short answer is:  A true story…. something that caught my attention that was someone else’s story.

The long answer:  My first play ‘Lost Child back in 1994 was based on a true story of a Dad dealing with his gay son.  Back then HIV and AIDS was a death sentence.  The father was homophobic and macho.  He rejected his son.  To make the story complete I added another set of parents that were  totally supportive of their gay son.  Sadly this story did not end well and the script was lost on my hard drive  ….someday, I may finish it.

Next came ‘Cook County Justice‘ based upon a fifteen minute segment offered on one of those TV magazines like 20/20. Bill Heirens had been incarcerated for over 40 years (even though his sentence included parole) for a murder I came to believe he didn’t commit.  This story took me on a six year journey; letters from Bill (inmate), support from his team trying to set him free and several productions of my play.

While visiting Bill in the Illinois state Prison for Men early one Sunday morning,  I sat in the reception area waiting to be WOW.play. cover4_20march2014‘processed’ through into the visiting room.  I was surrounded by women of all ages and their children.  Mothers, sisters, wives, daughters….as I sat there they figuratively took me by the nape of my neck and shouted….’you must write about us…tell our story!’   That was the birth of ‘Women Outside the Walls’ a full length play and later a novel.

 

 

book_shop_BillieScent of Magnolia A Tribute to Billie Holiday was conceived in 2001 when a very talented jazz singer/actress out of Chicago asked me if I would write her a one woman show as Billie Holiday. I used, as my inspiration, the early years of Billie’s career before she succumbed to alcohol and drugs. 

 

NEXT! A Hollywood Tale  was based on my own experiences as a young actor in Hollywood and all the story swapping we would do in the green room, waiting to ‘go on’.  There was nothing worse than going to a cattle call audition and in the midHollywood, actors, stage play, actors playing actorsdle of your monologue or reading have the casting director yell:  ‘Next!’  That was your cue line to exit right.   The razor sharp teeth of the machine known as Hollywood chew up aspiring actors and spit them into the gutter.

 

I grew up on my mother’s stories about growing up in the forests of Tumwater, Washington with her 13 siblings.  Back at the turn of the twentieth century life and its entertainments were simple.
Alaska, sisters, adventurers, gold rush,

‘The Guyer Girls’ is a cross between Little Women and I Remember Mama.  The first act is almost all based upon her stories.  The second act was my creation of what happened when the six sisters come back home fifteen years later. With this age of technology I didn’t want these stories to die with her or with me.

 

‘Sins of the Mother’ was also partly biographical.  Again stories told by my mother of her years in San Francisco (1920’s) as a bar owner, women’s basketball player, flapper, and mother.  She used to say,  “I’d work all day and dance all night!”  This full length play developed into a novel, ‘Wild Violets’.

There’s more but this is where I will stop. Every play plot has conflict. The trick is to solve it within two and a half hours.

This post is a re-run from 2014 but well worth the read. 
Want more? Click here for Part 2 

 

A Journal/Handbook to Start YOU writing! 275 blank pages for your work; each margin with an inspiring quote from a famous actor, writer, playwright, or poet.  Sections on ‘how to’ will get you started.

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MY BLOG features INTERVIEWS with  best-selling AUTHORS!     
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Other Writers Will Inspire You If You Let Them

I’m enjoying everything written by Catherine Ryan Hyde. I stumbled upon her as I searched through online book stores a few months back. Looking for  new authors to read and possibly interview….but mostly to read.  The cover of Have You Seen Luis Velez? caught my eye. Two figures (from the waist down) walking together; one obviously a boy with his worn jeans and sneakers. The other an older woman in a house dress and ill fitting coat. A white cane searching the pavement out in front of her old lady shoes. It intrigued me. It could be a grandson with his grandma but something about the image said no. It was something else. I ordered it and thanked my lucky stars I went with my instincts.  As I have said before, it is #1 of my top ten hits. It’s beautifully written and a gorgeous story. 

After that I read Allie and Bea. The joy of reading Hyde’s writing continued. Luis Velez was not a one shot wonder as I had feared. 
I am now  reading Say Goodbye For Now. The beautiful prose continues. Catherine Ryan Hyde is a master. It’s a turn a phrase, connecting words perfectly—(now I’m just plain gushing). But let me give you an example. It’s a small one but worth the mention.
 

On page 138 the two young boys are talking. It’s the dead of night and neither of them can sleep. The day had been jarring and scary. Pete is a thoughtful young boy. He isn’t quick to answer or judge or act. The two boys are exploring if it’s only scary when you’re a kid or are grownups scared too. They find it a depressing thought that just being a person, no matter what age, will be scary. 

Pete’s new friend has asked, “Just…I don’t know. Being a person, I guess. Is it just me, or is it really scary?”

“That’s a good question.” Pete says. “I’ll have to think about that.”

(Here’s the example of this writer’s thoughtfulness and mastery with words)

‘But once again, Pete didn’t exactly think. More left simple openings for thoughts or feelings to volunteer.’

AND: (on page 293)
“She couldn’t quite read his expression.  His face looked the way it always did. The way it always had, as long as she had known him. Maybe his sadness over these new events was no bigger or more powerful than the sadness he had brought with him to her door on that first day.”

These questions, thoughts, observations are on every page. They are sometimes so subtle, like this one, you have to be on your toes to even notice them. But, damn! They’re beautiful when you catch them and stop a moment to taste them.

Did you see my Interview with Catherine Ryan Hyde?

Watch for my Review and the Release of her newest book, Stay  (On sale December 2019)
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MY BLOG features INTERVIEWS with  best-selling AUTHORS!    July — Catherine Ryan Hyde.  August:  My interview with Susan Wiggs  September: Alan Foster (sci-fi) and October: Kristina McMorris
 
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New Ten Minute Play ~~Climate Change

The  actual activists that are seated before Congress this very minute inspired this new play for the classroom. Mother Earth is dying and we have little time to correct the destructive path we, as a species, are on. Young people across the globe see, with a clear vision, what is at risk, while the ‘grownups’ dither and argue and get nothing done. 5f. 5m. 

My Planet, Your Planet, Our Planet is #35 in the series of ten minute plays for the classroom.  “G” rated and appropriate for middle school and high school. 

 

Available at all book stores and online.

 

 

 

 

 

 

 

 

 

To see the entire Collection

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MY BLOG features INTERVIEWS with  best-selling AUTHORS!    July — Catherine Ryan Hyde.  August:  My interview with Susan Wiggs  September: Alan Foster (sci-fi) and October: Kristina McMorris
 
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Available now!

 

 

 

 

Monologues for Women

I woke up one morning and thought, “I’ve got some soliloquies tucked away that would make good monologues.  This book is unique because all the contemporary monologues are original.  Directors get bored and tired of the same old shoes like speeches from Cat On A Hot Tin Roof, Barefoot in the Park, Streetcar Named Desire, Pygmalion, View from the Bridge and others. Make them sit up and listen when you use something they have never heard before!

And that brings me to the point that I want to share with my readers out there who are writers or want to be writers.  Previously I was talking about my digging out some old and new work and turning them into a book of monologues.  Never, never throw anything away.  Open up that dusty old box of your scribbles that you have hidden away on the top shelf of the closet.  You might be surprised what you find and how much you like it after a year, five years or ten.  “Note from a Watery Grave” which I scribbled down back in 2002?….turns out it was pretty good with some additional editing on my part.  The end result was a new book.  My motivation: as an actor, I know how hard it is to find that perfect monologue for an audition.  How difficult it is to get the director’s attention and keep it.

While compiling this book, I remembered how I would go to an audition and announce that my classical piece was going to be Anne from Richard III.  The director (or audition panel) would roll their eyes and yawn in my face.  The ‘Anne’ that they were thinking of was an old tired thing that’s been done to death, when Richard confronts Anne over the coffin.  My ‘Anne’ was a conversation that I pieced together into a soliloquy and I was certain that they had never seen.   I got the same reaction from the director every time;  they sat up and listened!  And afterwards, they laughed and told me they were expecting something else and how refreshing mine was.

A final note:  I have included not only some classics (so that your audition will show contrast in your acting ability)  but also some original monologues for the African-American actress.

Sampling from Monologues 4 Women:

MARY ELIZABETH

(The Waltz, comedic)

My first dance! My first grown-up dinner dance since I got my job in the typing pool. I haven’t been asked to dance yet…no surprise… but I don’t care. My dress is only second hand, my hair is dressed and my nails are clean. I’m just happy to be here, watching the couples twirl around the floor to the most wonderful band I’ve ever heard. Never mind it’s the first band I’ve ever heard in person.

Ooo, look at that tall handsome man walking towards me. He’s probably getting something to drink for his date.
My mother always told us girls to stand near the refreshment table so more gentlemen would notice us and ask one of us to dance. But it was always Violet that they asked; of us six girls, she’s the beauty in the family. Wait! He’s looking right at me….he caught me staring and day-dreaming. I looked down and stared at my shoes; maybe he will ignore my bad manners and continue on….oh no, he stopped! His shoes are standing right in front of me.

He speaks. ‘Excuse me, Miss Guyer?’ My chin resting on my chest I mumble, ‘yes’. He tells me his name is Arthur. Wouldn’t you know he was a namesake for a great king? He then asked, would I like to dance. I forced myself to look up, just a tiny peek before I declined. Looking into the most beautiful eyes…hazel I think it’s called, sometimes green, sometimes brown. I am lost. He’s holding out his hand and without speaking I put my hand in his and he led me to the dance floor.

The band had begun playing a waltz and Arthur smoothly led me into the dance. I guess we chat about small things. He asked where I worked in the company and then tells me he’s part of the law firm that my company retains. He tells me about his mother and four siblings. Suddenly he asked me if I intended to look at him at all before the dance was over. I realized I had been staring at his crisp white shirted chest the entire time. My eyes snap up to his face to find he was smiling…..

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MY BLOG features INTERVIEWS with  best-selling AUTHORS!   May: Boo Walker, June: Anne D. LeClaire and July — Catherine Ryan Hyde.  August:  My interview with Susan Wiggs, September: Alan Foster (sci-fi) and October: Kristina McMorris
 
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