Tag-Archive for » drama «

New 10 Minute Play, ‘Parkland Requiem’

Requiem: an act or token of remembrance…

Mass shootings are a part of our current culture. Not until now did I have something to say (write) about the mass murders that plague our nation. One day after the horrendous mass shooting at the Virginia Beach Municipal building did I begin writing. 

Synopsis:

This ten minute play for teens (in the classroom) is to honor and memorialize the Marjory Stoneman Douglas High School shooting. It focuses on a small class of students hidden away in safety by their English teacher and what happens while they wait for the shooting to stop. But the question begs will they ever be safe again?

The murdered victims:

My character, Mr. Hale is fashioned after Scott Beigel, 35, a geography teacher and the school’s cross-country coach. He was killed after he unlocked a door to allow students in to hide from the shooter,

Alyssa Alhadeff
Aaron Feis
Martin Duque Anguiano
Nicholas Dworet
Jamie Guttenberg
Chris Hixon
Luke Hoyer
Cara Loughran
Gina Montalto
Joaquin Oliver
Alaina Petty
Meadow Pollack
Helena Ramsay
Carmen Schentrup
Peter Wang

Want to see more one act plays? Click here 
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MY BLOG features INTERVIEWS with  best-selling AUTHORS!   April: Poet, Joe Albanese, May: Boo Walker, June: Anne D. LeClaire and July — Catherine Ryan Hyde
 
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Book Review ~~ Red Mountain by Boo Walker

reviews, authors, writingreviews, authors, writingreviews, authors, writingreviews, authors, writingreviews, authors, writing5 out of 5 quills  ~~~  A Review

Once in awhile I troll through bookstores online looking for an interesting author that I have never heard of. I kiss a lot of frogs but it’s worth it when I find an author like Boo Walker.

Red Mountain is a special place. It has the perfect soil and weather for growing wine grapes.  And growing people too, who gravitate to the mountain, often to hide or to find themselves. Besides the interesting characters that Boo Walker has drawn, I felt as if the wine was a character unto itself. The growing, the nurturing, the fermenting, the aging and sampling the final product. Resembling what life is all about. 

Boo Walker weaves a wonderful story with rich, flawed characters that you can love or love to hate. I can’t wait to read the sequel, Red Mountain Rising. And don’t miss my interview with Boo later this month. 

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MY BLOG features INTERVIEWS with  best-selling AUTHORS!   February: Rick Lenz, March: Patrick Canning, April: Poet, Joe Albanese and May: Boo Walker 
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Book Review~~Four Funerals & Maybe a Wedding by Rhys Bowen

                                             5  out of  5 quills  ~~ A Review 

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By far the best in the  series, the  Royal  Spyness Mysteries.  I  love  this  series. In Four  Funerals….  there  was  not  a single  misstep by its author. The story weaves faultlessly to the final pages. Ended by a deep sigh of satisfaction from this reader. 

All the elements were there historically. Queen Elizabeth as a child, Prince Edward and the notorious Wallis Simpson. Even Hitler as a black cloud on the horizon. But we pick up with Lady Georgiana (Georgie) preparing for her wedding and worrying about where she and Darcy will live on their meager combined income. It appears to be hopeless.  Add in Fig and Binky, Georgie’s granddad and a band of slap-dash servants. And my  favorite character, Queenie (the maid) is back in full force. 

The whole story is delightful from the first page to the last.This is a must read for fans, old and new, of Rhys Bowen. I highly recommend it.

 

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MY BLOG features INTERVIEWS with  best-selling AUTHORS!   December:  Jayne Ann Krentz (Amanda Quick)  January: Molly Gloss.  February: Rick Lenz, March: Patrick Canning and April: Poet, Joe Albanese
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New Short Play: Drop the Phone

Newest in the collection of ten minute plays for teens and the classroom. 

                        What would happen if you put down your phone for a half an hour and had a real conversation with another human being? Now lets mix it up further; sit down and talk to someone in your class who you don’t really know that well or at all. Are they who you thought they were? Were they surprised about who you are? This one act play, styled for the classroom (no sets, no costumes, no props), has a group of teens who do not tweet, email, Facetime or chat on their mobile devices for one half hour. They must TALK to each other, face to (real) face.  What did you learn about the person? What did you learn about yourself? 

5f. 4m.

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Click here to see all 40 short plays

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MY BLOG features INTERVIEWS with  best-selling AUTHORS!   February: Film Maker, Rick Lenz, March: Patrick Canning and April: Poet, Joe Albanese
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Jackpot!! My Children’s Play Produced in Ontario, Canada

Euphoria!!  My full length children’s play, The Exciting Exploits of an Effervescent Elf is being produced in Ontario, Canada! 

In this stand alone sequel to “Emma and the Lost Unicorn”, Emma is held captive in Patsy, the Banana Spider’s web.  No one can see her except the irrepressible elf, Cheets.  Everyone in the forest has been searching for Emma to no avail and given his reputation, no one believes Cheets when he claims to have found her. Cheets can see Emma but not hear her through Patsy’s web.  Emma must “act out” vital news concerning the enchanted forest.   Hazard, the Lord of the Underworld is selling the forest to developers.  Emma must not stand in his way!    This fable tells of greed, ecology, friendship, enduring love and justice. 

Most of the characters from “Emma and the Lost Unicorn” [Published by Samuel French] return to this new fable.  New characters include: Thomas, the sea turtle, pedantic but loveable.  Laughter erupts when the audience realizes that he speaks only in nautical expressions and sayings.  Patsy, the spider represents greed.  Rose, Emma’s mother emphasizes maternal devotion and the ability to believe when the magical creatures of the forest reveal themselves to her.  Hazard, Lord of the Underworld reunites with a lost love.  Roles for every child who auditions! fairy tales, children's plays, scripts for kids,riddles for children,unicorns

Returning characters:        
Emma, the earthling girl
                                                Cheets, the elf
                                               Stare, the rhetorical owl
                                                Donald, Emma’s faerie best friend
                                               Cleo, Queen of the Faeries
                                               Handmaidens of the Queen
                                               Assorted faeries and woodland creatures

New characters:                  Patsy, the spider
                                    Hazard, Lord of the underworld
                                    Thomas, the sea faring turtle
 Rose, Emma’s mother

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MY BLOG features INTERVIEWS with  best-selling AUTHORS!   December:  Jayne Ann Krentz (Amanda Quick)  January: Molly Gloss.  February: Rick Lenz, March: Patrick Canning and April: Poet, Joe Albanese
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Join My Blog for the Latest in Books, Writing Tips….

It’s easy. Use this link  http://www.writeratplay.com/ to sign up for my See the box on the right hand side? 

You’ll receive (in an email) weekly posts with the latest book reviews, tips about creative writing, and once a month an in-depth Interview with a best selling author or a new, upcoming writer.  Generous folks, famous and not so much (yet) have given of their time to answer my probing questions about their writing process. Fun and interesting candid photos, of the author, are sprinkled throughout the interview. 

Sometimes a post about something I thought was interesting…..But, ALWAYS to do with books, authors, writing, words, and live theatre.

My best selling post (over the past six years) has been my free tips about ‘How To Write a Play’. Thousands of people have Googled this phrase and come to my website to begin to learn this craft.

When I’m not busy with my blog, I am writing….every day. I practice what I preach! 
Short plays for the classroom, general fiction, children’s plays and fairy tales,  poetry and a true crime mystery series. Diversity is the
spice of life!  
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MY BLOG features INTERVIEWS with  best-selling AUTHORS!   December:  Jayne Ann Krentz (Amanda Quick)  January: Molly Gloss.  February: Rick Lenz. March: Patrick Canning and April: Poet, Joe Albanese

 

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How To Write a Play, The Arc

What is a story arc, you ask.  The dictionary defines a story arc as ‘(in a novel, play, or movie) the development or resolution of the narrative or principal theme’. Story arcs are the overall shape of rising and falling tension or emotion in a story. This rise and fall is created via plot and character development.

A strong storytelling arc follows this principle. It shows rise and fall, cause and effect, in a way that makes sense. An example is from one of my stage plays, Women Outside the Walls. Right before intermission, my antagonist, Charlie (an inmate) took the entire visiting room hostage, with a knife. Who wouldn’t want to come back (after intermission) to see what happens next? 

It is my belief that the story’s arc, in a stage play, should happen right before the intermission. More people than you can guess will leave at the intermission. So my theory is to ‘hook’ them and make your audience want to come back in and sit down.

 

A whole should have a beginning, middle and an end… A well constructed plot … must neither begin nor end at haphazard.’ Aristotle

 

 

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MY BLOG features INTERVIEWS with  best-selling AUTHORS!   December:  Jayne Ann Krentz (Amanda Quick)  January: Molly Gloss.  February: Rick Lenz, March: Patrick Canning and April: Poet, Joe Albanese
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A Book Review ~~ The Prisoner in the Castle by Susan Elia MacNeal

reviews, authors, writingreviews, authors, writingreviews, authors, writing     3 out of 5 quills     A Review

I was disappointed in this latest offering in the Maggie Hope series. The plot was so implausible that, after a few chapters, I hurried to the back of the book, hoping for an author’s note. Sure enough, this plot was  far-fetched but based upon truth.  MI-6 and S.O.E. actually had a ‘cooler’ where the British intelligence community sent, what they deemed, their ‘unstable’ agents. 

So why was I having such a hard time connecting with the story? Usually I adore  Maggie Hope and the series. For one thing,  I didn’t care about the other agents. There wasn’t enough of a back story on each of them for this reader to care whether they lived or died.

Just too many clichés for me. A castle and a stormy night, tripping over dead bodies, the wife locked in a castle tower. By this time in the series, Maggie is too high up in the espionage business to be unceremoniously thrown into an island prison by her own government! I couldn’t buy it. She has kept countless secrets for the realm, why is she not being trusted to keep this latest one?

Then in the last forty pages, or so, I felt like I’d been dropped into an action film, with bombs going off and Maggie having to swim for her life. It was disconcerting and unbelievable.  I just wasn’t that excited about this book, but I remain a fan. The rest of the series is one of my favorites in this genre. 

Released today. Click here

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MY BLOG features INTERVIEWS with  best-selling AUTHORS!  April: International adventurer, writer, Tal Gur.  June: Manning Wolfe. July K.M. Ecke. August: Mega best selling author, Susan Mallery. Coming this winter: Jayne Ann Krentz (Amanda Quick)

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Nostalgia… (#12)

Martin Short, (famous actor on SNL, career included dozens of movies) was recently interviewed where he told a charming story. He, Gilda Radner, Paul Shaffer were born (as actors) at ‘Second City’, Toronto.  In the early days, Martin was in a community theatre production of Fortune & Men’s Eyes. The director told the actors that, as the audience came in and took their seats, the actors would be pacing on stage, in a prison setting. In character, wearing only their underwear.

Paul Shaffer, most famous for years with Letterman

 

Fortune & Men’s Eyes

 

Gilda (whom Martin was dating at the time 1972), Paul and some other pals all planned to go see Martin one night. But, as the story goes, the thing Paul Shaffer was really excited about was they would all go for dinner after at the Shakespeare Steakhouse.

So on the night of the performance, Martin’s friends arrived and Paul, upon seeing Martin pacing, moved up the lip the of the stage and whispered, “Martin, Shakespeare  Steakhouse is closed, wink once if Bavarian Seafood makes sense.” 

John Sugarek, actor

 

 

 

This type of crazy thing happens all the time in live theatre. Short’s story brought to mind the time that my husband played Dr. Miranda, (a murderous ex-Nazi) in Death and the Maiden (a part that Ben Kingsley is famous for). Our theatre was so small that it didn’t have a curtain.  Since Dr. Miranda is held hostage and tied up for most of the play, it meant that my husband, John, remained on stage, in character and tied up during intermission. With audience members coming and going.  Actually, he volunteered as there was no logical way to get him untied and offstage. 

During intermission, a trio of white-haired senior ladies came tripping down the aisle and neared the edge of the stage. John (said later) prayed that they were not

Death and the Maiden

Ben Kingsley & Sigourney Weaver

going to speak to him.  They moved as close to him as they could and one of the dear old things winked and said to him, in a stage-whisper, “Psst! Psst! Mister! Do you want us to untie you?” Giggling and twittering they turned and found their seats again. John stayed in character but it was hard not to burst out laughing.

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MY features INTERVIEWS with  best-selling AUTHORS!   Did you miss the past few months? March: Mystery (and Western) writer, Larry D. Sweazy.  April: World Traveler, Tal Gur. June: mystery author, Manning Wolfe.
                                                                                   
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How To Format A Screenplay

TS.  ‘ACTION drives a screenplay, that and plot.  DIALOGUE drives a stage play so it better be damn good. In my opinion, if your action is good in a screenplay, the dialogue can be mediocre and often is in blockbusters. If your dialogue is crisp and interesting and helps drive the story, you’ve done a better job than most in Hollywood.’ 

While you can buy books and software to do the job for you it’s always good to have a grasp of the general spacing standards. The top, bottom and right margins of a screenplay are 1″. The left margin is 1.5″. The extra half-inch of white space to the left of a script page allows for binding with brads, yet still imparts a feeling of vertical balance of the text on the page. The entire document should be single-spaced.

The very first item on the first page should be the words FADE IN:. Note: the first page is never numbered. Subsequent page numbers appear in the upper right hand corner, 0.5″ from the top of the page, flush right to the margin.

Screenplay Elements

Below is a list of items (with definitions) that make up the screenplay format, along with indenting information. Again, screenplay software will automatically format all these elements, but a screenwriter must have a working knowledge of the definitions to know when to use each one.

Scene Heading
Indent: Left: 0.0″ Right: 0.0″ Width: 6.0″

A scene heading is a one-line description of the location and time of day of a scene, also known as a “slugline.” It should always be in CAPS.

Example: EXT. WRITERS STORE – DAY reveals that the action takes place outside The Writers Store during the daytime.

Subheader
Indent: Left: 0.0″ Right: 0.0″ Width: 6.0″

When a new scene heading is not necessary, but some distinction needs to be made in the action, you can use a subheader. But be sure to use these sparingly, as a script full of subheaders is generally frowned upon. A good example is when there are a series of quick cuts between two locations, you would use the term INTERCUT and the scene locations.

Action
Indent: Left: 0.0″ Right: 0.0″ Width: 6.0″

The narrative description of the events of a scene, written in the present tense. Also less commonly known as direction, visual exposition, blackstuff, description or scene direction.

Remember – only things that can be seen and heard should be included in the action.

Character
Indent: Left: 2.0″ Right: 0.0″ Width: 4.0″

When a character is introduced, his name should be capitalized within the action. For example: The door opens and in walks LIAM, a thirty-something hipster with attitude to spare.

A character’s name is CAPPED and always listed above his lines of dialogue. Minor characters may be listed without names, for example “TAXI DRIVER” or “CUSTOMER.”

Dialogue
Indent: Left: 1.0″ Right: 1.5″ Width: 3.5″

Lines of speech for each character. Dialogue format is used anytime a character is heard speaking, even for off-screen and voice-overs. Normal upper and lower case is used.

Parenthetical
Indent: Left: 1.5″ Right: 2.0″ Width: 2.5″

A parenthetical is direction for the character, that is either attitude or action-oriented. With roots in the playwriting genre, today, parentheticals are used very rarely, and only if absolutely necessary. Why? Two reasons. First, if you need to use a parenthetical to convey what’s going on with your dialogue, then it probably just needs a good re-write. Second, it’s the director’s job to instruct an actor on how to deliver a line, and everyone knows not to encroach on the director’s turf!

Extension
Placed after the character’s name, in parentheses

An abbreviated technical note placed after the character’s name to indicate how the voice will be heard onscreen, for example, if the character is speaking as a voice-over, it would appear as LIAM (V.O.).

Transition
Indent: Left: 4.0″ Right: 0.0″ Width: 2.0″

Transitions are film editing instructions, and generally only appear in a shooting script. Transition verbiage includes:

  • CUT TO:
  • DISSOLVE TO:
  • SMASH CUT:
  • QUICK CUT:
  • FADE TO:

As a spec script writer, you should avoid using a transition unless there is no other way to indicate a story element. For example, you might need to use DISSOLVE TO: to indicate that a large amount of time has passed.

Shot
Indent: Left: 0.0″ Right: 0.0″ Width: 6.0″

A shot tells the reader the focal point within a scene has changed. Like a transition, there’s rarely a time when a spec screenwriter should insert shot directions. Once again, that’s the director’s job. 

Sample of what your page should look like:  [Source: The Writer’s Digest]

 

 

 

other related posts by this blogger:
How To Write a Play
How To Format a Play
How To Format a Novel

 

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MY BLOG features INTERVIEWS with  best-selling AUTHORS!   Did you miss the past few months?    January: Sue Grafton ~ In Memory
March: Mystery (and Western) writer, Larry D. Sweazy.  April: in60Learning ~ A unique, non-fiction mini-book read in 60 minutes.
                                                                                   
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