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Interview with Writer for Tom Clancy, Mike Maden (Conclusion)

Q. What’s your best advice to other writers for overcoming procrastination?

MM. The first lie every writer tells themselves is this: I don’t have the time to write. The second lie is this: I can’t write. Here’s the truth: writers always write. Are you a writer? But you’re not writing? Then ask yourself this: why aren’t you writing? What are you trying to avoid by not writing? I promise you the answer is going to be some variation of abject fear. Fear of failing as a writer, of falling short of our ideal of good writing, of disappointing others, etc. In other words, it’s all about self-preservation or to be more blunt: death. Death of my ideal self, death of my status in the world as “a great writer;” some painful, shameful, hateful permutation of emotional and/or psychological destruction. Don’t believe it! Don’t define your sense of self in the world through writing. Rather, your writing is defined by your sense of self. You are not your writing. Your writing is you.

Here is the irony (and I’m stealing this from the best): if you seek to save your writer’s “life” by not doing the work in order to protect yourself, you’re going to lose the very life you’re trying to save. More simply, not writing is the death of your career. Everything you think you’re avoiding by not writing is actually going to occur when you don’t write—so write! Here’s one more tip (also stolen, in this case, from Hemingway): the first draft is always (rhymes with) “spit” so you’re only job is to “spit” out your first draft—the complete and entire first draft—and then you can fix anything later in edit, i.e., “all writing is rewriting.” If Hemingway thought his first draft was “spit” then I’m in pretty good company and so are you. I spend most of my time spitting—from an outline.

If that’s still not enough, attack the problem from the other direction. Forget yourself and simply obey the work.

Slovenia ~~ the river below the narrow trail

If you say you’re a writer then you’ve made a commitment to a “vocation” in the oldest sense of the term. Writing (truth telling, either fiction or non-fiction) is holy work; “holy” as in set apart for service. Whether or not you are religious, you committed yourself to the priesthood of Art once you said, “I am a writer.” What follows is both necessary and clear. You must recover and practice with earnest devotion the disciplines of the disciple—a follower, a student, a servant of the Work. Faith—the evidence of things hoped for, like a completed manuscript when you’re staring at the first blank page—and Love of the word are the first two hallmarks of the writer/disciple. Commitment, sacrifice, suffering…the list of the qualities of the true disciple are well known or easily discovered (e.g., the Gospels or whatever you prefer). In other words, writing is not about “you” it’s about answering the call, to saying “yes” when summoned and exerting inexhaustible effort toward the completion of the task, denying self and even other people and all other things that distract or dissuade you from your mission. “Not my will, but Thine.” If you happen to be a person of true religious faith, then your discipleship is twofold: obedience to the One who calls and fulfilling that call through the faithful exercise of the gift that the One has given you.

If all of that is too abstract then here’s the most practical advice I can give you: do yourself a favor and purchase a copy of Steven Pressfield’s, The War of Art. Study it, memorize it. Let it be your missal. Then get your derriere in the chair—and write!

Q. What comes first to you? The Characters or the Situation?

MM. Characters are all that matter. Situations, scenes, plots, actions…it all comes out of character choices, character collisions, character flaws, character construction.

Q. Do you ‘get lost’ in your writing?

MM. I start with a solid outline so I always have those touch points that keep me on the path from A to Z. But if I’m really writing—really doing it the way it’s meant to be done—I get completely carried away in the moment, plunging headlong into the river, carried along by the surging rapids.

Q. Are you working on something now? If so tell us about it.

MM. Yes. Can’t. Top secret. But it’s gonna be awesome and my first collaborative effort. News coming soon.

Q. When did you begin to write seriously?

MM. I’ve always written seriously beginning with my academic, non-fiction writing. What surprised me was to find out I was actually a writer. Yes, I could write. But I never thought of myself as a writer because of the mystery that surrounded that term. I was forty years old before I gave myself permission to call myself one. And what really surprised me was that I could write fiction. I was utterly stunned to discover I could write a screenplay but I knew beyond a shadow of a doubt I could never write a novel. Until I did. But one novel was it. Finito. No way could I do another even though I’d just signed a two-book deal. I knew I couldn’t write the sequel. Until I did. And another two-book contract showed up. And then I knew the game was up. My publisher would finally realize their big mistake. Until I finished those up too. And then…well, I think you get the idea. A serious writer writes. And writes. And writes. It’s hard work. Really hard. And it only gets harder—but only if you’re doing it right.

Q. Do you think we will see, in our lifetime, the total demise of paper books?

MM. Absolutely not. They may become rare or expensive but they will never disappear. For people of a certain age, ahem, me, the tactile nature of the printed page never ceases to amaze or comfort.

Q. What makes a writer great?

MM. All writers are great but only if they write. The act of writing—of completing the work—is an act of obedience unto the Muse. It is our offering on the altar. The mere doing of it is its own reward. Whether or not the work will be judged as “great” by history or the literati or the New York Times bestseller list is completely outside the control of the writer. We can’t choose to be “great” but we can choose to do the work. Tell the truth, be yourself (i.e., original) and do the work—the rest will follow whether you like the outcome or not.

Q. and the all-important: What does the process of going from “no book” to “finished book” look like for you?

MM. Get a bucket. Fill it with kerosene. Carry it to the top of a ten-story building. Stick your head in the bucket. Light your head on fire. Throw yourself off the roof. Hit the pavement. Douse the flames. Type, “end of chapter one.” Do it again. Sixty-five more times. Now you know what it feels like to go from “no book” to “finished book.” Easy as pie. Or as some wag said, just open up a vein and bleed onto the page.

Q. How has your life experiences influenced your writing?

MM. Everything. You write out of your life.

Q. What’s your down time look like?

MM. Reading. Watching the best film and television I can. Hanging out with my best friend (my wife). Exercise. Golf. Guns. Hiking.

Q. Have you or do you want to write in another genre`?

MM. I wish I was smart enough to write science fiction.

Q. Note to Self: (a life lesson you’ve learned.)

MM. General life lesson: “Discipline Equals Freedom.” (Jocko Willink)
General writing life lesson: “The bad news is, the Problem is Hell. The good news is, it’s just a problem. The Problem is not us. The PROBLEM is the problem. Work the Problem.” (Steven Pressfield)

PS. (from Mike Maden)  My Clancy novel ENEMY CONTACT was set in Poland. Amazing history, culture, people…and food. We love travel and learning new things but unfortunately it also means encountering the human condition in its worst permutation. Auschwitz is one such place and of all of the things that wounded me in that terrible place nothing grabbed me more than this moment. Those red shoes took me to a very dark moment. I could just see a young woman picking them out of the shop window one bright sunny morning, so happy and proud of them…having no idea where they would one day take her.

Did you miss Part I and Part 2 of this fascinating interview?

Book Review of Firing Point

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My weekly BLOG features INTERVIEWS with  best-selling AUTHORS!    March: Olivia Hawker, April: Dan Sofer, May:  Joram Piatigorsky, June: Mike Maden writing for TOM CLANCY
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Firing Point, by Mike Maden, writing for TOM CLANCY~~Book Review

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5 out of 5 quills             ~A Book Review~

 

From the first sentence, on the first page, begins a riveting new story for Jack Ryan, Jr.  Our readers would never know that Tom Clancy wasn’t writing this book. Mike Maden does his usual magic in creating another harrowing international intrigue. 

The story winds and weaves through Spain, with flash-backs to Washington D.C., and cruises the deep seas of the South Pacific.  Supreme intrigue, international terrorists, spies, and lots of techno stuff that I adore.  An extremely complex story plot made simple and clear in the deft hands (and pen) of Mike Maden. 

My new readers (Tom Clancy fans) may not know this about me: I don’t write spoilers. I don’t write cliff notes for the book. I review the WRITING! And it is a pleasure to report that the writing here is superb. 

I highly recommend this book to my readers. 
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My weekly BLOG features INTERVIEWS with  best-selling AUTHORS!    March: Olivia Hawker, April: Dan Sofer, May:  Joram Piatigorsky, June: Mike Maden writing for TOM CLANCY
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Interview with Author, Mike Maden, writing for Tom Clancy (Part 2)

Mike Maden

Q. what it is like to be a co-author on this hit franchise?

MM. I’m certain that Tom Colgan got the wrong phone number and accidentally called the wrong guy when he offered me the chance to be

Tom Clancy

an author in the Tom Clancy franchise. (To the other Mike Maden out there: sorry about that. Okay, not really.) It is such an honor and privilege to write in this world and to hang out with the iconic characters that he created. I care deeply that I get the characters right and to do the research to the best of my ability. It is a tremendous responsibility to carry on the Clancy legacy but it is also a heck of a lot of fun. It’s also crazy weird to see my name beneath Tom Clancy’s. My only regret in writing for the franchise is that I never got to meet Tom who sadly passed away in 2013.

Q. Did you write some of the teleplays or contribute as a consultant?

MM. Having written screenplays in the past, I would dearly love to contribute to the Jack Ryan TV franchise put out by Amazon Prime. Sadly for me, the creators of that show don’t need my help. They’ve re-imagined Jack Ryan senior as a young man operating in today’s world rather than in the 1980s when he was first created by Tom Clancy. Judging by the huge fan base they have (including me) I’d say they have their hands firmly on the tiller. And in a way, I have the best of all worlds. Because the TV series features a young John Krasinski, readers think the series is about Jack Ryan Jr. (which is my bailiwick) so I’m getting all kinds of credit that I don’t deserve—and at the same time, I get to watch a really great TV series without having to do any of the hard, hard work that those folks have to do to create a smash hit.

Q. Could you tell us something about yourself that we might not already know?

MM. Every time one of my novels appears on the shelf it seems like an impossible gift. Why in the world is my name on the cover? How did that happen? How have I managed to win the lottery eight times in a row? I am one blessed dude. Speaking of blessed, I also have a secret weapon at my disposal. My amazing wife is always my first reader but she goes the extra mile and also reads the entire manuscript to me out loud before I send in the first draft to the editor. All one hundred thousand words. (She is a saint.) Sometimes a sentence reads fine on the page in your mind but when read aloud it punishes the ear like nails on a chalkboard—syntax, cadence, word choice all have a different resonance when heard as opposed to read. And the typos? Those last, lurking, invisible wee beasties that are the bane of every writer? She manages to scare them out from under the covers by the sound of her parched and rasping voice. (Okay, not all of them. But a lot of them. Thank heavens for professional editors who wrangle the rest of them.) Here’s my pro tip for the day: audiobook sales are becoming a huge percentage of total book sales. By doing an “audio” edit, I’m creating prose that will read and sound better for amazing audio talents like Scott Brick (www.scottbrick.net) who has read all of my Clancy stuff.

Research is very, very important. Of course, no one was better at research than Tom Clancy and his fans expect it of me as well. A lot of my internet research focuses on weapons and technology. But I prefer spending time in the countries featured in my novels in order to provide context for the characters and story. It’s also a way to show respect for the people and cultures I write about. Fortunately, I travel with a beautiful and amazing research assistant who happens to be my wife. Here Angela is in Spain helping me thoroughly research a plate of freshly sautéed pimientos de padrón for FIRING POINT.

Q. What tools do you begin with? Legal pad, spiral notebook, pencils, fountain pen, or do you go right to your keyboard?

MM. My favorite tool is my giant white board—which is actually a 4’ x 8’ piece of white panel board I bought at Home Depot for about $15 . I use a lot of “mind mapping” to brainstorm my way through each story problem—or just dream. I do all of my writing on my laptop (MacBook Air) and I break the first draft completely on Scrivener which is the best word processing program in the world to do it—and it’s very inexpensive.  The subsequent drafts that the publisher and I trade back and forth are on Word because that is their software of choice. My 4’ x 8’ white board (newly installed, soon to be marked up with my next story):

Q. Do you have a set time each day (or night) to write?

Hiking the Julian Alps

MM. I have a strict word count I hold to slavishly seven days a week. If I meet my word count early, I stop and do something fun as a reward. But I will work as many hours as it takes to hit my number even if that means I don’t go to bed. At the end of the day, I can’t hand in my calendar to my publisher and show them how many days I worked. My contract specifies that I must turn in 100k words of polished prose so my focus is on words and not hours worked. Neither publishers nor readers care how hard you work. They only care about what you write.

Q. What’s your best advice to other writers for overcoming procrastination?

Did you miss Part I of this Interview?

For the answer come back on June 26th for the conclusion of this wonderful Interview.
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My weekly BLOG features INTERVIEWS with  best-selling AUTHORS!    March: Olivia Hawker, April: Dan Sofer, May:  Joram Piatigorsky, June: Mike Maden writing for TOM CLANCY
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The Goodbye Man by Jeffery Deaver ~~ Book Review

reviews, authors, writingreviews, authors, writing5 out of 5 quills   ~~  A Book Review reviews, authors, writingreviews, authors, writingreviews, authors, writing

Most people, who have not been seduced into a cult, are fascinated by them. For example, I find it hard to imagine subjugating myself totally to a ‘family’, a group, a commune of people with one belief. Coming under the spell of one person (usually a man) who preaches whatever just to lure you in. To give up all my worldly possessions, including money (first red flag) and surrendering my mind and soul. 

But death, grief, depression, tragedy, desperation can and does drive thousands of people to hundreds of cults across this country. The Goodbye Man takes the reader into a fictional cult who promises immortality.  Jeffery Deaver weaves a wonderful story with a plot that twists and turns with regularity. He writes with a flare that is slightly scary and causes a pit of fear in the bottom of the reader’s stomach. 

The irony, for me, was I kept seeing Donald Trump in the Deaver’s character, Master Eli (the Leader). The cadence of Eli’s speech, the repetition of certain words, (‘gorgeous’, ‘the best ever’, ‘the best in his class’, etc.) and the lies that no one could fact-check.  When a cult expert was consulted (in the story) they listed the narcissist traits in cult leaders and really!… Donald Trump was all over the page. The parallels were so starkly drawn for this reviewer, I couldn’t help but comment on it. 

Cult Leader                                            Donald Trump
all consuming ego                               all consuming ego
attacks his enemies                              attacks his enemies
lashes out in anger                                lashes out in anger
an absolute belief that he’s always    an absolute belief that he’s always right
right                 
won’t listen to advice or criticism      won’t listen to advice or criticism
paranoid                                                  paranoid
craves worship and adulation            craves worship and adulation

and…sorry, America but….43% of you are in the biggest cult existing in modern history.

I thoroughly enjoyed this read and highly recommend it.  

 

Did you miss my Interview with Jeffery Deaver?
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MY BLOG features INTERVIEWS with  best-selling AUTHORS!    March: Olivia Hawker, April: Dan Sofer, May:  Joram Piatigorsky
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Book Review ~~ Robert B. Parker’s Grudge Match

reviews, authors, writing  reviews, authors, writingreviews, authors, writingreviews, authors, writing    4 out of 5  quills      ~~  Book Review   

 

This reviewer is a big fan of Robert B. Parker but I  hadn’t  read  a Sunny Randall story  in  about ten years. Grudge Match was an excellent way to get reacquainted with Sunny. 

Sunny is hired by one of her nemesis, gangsta’, Tony Marcus. His business (criminal enterprises) partner has disappeared and he needs to find her. All the old characters are back; Susan Silverman, Spike, Junior, Ty Bop, Jesse Stone and Molly Crane, just to name a few. 

There’s a sub-plot involving Sunny’s ex-husband, Richie, that nicely breaks up the through-line of crime, murder and mayhem. Richie becomes,almost over night, the awkward step-father to a endearing, wise (beyond his tender years) boy, Richard. Completely unprepared he sucks Sunny into a sometime auntie/babysitter role. 

Mike Lupica, the writer, does a superb job of continuing this series. The writing is total Robert B. Parker and Mike doesn’t miss a beat. 
Enjoyable story and I was delighted to, once again, run the streets with Sunny Randall .

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MY BLOG features INTERVIEWS with  best-selling AUTHORS!    March: Olivia Hawker, April: Dan Sofer, May:  Joram Piatigorsky
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Book Review ~~ ‘Stay’ by Catherine Ryan Hyde

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5 out of 5 quills   

 

The exclusive Club that only faultless writers belong to is, in my view, a small membership. John Steinbeck, Robert Service, Dean Koontz, Charles Bukowski , Jane Austen, and most certainly, Catherine Ryan Hyde.

Does Hyde even know how to write a bad sentence? Are the first drafts as lovely as the final product? Or does she scourer her work until it’s perfect? Doesn’t matter. Stay is perfection. And after I read Have You Seen Luis Velez? I didn’t think it could get any better.  I know, I know, I sound as though I must be Hyde’s sister-in-law or something. I promise I’m not. What I am is a very discerning reader and lover of books and stories. 

Lately I had written a post for my blog, (about writing) and the need to always have conflict in your story. A complex story line (which you should always strive for as a writer) has a lot of loose threads to ‘tie up’. Hyde is a master at both. Multifaceted tales with every loose thread tied. In the last ten pages of the book I had a meltdown because she hadn’t revealed what had happened to the two dogs. And then there it was. 

As my readers know, I don’t write spoilers so you will never get a synopsis of the story in my reviews. What I will tell you is Stay is a compelling, heartbreaking, shocking (at times) story full of friendship and hope. While I was reading it, the song ‘Amazing Grace’ would flitter through the  auditory cortices of my brain. Because sometimes human beings can be full of amazing grace.  Buy this book, read it and tell me I’m wrong. 

 

Available at all book stores. 
Did you miss my Interview with Catherine Ryan Hyde?
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MY BLOG features INTERVIEWS with  best-selling AUTHORS!   December: Dervla McTiernan ~~ January: David Poyer  
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An Irish Country Family ~~ Book Review

reviews, authors, writing reviews, authors, writingreviews, authors, writingreviews, authors, writingreviews, authors, writing          5 out of 5 quills 

 

Every time I begin the newest (#14) in this series it is like returning home to my village. BallyBucklebo, (the village), is a character unto itself.  This particular story goes back and forth between the current year (1969) in the village and when Barry Laverty is still in residency at a local hospital. (1964-5). So half the book is before Barry ever met the patriarch and senior country physician, Final Flahertie O’Reilly or was offered a position in his practice. 

A rich series that spans decades in the ‘wee village’ of Ballybucklebo, Ulster County, Ireland. Seldom will readers find characters more deeply drawn. Beginning with An Irish Country Doctor (2007), each book follows the characters’ stories.  The author, Patrick Taylor, has an opulent flavor to his writing which is brilliant. The reader can smell the salty brine of the nearby Lough, the whisky and stale smoke in the Mucky Duck (pub). See the golden crust of Kinky’s latest offering for lunch. Feel Barry and Sue’s personal pain. I particularly enjoyed the accurate weaving of medical history throughout the story. 

This writer intertwines his characters’ stories with a precise ebb and flow. Each book makes the reader wish for more.

Did you miss my Interview with Patrick Taylor 
Book Available for Sale ~ November 12th
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How to Create Tantalizing Book Covers

Intriguing cover. I see a young man and an old lady. Something tells me they are not related. The woman is blind. (see cane) Right away when I saw this cover I knew that they were unlikely friends. BTW, it turns out this is the best book I’ve ever read!

Nine Tips on Creating your Book Cover when self-publishing. There are dozens of platforms to create a book cover. Most publishing platforms have a ‘cover creator’ that you can easily use. This post is not about building a book cover. These tips are about  content. Images and titles that attract your reader. Making them want to pick up your book.  The ‘do’s’ and ‘don’ts’ by example.

  1. A book cover is the very first thing a book buyer is going to be attracted to whether it’s in a book store browsing the shelves or surfing the digital pages on the web. It is the first and most important step in marketing your book. 
  2. Your cover should tantalize, intrigue, and compel the buyer to pick up the book or stop scrolling (on the Internet) and delve into your book.
  3. Your cover image should not be obscure. It should represent what’s inside. But just a tease.
  4. Park your ego at the door. Don’t be artsy, egotistical, or have a “I’m the author” moment when designing your book cover. Step back and try to objectively visualize what a reader might be attracted to. Represent your story with the cover image.
  5. There is a fine line between being clever and being stupid about the design for your book. 
  6. The artwork (find yourself a good graphic designer) should be as good as you can afford. The title should be in the largest font. A tag line is nice on the front cover and absolutely mandatory on the back. The author’s name is the least important.  Yep, that’s what I said. Unless you are Nora Roberts or Stephen King with enormous name-recognition, your name should take up the least amount of space. 
  7. The artwork (images) should tease; suggest what the story line is; make the buyer curious about the story inside.
  8. The image should suggest but not be specific; leave something for the reader’s imagination.
  9. Here are some samples of ‘good’ and ‘bad’ covers in this blogger/reviewer’s opinion: 



    Say Goodbye For Now
    . Looking closely, it appears to be a younger Caucasian boy and an African-American boy. The dog looks like a Shepard/husky mix or a hybrid wolf. The cover is tantalizing; are the boys friends? how does the dog fit in? Who is going to say goodby? I give this a strong  

     

     

    The Orchid Sister. Too artsy and too dark in tone. The font is hard to read. The Cover doesn’t say anything except that there is a sister.  The vibe I get from this cover is it is probably about the occult. Which it was not. Poor decisions all around.
    I give it a                                  

     

    The Oysterville Sewing Circle. This cover is too obscure. It’s a deeply rich story but the cover short-changes it and  implies that it involves a bunch of women in a sewing circle which it is not.
                                                                                             Have to give it a

     

    Dance of Murder. I give my graphic designer (David White) all the credit for this one. So I can use it as an example. Over the years, I have developed such a relationship with him that I can give him a synopsis of the story and what I envision and let him loose. This is what I got.  I’m going to rank it as I had little to do with the creative side of things. This cover tells the buyer/reader that the story is about strippers who are murdered. The neon color of ‘Dance’  emphasizes that the story is around a strip club. The art work teases just enough to intrigue. It gets a

     

    It’s Getting Scot in Here. I’m of the school that you should never show specific faces of the characters on the cover. The reader wants to have their own idea of what the characters look like, especially the heroine and hero. Why a gazebo on the cover? They were in one for a total of 3 seconds in over 300 pages of this book. While I was caught up in this fine story, my imagined lovers looked nothing like the people on the cover.
                                                                                                                                  This is a sample of what not to do:

    My Own True Duchess. This is what you should do. This cover represents exactly what the story is. A period romance. The reader can barely see what the lovers look like and leaves it to the imagination.  I give it a

      

     Blue Hollow Falls. I prefer that authors leave me to imagine what my favorite characters look like. This cover tells me that there is a single woman, probably in conflict. She appears to be discovering this conservatory or greenhouse for the first time. Her dress and the wild flowers tell me the season. I’m curious.  I give this a


    The Colonel and The Bee
    . This cover teeters between being too obscure or being just about perfect. The story is wonderful with fine writing. But the cover doesn’t tantalize like the story deserves so I have to give it a Only until after I read this fantastic story did I understand the cover. That’s a bad thing. I had never heard of the author. Something about the title made me purchase this book. But nothing about the image attracted me.

     

     

    SEE ALSO PROOF. This is one of the worst covers I’ve seen in a while.  The Title makes no sense and doesn’t present even a clue as to the story. I read the book so I can say the 5×7 note card has no relevance. And I dislike a plug for another book on the front.  Too bad because I really like what this author offers. The tag line, while a little long, is acceptable. But a very poor cover over all.                              

     I give it a

     

     

    Women Outside the Walls. Yep, this is mine. But it’s a good example of what you want your cover to achieve.  The three women speak of how different they are in social status and education. There’s rebellion and grief in their expressions. The title makes the reader wonder; are they outside prison walls? Probably. But how did they get there?  Again, the value of a graphic artist.  I give it a

    I want to emphasize how important the cover is. If you can, invest in a good graphic artist. My experience has been to give them some room to create. The front cover should be simple as far as text:  title, author’s name, a tag line. The back cover is where you put the synopsis, some reviews, another tag line (if you want) and a short bio of the author with a small photo. 
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    MY BLOG features INTERVIEWS with  best-selling AUTHORS!    July — Catherine Ryan Hyde.  August:  My interview with Susan Wiggs  September: Alan Foster (sci-fi) and October: Kristina McMorris
     
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Review~~Sold on a Monday by Kristina McMorris

reviews, authors, writingreviews, authors, writingreviews, authors, writingreviews, authors, writing4 out of 5 quills     Book Review

Sold on a Monday is riveting. Based on true events during the great depression; the selling of children was all too common. A last resort by mothers who could no longer feed their own children. The writing is very good and the book is a page turner for sure. 

The story begins when the oh-so-flawed hero and cub reporter discovers a sign outside a clapboard shack; KIDS FOR SALE. (Similar to this one below, caught and reported in an actual newspaper of the time.)  His intentions are true when he snaps a photo and returns to his office in the hopes that his story and photo will be published. When the photo is accidently destroyed he stages a new photo with the same sign but different children. (Not for sale.) Leading to his big break but with devastating consequences.

This story touched a very personal chord with this reviewer. I learned, very late in life, that before I was born my own mother had ‘farmed out’ my older sister and brother. (Not once but several times.) Sending them to strangers to work as indentured workers.   I had begun to write a loving and warm memoir (Wild Violets). The story plot was based upon my mother in her younger, entrepreneurial years when she was a bar owner in San Francisco (1920’s). Shortly after, I learned about the ‘farming out’ of my brother and sister.  If I was going to be true to myself as a writer, I had to write about this side of my own mother. Her motives were much more selfish. She was doing well and could feed her kids. But they were frequently in the way of her life style. Working hard, playing hard and many men.

After reading Sold on a Monday I have wondered if my mother’s circumstances had been slightly different would she have sold my siblings outright. A terrible thought.

I know my readers will enjoy this story and I highly recommend it. 

Did you catch my interview with Kristina McMorris?

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MY BLOG features INTERVIEWS with  best-selling AUTHORS!    July — Catherine Ryan Hyde.  August:  My interview with Susan Wiggs  September: Alan Foster (sci-fi) and October: Kristina McMorris
 
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Dust Off that Play and do Some Rewrites…

Don’t be shy about looking at something you wrote a few years ago and rewriting and revising it. Most reputable publishing platforms will allow you to change the interior files and upload a revised, improved edition. I reviewed this children’s play of mine and in doing so found some editing and new writing. 

It’s October, Halloween is right around the corner. So I hauled out a play script that I wrote in 2013. Wow!  Did it need work. So I edited, did some extensive rewrites, gave it a new, more contemporary cover and then re-published. 

Synopsis: A young family rents a deserted lighthouse so that their critically ill daughter can enjoy the sea breezes and beautiful countryside. Little do they know that, for centuries, the lighthouse has been the home and is in the ‘possession’ of four outrageous spirits.  
 
Ben, an eight year old boy, has no trouble whatsoever making friends with two of the spirits, Baubles and Chaos.  The story climaxes as Claire, ill with cancer, slowly fades toward death. Baubles and Chaos have no intention of letting that happen! 

Available now!

 
While this play has it’s serious moments, for the most part, it is a comedy and makes for great fun as the spirits romp around the stage. The adults can neither see nor hear Chaos and Baubles as they converse and play with the children and terrorize a ‘Man of the Cloth’! All in innocent fun, of course!  4f. 4m. 2 children

If you’re an aspiring playwright you might want to take a look at >>>>>>>>>>>>>

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MY BLOG features INTERVIEWS with  best-selling AUTHORS!    July — Catherine Ryan Hyde.  August:  My interview with Susan Wiggs  September: Alan Foster (sci-fi) and October: Kristina McMorris
 
To receive my posts sign up for my 

  On the home page, enter your email address.  Thanks!

 

 

 

 

 

Available now!