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Interview with Writer for Tom Clancy, Mike Maden (Conclusion)

Q. What’s your best advice to other writers for overcoming procrastination?

MM. The first lie every writer tells themselves is this: I don’t have the time to write. The second lie is this: I can’t write. Here’s the truth: writers always write. Are you a writer? But you’re not writing? Then ask yourself this: why aren’t you writing? What are you trying to avoid by not writing? I promise you the answer is going to be some variation of abject fear. Fear of failing as a writer, of falling short of our ideal of good writing, of disappointing others, etc. In other words, it’s all about self-preservation or to be more blunt: death. Death of my ideal self, death of my status in the world as “a great writer;” some painful, shameful, hateful permutation of emotional and/or psychological destruction. Don’t believe it! Don’t define your sense of self in the world through writing. Rather, your writing is defined by your sense of self. You are not your writing. Your writing is you.

Here is the irony (and I’m stealing this from the best): if you seek to save your writer’s “life” by not doing the work in order to protect yourself, you’re going to lose the very life you’re trying to save. More simply, not writing is the death of your career. Everything you think you’re avoiding by not writing is actually going to occur when you don’t write—so write! Here’s one more tip (also stolen, in this case, from Hemingway): the first draft is always (rhymes with) “spit” so you’re only job is to “spit” out your first draft—the complete and entire first draft—and then you can fix anything later in edit, i.e., “all writing is rewriting.” If Hemingway thought his first draft was “spit” then I’m in pretty good company and so are you. I spend most of my time spitting—from an outline.

If that’s still not enough, attack the problem from the other direction. Forget yourself and simply obey the work.

Slovenia ~~ the river below the narrow trail

If you say you’re a writer then you’ve made a commitment to a “vocation” in the oldest sense of the term. Writing (truth telling, either fiction or non-fiction) is holy work; “holy” as in set apart for service. Whether or not you are religious, you committed yourself to the priesthood of Art once you said, “I am a writer.” What follows is both necessary and clear. You must recover and practice with earnest devotion the disciplines of the disciple—a follower, a student, a servant of the Work. Faith—the evidence of things hoped for, like a completed manuscript when you’re staring at the first blank page—and Love of the word are the first two hallmarks of the writer/disciple. Commitment, sacrifice, suffering…the list of the qualities of the true disciple are well known or easily discovered (e.g., the Gospels or whatever you prefer). In other words, writing is not about “you” it’s about answering the call, to saying “yes” when summoned and exerting inexhaustible effort toward the completion of the task, denying self and even other people and all other things that distract or dissuade you from your mission. “Not my will, but Thine.” If you happen to be a person of true religious faith, then your discipleship is twofold: obedience to the One who calls and fulfilling that call through the faithful exercise of the gift that the One has given you.

If all of that is too abstract then here’s the most practical advice I can give you: do yourself a favor and purchase a copy of Steven Pressfield’s, The War of Art. Study it, memorize it. Let it be your missal. Then get your derriere in the chair—and write!

Q. What comes first to you? The Characters or the Situation?

MM. Characters are all that matter. Situations, scenes, plots, actions…it all comes out of character choices, character collisions, character flaws, character construction.

Q. Do you ‘get lost’ in your writing?

MM. I start with a solid outline so I always have those touch points that keep me on the path from A to Z. But if I’m really writing—really doing it the way it’s meant to be done—I get completely carried away in the moment, plunging headlong into the river, carried along by the surging rapids.

Q. Are you working on something now? If so tell us about it.

MM. Yes. Can’t. Top secret. But it’s gonna be awesome and my first collaborative effort. News coming soon.

Q. When did you begin to write seriously?

MM. I’ve always written seriously beginning with my academic, non-fiction writing. What surprised me was to find out I was actually a writer. Yes, I could write. But I never thought of myself as a writer because of the mystery that surrounded that term. I was forty years old before I gave myself permission to call myself one. And what really surprised me was that I could write fiction. I was utterly stunned to discover I could write a screenplay but I knew beyond a shadow of a doubt I could never write a novel. Until I did. But one novel was it. Finito. No way could I do another even though I’d just signed a two-book deal. I knew I couldn’t write the sequel. Until I did. And another two-book contract showed up. And then I knew the game was up. My publisher would finally realize their big mistake. Until I finished those up too. And then…well, I think you get the idea. A serious writer writes. And writes. And writes. It’s hard work. Really hard. And it only gets harder—but only if you’re doing it right.

Q. Do you think we will see, in our lifetime, the total demise of paper books?

MM. Absolutely not. They may become rare or expensive but they will never disappear. For people of a certain age, ahem, me, the tactile nature of the printed page never ceases to amaze or comfort.

Q. What makes a writer great?

MM. All writers are great but only if they write. The act of writing—of completing the work—is an act of obedience unto the Muse. It is our offering on the altar. The mere doing of it is its own reward. Whether or not the work will be judged as “great” by history or the literati or the New York Times bestseller list is completely outside the control of the writer. We can’t choose to be “great” but we can choose to do the work. Tell the truth, be yourself (i.e., original) and do the work—the rest will follow whether you like the outcome or not.

Q. and the all-important: What does the process of going from “no book” to “finished book” look like for you?

MM. Get a bucket. Fill it with kerosene. Carry it to the top of a ten-story building. Stick your head in the bucket. Light your head on fire. Throw yourself off the roof. Hit the pavement. Douse the flames. Type, “end of chapter one.” Do it again. Sixty-five more times. Now you know what it feels like to go from “no book” to “finished book.” Easy as pie. Or as some wag said, just open up a vein and bleed onto the page.

Q. How has your life experiences influenced your writing?

MM. Everything. You write out of your life.

Q. What’s your down time look like?

MM. Reading. Watching the best film and television I can. Hanging out with my best friend (my wife). Exercise. Golf. Guns. Hiking.

Q. Have you or do you want to write in another genre`?

MM. I wish I was smart enough to write science fiction.

Q. Note to Self: (a life lesson you’ve learned.)

MM. General life lesson: “Discipline Equals Freedom.” (Jocko Willink)
General writing life lesson: “The bad news is, the Problem is Hell. The good news is, it’s just a problem. The Problem is not us. The PROBLEM is the problem. Work the Problem.” (Steven Pressfield)

PS. (from Mike Maden)  My Clancy novel ENEMY CONTACT was set in Poland. Amazing history, culture, people…and food. We love travel and learning new things but unfortunately it also means encountering the human condition in its worst permutation. Auschwitz is one such place and of all of the things that wounded me in that terrible place nothing grabbed me more than this moment. Those red shoes took me to a very dark moment. I could just see a young woman picking them out of the shop window one bright sunny morning, so happy and proud of them…having no idea where they would one day take her.

Did you miss Part I and Part 2 of this fascinating interview?

Book Review of Firing Point

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My weekly BLOG features INTERVIEWS with  best-selling AUTHORS!    March: Olivia Hawker, April: Dan Sofer, May:  Joram Piatigorsky, June: Mike Maden writing for TOM CLANCY
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Firing Point, by Mike Maden, writing for TOM CLANCY~~Book Review

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5 out of 5 quills             ~A Book Review~

 

From the first sentence, on the first page, begins a riveting new story for Jack Ryan, Jr.  Our readers would never know that Tom Clancy wasn’t writing this book. Mike Maden does his usual magic in creating another harrowing international intrigue. 

The story winds and weaves through Spain, with flash-backs to Washington D.C., and cruises the deep seas of the South Pacific.  Supreme intrigue, international terrorists, spies, and lots of techno stuff that I adore.  An extremely complex story plot made simple and clear in the deft hands (and pen) of Mike Maden. 

My new readers (Tom Clancy fans) may not know this about me: I don’t write spoilers. I don’t write cliff notes for the book. I review the WRITING! And it is a pleasure to report that the writing here is superb. 

I highly recommend this book to my readers. 
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My weekly BLOG features INTERVIEWS with  best-selling AUTHORS!    March: Olivia Hawker, April: Dan Sofer, May:  Joram Piatigorsky, June: Mike Maden writing for TOM CLANCY
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A New Short Play for Teens in the Classroom

AVAILABLE NOW! 
I Can’t Breathe  ©

I have just completed writing a new, ten minute play for the classroom and teens about the protests in our streets and the murder of George Floyd. 

Synopsis: Jorge, a young black man is asked to teach a social studies class by his teacher. What it’s like to live the black experience. Only to become a victim, himself, later that same day. Driving home from school he is stopped by cops for a traffic infraction. It quickly turns deadly.

Sample:

At Rise: The interior of a car.

            (JORGE is driving HIS small SUV down a   neighborhood street, at a reasonable speed. Blue lights         erupt in HIS rearview mirror.)

 

                                                    JORGE

Oh crap. (He talks to himself.) I wasn’t speeding….was I?

            (JORGE pulls over and watches in HIS side  mirror as a white COP walks from HIS squad car towards JORGE’s car. JORGE starts  reciting everything his mom told him to do in case HE’s  pulled over.)  

                                                                                                                                                           JORGE

Be polite. ‘Yes, sir’, ‘No, sir’. Don’t argue, don’t resist. Be polite whatever happens.

 

            (The COP arrives at the driver’s side window. HE taps on the closed window.)

 

                                                                                                                                                      JORGE   (Rolling down the window.)

Good afternoon, Officer.

 

                                                                                                                                                       COP

Reason why you didn’t stop when I lit you up?

 

                                                                                                                                                  JORGE

I did….sorry, sir. No reason, sir.

 

                                                                                                                                                    COP
License, registration, proof of insurance. Who’s the vehicle belong to?

 

                                                                          JORGE
                             (Scrambling to get the documents out of the glove box.) 

My mom, sir.

                                                                                                                                                   COP

What are ya?⸺a wise ass⸺with all the ‘sirs’?

 

                                                                                                                                                 JORGE

No, s….no, officer. I’m not.

                                                                                                                                                    COP
                                                                                                                   (Grabbing the door handle. It is locked.) 

Step outta the car.

                                                          JORGE
                       (Getting scared. Forgetting everything HIS mom ever told HIM.)

Why?

                                                                                                                                                  COP

Unlock the door and step out…NOW!
                                                                  ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
Available soon at Amazon.com and all other fine book stores. Or contact this playwright for your “pre-order” copy.
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My weekly BLOG features INTERVIEWS with  best-selling AUTHORS!    March: Olivia Hawker, April: Dan Sofer, May:  Joram Piatigorsky, June: Mike Maden writing for TOM CLANCY
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Interview with Author, Mike Maden, writing for Tom Clancy (Part 2)

Mike Maden

Q. what it is like to be a co-author on this hit franchise?

MM. I’m certain that Tom Colgan got the wrong phone number and accidentally called the wrong guy when he offered me the chance to be

Tom Clancy

an author in the Tom Clancy franchise. (To the other Mike Maden out there: sorry about that. Okay, not really.) It is such an honor and privilege to write in this world and to hang out with the iconic characters that he created. I care deeply that I get the characters right and to do the research to the best of my ability. It is a tremendous responsibility to carry on the Clancy legacy but it is also a heck of a lot of fun. It’s also crazy weird to see my name beneath Tom Clancy’s. My only regret in writing for the franchise is that I never got to meet Tom who sadly passed away in 2013.

Q. Did you write some of the teleplays or contribute as a consultant?

MM. Having written screenplays in the past, I would dearly love to contribute to the Jack Ryan TV franchise put out by Amazon Prime. Sadly for me, the creators of that show don’t need my help. They’ve re-imagined Jack Ryan senior as a young man operating in today’s world rather than in the 1980s when he was first created by Tom Clancy. Judging by the huge fan base they have (including me) I’d say they have their hands firmly on the tiller. And in a way, I have the best of all worlds. Because the TV series features a young John Krasinski, readers think the series is about Jack Ryan Jr. (which is my bailiwick) so I’m getting all kinds of credit that I don’t deserve—and at the same time, I get to watch a really great TV series without having to do any of the hard, hard work that those folks have to do to create a smash hit.

Q. Could you tell us something about yourself that we might not already know?

MM. Every time one of my novels appears on the shelf it seems like an impossible gift. Why in the world is my name on the cover? How did that happen? How have I managed to win the lottery eight times in a row? I am one blessed dude. Speaking of blessed, I also have a secret weapon at my disposal. My amazing wife is always my first reader but she goes the extra mile and also reads the entire manuscript to me out loud before I send in the first draft to the editor. All one hundred thousand words. (She is a saint.) Sometimes a sentence reads fine on the page in your mind but when read aloud it punishes the ear like nails on a chalkboard—syntax, cadence, word choice all have a different resonance when heard as opposed to read. And the typos? Those last, lurking, invisible wee beasties that are the bane of every writer? She manages to scare them out from under the covers by the sound of her parched and rasping voice. (Okay, not all of them. But a lot of them. Thank heavens for professional editors who wrangle the rest of them.) Here’s my pro tip for the day: audiobook sales are becoming a huge percentage of total book sales. By doing an “audio” edit, I’m creating prose that will read and sound better for amazing audio talents like Scott Brick (www.scottbrick.net) who has read all of my Clancy stuff.

Research is very, very important. Of course, no one was better at research than Tom Clancy and his fans expect it of me as well. A lot of my internet research focuses on weapons and technology. But I prefer spending time in the countries featured in my novels in order to provide context for the characters and story. It’s also a way to show respect for the people and cultures I write about. Fortunately, I travel with a beautiful and amazing research assistant who happens to be my wife. Here Angela is in Spain helping me thoroughly research a plate of freshly sautéed pimientos de padrón for FIRING POINT.

Q. What tools do you begin with? Legal pad, spiral notebook, pencils, fountain pen, or do you go right to your keyboard?

MM. My favorite tool is my giant white board—which is actually a 4’ x 8’ piece of white panel board I bought at Home Depot for about $15 . I use a lot of “mind mapping” to brainstorm my way through each story problem—or just dream. I do all of my writing on my laptop (MacBook Air) and I break the first draft completely on Scrivener which is the best word processing program in the world to do it—and it’s very inexpensive.  The subsequent drafts that the publisher and I trade back and forth are on Word because that is their software of choice. My 4’ x 8’ white board (newly installed, soon to be marked up with my next story):

Q. Do you have a set time each day (or night) to write?

Hiking the Julian Alps

MM. I have a strict word count I hold to slavishly seven days a week. If I meet my word count early, I stop and do something fun as a reward. But I will work as many hours as it takes to hit my number even if that means I don’t go to bed. At the end of the day, I can’t hand in my calendar to my publisher and show them how many days I worked. My contract specifies that I must turn in 100k words of polished prose so my focus is on words and not hours worked. Neither publishers nor readers care how hard you work. They only care about what you write.

Q. What’s your best advice to other writers for overcoming procrastination?

Did you miss Part I of this Interview?

For the answer come back on June 26th for the conclusion of this wonderful Interview.
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My weekly BLOG features INTERVIEWS with  best-selling AUTHORS!    March: Olivia Hawker, April: Dan Sofer, May:  Joram Piatigorsky, June: Mike Maden writing for TOM CLANCY
To receive my posts sign up for my 

  On the home page, enter your email address.  Thanks!

 

 

 

 

Interview with Mike Maden, writing for Tom Clancy


Mike Maden grew up working in the canneries, feed mills and slaughterhouses of California’s San Joaquin Valley. A lifelong fascination with history and warfare ultimately lead to a Ph.D. in political science focused on conflict and technology in international relations. Like millions of others, he first became a Tom Clancy fan after reading THE HUNT FOR RED OCTOBER and began his published fiction career in the same techno-thriller genre, starting with DRONE and the sequels, BLUE WARRIOR, DRONE COMMAND and DRONE THREAT. Mike’s fourth Tom Clancy novel, FIRING POINT, featuring Jack Ryan Jr., was released June 9th.
                                   ~~~~~~~~~~~~~~~~~~~

Q. Where do you write? Do you have a special room, shed, barn, special space for your writing? (please provide a photo of you at work in your shed, room, closet, barn, houseboat….) Or tell us about your ‘dream’ work space.

MM. My office is a converted screened-in porch with a stunning view of the Smoky Mountains. We put in a giant plate glass window to capture that view and it’s a constant source of both inspiration and distraction for me as the seasons unfold before my eyes. I split my time equally between a sitting and a standing desk.

Witness the distractions (actual photos from my office/deck. My desk (seldom this uncluttered while working. My “stand up” desk (notice the hand crank). A gift from my wife after publishing my second book:

Q. Do you have any special rituals or quirks when you sit down to write? (a neat work space, sharpened #2 pencils, legal pad, cup of tea, glass of brandy, favorite pajamas, etc.)

MM. Gallons of coffee and a workout at the gym (in that order) are my first morning rituals. I usually arrive at the desk late mornings where I begin the writing day with meditation and journaling. And coffee. Always more coffee. This period of time is always my least productive in terms of word count but absolutely necessary for my process. After lunch I crank out a few more words and often crash into a power nap and then really get rolling on the word count. The late evening is when the afterburners kick in; I’ve kept track of my word counts and writing times over the years and invariably 60% of my work occurs during this later period. I strongly urge all writers but particularly new ones to track their word counts. You might be surprised that your best writing doesn’t occur at either the time or place you assumed. All of us, including full-time writers, simply don’t have enough time to do everything that needs to be done. So if you are particularly time-challenged—balancing career, family, and other responsibilities against your writing time—then being as efficient as possible is absolutely necessary. Nearly every book on creativity will tell you that early mornings right after you wake up is your most creative time and many writers will tell you that they fall out of bed and onto the typewriter even before they have their first cup of coffee or tea. I’m here to tell you, that ain’t me and I have the stats to back it up. So take a week and assiduously track your writing hour-by-hour and find out when you are at your personal best as a writer and ruthlessly schedule yourself accordingly.

Q. How do you ‘get inside’ Tom Clancy’s head and write for him?

MM. The day I got the call from the series editor, Tom Colgan, and was offered the position was both the best and most terrifying day of my literary life. I’ve been a fan of Tom Clancy’s ever since I read THE HUNT FOR RED OCTOBER. He was a giant and, in my opinion, single-handedly invented the techno-thriller genre, or at least the one we’re all familiar with. What an honor to be asked to join The Campus…but what a responsibility! It was as if Queen Elizabeth had called me up and asked me to add a play or two to Shakespeare’s First Folio. What to do? I was already writing in the genre that Tom Clancy had invented which meant I pretty much had to accept the offer, right? Otherwise, time to hang up my spurs. Except…I did have one pre-condition in my mind that would kill the deal: if I was asked to imitate Tom Clancy’s voice. It’s a huge mistake for anybody to try and imitate a wholly original voice because it simply can’t be done well and I was incredibly relieved to hear Tom Colgan warn me against trying to do so before I even had the chance to ask. This showed me that both Tom Colgan and the Clancy Estate knew exactly how to approach the problem of inviting writers into the Clancy world. I was told in no uncertain terms to write in my own voice and in my own style and I think that’s why all of the other Clancy writers have done such a great job over the years as well.

Q. Do you find your ‘voice’ creeping in when writing for another author?

MM. Absolutely—see above! The single most difficult but most necessary task of an author is to find their own unique voice. The only original thing we have to offer the world is our unique selves; the words we all use are the same, aren’t they? Have you ever read someone slavishly imitating the style of another writer? Yuck. It smacks of artifice and desperation—the act of someone utterly lacking in confidence and originality. We love writers who are original which is another way of saying that they are being their true selves on the page. There are, of course, rules—precious few, mind you—in the Clancyverse that I must obey (e.g., no one in the world recognizes Jack Ryan Junior as the son of President Jack Ryan Senior). But so long as I stay within the guardrails, I’m free to drive as fast and as violently as I care to.
And I do.

Tune in for part 2 of our chat with Mike Maden, June 19th 
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My weekly BLOG features INTERVIEWS with  best-selling AUTHORS!    March: Olivia Hawker, April: Dan Sofer, May:  Joram Piatigorsky, June: Mike Maden writing for TOM CLANCY
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Storytelling….. (Nostalgia series)

I was reading a particularly good story (Brave Girl, Quiet Girl by Catherine Ryan Hyde)  the other day and it set me to wondering;  when was my first memory of a story being told to me. The very first one? I must have been three or four when I first heard of Cinderella. Many stories were told orally by my mother.   It’s really amazing how many fairy tales she knew by heart. I believe that began my life-long-love of story telling.  When I got a little older, my mother went on to tell me hundreds of stories about her five sisters and their growing up in the woods of Tumwater, Washington.  (Wild Violets)

At about age eighteen my sister gave me three books by Erich Maria Remarque. I don’t remember why those particular books, or why that author. Arch of Triumph, A Time to Love and A Time to Die, and All Quiet on the Western Front. (First Editions, copyright 1954) I wasn’t a reader of books; a typical teenager who got plenty of assigned reading in high school left no time for pleasure reading. Sigh. I can’t believe I was ever of that mindset!

 I had idolized my big sister since birth and wanted to please her in all things so I began reading the first book. I was enthralled with the writing and the story. Sixty years later I still have those books; From that moment on I have always had a book in my hands. 

There came a time when I felt I should try my hand at ‘storytelling’.  Writing plays at first. Telling a story in less than 100 pages. It came so naturally. Friends who read my plays wanted more of the stories; fleshed out as it were. (What happened to the characters after the play was over; what were their lives like before the play began?) and they insisted I expand the stage play into a full length novel. Which, even though it took me years of labor, I did. 

As I lived my life I was always the one who sought out stories. I never tired of my mother’s tales about her and her sisters and what hellions they were. My own library of books grew and grew.  Walls  of books.

Around 1994, I sat down and wrote my first stage play…and as they say…the rest is history! By this time I had read hundreds of scripts (during my acting career)  so I found it extraordinarily easy to write in that format. It certainly sharpened my skills at writing dialogue. Along the way, I discovered that ten minute plays were very popular and for me, easy and fun to write. 

In another life I must have been a forensics detective because, as a hobby, I love murder, gore, forensics and clues. Characters come first for me when writing and one day Detectives Jack O’Roarke and Stella Garcia popped into my head. They were fully formed and rarin’-ta-go!  (World of Murder).

My advice to writers? If you’re just starting out, tell a story you know . You can always research a topic that you don’t know anything about but your writing will take longer, because you must get it right.  Keep writing!

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MY BLOG features INTERVIEWS with  best-selling AUTHORS!    March: Olivia Hawker, April: Dan Sofer, May:  Joram Piatigorsky, June: Mike Maden writing for TOM CLANCY
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Look Inside ~~ How.To.Write.A.Play/Journal

                                                                                   Introduction

I created this journal/workbook to encourage other playwrights to pursue their dreams.  It doesn’t matter that you are just beginning your journey as a writer. Whatever your level of writing may be I have tried to create a journal for the playwright inside all of us. Perhaps you have been journaling for years and want to try your hand at a stage script.  Or you are a more experienced writer and need a little inspiration to get you started on your next project. Regardless of your experience, I hope you find this journal encouraging and a safe place to store your characters, your story outlines, and your private ideas for future plays.

Only when I began to write seriously did I come to realize that I had been writing my entire adult life.  But back then I considered it just ‘scribbling’. 

A thought I didn’t want to forget, or a feeling I had to capture.  Or a phrase that I was inspired by. I have written over fifty plays of all lengths. 30 of these are short, often ten minute, plays for teens in the classroom. No sets, no props, no costumes. Being an actor and then a director (in a past life) I have read hundreds of scripts and I urge you to do the same. It’s great research on being a better playwright.

But most important, have fun. Stop to enjoy the process. You will stumble and fall. If you write something that is bad, remember, that’s what re-writes are for!   

                                                              Table of Contents

                          Section 1…How to Begin…                                                           

                          Section 2…How to Write a Play…                                          

                          Section 3…Creating Rich Characters…                             

                         Section 4…Story Telling                                                           

                          Section 5… Protagonist, Antagonist, Conflict  

                          Section 6… How to Block…                                                   

                          Section 7… Snappy Dialogue…                                            

                          Section 8… Set Design…                                                         

                           Section 9… Formatting your Play…                                  

                         Section 10.… Terminology…                                   

 

 

The difference between the right word and the nearly right word is the same as that between lightning and the lightning bug.

Mark Twain

How to Begin

   To stare at a blank page or screen this is the scariest thing of all and sometimes causes a writer to give up before they have begun. Ray Bradbury said, “Writing is supposed to be difficult, agonizing, a dreadful exercise, a terrible occupation.”   Forget for a moment about writing a Tony award winning stage play. Begin with the first outline of your story.  Don’t let people tell you it starts with the first word that’s just silly. Practice writing that first piece of dialogue. For example:

SAM. (Pulling the stranger out of the street.) Watch out! Didn’t you see that bus bearing down on you?

JANE. (Clinging to his arm.) No. I wasn’t thinking I didn’t see thank you.

And…

BILL. (Sitting at the steel table.) What the hell am I doing here? What was I thinking visiting a convicted killer?’

And…

VIOLET. (Laughing and clinging to the hand strap.) Slow down, Al! You’re gonna kill us. BUTCH. Shut your pie-hole, Vi. That Sheriff is hot on my bumper.

And…

BRITTANY. (Sitting in a waiting room and muttering.) My first audition since I hit Hollywood and what if I fail?

BRET. (Standing in the doorway.) Ms. Jones? We’re ready for you.

And…

TONY. (Cringing behind his desk.) Don’t read that, Mr. Nelson. The poem’s not finished. JOANIE. (Sighing, murmurs to herself.) He’s so handsome. He doesn’t even see me. I wish I was as pretty as Mary Jane.

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 You have an idea for a play in your mind.  Write down the first idea.  Write two ideas that are different.  Now choose the one that is your best idea.  Ideally, the first few lines of a play should capture the audience from the first utterance. This will launch your writing and your play. 

 Be certain that the main characters are well developed before you get too far into the dialogue (See Section 3.) 

 This is the chapter for ‘character building and character analysis.   Use this chapter to not only develop your characters but to jot down your observations of real people that you’ve seen and heard.

         Listen to people. Notice how they speak; the cadence of their speech, the slang that they use. 

               I can only tell you how my stories come to me.  I’m certain it’s different for everyone.

An idea will pop into my mind.  For several days it will germinate and then it starts to write itself.  When my brain is full of ideas, dialogue, and people I have to sit down at my keyboard and transfer it.

 Do not feel as though you must have a whole script ready to write.  I’d never get anything written if I put that kind of pressure on myself.   My hope is that you find this work book/ journal helpful in that way.

                    Now, write the first few lines of dialogue for your first or newest script here:

“A will finds a way.” Orison Swett Marden

Following each section are blank, lined pages for you to write on, experiment with ideas, and practice dialogue. Each  blank page is embedded with a famous quote to inspire you on the road to becoming a playwright. 

                                                                                                                                            “When I’m hungry, I eat. When I’m  thirsty, I drink.                                                                                                                                                                                   When I feel like  saying something, I say it.” Madonna

                                                                               

“An actor without a playwright is like a hole without a

doughnut.”  George Jean Nathan

 

To See More Pages, Click Here 

 

There’s another journal/handbook for creative writers, covering fiction, playwriting, poetry and much more.

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LOOK Inside

Maybe you journal and are looking for a simple, easy to use journal for your daily entries. Blank, lined pages with inspiring quotes from famous people to keep you writing. 

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MY BLOG features INTERVIEWS with  best-selling AUTHORS!    March: Olivia Hawker, April: Dan Sofer, May:  Joram Piatigorsky, June: Mike Maden writing for TOM CLANCY
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The Goodbye Man by Jeffery Deaver ~~ Book Review

reviews, authors, writingreviews, authors, writing5 out of 5 quills   ~~  A Book Review reviews, authors, writingreviews, authors, writingreviews, authors, writing

Most people, who have not been seduced into a cult, are fascinated by them. For example, I find it hard to imagine subjugating myself totally to a ‘family’, a group, a commune of people with one belief. Coming under the spell of one person (usually a man) who preaches whatever just to lure you in. To give up all my worldly possessions, including money (first red flag) and surrendering my mind and soul. 

But death, grief, depression, tragedy, desperation can and does drive thousands of people to hundreds of cults across this country. The Goodbye Man takes the reader into a fictional cult who promises immortality.  Jeffery Deaver weaves a wonderful story with a plot that twists and turns with regularity. He writes with a flare that is slightly scary and causes a pit of fear in the bottom of the reader’s stomach. 

The irony, for me, was I kept seeing Donald Trump in the Deaver’s character, Master Eli (the Leader). The cadence of Eli’s speech, the repetition of certain words, (‘gorgeous’, ‘the best ever’, ‘the best in his class’, etc.) and the lies that no one could fact-check.  When a cult expert was consulted (in the story) they listed the narcissist traits in cult leaders and really!… Donald Trump was all over the page. The parallels were so starkly drawn for this reviewer, I couldn’t help but comment on it. 

Cult Leader                                            Donald Trump
all consuming ego                               all consuming ego
attacks his enemies                              attacks his enemies
lashes out in anger                                lashes out in anger
an absolute belief that he’s always    an absolute belief that he’s always right
right                 
won’t listen to advice or criticism      won’t listen to advice or criticism
paranoid                                                  paranoid
craves worship and adulation            craves worship and adulation

and…sorry, America but….43% of you are in the biggest cult existing in modern history.

I thoroughly enjoyed this read and highly recommend it.  

 

Did you miss my Interview with Jeffery Deaver?
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MY BLOG features INTERVIEWS with  best-selling AUTHORS!    March: Olivia Hawker, April: Dan Sofer, May:  Joram Piatigorsky
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Book Review ~~ Brave Girl, Quiet Girl

5 out of  5 quills            ~~  A Book  Reviewreviews, authors, writing reviews, authors, writingreviews, authors, writingreviews, authors, writingreviews, authors, writing

 

No surprises here! The writing is …..(I’m running out of adjectives)…superb, luscious, heart rending, and inspired. The characters that Catherine Ryan Hyde has created and drawn are empathic, scary, motivating, and real. The reader falls in love with all of them, even the villains. 

Never one to write spoilers….I’ll let the back jacket of the book do that…I’d rather give my assessment of the writing, the characters and the story. 
The writing: flawless, (as usual) keeping the reader riveted to the story. The characters: Well drawn with depth and a back story for each character. The bonding between a run-away teen and a toddler is beautiful to witness.  The story: You’d think that it was unlikely and (slightly) unbelievable for a run away to keep a baby for that long but then the reader understands that Molly had very few, if any, options.  This is the story of three people who find each other…but the question is, will they keep each other?

I highly recommend this book to my readers. It’s a rich story about the humanity in all of us. 

Did you miss my Interview with Catherine Ryan Hyde?
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MY BLOG features INTERVIEWS with  best-selling AUTHORS!    March: Olivia Hawker, April: Dan Sofer, May:  Joram Piatigorsky
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Book Review ~~ Robert B. Parker’s Grudge Match

reviews, authors, writing  reviews, authors, writingreviews, authors, writingreviews, authors, writing    4 out of 5  quills      ~~  Book Review   

 

This reviewer is a big fan of Robert B. Parker but I  hadn’t  read  a Sunny Randall story  in  about ten years. Grudge Match was an excellent way to get reacquainted with Sunny. 

Sunny is hired by one of her nemesis, gangsta’, Tony Marcus. His business (criminal enterprises) partner has disappeared and he needs to find her. All the old characters are back; Susan Silverman, Spike, Junior, Ty Bop, Jesse Stone and Molly Crane, just to name a few. 

There’s a sub-plot involving Sunny’s ex-husband, Richie, that nicely breaks up the through-line of crime, murder and mayhem. Richie becomes,almost over night, the awkward step-father to a endearing, wise (beyond his tender years) boy, Richard. Completely unprepared he sucks Sunny into a sometime auntie/babysitter role. 

Mike Lupica, the writer, does a superb job of continuing this series. The writing is total Robert B. Parker and Mike doesn’t miss a beat. 
Enjoyable story and I was delighted to, once again, run the streets with Sunny Randall .

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MY BLOG features INTERVIEWS with  best-selling AUTHORS!    March: Olivia Hawker, April: Dan Sofer, May:  Joram Piatigorsky
To receive my posts sign up for my 

  On the home page, enter your email address.  Thanks!

 

 

 

 

Books by Trisha Sugarek