Archive for the Category » The Writer’s Corner «

Book Review~~Allie and Bea

reviews, authors, writingreviews, authors, writing reviews, authors, writingreviews, authors, writingreviews, authors, writing

 5 out of five quills      A Review

Allie and Bea by Catherine Ryan Hyde is breathtakingly beautiful. Once again the author takes two unlikely characters and puts them together in such a way that the reader doesn’t question how or why it happened. It becomes believable and a delightful read. 

I could especially relate to Bea. Senior citizens are mostly only a social security check away from destitution. One little thing can tip the scales. And since I avoid writing spoilers, at all costs, that’s all I’m going to say. 

The story is crafted by this author, word by word. It had everything for this reviewer. Struggle, pathos, heartbreak, friendship, love, and a surprise ending.
My favorite book in the world is Hyde’s Have You Seen Luis Velez? but Allie and Bea runs a very close second. I loved this story!
A must read!

Did you see my Interview with CRH?
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

MY BLOG features INTERVIEWS with  best-selling AUTHORS!   May: Boo Walker, June: Anne D. LeClaire and July — Catherine Ryan Hyde.  August:  My interview with Susan Wiggs  September: Alan Foster (sci-fi) and October: Kristina McMorris
 
To receive my posts sign up for my 

  On the home page, enter your email address.  Thanks!

 

 

 

 

 

 

Writing Tips ~~ Write in Present Tense or Past?

write, create, writing, authors, blogThe best writers almost always seem to know, either consciously or intuitively, when to use present tense. Many of us, however, do not. Present tense has become something of a fad, and we often use it even when past tense would serve the story better. Whatever the causes for the prevalence of the present tense in today’s fiction, it is important that we understand its advantages and disadvantages so we can better decide when to employ it.

Present tense restricts our ability to manipulate time. Altering chronological order and varying duration both work against the primary purpose of present tense, which is to create the feeling that something’s happening now.

It is more difficult to create complex characters using present tense. While it is certainly possible to create complex characters in present-tense fiction, it’s more difficult to do so without natural access to the basic techniques that allow us to manipulate order and duration. 

The present tense can diminish suspense. Because present-tense narrators do not know what is going to happen, they are unable to create the kind of suspense that arises from knowledge of upcoming events.

I, as an author, am in the ‘past tense’ camp. I am always put off, and find it very distracting, when a writer chooses to write in present tense. And horrors of horrors, flips back and forth between present and past tense for no apparent reason.  TS

                                                                                                     ~~~~~~~~~~~~

‘Most stories are told using the simple past—was, walked, drank, hoped. Stories using the past tense are written the same way stories have been told for years—once upon a time, sometime before the present time, these marvelous characters existed and lived out a fantastic adventure. They did these things, these events are over, and someone can’t resist telling you all about these happenings and adventures.

When I say most stories, I mean the great majority of stories. Oral stories as well as written fiction are told using the past tense. It’s common to readers, it’s common to writers, and it’s been the prevalent format for storytelling for years and years and years.

It’s so common that readers don’t notice it; they simply jump into the story’s adventure.

The present tense—is, walks, drinks, hopes—on the other hand, is rare. Yes, we all know wonderful stories told using present tense. Yet in comparison to the number of novels that use the simple past, present-tense novels are few in number. Present-tense narration is also much more recent a practice.

From what I can tell from a quick survey of Internet articles, readers notice when stories are told using the present tense. I’m not saying, nor are those readers, that there’s anything wrong with the use of present tense. We are saying that its use is noticeable.

Choose the present tense if you’re trying for a unique feel to your fiction, but know the limitations. Know that readers might not accept your choice. Know that publishers might ask you to change your narrative tense.

Choose past tense when you don’t want to distract the reader, when you want to use the common storytelling method.

Don’t let fear hold you back. Use the narrative tense that works for the story, the genre, and your readers. Know what narrative tense can achieve.

Write strong stories.

Write powerful fiction.

(Thank you, Beth Hill, The Editor’s Blog)

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

MY BLOG features INTERVIEWS with  best-selling AUTHORS!   May: Boo Walker, June: Anne D. LeClaire and July — Catherine Ryan Hyde.  August:  My interview with Susan Wiggs and September: Alan Foster (sci-fi)
 
To receive my posts sign up for my 

  On the home page, enter your email address.  Thanks!

 

 

 

 

Book Review ~ Oysterville Sewing Circle

reviews, authors, writingreviews, authors, writingreviews, authors, writingreviews, authors, writingreviews, authors, writing

   5 out of 5 quills ~~ A Book Review 

Domestic violence is when a husband or boyfriend physically abuses a mate and only in the privacy of their home. Right? Wrong. Who would have thought that the bigger than life, extraordinarily beautiful models strutting down the runway, would be hiding a dirty little secret? And had the bruises to show for it? You don’t imagine their life filled with anything but exotic locations, Krystal Champaign, fancy yachts and handsome escorts.

In Susan Wiggs’ newest novel, The Oysterville Sewing Circle, she explores the fashion industry and the mental and physical abuse that regularly occurs there. But, oddly, this is not a dark story. It’s filled with love and hope and two of the most adorable children you could ever hope for. 

The characters are well drawn. The reader is rooting for Caroline and the two orphans from page one. Sewn into the fabric of the tale is a wonderful love story. And redemption for the survivors of domestic abuse. 

As my readers know, I don’t write spoilers in my reviews.  For me it’s all about the story and the writing. Susan Wiggs never disappoints. Her latest offering is filled with surprises, twists and turns. I highly recommend this book. 

Did you catch my Interview with Susan?

For more information about domestic violence:
#MeToo
www.thehotline.org
1-800-799-SAFE
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

MY BLOG features INTERVIEWS with  best-selling AUTHORS!   May: Boo Walker, June: Anne D. LeClaire and July — Catherine Ryan Hyde.  August:  My interview with Susan Wiggs and September: Alan Foster (Sci-fi)
 
To receive my posts sign up for my 

  On the home page, enter your email address.  Thanks!

 

 

 

 

 

Interview with Author, Susan Wiggs (part 2)

Q. What first inspired you to write?

SW. It wasn’t an inspiration but a suspiration. Seriously, I thought everyone thought in stories and to me, it was as natural as breathing. I know this is true because I had a very patient mom who would write down my stories as I dictated them to her, because I was too young to read or write.

Q. What comes first to you? The Characters or the Situation?

SW. This varies from book to book. For The Oysterville Sewing Circle, the characters and situation are so entwined that they appeared concurrently on the page. Caroline, an aspiring designer, is not inherently interesting until we see her confronted with a situation of epic proportions—a shocking tragedy and the need to protect two small children. That sets the story in motion. I’m a sucker for stories about an ordinary person thrust into extraordinary circumstances he or she never expected.

Q. Do you ‘get lost’ in your writing?

Susan’s first novel

SW. I love when that happens! When the world of the story and the characters feel as real as life itself. The downside is, there are situations and characters that break my heart, as in The Oysterville Sewing Circle. I have to confess; I experienced a lot of anger when I was researching and writing this book. I hope I did justice to the women who shared their stories with me.

Q. Are you working on something now? If so tell us about it.

SW. I’m desperately trying to finish The Lost and Found Bookshop (Summer 2020), set in a vintage bookshop in historic San Francisco. The main character finds hidden artifacts in the old building that turn out to be clues to her family’s past.

Q. When did you begin to write seriously?

SW. I wrote my first novel while studying for my master’s degree at Harvard. I wrote it on a typewriter and it was probably awful but the experience was completely exhilarating, and I never looked back.

Q. How long after that were you published?

SW. A few years. I sold my first book in 1986 and it was published in 1987. My very first editor was Wendy McCurdy and we’re still friends to this day.

Q. Do you think we will see, in our lifetime, the total demise of paper books?

SW. No.

Q. How have your life experiences influenced your writing?

SW. It’s like holding up a distorted mirror. A character might reflect an old memory of mine (Caroline’s first love in The Oysterville Sewing Circle or the first time I learned to surf…) More importantly, my world view and heart are reflected in my writing. I believe in the fundamental kindness of humanity, the power of following your passion, and the absolute necessity of opening our hearts to one another.

Q. What’s your down time look like?

SW. Reading. And more writing. I also enjoy hiking, biking, and skiing. Spending time with my mom and granddaughter. They’re both named Clara, and my daughter Elizabeth.

Q. Have you or do you want to write in another genre`?

SW. Sure! I want to learn the craft of screenwriting, for sure. I keep wanting to write a mystery or thriller, but I’m too squeamish.

Note to Self: (a life lesson you’ve learned.)

SW. Probably one of the biggest life lessons came from The Oysterville Sewing Circle! Believe women. Believe your gut. If something doesn’t “feel” right, it’s not right. And if something’s not right, speak up. For some women, this takes enormous courage—but the rewards are boundless.

Did you miss Part I? Click here 

 My Review of The Oysterville Sewing Circle

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

MY BLOG features INTERVIEWS with  best-selling AUTHORS!   May: Boo Walker, June: Anne D. LeClaire and July — Catherine Ryan Hyde.  August:  My interview with Susan Wiggs and September: Alan Foster (sci-fi)
 
To receive my posts sign up for my 

  On the home page, enter your email address.  Thanks!

 

 

 

 

Interview with Best Selling author, Susan Wiggs

TS. Susan Wiggs’s life is all about family, friends…and fiction. She lives at the water’s edge on an island in Puget Sound, and in good weather, she commutes to her writers’ group in a 21-foot motorboat. She’s been featured in the national media, including NPR, and has given programs for the US Embassies in Buenos Aires and Montevideo. She is a popular speaker locally, nationally, internationally, and on the high seas.

The author is a middle child, a library enthusiast, a former teacher, a Harvard graduate, an avid hiker, an amateur photographer, a good skier and terrible golfer, yet her favorite form of exercise is curling up with a good book. She lives on an island in Puget Sound, where she divides her time between sleeping and waking.

Q. Where do you write? Do you have a special room, shed, barn, special space for your writing? (your shed, room, closet, barn, houseboat….) Or tell us about your ‘dream’ work space.

SW. I write all over the place and always have. On the patio, on the sofa, on the ferry, on planes and boats…pretty much everywhere. I write when I travel. A good portion of The Oysterville Sewing Circle was written during storm season in Ilwaco, WA, close to the historic town of Oysterville. I learned early on that I can write anywhere. For me, the place is not as important as a good span of time to focus.

Q. Do you have any special rituals or quirks when you sit down to write? (a neat work space, sharpened #2 pencils, legal pad, cup of tea, glass of brandy, favorite pajamas, etc.)

SW. Oh, where do I begin? Clairefontaine grid-ruled notebook—check. Sheaffer fine point fountain pen with peacock blue ink—check. Mariage Freres French blue Earl Grey tea—check. Lenny (spirit animal)—check. After my first handwritten draft, I read the copy into WordPerfect. then edit on screen. And then print off that draft and edit by hand. It’s a messy process, but I’ve been at it for 30+ years and it seems to be working. The actual writing never gets easier, though. Every book is its own unique challenge.

Q. Could you tell us something about yourself that we might not already know?

SW. I’m left-handed, a middle child, I speak French, I have several art pieces by Dr. Seuss, and I’m working on an unauthorized screenplay about his life.

Q. Do you have a set time each day (or night) to write?

SW. I try to do the “heavy lifting” (composition, revision) first thing in the morning before the internet wakes up to distract me.
Emerging writers often lament that they don’t have time to write. I’m not having it. You make time for what’s important to you. There was a time when I was a full-time teacher with a small child, a house, dogs, etc. And yet I still wrote 2 books per year. My writing session began at 9pm after a full day. I’m grateful that I don’t need to do that these days, but the point is, it can be done. It’s all in the motivation.

Q. What’s your best advice to other writers for overcoming procrastination?

SW. Do as I say, not as I do! Minimize distractions and set realistic goals for the day. Decide you’ll write a scene, or a minimum number of pages (3 or more is good). Try not to get lost in your own process, “plotting it out” should not take six months.

Q. Where/when do you first discover your characters?

SW. It varies from book to book. In The Oysterville Sewing Circle I discovered Caroline in bed next to me. My husband Jerry is an apparel designer, and I wanted to write about his world. The story took a dark turn, however, as I interviewed women in the industry who dealt with workplace harassment and worse. Their stories fueled one of the most heartfelt novels I’ve written—the explosive issues around domestic violence and the drama and healing that can result when women come together.

Q. What first inspired you to write?

Part 2 of my interview with Susan ~~ August 23rd.
Book Review for The Oysterville Sewing Circle ~ click here

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

MY BLOG features INTERVIEWS with  best-selling AUTHORS!   May: Boo Walker, June: Anne D. LeClaire and July — Catherine Ryan Hyde.  August:  My interview with Susan Wiggs and September: Alan Foster (Sci-fi)
 
To receive my posts sign up for my 

  On the home page, enter your email address.  Thanks!

 

 

 

 

NEW Journal…How To Write a Play

My newest Journal created for aspiring and established PLAYWRIGHTS has just been published and can be found in your favorite bookstore. 

245+ lined, blank pages for your writing PLUS Sections with instructions on ‘how to‘. 

Section 1……How to Begin… 
Section 2……How to Write a Play… 
Section 3……Creating Rich Characters…
Section 4……Story Telling 
Section 5…… How to Block… 
Section 6…… Snappy Dialogue… 
Section 7…… Set Design… 
Section 8…… Formatting your Play… 
Section 9…… Terminology..

To Purchase 

Other custom journals for your journaling pleasure: 

Interview with Catherine Ryan Hyde (conclusion)

One of my favorite writers; the interview reveals the thinking and processes of a gifted author. Did you miss part 1?

Q. When did you begin to write seriously?

CRH. January of 1991. I was working as a baker and pastry chef in a local restaurant. I live in a tourist town, and the restaurant closed its doors in January. That’s not the time to find a new job in a tourist town. So I got stuck home on unemployment. I woke up one day and realized I should write that novel I always swore I would write if I ever had the time. Because, like it or not, I had the time.

Q. How long after that were you published?

CRH. Depends on what you mean by published. I started getting stories published in literary and small circulation magazines in 1994. But that’s probably not what you mean. You probably mean when did I get my first novel published. 1997. Felt like a slow slog, but it’s not the saddest story ever told in the publishing business.

photo by Catherine R.Hyde

Q. Do you think we will see, in our lifetime, the total demise of paper books?

CRH. No. We will not. And, strange though it may sound at first, I say this as a horse owner. When I decided I wanted a horse to own and ride, I was not told, “Sorry, they no longer exist. The horseless carriage caused their total demise.” The world is still full of millions of horses. All the horseless carriage could do was bump them out of their spot as the mainstream form of transportation. The law of supply and demand will always assure the survival of anything people want.

I’m older than a lot of readers and writers (seriously, I’m pretty old) and I actually remember when “books on tape” (modern translation: audio) was going to kill the book. The book is still alive, and audio is thriving alongside the book as an alternative reading style. EBooks add another alternative. They take nothing away.

Q. What makes a writer great?

CRH. No idea. If I knew, I would bottle it and sell it. I do know that, for my own reading pleasure, an author has to make me feel something. Shed some light on the human condition without making it feel hopeless.  Good story-telling skills are, of course, a plus.

Q. and the all-important: What does the process of going from “no book” to “finished book” look like for you?

CRH. It looks like a lot of two- or three-hour mornings in front of the computer, doing what I love to do best. You probably wanted a more complex answer, but it feels simple. I sit down and do the work until it’s done.

Q. How have your life experiences influenced your writing?

CRH. Hard to say, because I don’t consciously go to my own life experiences to find a story. Looking back at the work, I can see patterns. I felt a bit lost as a child, so my books are full of coming-of-age characters getting found, usually by grownups who are not rightfully in charge of finding them (see previous link to Lenny story). And I do have questions about humans. Why we do what we do and don’t what we don’t. And they tend to come out in the work. But my fiction is far less autobiographical than people tend to guess. I really do make this stuff up.

Q. What’s your down time look like?

CRH. It has a fair amount of horse hair on it.

Q. Have you or do you want to write in another genre`?

CRH. Not really. I do have one book of photos and an essay collection. And I’m not a huge fan of genre fiction per se. The work tells me what to do more than vice versa. So I just keep writing character-driven stories.

Note to Self: (a life lesson you’ve learned.)

CRH. Take what you believe and apply it to yourself. Leave everybody else alone. What they’re doing may look wrong to you, but they are on a path, and it’s really none of your business. You will be happier and so will they. Besides, if people didn’t do strange things, fiction writers like me would be out of a job.

See my review of ‘Have You Seen Luis Velez?’
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

MY BLOG features INTERVIEWS with  best-selling AUTHORS!   May: Boo Walker, June: Anne D. LeClaire and July — Catherine Ryan Hyde.  Coming Soon!  My interview with Susan Wiggs
 
To receive my posts sign up for my 

  On the home page, enter your email address.  Thanks!

 

 

 

 

Interview with author, Catherine Ryan Hyde (part 2)

Q. What first inspired you to write?

Astrophotography by CRH

CRH. I can’t define myself as a writer without mentioning Lenny Horowitz, my high school English teacher. I never called him Mr. Horowitz. He let us call him Lenny. Lenny sent my world in a completely different direction (and if you’d seen the direction I was going at the time, you’d understand that he was a lifesaver): he taught me to love reading again, and he told me I could write.

When I was little, nobody had to teach me to love reading. Books were water; I was a duck. I pitched into Dr. Seuss, Winnie the Pooh, the Black Stallion series. I was unstoppable. Then came school, in which my irresistible force met an immovable object. I hated the books I was given to read. They didn’t speak to me. They were almost as bad as–I hate to even utter the word–homework.

I began to avoid reading if possible. I honed the talent of writing book reports on books I hadn’t read. To this day, I have a chip on my shoulder about the classics. I’ve tried twice to read Moby Dick. I give up. I’m not ashamed, either. I like modern, fast-moving fiction. I’ve taken my last run at the great white whale. Ever. It’s over.

Back to Lenny. He gave us different books. Books written in the same century he assigned them. Books with down-and-out characters, people outside the mainstream. I understood these people. I was outside the mainstream. I was overweight and had braces on my teeth. My peer group thought I was from outer space. I liked reading about characters on the margins. We had something in common.

Miracle of miracles, I woke up. One day Lenny gave out a creative writing assignment: an essay, on any subject. I still remember how he walked up to the blackboard and wrote, in big block letters: I AIN’T TAKING IT AFTER FRIDAY. Not exactly your run-of-the-mill English teacher, right? I was so impressed by his willingness to meet us where we lived that I decided to impress him back. I wrote an essay intended to be funny. Always risky. It was a takeoff on the “my dog ate my homework” excuse note, a long, rambling, slapstick story explaining why I was not able to hand in my essay on time.

Sight unseen, Lenny read it out loud in front of the class. They laughed. Everybody, including Lenny. They laughed a lot. For a long time. It was my first whiff of the rare smell of success. Lenny told the class my essay was clever. Later I found out he was still talking about it in the staff lounge that day. He told all my other teachers I could write.

Q. What comes first to you? The Characters or the Situation?

CRH. It’s a tie. What comes is a character in a situation. For example, Jody in WORTHY, watching as someone puts a dog out of a car and drives away. Or Pete in SAY GOODBYE FOR NOW, finding the injured wolf hybrid beside the highway. Or Roseanna in HEAVEN ADJACENT, getting into her car and driving away from the city to some remote location and never going home. Or Ruth in ASK HIM WHY, arriving home from school to find that her brother has returned prematurely from the Iraq war in less-than-honorable circumstances. It’s not enough (for me) to find a character. I have to know what is making their life so interesting/challenging in that moment.

Q. Do you ‘get lost’ in your writing?

CRH.   Not really. I’ve been doing this for quite a while. I’m on my 39th book, and that doesn’t count anything that ended up in a drawer. If I get lost, I might get lost. End up nowhere, or somewhere I did not intend to be. Now I’m more like a person following a roadmap. Not calculated, exactly. But fairly organized.

Q. Are you working on something now? If so tell us about it.

CRH. Always. I’m on a two-book-a-year contract. There is never a time when I am not working on something new. And here’s what people don’t tend to see, unless I tell them. You see the book that just came out, and then you want to know if I’ve started another. I’ve started three others. And finished two of them. The one I wrote after Have You Seen LUIS VELEZ, I just finished reviewing the copyedited manuscript. The one after that, I’ve finished with the developmental editing, and we’re going over cover design. The one I have in progress is almost done. But I don’t want to talk about that one, because I haven’t even finished writing it yet. So I’ll tell you a tiny bit about the other two.

STAY is a novel set in the Vietnam War era (but here at home, not in Vietnam). Its hero is a teen boy whose brother is overseas, and who is trying to hold his family and friends together at home. Of course the plot is more complex, but this is just a quick glimpse. Its theme is more or less suicide-related, but there is no suicide in it. It’s about the opposite of suicide. It’s about staying.

PAs to the author, Ella & Jordan

BRAVE GIRL, QUIET GIRL is about a woman who briefly loses her infant daughter in a carjacking, and her eventual relationship with the homeless girl who finds her.

Did you miss Part I?

Conclusion to this wonderful interview is August 2nd.
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

 

MY BLOG features INTERVIEWS with  best-selling AUTHORS!   May: Boo Walker, June: Anne D. LeClaire and July — Catherine Ryan Hyde.  Coming Soon!  My interview with Susan Wiggs
 
To receive my posts sign up for my 

  On the home page, enter your email address.  Thanks!

 

 

 

 

 

Last Summer….A Review

reviews, authors, writingreviews, authors, writing     2 out of 5 quills       A Review   ‘Last Summer’  by Kerry Lonsdale 

 

This could have been a good little story. But unfortunately it needs some serious editing.  The tense of the writing switched, for no apparent reason, from current tense to past tense and back again.  Very distracting and amateurish.

After the first couple of chapters I wondered why an editor hadn’t caught this.  Most, if not all, books are written in past tense.  And when the author chooses to write in present tense it is intentional and consistent. 

The story couldn’t hold my attention due to this problem.
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ 

MY BLOG features INTERVIEWS with  best-selling AUTHORS!   May: Boo Walker, June: Anne D. LeClaire and July — Catherine Ryan Hyde
 
To receive my posts sign up for my 

  On the home page, enter your email address.  Thanks!

 

 

test

 

 

 

Book Review…’Before and Again’ by Barbara Delinsky

reviews, authors, writingreviews, authors, writingreviews, authors, writingreviews, authors, writingreviews, authors, writing

5 out of 5 quills           

A  Review

 

Are second chances very common? Can divorced people reconnect and put all the bitterness and heartbreak behind them? Mackenzie Cooper ran far, far away from unimaginable heartbreak and pain. She rebuilt her life and was relatively happy, until her ex-husband showed up. Not in town just for a visit but  purchased an Inn and a house.

Once again, Barbara Delinsky has crafted a beautiful story about real people and real places. The reader is immediately drawn in and becomes a resident of Devon, Vermont, until the last page. What a delightful trip.

This reviewer has been reading Barbara Delinsky for well over 20 years. She never disappoints. Rich, well drawn characters that the reader readily relates to and cares about. 

I highly recommend Before and Again to my followers. 

Did you miss my Interview with Barbara Delinsky?
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

MY BLOG features INTERVIEWS with  best-selling AUTHORS!   May: Boo Walker, June: Anne D. LeClaire and July — Catherine Ryan Hyde, August: Susan Wiggs and September: Alan Dean Foster 
 
To receive my posts sign up for my 

  On the home page, enter your email address.  Thanks!