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Interview with author, Boo Walker

TS. After picking a five-string banjo in Charleston and Nashville and then a few years toying with Wall Street, Boo chased a wine dream across the country to Red Mountain in Washington State with his dog, Tully Mars. They landed in a double-wide trailer on five acres of vines, where Boo grew out a handlebar mustache, bought a horse, and took a job working for the Hedges family, who taught him the art of farming and the old world philosophies of wine. Recently leaving their gentleman’s farm on Red Mountain, Boo and his family are back on the east coast in St. Pete, Florida. No doubt the Sunshine City will serve as a setting for a novel or three soon. Boo’s bestselling page-turners are instilled with the culture of the places he’s lived, the characters he’s encountered, and a passion for unexpected adventure. 

Q. Where do you write? Do you have a special room, shed, barn, special space for your writing? 
Or tell us about your ‘dream’ work space.

BW. I write in my dream space, my mancave in a Spanish-style house built in 1925 by an opera singer in St. Pete, Florida. I’m surrounded by guitars and banjos that constantly try to distract me.

Q. Do you have any special rituals or quirks when you sit down to write? (a neat work space, sharpened #2 pencils, legal pad, cup of tea, glass of brandy, favorite pajamas, etc.)

BW. I have a pretty serious coffee ritual to start my morning and writing day. I always have a bag of single-origin, fresh-roasted beans, which I grind that morning. I measure out an exact amount with my scale, and then brew using a Chemex coffee pour-over. Once the caffeine starts to kick in, I’m sit at my desk. I’ve come to rely so much on this routine that my entire day is shot if I don’t have my perfect cup.
Depending on my mood, I most always write to music without words, be it jazz, classical, or electronic.
I also have a couple less productive rituals that are actually more like procrastinating actions. I’ve somehow come to think I need to restart my computer before ever writing session. It’s totally stalling. And then I’ll grab my guitar for a little warm-up session. Another stalling tactic. Once I’m ready to dive in, though, I use an app called Be Focused, which sets 25-minute intervals where I do writing sprints. I don’t allow myself to surf the net or answer calls or texts. The sprints are writing only. No distractions.

Q. Could you tell us something about yourself that we might not already know?

BW. R.D. Blackmore lingers somewhere high up in my family tree on my mother’s side. He wrote a book called Lorna Doone. He was a big inspiration for Robert Louis Stevenson, among others.

Q. Do you have a set time each day (or night) to write?

BW. If I haven’t written by noon, I’m in trouble. I’m such a morning person, so only under deadline and at gunpoint can I write much in the later afternoon or at night.

Part II of this fascinating interview posts May 24th.    Click here to read my REVIEW of Red Mountain.
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MY BLOG features INTERVIEWS with  best-selling AUTHORS!   February: Rick Lenz, March: Patrick Canning, April: Poet, Joe Albanese and May: Boo Walker 
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Interview with Poet, Author, Joe Albanese

Joe Albanese is a writer from South Jersey. his work can be found in publications across the U.S. and in ten other countries. Joe’s the author of For the Blood is the Life, Caina, Smash and Grab, and a poetry collection, Cocktails with a Dead Man. If you are frustrated with the brevity of this interview, don’t despair. He lets it all hang out in this wonderful book of poetry.

Q. Where do you write? Do you have a special room, shed, barn, special space for your writing?  Or tell us about your ‘dream’ work space.

JA. Most of my writing gets done at the dining room table. Although sometimes I write in front of the tv, just for the ambient noise. Poetry I’ve written all over, mostly on my phone, then transfer it so my computer later.

Q. Do you have any special rituals or quirks when you sit down to write? (a neat work space, sharpened #2 pencils, legal pad, cup of tea, glass of brandy, favorite pajamas, etc.)

JA. Yes, I try to avoid writing at all costs. So I clean up a lot beforehand, do any chores that need or don’t even need to be done before I can sit down and write.

Q. Could you tell us something about yourself that we might not already know?

JA. I’m probably done with my writing career. I have two more books I am trying to get published, but then I’ve finished. Or at least I’ll be taking a long break while I try to find a “real” job.

Q. Do you have a set time each day (or night) to write?

JA. Usually the middle of the night. There are the least amount of distractions.

Q. What’s your best advice to other writers for overcoming procrastination?

JA. Just sit your ass down and start typing. Something good will eventually come.

Q. Where/when do you first discover your characters?

JA. I try to see how they relate to me first. Are they similar, or completely different? Then I try to get into their mindset in terms of how they’d react in the story.

Q. What first inspired you to write?

JA. My friend was high and asked if I wanted to write a screenplay. I haven’t looked back.

Q. What comes first to you? The Characters or the Situation?

JA. Mostly situation. Then I try to figure out which characters would be most fun in that situation.

Q. Do you ‘get lost’ in your writing?

JA. Not really. When I’m writing, I think about it a lot, but I never really get lost in it.

Q. Do you have a new book coming out soon? If so tell us about it.

JA. My novella, For the Blood is the Life, just got published in March. It’s crime-horror.

Q. When did you begin to write seriously?

JA. A few years ago. After my friend stopped writing with me, I got more into it.

Q. How long after that were you published?

JA. A few years before my first short story was published in Sheepshead Review.

Q. Do you think we will see, in our lifetime, the total demise of paper books?

JA. I hope not. I can’t read on a tablet.

Q. What makes a writer great?

JA. Someone who can bring truth to untruthful situations.

Q. and the all-important: What does the process of going from “no book” to “finished book” look like for you?

JA. Well, I have a lot more grey hair now than when I started writing.

Q. How has your life experiences influenced your writing?

JA. Yes, my poetry collection is mostly personal, dealing with my anxiety and depression mostly.

Q. What’s your down time look like?

JA. Ass in a chair, watching bad tv and movies.

Q. Have you or do you want to write in another genre`?

JA. Most of my fiction is crime. I guess I could one day, but my brain loves coming up with criminal characters and situations.

Note to Self: (a life lesson you’ve learned.)

JA. It’s okay to be yourself.

 

Did you miss my review of Cocktails with a Dead Man? 

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MY BLOG features INTERVIEWS with  best-selling AUTHORS!   February: Rick Lenz, March: Patrick Canning, April: Poet, Joe Albanese,  May: Boo Walker 
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Book Review~~Four Funerals & Maybe a Wedding by Rhys Bowen

                                             5  out of  5 quills  ~~ A Review 

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By far the best in the  series, the  Royal  Spyness Mysteries.  I  love  this  series. In Four  Funerals….  there  was  not  a single  misstep by its author. The story weaves faultlessly to the final pages. Ended by a deep sigh of satisfaction from this reader. 

All the elements were there historically. Queen Elizabeth as a child, Prince Edward and the notorious Wallis Simpson. Even Hitler as a black cloud on the horizon. But we pick up with Lady Georgiana (Georgie) preparing for her wedding and worrying about where she and Darcy will live on their meager combined income. It appears to be hopeless.  Add in Fig and Binky, Georgie’s granddad and a band of slap-dash servants. And my  favorite character, Queenie (the maid) is back in full force. 

The whole story is delightful from the first page to the last.This is a must read for fans, old and new, of Rhys Bowen. I highly recommend it.

 

To Purchase Click here

Did you miss my Interview with Rhys Bowen?
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MY BLOG features INTERVIEWS with  best-selling AUTHORS!   December:  Jayne Ann Krentz (Amanda Quick)  January: Molly Gloss.  February: Rick Lenz, March: Patrick Canning and April: Poet, Joe Albanese
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Author of The Colonel and the Bee Joins Us, (part 2)

Q. Tell us about writing The Colonel and the Bee. Not so much the cerebral process but more your ‘gut’ instincts, the fairytale (but not quite) fantasy idea of it.

PC: I definitely wanted to straddle the line between fantasy and reality, so that the most extraordinary events in the book are implausible but not impossible (though that’s definitely strained). The idea was to have a whimsical journey you could almost believe is true. I tried to portray a world worth exploring that conceals surprises and treasures for those willing to venture out into it. It is definitely a halcyon view of the time period (though not without its villains and pitfalls), eschewing any too-heavy issues/events because it’s meant to be an adventure viewed through the romantic eyes of explorers. I love historically accurate books and I love fantasy books, this one just happens to trend toward the latter.

Hot air ballooning over Africa

Q. Do you ‘get lost’ in your writing?

PC. If you mean ‘get lost’ in a total-immersion way, not as much as I’d like to. I’m working on that. I do sometimes ‘get lost’ in a plot sense, especially in the middle of stories. When that happens I try to look back to the most core elements of the story for direction. If those aren’t there, then something is really wrong. Never fun to get halfway through a first draft and have no access to your own story.

Q. Do you have a new book coming out soon? If so tell us about it.

PC. I recently finished a sort of cozy mystery set in a 1980’s Midwest neighborhood. It starts with a goat murder and gets weirder from there. I’ve been pitching it was a suburban thriller plot à la Liane Moriarty, set in Ray Bradbury’s halcyon Midwest, with a hint of Neil Gaiman fantasy thrown in for good measure.

Q. When did you begin to write seriously?

PC. Screenwriting in my early 20’s, novel writing in my mid/late-20’s.

Q. How long after that were you published?

PC. I was 32 (self-pub/indie-pub).

Q. Do you think we will see, in our lifetime, the total demise of paper books?

PC. Not a chance. Most articles I see these days are about them making a resurgence. I think everyone got a little uneasy when e-readers initially came out, but each format has its own virtues and limitations. I think they’ll continue to find their equilibrium with one another (at least until whatever’s next comes along…)

Q. What makes a writer great?

PC. The cliché of ‘a good story well told’ seems to hold true. For me its also clarity and mastery of craft, creativity in linking previously independent ideas, brave but intentioned prose, portraying simple things elegantly or elegant things simply, and telling the truth in a compelling and memorable way.

Q. and the all-important: What does the process of going from “no book” to “finished book” look like for you?

PC. I accumulate ideas for a long time, usually a few years, constantly adding to a document on my phone/computer (always write ideas down, you will 100% forget some of them otherwise). When the story is ready, I’ll do any required research and translate the document of random ideas into a semi-coherent, narratively chronological outline. Off that, I write a first draft in as short a time as possible (I think inertia is important with first drafts), then take as much time away from it as possible for objectivity before the first revisions. Last, I get feedback/outside editorial input and revise, revise, revise.

Q. How has your life experiences influenced your writing?

PC. Almost everything seems to find its way in somehow. I think more time lived equals more to draw from, so I’m always up for new experiences.

Q. What’s your down time look like?

PC. I think I’ve watched The Office (US version) about 50 times. I’m always trying to read more too (audiobooks are a godsend in LA traffic).

Q. Have you or do you want to write in another genre?

PC. So far each book has pretty much been a different genre. That’s not by design, it just kind of happens that way for me. Knowing the genre you’re writing in can be powerful/useful though, so I may be on my way to becoming a ‘master of none’ by switching so often. I think there are strengths/weakness with regard to sticking with one genre and of course it varies by the individual.

Note to Self: (a life lesson you’ve learned.)

PC. Living in the moment seems to be a nice idea. Try not to get too many parking tickets but pay them if you do. Garlic and cinnamon make just about any food better (just not together).

Did you miss part I of this wonderful Interview?

Purchase The Colonel and the Bee: click here
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MY BLOG features INTERVIEWS with  best-selling AUTHORS!   December:  Jayne Ann Krentz (Amanda Quick)  January: Molly Gloss.  February: Rick Lenz, March: Patrick Canning and April: Poet, Joe Albanese
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Book Review ~~ Marry in Scandal by Anne Gracie

reviews, authors, writingreviews, authors, writingreviews, authors, writingreviews, authors, writingreviews, authors, writing5 out of 5 quills ~~ A Review           

 

 

Delicious from the first page to the last. Anne Gracie is one of my favorite authors and it’s always a pleasure to read and review her latest offering. Marry in Scandal was no exception. It’s always a hit for me when Gracie adds old people or young kids as characters in her stories. Lord Galbraith, grandfather to the hero,  is painted with subtlety and quiet humor. Edward has dark secrets from the war, that block him from enjoying his family. Lily has secrets of her own that she must divulge if she is to find and keep love.

The writing is superb as always. The ‘Marry in...’ is an entertaining series and should not be missed. 

Did you miss my Interview with Anne Gracie?

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MY BLOG features INTERVIEWS with  best-selling AUTHORS!   December:  Jayne Ann Krentz (Amanda Quick)  January: Molly Gloss.  February: Rick Lenz, March: Patrick Canning and April: Poet, Joe Albanese
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Interview with Patrick Canning, Author of The Colonel and the Bee

TS. I first ‘met’ Patrick when I stumbled across The Colonel and the Bee. Something made me order it and read it. Then review it. I don’t generally read fantasy but this was different…and beautiful…and my favorite character in the book was actually the three-story basket attached to the hot-air balloon. I ask, as I do all of my interviewees, for a short bio to begin the interview. Here is Patrick’s answer. 

PC. I’ll try to do it all in one breath: born in Milwaukee, grew up in Chicago suburbs, came to LA for film school, worked in film/entertainment throughout my 20’s, now trying to spend increasing amounts of time writing because I love it and I think I could be good at it with enough sweat/luck/coffee.

Q. Where do you write? Do you have a special room, shed, barn, special space for your writing?  Or tell us about your ‘dream’ work space.

PC. I rotate between a shared workspace, coffee shops, libraries, and my own apartment (where I get the least amount done). I live alone so being around people part of the day is nice. My dream work space has electrical outlets, a chair comfy enough to be in for hours but not so comfy you can fall asleep in it, ample people watching, low music, a bathroom, and if we’re aiming high, free refills.

Q. Do you have any special rituals or quirks when you sit down to write? (a neat work space, sharpened #2 pencils, legal pad, cup of tea, glass of brandy, favorite pajamas, etc.)

PC. Coffee and tea are almost always involved, but other than that I try to keep it as un-exotic as possible. Recently I started making the background of my Word docs legal-pad yellow. I heartily recommend this to writers who get sick of staring at bright white all day.

Q. Could you tell us something about yourself that we might not already know?

PC. I’m exceptionally bad at foosball, but above average at ping-pong and pool.

Q. Do you have a set time each day (or night) to write?

PC. Morning session/afternoon session, both 3-4 hrs. I’m still working on a more solid process and seeing what works. I heard one writer’s schedule (Dan Brown maybe?) is 4 am-11 am. That sounds weirdly alluring to me but I have yet to wake up at 4 am to give it a try…

Q. What’s your best advice to other writers for overcoming procrastination?

PC. I think if you’re really procrastinating a lot, over and over again, it could be a case of wanting to be a writer more than actually wanting to write. I think a lot of people torture themselves over this when in reality they might just be chasing the wrong vocation. Some days are better than others to be sure, but if they’re all bad days, there’s no shame in career/hobby course correction.

Q. Where/when do you first discover your characters?

PC. Usually they’re a part of the initial idea but I love the revision stage when they start to crystallize and sound more like themselves in the dialogue. I try not to panic if elements like that are less than perfectly clear early on because they usually arrive by the time things wrap up.

Q. What first inspired you to write?

Ballooning over Africa

PC. I came to novel writing through screenwriting, which I came to through a love of movies. I’ve always loved any kind of creative storytelling and the more I write, the more I enjoy it (for the most part), so that’s reassuring to me. Beyond that, it can be a matter of ‘why isn’t anyone talking about this’, or ‘this could be a nice way for people to escape’, or the ol’ reliable: ‘what if’.

Q. What comes first to you? The Characters or the Situation?

PC. The situation, followed very closely by the characters, and they become inextricable almost immediately (though both bend and change as the story takes shape).

Q. Do you ‘get lost’ in your writing?

Join us March 22nd for the  conclusion of this interview with the talented Patrick Canning.

Did you miss my review of The Colonel and The Bee?

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MY BLOG features INTERVIEWS with  best-selling AUTHORS!   December:  Jayne Ann Krentz (Amanda Quick)  January: Molly Gloss.  February: Rick Lenz. March: Patrick Canning and April: Poet, Joe Albanese

 

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You’ll receive (in an email) weekly posts with the latest book reviews, tips about creative writing, and once a month an in-depth Interview with a best selling author or a new, upcoming writer.  Generous folks, famous and not so much (yet) have given of their time to answer my probing questions about their writing process. Fun and interesting candid photos, of the author, are sprinkled throughout the interview. 

Sometimes a post about something I thought was interesting…..But, ALWAYS to do with books, authors, writing, words, and live theatre.

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MY BLOG features INTERVIEWS with  best-selling AUTHORS!   December:  Jayne Ann Krentz (Amanda Quick)  January: Molly Gloss.  February: Rick Lenz. March: Patrick Canning and April: Poet, Joe Albanese

 

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Interview with Actor PLaywright, Rick Lenz (part 2)

…with wife

Q. Do you ‘get lost’ in your writing?

RL. I sure do. I don’t think I’d stop sometimes, if it weren’t for the fact that I’ve got a body and that it gets tired, hungry, thirsty, and sore from remaining in the same position too long.

Q. Do you have a new book coming out soon? If so tell us about it.

RL. I wrote a book last year that is now complete except for some editing. I’m not yet sure when it will be published, but I hope soon. It’s about an old actor, devoted to his wife, who made a few mistakes during his younger years. He gets a chance to redo those years, but discovers all he really wants to do is get back to his wife.

Q. When did you begin to write seriously?

RL. I switched my acting career from first priority to second about 15 years ago. Writing took its place as my great passion.

Q. How long after that were you published?

RL. It took me eight years to write some books that were publishable.

Q. Do you think we will see, in our lifetime, the total demise of paper books?

RL. I don’t believe that will happen.

Q. What makes a writer great?

RL. Since writing is very much a craft (plus inspiration, of course) I think the major factor is wanting—no loving—to write and doing it until you get good. I’d add one thing to that: nothing you write is sacred. If it’s not exactly what pleases you, throw it away and rewrite it until it does.

Q. and the all-important: What does the process of going from “no book” to “finished book” look like for you?

RL. It is never the same for me. The book I wrote last year unfolded itself within a year. My first two novels took me over 10 years to get right. My memoir, North of Hollywood, took only about a year. I really can’t say what the whole process looks like. I think if I knew that—and this is speaking only for me—I wouldn’t be a very good writer.

Q. How has your life experiences influenced your writing?

RL. I came from a very dysfunctional family. It was often painful at the time, especially during my teenage years. So, that was certainly a factor. After that, I spent most of my life as a professional actor; my show business life, as a theater actor in New York, and a Hollywood actor, living in Los Angeles, has had a big influence on my writing.

Q. What’s your down time look like?

RL. I read, exercise, meditate, and spend my most joyful times with Linda and my children and grandchildren.

Q. Have you or do you want to write in another genre`?

RL. I have been a playwright (as well as an actor) for most of my life. I prefer writing books now. As to the genre of my writing, some people call it fantasy, but I do like to try to make it as a literary as I possibly can.

…with grandson

Note to Self: (a life lesson you’ve learned.)

RL. I think life is meant to be joyful. But in order for that to be the case—again, speaking for myself—I have to constantly practice kindness, forgiveness, and the continual understanding that God loves me no more than He loves everyone else.

Don’t miss Part I of this wonderful interview.

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MY BLOG features INTERVIEWS with  best-selling AUTHORS!   December:  Jayne Ann Krentz (Amanda Quick)  January: Molly Gloss.  February: Rick Lenz, March: Patrick Canning and April: Poet, Joe Albanese
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Interview with Rick Lenz, Broadway & Film Actor, Playwright, Turned Author

Cactus Flower circa 1969, Rick with Goldie Hawn & Walter Matthau

TS. Rick Lenz is a graduate of the University of Michigan, past member of the Actor’s Studio, and active member in the Academy of Motion Picture Arts and Sciences. He is a veteran Broadway, television, and film actor who first came to national attention when he repeated his Broadway role in Cactus Flower,

the film version. He went on to appear in a long list of movies and TV shows. As a writer, his plays have been produced Off-Broadway, on PBS television and in regional theatres across the country. His memoir North of Hollywood was called “masterful” by Writer’s Digest, while his first novel, The Alexandrite was named “one of the best books of the year” by Kirkus Reviews. 

Q. Where do you write? Do you have a special room, shed, barn, special space for your writing? (please provide a photo of you at work in your shed, room, closet, barn, houseboat….) Or tell us about your ‘dream’ work space.

RL. I write anywhere I can: in my office on my computer. I write in doctors’ offices on a legal pad and also in the car when my wife Linda is driving. I write on my laptop in bed, or in the backyard on nice days, which most of them are in southern California. I write at the dining room table or, actually, anywhere I can do so without being rude to someone.

Q. Do you have any special rituals or quirks when you sit down to write? (a neat work space, sharpened #2 pencils, legal pad, cup of tea, glass of brandy, favorite pajamas, etc.)

RL. I honestly have no rituals or quirks about writing; I just do it whenever the muse is kind enough to land on my shoulder. My wife suggests I not answer this question in regard to anything else in my life.

Q. Could you tell us something about yourself that we might not already know?

RL. I used to be tall, dark, and more or less handsome. Now, I am not quite so tall and I’m gray, and a bit funny looking.

Q. Do you have a set time each day (or night) to write?

RL. I really don’t. I usually meditate in the morning, have coffee then start writing. On the other hand, if I’m going through a period of insomnia, I may write all night—I may do it in bed or sitting in my favorite chair in the living room.

Q. What’s your best advice to other writers for overcoming procrastination?

RL. Write a paragraph or two and see if that doesn’t get you going.

Q. Where/when do you first discover your characters?

RL. All of my characters are born when they have to be for the story. Most of my characters—when things are going well—are based on people I have known at sometime during my long life. There are a lot of characters, more than I’ll ever be able to use, lolling about in my brain.

Q. What first inspired you to write?

RL. I’m not sure. I liked the idea of writing when I was a kid. Later, when I became a theater actor and director, I saw the usefulness of writing too. So I was about 21 or 22 when I first started writing short plays.

Q. What comes first to you? The Characters or the Situation?

Rick’s granddaughter

RL. Sometimes an idea for a character suggests the situation. Sometimes, it’s the other way around. Maybe what I’m saying, probably I am, is that they really show up about the same time.

Q. Do you ‘get lost’ in your writing?  Join Us for Part 2 of this Intriguing Interview ~~ Feb…. 23rd

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and other books by Rick 
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MY BLOG features INTERVIEWS with  best-selling AUTHORS!   December:  Jayne Ann Krentz (Amanda Quick)  January: Molly Gloss.  February: Rick Lenz, March: Patrick Canning and April: Poet, Joe Albanese
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Interview with Author, Molly Gloss (part 2)

Q. Do you ‘get lost’ in your writing?

MG. Yes, absolutely. The best part of writing is “getting lost” in the story you’re telling. My own words can (pathetically) make me cry, or make my heart race from the stress I’ve put my character under. But then I do have to pull away and look at it objectively, cooly, so I can revise, revise, revise.

Q. Do you have a new book coming out soon? If so tell us about it.

MG. I have three previous novels returning to print, soon—Outside the Gates (Jan), Wild Life (Feb), and The Dazzle of Day (Mar) from Saga Press/Simon & Schuster. And in July from the same press, my first collection of short stories, titled UNFORESEEN. Sixteen stories, including three written just for this collection.

Q. When did you begin to write seriously?

MG. I had written bits and pieces of things while my son was little, but had never finished anything. Then, when he started kindergarten and I had big unclaimed blocks of time, I buckled down and wrote a whole novel. It wasn’t very good, but I learned a lot by writing it…and I also learned that I wanted to keep on writing. That was 1980. My husband and I had earlier agreed that I’d return to the workforce after our son was in first grade, but now we agreed that I should give “this writing thing” a serious try. And I never looked back.

Q. How long after that were you published?

MG. My first short story was published in 1981, and several more in the following years. My first novel—Outside the Gates, a fantasy marketed as young-adult—in 1986.

Q. Do you think we will see, in our lifetime, the total demise of paper books?

A. Never! People will always want to hold a book in their hands, turn the pages, feel the paper, leaf back to reread favorite passages, leap ahead to read the last paragraph! The e-book craze has already peaked, and paper book sales are holding steady. Don’t worry, books will always be with us. But any way you choose to read—e-book, paper book, or audio book—is fine by me. I listen to a lot of audio books, myself, because I have a daily 30-40 minute commute each way to my horses. Is an audio-book “reading”? Yes, of course it is!

Q. What makes a writer great?

MG.  Huh. I may not have an answer for that question. What does “great” mean? Best-selling? Admitted to the “canon” by literary gate-keepers? In print more than 100 years? (Think how few writers are still being read, who were popular in 1918?) There are books and writers I have not loved, though everyone is calling them great, and I have loved books that disappeared quickly without anyone else seeming to notice, and loved writers who fell out of print and were forgotten. (This has happened especially to women writers.) So I think “greatness” would be defined differently by every reader and every generation. As perhaps it should be.

Q. and the all-important: What does the process of going from “no book” to “finished book” look like for you?

MG. Slow, difficult, daily grind. Revision, worry, uncertainty, more revision, groping and mucking through the middle, then skating to the end in a joyous rush, or inching up to it in an agony of doubt, feeling fragile as you hand it off to a couple of trusted readers, and later, holding a hardbound copy in your hand, a mix of elation and disbelief. Oh, and then all the new worries, will anyone read it? will anyone like it? will it sell, will it be reviewed, will it stay in print? and will I ever write again? Ah, the bittersweet writing life.

Q. How have your life experiences influenced your writing?

MG. Long road trips back to Texas when I was a young teen, reading cowboy novels in the back seat of the car, absolutely imprinted on me and is the reason I’ve so often written about the history, mythology and culture of the ranching west.

Q. Have you or do you want to write in another genre`?

MG. I write poetry, does that count? And I’ve written one fanfiction for the television series Person of Interest. (I have ideas for more.) My novels and stories range from historical/western fiction to science fiction/fantasy, though to my mind these are all on the same spectrum. (That’s for another essay.) I love a good, well-written detective novel, so maybe someday I’ll try one?

Note to Self: (a life lesson you’ve learned.)

MG. Life is so short. Tell your friends and family you love them, every time you see them. And get over your reluctance to hug, even if you grew up in a family of non-huggers.

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MY BLOG features INTERVIEWS with  best-selling AUTHORS!   December:  Jayne Ann Krentz (Amanda Quick)  January: Molly Gloss.  February: Rick Lenz, March: Patrick Canning and April: Poet, Joe Albanese
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