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Interview with Mike Maden, writing for Tom Clancy


Mike Maden grew up working in the canneries, feed mills and slaughterhouses of California’s San Joaquin Valley. A lifelong fascination with history and warfare ultimately lead to a Ph.D. in political science focused on conflict and technology in international relations. Like millions of others, he first became a Tom Clancy fan after reading THE HUNT FOR RED OCTOBER and began his published fiction career in the same techno-thriller genre, starting with DRONE and the sequels, BLUE WARRIOR, DRONE COMMAND and DRONE THREAT. Mike’s fourth Tom Clancy novel, FIRING POINT, featuring Jack Ryan Jr., was released June 9th.
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Q. Where do you write? Do you have a special room, shed, barn, special space for your writing? (please provide a photo of you at work in your shed, room, closet, barn, houseboat….) Or tell us about your ‘dream’ work space.

MM. My office is a converted screened-in porch with a stunning view of the Smoky Mountains. We put in a giant plate glass window to capture that view and it’s a constant source of both inspiration and distraction for me as the seasons unfold before my eyes. I split my time equally between a sitting and a standing desk.

Witness the distractions (actual photos from my office/deck. My desk (seldom this uncluttered while working. My “stand up” desk (notice the hand crank). A gift from my wife after publishing my second book:

Q. Do you have any special rituals or quirks when you sit down to write? (a neat work space, sharpened #2 pencils, legal pad, cup of tea, glass of brandy, favorite pajamas, etc.)

MM. Gallons of coffee and a workout at the gym (in that order) are my first morning rituals. I usually arrive at the desk late mornings where I begin the writing day with meditation and journaling. And coffee. Always more coffee. This period of time is always my least productive in terms of word count but absolutely necessary for my process. After lunch I crank out a few more words and often crash into a power nap and then really get rolling on the word count. The late evening is when the afterburners kick in; I’ve kept track of my word counts and writing times over the years and invariably 60% of my work occurs during this later period. I strongly urge all writers but particularly new ones to track their word counts. You might be surprised that your best writing doesn’t occur at either the time or place you assumed. All of us, including full-time writers, simply don’t have enough time to do everything that needs to be done. So if you are particularly time-challenged—balancing career, family, and other responsibilities against your writing time—then being as efficient as possible is absolutely necessary. Nearly every book on creativity will tell you that early mornings right after you wake up is your most creative time and many writers will tell you that they fall out of bed and onto the typewriter even before they have their first cup of coffee or tea. I’m here to tell you, that ain’t me and I have the stats to back it up. So take a week and assiduously track your writing hour-by-hour and find out when you are at your personal best as a writer and ruthlessly schedule yourself accordingly.

Q. How do you ‘get inside’ Tom Clancy’s head and write for him?

MM. The day I got the call from the series editor, Tom Colgan, and was offered the position was both the best and most terrifying day of my literary life. I’ve been a fan of Tom Clancy’s ever since I read THE HUNT FOR RED OCTOBER. He was a giant and, in my opinion, single-handedly invented the techno-thriller genre, or at least the one we’re all familiar with. What an honor to be asked to join The Campus…but what a responsibility! It was as if Queen Elizabeth had called me up and asked me to add a play or two to Shakespeare’s First Folio. What to do? I was already writing in the genre that Tom Clancy had invented which meant I pretty much had to accept the offer, right? Otherwise, time to hang up my spurs. Except…I did have one pre-condition in my mind that would kill the deal: if I was asked to imitate Tom Clancy’s voice. It’s a huge mistake for anybody to try and imitate a wholly original voice because it simply can’t be done well and I was incredibly relieved to hear Tom Colgan warn me against trying to do so before I even had the chance to ask. This showed me that both Tom Colgan and the Clancy Estate knew exactly how to approach the problem of inviting writers into the Clancy world. I was told in no uncertain terms to write in my own voice and in my own style and I think that’s why all of the other Clancy writers have done such a great job over the years as well.

Q. Do you find your ‘voice’ creeping in when writing for another author?

MM. Absolutely—see above! The single most difficult but most necessary task of an author is to find their own unique voice. The only original thing we have to offer the world is our unique selves; the words we all use are the same, aren’t they? Have you ever read someone slavishly imitating the style of another writer? Yuck. It smacks of artifice and desperation—the act of someone utterly lacking in confidence and originality. We love writers who are original which is another way of saying that they are being their true selves on the page. There are, of course, rules—precious few, mind you—in the Clancyverse that I must obey (e.g., no one in the world recognizes Jack Ryan Junior as the son of President Jack Ryan Senior). But so long as I stay within the guardrails, I’m free to drive as fast and as violently as I care to.
And I do.

Tune in for part 2 of our chat with Mike Maden, June 19th 
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My weekly BLOG features INTERVIEWS with  best-selling AUTHORS!    March: Olivia Hawker, April: Dan Sofer, May:  Joram Piatigorsky, June: Mike Maden writing for TOM CLANCY
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Storytelling….. (Nostalgia series)

I was reading a particularly good story (Brave Girl, Quiet Girl by Catherine Ryan Hyde)  the other day and it set me to wondering;  when was my first memory of a story being told to me. The very first one? I must have been three or four when I first heard of Cinderella. Many stories were told orally by my mother.   It’s really amazing how many fairy tales she knew by heart. I believe that began my life-long-love of story telling.  When I got a little older, my mother went on to tell me hundreds of stories about her five sisters and their growing up in the woods of Tumwater, Washington.  (Wild Violets)

At about age eighteen my sister gave me three books by Erich Maria Remarque. I don’t remember why those particular books, or why that author. Arch of Triumph, A Time to Love and A Time to Die, and All Quiet on the Western Front. (First Editions, copyright 1954) I wasn’t a reader of books; a typical teenager who got plenty of assigned reading in high school left no time for pleasure reading. Sigh. I can’t believe I was ever of that mindset!

 I had idolized my big sister since birth and wanted to please her in all things so I began reading the first book. I was enthralled with the writing and the story. Sixty years later I still have those books; From that moment on I have always had a book in my hands. 

There came a time when I felt I should try my hand at ‘storytelling’.  Writing plays at first. Telling a story in less than 100 pages. It came so naturally. Friends who read my plays wanted more of the stories; fleshed out as it were. (What happened to the characters after the play was over; what were their lives like before the play began?) and they insisted I expand the stage play into a full length novel. Which, even though it took me years of labor, I did. 

As I lived my life I was always the one who sought out stories. I never tired of my mother’s tales about her and her sisters and what hellions they were. My own library of books grew and grew.  Walls  of books.

Around 1994, I sat down and wrote my first stage play…and as they say…the rest is history! By this time I had read hundreds of scripts (during my acting career)  so I found it extraordinarily easy to write in that format. It certainly sharpened my skills at writing dialogue. Along the way, I discovered that ten minute plays were very popular and for me, easy and fun to write. 

In another life I must have been a forensics detective because, as a hobby, I love murder, gore, forensics and clues. Characters come first for me when writing and one day Detectives Jack O’Roarke and Stella Garcia popped into my head. They were fully formed and rarin’-ta-go!  (World of Murder).

My advice to writers? If you’re just starting out, tell a story you know . You can always research a topic that you don’t know anything about but your writing will take longer, because you must get it right.  Keep writing!

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MY BLOG features INTERVIEWS with  best-selling AUTHORS!    March: Olivia Hawker, April: Dan Sofer, May:  Joram Piatigorsky, June: Mike Maden writing for TOM CLANCY
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Look Inside ~~ How.To.Write.A.Play/Journal

                                                                                   Introduction

I created this journal/workbook to encourage other playwrights to pursue their dreams.  It doesn’t matter that you are just beginning your journey as a writer. Whatever your level of writing may be I have tried to create a journal for the playwright inside all of us. Perhaps you have been journaling for years and want to try your hand at a stage script.  Or you are a more experienced writer and need a little inspiration to get you started on your next project. Regardless of your experience, I hope you find this journal encouraging and a safe place to store your characters, your story outlines, and your private ideas for future plays.

Only when I began to write seriously did I come to realize that I had been writing my entire adult life.  But back then I considered it just ‘scribbling’. 

A thought I didn’t want to forget, or a feeling I had to capture.  Or a phrase that I was inspired by. I have written over fifty plays of all lengths. 30 of these are short, often ten minute, plays for teens in the classroom. No sets, no props, no costumes. Being an actor and then a director (in a past life) I have read hundreds of scripts and I urge you to do the same. It’s great research on being a better playwright.

But most important, have fun. Stop to enjoy the process. You will stumble and fall. If you write something that is bad, remember, that’s what re-writes are for!   

                                                              Table of Contents

                          Section 1…How to Begin…                                                           

                          Section 2…How to Write a Play…                                          

                          Section 3…Creating Rich Characters…                             

                         Section 4…Story Telling                                                           

                          Section 5… Protagonist, Antagonist, Conflict  

                          Section 6… How to Block…                                                   

                          Section 7… Snappy Dialogue…                                            

                          Section 8… Set Design…                                                         

                           Section 9… Formatting your Play…                                  

                         Section 10.… Terminology…                                   

 

 

The difference between the right word and the nearly right word is the same as that between lightning and the lightning bug.

Mark Twain

How to Begin

   To stare at a blank page or screen this is the scariest thing of all and sometimes causes a writer to give up before they have begun. Ray Bradbury said, “Writing is supposed to be difficult, agonizing, a dreadful exercise, a terrible occupation.”   Forget for a moment about writing a Tony award winning stage play. Begin with the first outline of your story.  Don’t let people tell you it starts with the first word that’s just silly. Practice writing that first piece of dialogue. For example:

SAM. (Pulling the stranger out of the street.) Watch out! Didn’t you see that bus bearing down on you?

JANE. (Clinging to his arm.) No. I wasn’t thinking I didn’t see thank you.

And…

BILL. (Sitting at the steel table.) What the hell am I doing here? What was I thinking visiting a convicted killer?’

And…

VIOLET. (Laughing and clinging to the hand strap.) Slow down, Al! You’re gonna kill us. BUTCH. Shut your pie-hole, Vi. That Sheriff is hot on my bumper.

And…

BRITTANY. (Sitting in a waiting room and muttering.) My first audition since I hit Hollywood and what if I fail?

BRET. (Standing in the doorway.) Ms. Jones? We’re ready for you.

And…

TONY. (Cringing behind his desk.) Don’t read that, Mr. Nelson. The poem’s not finished. JOANIE. (Sighing, murmurs to herself.) He’s so handsome. He doesn’t even see me. I wish I was as pretty as Mary Jane.

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 You have an idea for a play in your mind.  Write down the first idea.  Write two ideas that are different.  Now choose the one that is your best idea.  Ideally, the first few lines of a play should capture the audience from the first utterance. This will launch your writing and your play. 

 Be certain that the main characters are well developed before you get too far into the dialogue (See Section 3.) 

 This is the chapter for ‘character building and character analysis.   Use this chapter to not only develop your characters but to jot down your observations of real people that you’ve seen and heard.

         Listen to people. Notice how they speak; the cadence of their speech, the slang that they use. 

               I can only tell you how my stories come to me.  I’m certain it’s different for everyone.

An idea will pop into my mind.  For several days it will germinate and then it starts to write itself.  When my brain is full of ideas, dialogue, and people I have to sit down at my keyboard and transfer it.

 Do not feel as though you must have a whole script ready to write.  I’d never get anything written if I put that kind of pressure on myself.   My hope is that you find this work book/ journal helpful in that way.

                    Now, write the first few lines of dialogue for your first or newest script here:

“A will finds a way.” Orison Swett Marden

Following each section are blank, lined pages for you to write on, experiment with ideas, and practice dialogue. Each  blank page is embedded with a famous quote to inspire you on the road to becoming a playwright. 

                                                                                                                                            “When I’m hungry, I eat. When I’m  thirsty, I drink.                                                                                                                                                                                   When I feel like  saying something, I say it.” Madonna

                                                                               

“An actor without a playwright is like a hole without a

doughnut.”  George Jean Nathan

 

To See More Pages, Click Here 

 

There’s another journal/handbook for creative writers, covering fiction, playwriting, poetry and much more.

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LOOK Inside

Maybe you journal and are looking for a simple, easy to use journal for your daily entries. Blank, lined pages with inspiring quotes from famous people to keep you writing. 

Look Inside

(MORE)

 

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MY BLOG features INTERVIEWS with  best-selling AUTHORS!    March: Olivia Hawker, April: Dan Sofer, May:  Joram Piatigorsky, June: Mike Maden writing for TOM CLANCY
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The Goodbye Man by Jeffery Deaver ~~ Book Review

reviews, authors, writingreviews, authors, writing5 out of 5 quills   ~~  A Book Review reviews, authors, writingreviews, authors, writingreviews, authors, writing

Most people, who have not been seduced into a cult, are fascinated by them. For example, I find it hard to imagine subjugating myself totally to a ‘family’, a group, a commune of people with one belief. Coming under the spell of one person (usually a man) who preaches whatever just to lure you in. To give up all my worldly possessions, including money (first red flag) and surrendering my mind and soul. 

But death, grief, depression, tragedy, desperation can and does drive thousands of people to hundreds of cults across this country. The Goodbye Man takes the reader into a fictional cult who promises immortality.  Jeffery Deaver weaves a wonderful story with a plot that twists and turns with regularity. He writes with a flare that is slightly scary and causes a pit of fear in the bottom of the reader’s stomach. 

The irony, for me, was I kept seeing Donald Trump in the Deaver’s character, Master Eli (the Leader). The cadence of Eli’s speech, the repetition of certain words, (‘gorgeous’, ‘the best ever’, ‘the best in his class’, etc.) and the lies that no one could fact-check.  When a cult expert was consulted (in the story) they listed the narcissist traits in cult leaders and really!… Donald Trump was all over the page. The parallels were so starkly drawn for this reviewer, I couldn’t help but comment on it. 

Cult Leader                                            Donald Trump
all consuming ego                               all consuming ego
attacks his enemies                              attacks his enemies
lashes out in anger                                lashes out in anger
an absolute belief that he’s always    an absolute belief that he’s always right
right                 
won’t listen to advice or criticism      won’t listen to advice or criticism
paranoid                                                  paranoid
craves worship and adulation            craves worship and adulation

and…sorry, America but….43% of you are in the biggest cult existing in modern history.

I thoroughly enjoyed this read and highly recommend it.  

 

Did you miss my Interview with Jeffery Deaver?
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MY BLOG features INTERVIEWS with  best-selling AUTHORS!    March: Olivia Hawker, April: Dan Sofer, May:  Joram Piatigorsky
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An Interview with Author, Joram Piatigorsky (part 2)

Q. Where/when do you first discover your characters?

JP. Good question. I think I discover my characters in combination with when a story comes to mind. The story usually comes to me by having an idea – almost an image – nothing more, of what I want the story to be about. For example, I had the idea that I wanted to write a story about a man whose favorite activity was standing in line. Crazy, I know. The story is called The Open Door and it’s about a man who lives vicariously hearing the experiences of others in line. That was the character in mind that came essentially with the story idea. He is timid and struggling with the conflict of who he is, himself or a product of everyone else.

The protagonist of my novel, Jellyfish Have Eyes, is an Argentinean scientist who studied jellyfish eyes (yes, jellyfish do have eyes and I have published several research papers on them). My protagonist, Ricardo Sztein, is partly my alter-ego in a world of science, mixed with large doses of fantasy as well as issues about basic science — the world I inhabited for so many years. It’s the classic first novel – one with autobiographical meaning.

The characters from my latest short story collection, Notes Going Underground, are pure fantasy. The character in the title story gives a eulogy to himself as he watches his live body slip into the coffin at his side. He developed as I wrote, and he changed personality a bit this way and that as the story unfolded. This story also includes a question of identity, as well as the fantasy of a porous nature between life and death. So, there is no one way that I create my characters: They are all a part of me, but none completely me. They are also my imagination, and sometimes have a foil for contrast and sharp relief.

Q. What first inspired you to write?

JP. Although a science major at college, I loved literature courses and took quite a few and wrote a bit, ideas and such. While science dominated my life, I still liked writing, so I was prolific writing science. Then, at 46 and fully engaged as a scientist, I started writing a short story on vacation in Maine and loved creating an imaginary world. On returning home, I took writing workshops at The Writer’s Center in Bethesda, MD, kept writing, more and more, and here I am, a writer.

Q. What comes first to you? The Characters or the Situation?

JP. Interesting question. I think the characters come to me first since they are all embedded in me in some form or other and I can’t run away from myself. Then, the story or situations I put them in follow from who they are.

Q. Do you ‘get lost’ in your writing?

JP. Yes, on good days. Sometimes, however, my mind just doesn’t click and it’s a struggle to write anything I like. I think it’s important when that happens to not to push it, when to take a break and do something else. But on the good days, writing is like quicksand. I sink and get absorbed, time suspends, and I forget to take a break now and then. I just write. I love when that happens.

Q. Are you working on something now? If so tell us about it.

JP. I have blogged on my website and on Facebook for the last four years. The blogs are disorganized ideas, free associations in a way, about writing, creativity, personal experiences, Inuit art, whatever. I thought of the blogs as a foundation to expand and develop later. Now I’m at home sheltered in self-quarantine like the rest of the world, which gives me time to do just that. I’m putting together my collected thoughts in organized short essays grouped in themes. It’s coming along. Stay tuned.

Q. When did you begin to write seriously?

JP. I began to write seriously when I returned from a vacation in Maine, where I wrote my first (very) short story. I loved doing that and wanted to continue. However, science still sapped my time when I returned, so I only wrote short pieces now and then, in cracks of time as I called it, nothing with publishing in mind. I also took writing workshops at The Writer’s Center in Bethesda, MD, for about 10 years, until I closed my research laboratory to devote my time to writing. It’s been ten years since then and I keep writing.

Q. Do you think we will see, in our lifetime, the total demise of paper books?

JP. Certainly not in my lifetime (I’m 80!). But I think paper books will continue for a long time. There’s nothing quite like a tangible book that can be held and read. I read electronically from time to time, but I don’t like it. It’s not the same as holding the “real” book. They last generations and are not dependent on the operating system in vogue at the time. I can’t imagine we would have the dead sea scrolls if it were only as an ebook!

Don’t Miss Part 3 of this Fascinating Interview ~~ May 29th
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MY BLOG features INTERVIEWS with  best-selling AUTHORS!    March: Olivia Hawker, April: Dan Sofer, May:  Joram Piatigorsky
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Interview with Author and molecular biologist , Joram Piatigorsky

Joram Piatigorsky penned his first novel, Jellyfish Have Eyes, following a distinguished career in scientific research at the National Eye Institute. He went on to author an autobiography, The Speed of Dark, in which he describes the influence and expectations of his exceptional parents – world-renowned cellist Gregor Piatigorsky, who had escaped the pogroms in Russia, and Jacqueline de Rothschild, a Parisian heiress.

Joram’s parents fled France just days before the outbreak of World War II and weeks ahead of his birth. As the family’s first American citizen, he set out to find his own identity and voice while honoring his heritage, pursuing a career in science and as a writer.

His newest collection of short stories, Notes Going Underground  and an earlier collection, The Open Door, and Other Tales of Love & Yearning  are published by Adelaide Books. Both were illustrated by award-winning Spanish artist Ismael Carrillo.

Q. Where do you write? Do you have a special room, shed, barn, special space for your writing?  Or tell us about your ‘dream’ work space.

JP. I write in my study downstairs surrounded by my Inuit art collection, which energizes me, but also can be distracting. Large windows let the outside in, so to speak, and look out on the lawn, flowering trees (depends on the season) and woods; I see deer roaming, several foxes coming and going, squirrels galore and many types of birds. I don’t need blank space for my imagination to roam and concentrate. My space is what I’m writing.

Q. Do you have any special rituals or quirks when you sit down to write? (a neat work space, sharpened #2 pencils, legal pad, cup of tea, glass of brandy, favorite pajamas, etc.)

JP. I don’t have any special rituals that I follow before or while I write. I do try to keep my desk and surroundings somewhat neat. A messy place tends to make my mind messy too. As for dress: Sometimes I’m in regular clothes, sometimes exercise garb, but not pajamas. I leave those upstairs in my bedroom. Physical discipline helps me, as uninspiring as that sounds. When I start to write I typically go over what I wrote the last few days. The problem is that when I start looking over what I wrote yesterday I can’t help rewriting. That slows my progress, of course, but I can’t help it. I’m always rewriting, even in my mind once it’s published!

Before I quit writing for the day, I often remember what I read Hemingway did: Stop when I have an idea to explore. If I follow that advice, I can play with whatever my ideas are overnight, let them expand or shrink, mature, and I’m not stuck on how to start the next day. It doesn’t always work! Nothing always works.

Q. Could you tell us something about yourself that we might not already know?

JP. Readers of my memoir, The Speed of Dark, know, I never feel fully at home in one world or another. I live in two mental universes. I was conceived in France with my mother Jacqueline de Rothschild, the daughter of the Rothschild French banking dynasty famous for their art collections among other things, and my father Gregor Piatigorsky, the renowned Russian 20th century cellist who lived through pogroms and escaped the Bolshevik Revolution as a teenager. My parents and 2-year-old sister eluded Hitler on September 3, 1939, the day France and England declared war on Germany, and made it to America. Whew, just in time! I was born the first American citizen in my family six months later in upstate New York and raised speaking French before English, with a European outlook. So, to some extent, I feel American in Europe and European in America. It’s not by fluke that my publisher, Stevan Nikolic of AdelaideBooks is Serbian married to a Portuguese woman, lives in New York and Lisbon, and publishes in both places.

My family and lineage were entrenched in art and knew nothing of science, yet I became a research scientist studying evolution and gene expression. Thus, I have always felt split between being a scientist by profession and an artist by temperament and family roots. After 50 years of science I switched to writing fiction, memoir and essays, another world to inhabit where I can express my artistic bent.

Inuit art

So, what else might you not know? Thirty years ago, I fell in love with Inuit art and have amassed a major collection of Inuit sculptures, so add that to my several worlds. And, oh yes, I played tournament tennis in Los Angeles growing up and took that very seriously, so there’s another world I experienced. … As I said: I’m a chimeric person, so to speak.

Q. Do you have a set time each day (or night) to write?

JP. I prefer to write in the mornings when I’m fresh and my mind works better. Later in the afternoon is less productive for me, but I still often trudge on anyway.

Q. What’s your best advice to other writers for overcoming procrastination?

A. I hesitate to advise writers about procrastination or anything else, since, when I give advice, I’m really telling what has worked for me, not what they should do. And what do I do about procrastination? I force myself to write. Procrastination for me usually means I let other things interfere with my writing, so I do my best to put writing first and procrastinate the other stuff. I believe that procrastination often reflects that I don’t know what to write, not that I don’t want to write, so I’ll start and let the work bring the muse rather than have the muse stimulate the work. When I’m stuck in front of a blank screen, I’ll write something, almost anything, to get going and often keep at it even when I know it’s not quite right.

Q. Where/when do you first discover your characters?

Join us for part 2 of this Interview on May 21th
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MY BLOG features INTERVIEWS with  best-selling AUTHORS!    March: Olivia Hawker, April: Dan Sofer, May:  Joram Piatigorsky
To receive my posts sign up for my 

  On the home page, enter your email address.  Thanks!

 

 

 

 

 

Interview with Author, Dan Sofer (part 2)

Q. When did you begin to write seriously?

DS. Fifteen years ago, I decided to take my writing hobby more seriously. I bought books on writing craft, followed blogs of authors and literary agents, and devoted more time to writing.

Q. How long after that were you published?

DS. About four years later, I sold a short story to a print journal in the US. That gave me the confidence to work on my first novel, which took another seven years.

Q. Do you think we will see, in our lifetime, the total demise of paper books?

DS. I don’t think paper books will disappear in the foreseeable future, but the bulk of readers might move to digital formats. Audiobooks are on the rise, and so I’ve produced an audiobook for my new novel, Revenge of the Elders of Zion, read by the insanely talented Audi Award-winning narrator, Tim Campbell.

Q. What makes a writer great?

DS. Writers can be great in many ways. I find the authors I love have emotional intelligence and a subtle sense of humor.

Q. and the all-important: What does the process of going from “no book” to “finished book” look like for you?

DS. First, I write the novel concept, or “premise”, as a single sentence. I list the ideas, memorable scenes, and themes I’d like to include. After some years of writing, I discovered that this is a good time to write the book description or back-cover blurb. This helps make sure the concept will grab readers.
Then, I plan the structure of the main story arc. At the same time, I sketch out the motivation of the characters, their flaws, and arcs. I flesh the story out into a list of scenes and a two-page synopsis. By the time I start writing, I have a good idea of the story content. The writing flows faster, but there’s still room for characters and events to surprise me. Once I’ve raced through the first draft, I take a break, put the manuscript aside for a few weeks, and then return to the “real” writing, the editing.

Q. How has your life experiences influenced your writing?

DS. Life experiences have deeply influenced my writing, from generating story ideas, to identifying with character motivations and relationships.

Q. What’s your down time look like?

DS. When I’m not writing and working (still have the day job), I spend time with my family, exercise at the gym, and of course, read a lot!

Q. Have you or do you want to write in another genre`?

DS. My earlier novels are comedy thrillers with some magical realism: A Love and Beyond and the Dry Bones Society series (“An Unexpected Afterlife,” “An Accidental Messiah,” and “A Premature Apocalypse”).
My new novel is a comedy thriller without fantasy elements, Revenge of the Elders of Zion.
But I’m working on a psychological thriller and have story ideas for a bunch of other genres. So many genres, so little time…

Note to Self: (a life lesson you’ve learned.)

DS. Focus. Don’t spread your time and energy too thin. We don’t live forever.

Did you miss part I of this interview?
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MY BLOG features INTERVIEWS with  best-selling AUTHORS!    March: Olivia Hawker, April: Dan Sofer, May:  Joram Piatigorsky
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Interview with South African Author, Dan Sofer

TS. Born and raised in South Africa, Dan moved to Israel in 2001. Most of his novels to date take place in Jerusalem, where he lived for seven years. Dan now lives near Tel Aviv with his wife and two daughters. “Currently, we’re all isolated in our apartment as a result of the coronavirus pandemic. Wish us luck!”

Q. Where do you write? Do you have a special room, shed, barn, special space for your writing?  Or tell us about your ‘dream’ work space.

DS. The short answer: wherever and whenever possible. I write at my laptop either in our computer room (otherwise known as our “mess” room) or at the dining room table. I’ve been known to jot down story ideas on my phone too. One day I hope to graduate to a coffee shop with good Wi-Fi and great coffee.

Q. Do you have any special rituals or quirks when you sit down to write? (a neat workspace, sharpened #2 pencils, legal pad, cup of tea, glass of brandy, favorite pajamas, etc.)

DS. I start with a cup of coffee. On good writing days, the coffee is cold by the time I look up from my manuscript.

Q. Could you tell us something about yourself that we might not already know?

DS. I went scuba diving with Tiger sharks in Mozambique. (Unintentionally!)

Q. Do you have a set time each day (or night) to write?

DS. I’m a morning person. I get up early to write before life gets in the way.

Q. What’s your best advice to other writers for overcoming procrastination?

DS. Write first, do the rest later.

Q. Where/when do you first discover your characters?

DS. My characters develop along with the plot. I take my time getting to know them. Only rarely have I based a character on a person I know.

Q. What first inspired you to write?

DS. Imagination. My first novel, A Love and Beyond, developed from a first date in Jerusalem. The restaurant in a renovated Ottoman-era building had an almost mystical atmosphere at night, and I wondered whether a place could make people fall in love.

Q. What comes first to you? The Characters or the Situation?

DS. The situation comes first, the characters develop from the needs of the story.

Q. Do you ‘get lost’ in your writing?

DS. Definitely! When writing, I shut out everything around me and often daydream about story situations and issues.

Q. Are you working on something now? If so tell us about it.

Available May 12th. Preorder Now!

DS. My new novel, Revenge of the Elders of Zion, is releasing on May 12, 2020.

Synopsis: In Manhattan, David Zelig decides to create a Jewish secret society based on the Elders of Zion myth. The Gentiles already think the Jews run the world; at least now a Jewish cabal might prevent the next synagogue shooting. When older and wiser community figures reject his proposal, the restless young heir of Zelig Pictures moves forward on his own. Along with two of his childhood friends—a high-strung hi-tech entrepreneur and a self-centered playboy—David establishes The Trio. But running a clandestine organization is harder than David had expected. And far more dangerous. Soon, the fledgling covert group falls into the cross hairs of some very real and very ruthless secret societies. And when law enforcement gets involved David’s well-meaning plan quickly spirals out of control. Struggling to stay alive and out of prison, the friends debunk The Protocols of the Learned Elders of Zion, chase a priceless collection of Fabergé eggs, expose the dark secrets of Imperial Russia, and acquire a very embarrassing relic from the dawn of Christianity. Along the way, David will fall in love and uncover a complex web of conspiracy. He will discover the devastating cost of hatred and confess the true reason he created his secret society. To overcome painful injustices and prevent the most devastating anti-Semitic attack ever plotted on American soil, David will risk everything.

Q. When did you begin to write seriously?

Come back and join us with Part 2 on April 24th

To learn more about Revenge of the Elders of Zion, visit:
http://dansofer.com/revenge-of-the-elders-of-zion/?tag=pr

Special Offer:   Dan’ll be giving away over $500 in Amazon gift cards and merchandise for the launch. For details on how to enter, visit:
http://dansofer.com/giveaway-revenge-of-the-elders-of-zion/?tag=pr
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MY BLOG features INTERVIEWS with  best-selling AUTHORS!    March: Olivia Hawker, April: Dan Sofer, May:  Joram Piatigorsky
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Books by Trisha Sugarek

How To Fill Your Time….Ward Off Cabin Fever (4 of 4)

You’ve been cooped up for weeks now….trying to fight off  ‘cabin fever‘ which is a real thing.  The term originated during the long, confined dark winters in the Yukon and Alaska during the turn of the 19th century.  Gold miners and fur trappers would be confined to their cabins for months on end. Usually with their business partner, another male, (seldom was a woman around during these early days of panning and trapping.) The hardiest of these men would go slightly crazy and had even been known to kill their partner in a fit of crazed rage. 

Another writing exercise I would like to suggest is to write a letter to your dad, mom, your child. Write the truth. It might even spark the beginnings of a story as you remember the good times, the hard times growing up, the view of a new world through your child’s eyes. 
Cabin fever sparked the trivia part of my brain as I remembered this little snippet of fact and started me writing this post.

Did you miss the rest of this series? 
Self-Isolated. What Do You Do with All this Time?
What To Do with Isolated Time. Write a Short Story
What To Do with all Your Isolated Time? Journaling
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MY BLOG features INTERVIEWS with  best-selling AUTHORS!    December: Dervla McTiernan – January: David Poyer, March: Olivia Hawker, April: Dan Sofer 
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  Books by Trisha Sugarek

Ideas to Fill The Time….Writing

You’ve been  self-quarantined for weeks now…..Running out of ideas to fill your time?

Try writing something!

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Did you read these most recent posts?

Self-Isolated. What Do You Do with All this Time?

What To Do with Isolated Time. Write a Short Story

What To Do with all Your Isolated Time? Journaling

Some ideas on how to start and keep writing. We all have at least one story inside us. Why not try?
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MY BLOG features INTERVIEWS with  best-selling AUTHORS!    December: Dervla McTiernan – January: David Poyer, March: Olivia Hawker, April: Dan Sofer 
To receive my posts sign up for my 

  On the home page, enter your email address.  Thanks!

 

 

 

Books by Trisha Sugarek