Archive for the Category » How To Write a Play «

A Slice of Time….How to Write a Ten Minute Play

I always see the script (for a 10 minute play) as a slice of time. ‘I Can’t Breathe’ was a slice of time before the event that prompted me writing the play. ‘Parkland Requiem’ was during  the event, that is the massacre that happened at Parkland’s high school. We all know what happened immediately after the shooting and not much before the shooting other than it was a normal day of  families getting ready for the day and hopeful young people hurrying off to school. 

For me, the writer, it’s like walking into a room where people are having a conversation (without you) and you are plunged into the story from there.

None of the rules of writing change when writing a ten minute play, just because it’s short. You must still have a beginning, an arc, and an ending(of sorts). You have to introduce the characters through dialogue quickly and concisely. You must attract the empathy of the audience with record speed. Remember, you only have ten minutes.

How do I know when I have ten minutes? Here’s some tips: The typical rule is a page equals one minute.  If a page is heavy with blocking, (movement) it will usually go longer than a minute. If you have a page that is solid with dialogue and movement you can rely on the 1 page = 1 minute. And leave lots of white space; an actor will need some space to write in blocking, from the director, and notes while in rehearsal. 
 

Check out my many “Motivational Moments for Writers” in past posts. 
Want to try your hand at writing a ten minute play? This journal is a great place to start. 
Want to see more of my ten minute plays? Click here 

Do you need help Formatting a Novel? 
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My weekly BLOG features INTERVIEWS with  best-selling AUTHORS!   May:  Joram Piatigorsky, June: Mike Maden writing for TOM CLANCY. July: Guest Blogger Desiree Villena, August: Carolyn Brown
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Guest Blogger, Desiree Villena, Addresses Writer’s Block (conclusion)

The last two steps to combat writer’s block :

…………In a brief, it’s expected that you provide a synopsis of your book, as well as highlight any important visual elements within it. Don’t be afraid to play around with this! For example, if your project involves an epiphany, a revelation, or solution to a mystery, a cryptic cover that features a clue could be a way to “wink” at readers who have read the book and now understand the hint. Similarly, if an object plays an important role in your story (think of the cut-glass bowl in F. Scott Fitzgerald’s short story ‘The Cut-Glass Bowl’, for example), you should let your designer know about it, as they can brainstorm cover ideas that involve this object.
This is an entertaining and creative exercise to do when facing writer’s block because you’ll see certain aspects of your story in a fresh way after trying to synthesize your plot from a visual perspective. Envisioning a potential book cover for your project is guaranteed to motivate you —
not to mention it’ll probably come in handy later!

“Procrastination is unprofessional and a heinous habit…. If you are not a self starter or you cannot find it in yourself to show up for work on your own and deliver on time you should not pursue a writing career.” ~~Dorothea Benton Frank

#3.    Describe your reader avatar. In marketing lingo, a ‘reader avatar’ is your ideal, perfect reader. It’s a notion that every book marketer will remind you to consider as you narrow down possible target markets. For example, the perfect reader of Roald Dahl’s Matilda could be a bookish, moral, and playful child (just like the protagonist) or an English teacher, parent, or relative who encourages children to read and study hard for school. Once you’ve dreamt up your reader avatar, try experimenting with this “character” in a writing exercise! Narrate an ordinary day in their life, write a dialogue between your reader avatar and a friend, or try some poetry in the form of a dramatic monologue and see what their voice sounds like. Getting to know this avatar is a great chance to practice your characterization and dialogue skills, while also keeping them in mind for when the time comes to reach out to them! 

“Stop procrastinating! Okay, serious answer: Remind yourself that your book isn’t going to write itself. It doesn’t do you any good to sit around dreaming up every single detail of your plot and all the action and every line of dialogue. You’ll forget most of what you dream up, anyway, unless you write it down, and if you’re going to write down notes, you might as well just write the damn story.” ~~ Olivia Hawker 

#4. Write a review for a similar book.
If you really need to escape your project, you might even read another book in your genre and distill your thoughts in a review. You don’t have to publish it if you don’t want to, but do consider making it public since all writers appreciate getting a book review. Reading someone else’s work can be a uniquely revitalizing experience for a tired mind, and if their project is somewhat similar to yours, you might find yourself inspired to return to your work in progress. As for the writing part, it’s one of the best ways to support other writers and still train that word-generating part of your brain! Every piece of writing is an opportunity to structure your thinking with eloquence, so no writing effort ever goes to waste. No matter what you find yourself writing in your attempt to move past writer’s block, as long as you’re producing words, you’ll soon find your way through. Hopefully these four writing tasks can renew your excitement for crafting your book, while also inspiring you to think about its future marketing prospects. The key is to just keep going, one word at a time. Don’t lose hope!

Did you miss part 1?

 More good information, click here
Additional post about writer’s block
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My weekly BLOG features INTERVIEWS with  best-selling AUTHORS!   May:  Joram Piatigorsky, June: Mike Maden writing for TOM CLANCY. July: Guest Blogger Desiree Villena, August: Carolyn Brown
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New Short Play, I Can’t Breathe, for Teens

AVAILABLE NOW! 
I Can’t Breathe  ©

I have just completed writing a new, ten minute play for the classroom and teens about the protests in our streets and the murder of George Floyd. 

Synopsis: Jorge, a young black man is asked to teach a social studies class by his teacher. What it’s like to live the black experience. Only to become a victim, himself, later that same day. Driving home from school he is stopped by cops for a traffic infraction. It quickly turns deadly.

Sample:

At Rise: The interior of a car.

            (JORGE is driving HIS small SUV down a   neighborhood street, at a reasonable speed. Blue lights         erupt in HIS rearview mirror.)

 

                                                    JORGE

Oh crap. (He talks to himself.) I wasn’t speeding….was I?

            (JORGE pulls over and watches in HIS side  mirror as a white COP walks from HIS squad car towards JORGE’s car. JORGE starts  reciting everything his mom told him to do in case HE’s  pulled over.)  

                                                                                                                                                           JORGE

Be polite. ‘Yes, sir’, ‘No, sir’. Don’t argue, don’t resist. Be polite whatever happens.

 

            (The COP arrives at the driver’s side window. HE taps on the closed window.)

 

                                                                                                                                                      JORGE   (Rolling down the window.)

Good afternoon, Officer.

 

                                                                                                                                                       COP

Reason why you didn’t stop when I lit you up?

 

                                                                                                                                                  JORGE

I did….sorry, sir. No reason, sir.

 

                                                                                                                                                    COP
License, registration, proof of insurance. Who’s the vehicle belong to?

 

                                                                          JORGE
                             (Scrambling to get the documents out of the glove box.) 

My mom, sir.

                                                                                                                                                   COP

What are ya?⸺a wise ass⸺with all the ‘sirs’?

 

                                                                                                                                                 JORGE

No, s….no, officer. I’m not.

                                                                                                                                                    COP
                                                                                                                   (Grabbing the door handle. It is locked.) 

Step outta the car.

                                                          JORGE
                       (Getting scared. Forgetting everything HIS mom ever told HIM.)

Why?

                                                                                                                                                  COP

Unlock the door and step out…NOW!
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Storytelling….. (Nostalgia series)

I was reading a particularly good story (Brave Girl, Quiet Girl by Catherine Ryan Hyde)  the other day and it set me to wondering;  when was my first memory of a story being told to me. The very first one? I must have been three or four when I first heard of Cinderella. Many stories were told orally by my mother.   It’s really amazing how many fairy tales she knew by heart. I believe that began my life-long-love of story telling.  When I got a little older, my mother went on to tell me hundreds of stories about her five sisters and their growing up in the woods of Tumwater, Washington.  (Wild Violets)

At about age eighteen my sister gave me three books by Erich Maria Remarque. I don’t remember why those particular books, or why that author. Arch of Triumph, A Time to Love and A Time to Die, and All Quiet on the Western Front. (First Editions, copyright 1954) I wasn’t a reader of books; a typical teenager who got plenty of assigned reading in high school left no time for pleasure reading. Sigh. I can’t believe I was ever of that mindset!

 I had idolized my big sister since birth and wanted to please her in all things so I began reading the first book. I was enthralled with the writing and the story. Sixty years later I still have those books; From that moment on I have always had a book in my hands. 

There came a time when I felt I should try my hand at ‘storytelling’.  Writing plays at first. Telling a story in less than 100 pages. It came so naturally. Friends who read my plays wanted more of the stories; fleshed out as it were. (What happened to the characters after the play was over; what were their lives like before the play began?) and they insisted I expand the stage play into a full length novel. Which, even though it took me years of labor, I did. 

As I lived my life I was always the one who sought out stories. I never tired of my mother’s tales about her and her sisters and what hellions they were. My own library of books grew and grew.  Walls  of books.

Around 1994, I sat down and wrote my first stage play…and as they say…the rest is history! By this time I had read hundreds of scripts (during my acting career)  so I found it extraordinarily easy to write in that format. It certainly sharpened my skills at writing dialogue. Along the way, I discovered that ten minute plays were very popular and for me, easy and fun to write. 

In another life I must have been a forensics detective because, as a hobby, I love murder, gore, forensics and clues. Characters come first for me when writing and one day Detectives Jack O’Roarke and Stella Garcia popped into my head. They were fully formed and rarin’-ta-go!  (World of Murder).

My advice to writers? If you’re just starting out, tell a story you know . You can always research a topic that you don’t know anything about but your writing will take longer, because you must get it right.  Keep writing!

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MY BLOG features INTERVIEWS with  best-selling AUTHORS!    March: Olivia Hawker, April: Dan Sofer, May:  Joram Piatigorsky, June: Mike Maden writing for TOM CLANCY
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Look Inside ~~ How.To.Write.A.Play/Journal

                                                                                   Introduction

I created this journal/workbook to encourage other playwrights to pursue their dreams.  It doesn’t matter that you are just beginning your journey as a writer. Whatever your level of writing may be I have tried to create a journal for the playwright inside all of us. Perhaps you have been journaling for years and want to try your hand at a stage script.  Or you are a more experienced writer and need a little inspiration to get you started on your next project. Regardless of your experience, I hope you find this journal encouraging and a safe place to store your characters, your story outlines, and your private ideas for future plays.

Only when I began to write seriously did I come to realize that I had been writing my entire adult life.  But back then I considered it just ‘scribbling’. 

A thought I didn’t want to forget, or a feeling I had to capture.  Or a phrase that I was inspired by. I have written over fifty plays of all lengths. 30 of these are short, often ten minute, plays for teens in the classroom. No sets, no props, no costumes. Being an actor and then a director (in a past life) I have read hundreds of scripts and I urge you to do the same. It’s great research on being a better playwright.

But most important, have fun. Stop to enjoy the process. You will stumble and fall. If you write something that is bad, remember, that’s what re-writes are for!   

                                                              Table of Contents

                          Section 1…How to Begin…                                                           

                          Section 2…How to Write a Play…                                          

                          Section 3…Creating Rich Characters…                             

                         Section 4…Story Telling                                                           

                          Section 5… Protagonist, Antagonist, Conflict  

                          Section 6… How to Block…                                                   

                          Section 7… Snappy Dialogue…                                            

                          Section 8… Set Design…                                                         

                           Section 9… Formatting your Play…                                  

                         Section 10.… Terminology…                                   

 

 

The difference between the right word and the nearly right word is the same as that between lightning and the lightning bug.

Mark Twain

How to Begin

   To stare at a blank page or screen this is the scariest thing of all and sometimes causes a writer to give up before they have begun. Ray Bradbury said, “Writing is supposed to be difficult, agonizing, a dreadful exercise, a terrible occupation.”   Forget for a moment about writing a Tony award winning stage play. Begin with the first outline of your story.  Don’t let people tell you it starts with the first word that’s just silly. Practice writing that first piece of dialogue. For example:

SAM. (Pulling the stranger out of the street.) Watch out! Didn’t you see that bus bearing down on you?

JANE. (Clinging to his arm.) No. I wasn’t thinking I didn’t see thank you.

And…

BILL. (Sitting at the steel table.) What the hell am I doing here? What was I thinking visiting a convicted killer?’

And…

VIOLET. (Laughing and clinging to the hand strap.) Slow down, Al! You’re gonna kill us. BUTCH. Shut your pie-hole, Vi. That Sheriff is hot on my bumper.

And…

BRITTANY. (Sitting in a waiting room and muttering.) My first audition since I hit Hollywood and what if I fail?

BRET. (Standing in the doorway.) Ms. Jones? We’re ready for you.

And…

TONY. (Cringing behind his desk.) Don’t read that, Mr. Nelson. The poem’s not finished. JOANIE. (Sighing, murmurs to herself.) He’s so handsome. He doesn’t even see me. I wish I was as pretty as Mary Jane.

                       ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

 You have an idea for a play in your mind.  Write down the first idea.  Write two ideas that are different.  Now choose the one that is your best idea.  Ideally, the first few lines of a play should capture the audience from the first utterance. This will launch your writing and your play. 

 Be certain that the main characters are well developed before you get too far into the dialogue (See Section 3.) 

 This is the chapter for ‘character building and character analysis.   Use this chapter to not only develop your characters but to jot down your observations of real people that you’ve seen and heard.

         Listen to people. Notice how they speak; the cadence of their speech, the slang that they use. 

               I can only tell you how my stories come to me.  I’m certain it’s different for everyone.

An idea will pop into my mind.  For several days it will germinate and then it starts to write itself.  When my brain is full of ideas, dialogue, and people I have to sit down at my keyboard and transfer it.

 Do not feel as though you must have a whole script ready to write.  I’d never get anything written if I put that kind of pressure on myself.   My hope is that you find this work book/ journal helpful in that way.

                    Now, write the first few lines of dialogue for your first or newest script here:

“A will finds a way.” Orison Swett Marden

Following each section are blank, lined pages for you to write on, experiment with ideas, and practice dialogue. Each  blank page is embedded with a famous quote to inspire you on the road to becoming a playwright. 

                                                                                                                                            “When I’m hungry, I eat. When I’m  thirsty, I drink.                                                                                                                                                                                   When I feel like  saying something, I say it.” Madonna

                                                                               

“An actor without a playwright is like a hole without a

doughnut.”  George Jean Nathan

 

To See More Pages, Click Here 

 

There’s another journal/handbook for creative writers, covering fiction, playwriting, poetry and much more.

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LOOK Inside

Maybe you journal and are looking for a simple, easy to use journal for your daily entries. Blank, lined pages with inspiring quotes from famous people to keep you writing. 

Look Inside

(MORE)

 

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MY BLOG features INTERVIEWS with  best-selling AUTHORS!    March: Olivia Hawker, April: Dan Sofer, May:  Joram Piatigorsky, June: Mike Maden writing for TOM CLANCY
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How To Fill Your Time….Ward Off Cabin Fever (4 of 4)

You’ve been cooped up for weeks now….trying to fight off  ‘cabin fever‘ which is a real thing.  The term originated during the long, confined dark winters in the Yukon and Alaska during the turn of the 19th century.  Gold miners and fur trappers would be confined to their cabins for months on end. Usually with their business partner, another male, (seldom was a woman around during these early days of panning and trapping.) The hardiest of these men would go slightly crazy and had even been known to kill their partner in a fit of crazed rage. 

Another writing exercise I would like to suggest is to write a letter to your dad, mom, your child. Write the truth. It might even spark the beginnings of a story as you remember the good times, the hard times growing up, the view of a new world through your child’s eyes. 
Cabin fever sparked the trivia part of my brain as I remembered this little snippet of fact and started me writing this post.

Did you miss the rest of this series? 
Self-Isolated. What Do You Do with All this Time?
What To Do with Isolated Time. Write a Short Story
What To Do with all Your Isolated Time? Journaling
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MY BLOG features INTERVIEWS with  best-selling AUTHORS!    December: Dervla McTiernan – January: David Poyer, March: Olivia Hawker, April: Dan Sofer 
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  Books by Trisha Sugarek

Ideas to Fill The Time….Writing

You’ve been  self-quarantined for weeks now…..Running out of ideas to fill your time?

Try writing something!

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Did you read these most recent posts?

Self-Isolated. What Do You Do with All this Time?

What To Do with Isolated Time. Write a Short Story

What To Do with all Your Isolated Time? Journaling

Some ideas on how to start and keep writing. We all have at least one story inside us. Why not try?
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MY BLOG features INTERVIEWS with  best-selling AUTHORS!    December: Dervla McTiernan – January: David Poyer, March: Olivia Hawker, April: Dan Sofer 
To receive my posts sign up for my 

  On the home page, enter your email address.  Thanks!

 

 

 

Books by Trisha Sugarek

  

 

 

What To Do with all Your Isolated Time? Journaling

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Journaling. Do you journal already?  Have you ever thought of journaling? 

The freedom journaling allows you is exhilarating. You can write anything!  Your thoughts for the day. Your fears (about this terrible virus) that you don’t want to share with your family. After all, you’re the strong one, right?  You can make up recipes that you want to try. You can make an outline for a story you want to write. You can try your hand at a little poetry. See? Anything. 

If you’re new at writing, begin by writing your thoughts down. Don’t be judgey. No one’s going to see what you write. Write a story based upon a story from your grandmother or dad. If you’re a new writer, it’s probably going to be bad. You’re not alone. My first stage play that I wrote was pretty awful. My first draft of my first novel was way bad. 

But practice truly does make perfect.  Editing and rewriting and the delete key are really what makes your writing good if you are trying your hand at creative writing. 

If you are journaling in the real sense then there is no “bad”.  Everything you write is good because it comes from you. It frequently takes a load off your mind and your heart.  Write a little something every day. It frees you to express yourself in a safe place that no one sees unless you want to share.

Note to self: Don’t leave your journal laying around if you live with other people. Find a nice safe hiding place for the most private book that you own.

This is a series of three posts about your isolated time and how to fill it. Click here

I have created a series of Journals for different kinds of writing. Click here
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MY BLOG features INTERVIEWS with  best-selling AUTHORS!    December: Dervla McTiernan – January: David Poyer, March: Olivia Hawker, April: Dan Sofer 
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  Books by Trisha Sugarek

 

What To Do with Isolated Time. Write a Short Story

I hope you and your loved ones are still staying at home; the best way to avoid catching the virus or spreading it unintentionally. I know it’s boring and scary but we must do it to stem the transmission of this horror virus.

Now about writing; you’ve maybe pictured yourself as one of those who will write a novel “when you find the time”. I know many people who have said this to me when they find out I’m a published writer. I believe that every one has at least one story in them. 
The buyer of a book (in the store or online) take three steps to determine to buy or pass.  They see the cover…hmm..this looks interesting. They flip to the back cover where there is most likely a synopsis of the story. Then the buyer flips to the first page of the story. IT BETTER BE GOOD!  Because that’s your last chance to make them buy your book. The first line of your story needs to grab them. Here’s a list of examples, using all genres. 

‘As I crossed the street I didn’t see the bus bearing down on me. I heard someone scream.’

‘I sat in the prison waiting room about to interview a convicted killer. What would he say to me? More importantly what would I say to him. I’d never met a murderer before. 

“Slow down, Al,” Vi screamed and laughed from the back seat. “You’re gonna kill us.”

‘My first audition since I hit Hollywood and what if I fail?’ Cold sweat slid down my spine. My eye twitched. ‘Next!’ A hard voice called out. 

‘The teacher grabbed my math work book and, marching to the front of the room, read my poetry aloud.’

‘As the saloon doors creaked back and forth, the trail weary cowboys backed away when they saw him saunter in.’

“Mother must be spinning in her grave,” Kitty muttered, as her chauffeur drove up the long driveway to the main entrance of the State Prison.

‘A large scaly head rose out of the muck. Dirty algae hung from the mouth, caught in its large teeth. A single cold,  green eye with dirty yellow flecks in it, stared at me.’ 

Excerpt from Winter of Murder  ©  (first page of the new mystery; I think it grabs the reader.)

“What?” Stella gasped.
“Where?” Raul, her husband, demanded.
“Alaska.” R.J., their first born had just informed his parents that he was going to Alaska for six months. Maybe longer.
“It’s a great opportunity, Dad. Not many internships are offered by this company, especially when I’m not going for a major in geology but to study the impact the mining industry has on spawning salmon.”
“My God. Alaska.” Stella whispered. Being a murder cop in New York City she was not shocked by much but this had certainly knocked her back. “So far.”
“How are you going to live? I hear it’s expensive up there.”
“I get a stipend. Meager but it will buy my necessities. Room and board are provided.”
“I guess we could find the money for your airfare.” Raul always supported his sons in everything they did.
“Not a problem, Dad. I’ve been saving and I’ve already purchased my ticket.”
“R.J! You’re going regardless of what we might have said?”
“Mi amor, R.J.’s a young man now, not your little boy. He’s of age and can go anywhere he can afford to go.” Raul kissed his wife’s temple.
“But, Alaska. And to a rough mining camp? I don’t like this.”
“Mom, it’s no rougher than some of the streets right here in Queens. And look what you do. I’ve spent my whole life wondering if you would be coming home each night.”
“Did you? Wonder? Oh R.J., we tried so hard to insulate you boys from the dangers of my job.”
“We weren’t stupid, Mom. Robbie and I both knew some crackhead could kill you.”
Stella eyes filled with tears. Partly for what her son was disclosing but partly because this beautiful, tall, lean young man before her was her son. And he was leaving for Alaska.
“Mi mujer Policía, it will be fine. Now that I think about it, it is a rare opportunity. To study his beloved sea creatures far inland. I hear the scenery is spectacular.
“When do you go?” Stella asked.
“Next week.”
“So soon.”
“Yes. But, I’ll be back before you know it, Mom. It’s only six months. The time will fly.”
“For you maybe.” Stella sighed. 

The same rules apply here, you have to create rich characters, an arch to the story and a resolution. With a short or long story, you have the liberty to write description for pages and pages. That’s not my favorite type of book; I much prefer snappy dialogue. But that’s probably because I write more dialogue than description. A story does not have the ‘time’ limitations that a stage play has. 

I write out of sequence frequently when writing fiction.  I may be in the middle of the book when the concluding chapters come to me. Especially the Epilogue. So I write it. Why not? I can always edit it. 
Example: (The chapter title lets me know that I created this chapter but won’t be certain where it fits in the story, if I use it at all.)

Sample: New Chapter ??? (c)

Gwendolyn Baxter sat at her desk, her chin in her hand. She had been the student counselor at Bayard for the past eight years. She listened attentively to the woes of a fifteen year old teen seated across from her. Her parents were stupid. Her teacher didn’t understand her. She couldn’t get a boyfriend. She knew her lover would love the looks of this girl. Tall, willowy, blond. Olivia.
“I know how it is with parents. Always on your back about something. Right?”
“You don’t know the half of it.” Olivia sneered. “If it isn’t my grades it’s the length of my skirt. Jeez.”
“Do both your parents work, Olivia?”
“Yes. Sometimes my mom doesn’t get home until late. I have to cook my own supper.” She sighed.
“How are your grades?”
“Average of a B minus. But that’s not good enough for them.”
“That’s pretty good. What’s their problem?”
“Who knows?” Another deep sigh.“Listen, a friend of mine and I are having a little afternoon get-together today. Why don’t you come? His house is just blocks from here.
“Oh, I don’t know⸺”Olivia hesitated.
“He’s very rich and always has gifts for his guests. It’s so lit. Grace is coming.”
“Grace Stern?”
“Yes.”
“We’re friends.”
“She always has a good time. Last week Geoff gave her some Gucci sneakers.”
“Really? That’s straight fire.”

Tune in for Thursday’s post, How To Journal
Did you miss part 1 of this series?
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MY BLOG features INTERVIEWS with  best-selling AUTHORS!    December: Dervla McTiernan – January: David Poyer, March: Olivia Hawker, April: Dan Sofer 
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Self-Isolated. What Do You Do with All this Time?

First of all…how are you all doing?  I’m thinking of my readers during this terrible, scary time. The safest thing for you all to do is self-isolate. That’s what I’m doing….I’ve been in my house for three weeks, seeing no one, going nowhere. My groceries are delivered…I spray them down before I touch them or put them away. 

FACT: Refrigeration doesn’t kill the virus.  Did you know the coronavirus can live in your freezer for two years?

What can you do with all of this time that you suddenly have?  Maybe start to write that short play or story that you have rattling around in your head. Now you have the time and quiet to begin writing.  Or perhaps you received a journal, as a gift, and never started writing in it. 
Here are some fun (and helpful, I hope) tips on how to BEGIN.

How To Write A Short Play
Picture walking into a room with three to five people. They are talking and you are walking into the middle of that conversation. That’s how you write a ten minute play or a short play.  You should know these people, how they express themselves, what they’re passionate about.  
Example: 

                                                     GWEN (Whispers.)  © 
Here she comes now.

                                                       SUE
 Look at her…she’s so stuck up.

                                                        GWEN
Who does she think she is?

                                                        SUE (Sarcastic.)  
Big shot on campus…just because she was first draft at the cheerleading try-outs.  I heard she was on the competition team at her last school. Took state.

                                                        GWEN
That’s just a rumor.  I personally don’t think she’s all that good.

                         (BRIDGETTE has gotten close enough to the girls to smile.  HER smile dies when SHE realizes that THEY are talking about HER. SHE                                    averts  her head and walks on by. The GIRLS whisper  just loud enough to be heard.) 

                                                           SUE 
Ice Queen! 

                                                         GWEN 
Like, so cold. The blond ice berg.

                                                          SUE
Look at her….she thinks she’s all that.

(Now. For this exercise, you, the writer, are Amanda. You walk into the middle of a conversation.)

                                                         AMANDA (Entering.)
Hi. What’re you talking about?

                                              SUE
That new girl…Bridgette. She’s so stuck-up. 

                                             GWEN
So stuck up, I can’t believe it. She’s not even pretty.

                                              AMANDA
Well, I wouldn’t say…

                                                     SUE (Cutting her off.)
You know, Debbie lost her spot on the team because of that (Aiming the word at Bridgette.)  beee-ach!

                                                             GWEN (Slightly shocked) 
Sue!

                                                               SUE
Well, she did.  And Debbie’s my friend and I don’t appreciate someone nobody even knows, ruining Debbie’s chances to cheer this year. 

                       (BRIDGETTE continues past, and at a  
                         fast walk, exits. The
GIRLS’ voices  follow HER.)

                                                             GWEN
She’s got no friends. 

                                                              SUE
Well, duh, she’s stuck up.  Doesn’t talk to anyone.

                                                        AMANDA
I’ve talked to….

                                                  GWEN (Interrupting.)
Just ‘cause she’s tall and blond and skinny doesn’t give her the right to look down on all of us.

                                                                SUE
Yeah, who does she think she is anyway?
                                                                                                       ~~~~~~~~~~~~~~~~

I can almost promise you that your characters and their dialogue will sweep you down the river of words. It happens to me all the time.  Your ten minute play can go over (12-15 minutes) without much complaint from anyone. You must have an arch and a resolution even though it’s very short. If you find you cannot do this you can create a one act play. About 40 pages.  This excerpt is from a best selling (ten minute) play of mine titled Mean Girls. The play is basically about a form of bullying.  The arch occurs when the mean girls allow Bridgette a chance to join them. The resolution (and end) is they find that Bridgette is not stuck up at all but just very, very shy. 

Tune in for more about writing short stories, journaling and being creative during this stressful time.  Tuesday I’ll blog about writing a short story and Thursday I’ll write about journaling.
Note: I apologize. Word Press doesn’t always hold my formatting. I’m looking into it.  
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MY BLOG features INTERVIEWS with  best-selling AUTHORS!    December: Dervla McTiernan – January: David Poyer, March: Olivia Hawker, April: Dan Sofer 
To receive my posts sign up for my 

  On the home page, enter your email address.  Thanks!